Oscar winners Robert De Niro Robert Duvall play brothers the Reverend Desmond Spellacy and Tommy Spellacy who are drawn together after many years apart in this tale of murder and sibling rivalry...
From acclaimed director Mike Leigh, Peterloo is an epic portrayal of the events surrounding the infamous 1819 Peterloo Massacre, where a peaceful pro-democracy rally at St Peter's Field in Manchester turned into one of the bloodiest and most notorious episodes in British history. The massacre saw British government forces charge into a crowd of over 60,000 that had gathered to demand political reform and protest against rising levels of poverty. Many protesters were killed and hundreds more injured, sparking a nationwide outcry but also further government suppression. The Peterloo Massacre was a defining moment in British democracy which also played a significant role in the founding of The Guardian newspaper.
Holy blu-ray bonanza Batman! This super special edition includes hours of thrill-packed extras that take you behind the scenes and let you explore the dynamic duo's background as never before. The fate of the world hangs in the balance when Batman (Adam West) and Robin (Burt Ward) face off against four of the most powerful villains of all time - Catwoman (Lee Meriwether) The Penguin (Burgess Meredith) The Joker (Cesar Romero) and The Riddler (Frank Gorshin)!
Johns Barlow defined the nations very notion of a no-nonsense, sharp-tongued police chief not averse to thrashing suspects into submission, while Windsor°Ûªs Watt played mellower mind games with the villains. Together with their Special Operations squad, they tackle fictional Thamesford°Ûªs most monstrous crimes and puzzling cases. Unafraid to address problematic social issues of the day, the series, like its predecessors Z-Cars and Softly Softly, provided a startling window on police methods and the simmering tensions and resentments on the streets of 1970s Britain. Created by BBC crime stalwart Elwyn Jones, other popular returning characters include fellow Softly Softly stalwart DS Harry Hawkins (Norman Bowler), dog handler PC Snow (Terence Digby), cheery Sergeant Evans (David Lloyd Meredith) and troubled Chief Constable Cullen (Walter Gotell). Following the edgy tradition set by the earlier shows, most of these episodes were originally broadcast live
It's goodbye to Capeside, hello to Boston in Dawson's Creek's fifth season (a.k.a.: Dawson's Creek: The College Years). While the end of the fourth season sent the five friends their separate ways--Dawson (James Van Der Beek) to USC Film School, Joey (Katie Holmes) to Wilmington College, Jen (Michelle Williams) and Jack (Kerr Smith) to Boston Bay College; and Pacey (Joshua Jackson) to the high seas--it doesn't take them long to find themselves together again. That's a good thing, especially when tragedy strikes a family member and threatens to tear the survivors apart. More than anything, the fifth season seems to be about falling into bad relationships. Jen dates a cute but sleazy musician (Chad Michael Murray), Pacey gets a job in a restaurant where he pursues a woman (Lourdes Benedicto) already having an affair with a married man, then fends off a vampish new boss (Sherilyn Fenn, Twin Peaks). Joey is drawn to her handsome English professor (Ken Marino). And Jack joins a frat, becomes a jerk, and starts a devoted relationship with his beer bottle. Dawson meets an eccentric young filmmaker (Jordan Bridges) which in turn leads to a meeting with his favorite Boston film critic (Meredith Salenger). And Joey's new roommate, the annoyance-with-a-heart-of-gold Audrey (Busy Phillipps), becomes the newest major addition to the cast. The irritation factor is high this season, a couple of "Joey is threatened" interludes don't have the punch that they could have, and in the season finale, the inevitable resolution of the show's central relationship doesn't really resolve anything at all. But viewers who have followed the Capeside crew for four seasons will still want to see what happens in the fifth. The fifth season is the first to have no DVD extras at all, and it continues the music-replacement strategy (which, since the second season has replaced much of the music, and since the third season has replaced Paula Cole's theme song, all due to licensing expenses). In addition to the usual background-music switches, some scenes have been edited (for example, the episode "Highway to Hell" has cut two of the performances on-stage at the Drunk & Dead). Also, the opening credits of "The Long Goodbye" and "Downtown Crossing" had originally used instrumental versions of "I Don't Want to Wait," which had underscored the emotion of those episodes. In the DVD set, those have been replaced by the standard version and an instrumental version, respectively, of "Run Like Mad." --David Horiuchi, Amazon.com
All 29 episodes of the second season of Rod Serling's classic, groundbreaking series, now presented in pristine high-definition for the first time ever, along with hours of new and exclusive bonus features not available anywhere else! Episodes Comprise:King Nine Will Not ReturnThe Man in the BottleNervous Man in a Four Dollar RoomA Thing About MachinesThe Howling ManEye of the BeholderNick of TimeThe Lateness of the HourThe Trouble With TempletonA Most Unusual CameraThe Night of the MeekDustBack ThereThe Whole TruthThe InvadersA Penny For Your ThoughtsTwenty TwoThe Odyssey of Flight 33Mr. Dingle, The StrongStaticThe Prime MoverLong Distance CallA Hundred Yards Over the RimThe Rip Van Winkle CaperThe SilenceShadow PlayThe Mind and the MatterWill the Real Martian Please Stand Up?The Obsolete Man
The unending battle of the city streets. When PC George Dixon is shot whilst on duty the Paddington Green police investigate the West London underworld to bring the culprit to justice...
Ten-year-old Johnny Brent (James Fox - The Servant) tricks a young boy to swap him a toy magnet for his ‘invisible watch’. Troubled afterwards by his conscience Johnny rids himself of the magnet presenting it to a charitable fund. When news of this touching sacrifice by an unknown child appeals to the imagination of the sentimental public the magnet is auctioned for charity and raises several hundred pounds. This leads to a search to find the donor and when Johnny learns of this he concludes that is wanted by the police for obtaining the magnet by false pretences prompting him to go on the run! Directed by Academy Award nominee Charles Frend (Scott of the Antarctic) written by Academy Award winner T.E.B. Clarke (The Lavender Hill Mob) and co-starring Stephen Murray (A Tale of Two Cities) and Kay Walsh (Oliver Twist) THE MAGNET is an outstanding Ealing comedy which has been digitally restored to its former glory.
Bringing the sixth and final season of 'Dawson's Creek' to a close this disc features the two-part finale aptly titled 'All Good Things Must Come To An End'. Dawson Joey Pacey Jen and Jack are reunited in Capeside after five years to celebrate Dawson's mum's wedding. But the celebratory mood comes to an end when they receive some heartbreaking news. As the gang faces a future more uncertain than ever before Joey struggles to come to terms with her true feelings for Dawson Pa
Jen is a cheerleader and Jack's on the football team. I got sane and everyone else went crazy?" That's how Andie (Meredith Monroe) sums up the topsy-turvy beginning to the third season of Dawson's Creek, in which nothing seems to be as it should and the series takes a major turn. It's junior year at Capeside High, and Jack (Kerr Smith), the town's resident gay teen, is indeed on the football team, and Jen (Michelle Williams) finds herself the object of unexpected and unwelcome popularity among her fellow students, especially the freshman quarterback (Michael Pitt). Pacey (Joshua Jackson) finds that his relationship with Andie can't be restored, and Dawson (James Van Der Beek) and Joey (Katie Holmes), after the events of last year, both think it's for the best that they're no longer together--they just never think it at the same time. Significant events include the friends starting to date outside their circle, Dawson's giving up some of his aspirations, a ! crisis for the school's new principal, a college tour, and the openings of the Potter Bed & Breakfast and Leery Fresh Fish. But the Dawson-Joey relationship is still the heart of the Creek, and it comes to a head in one of the series' most memorable episodes, "The Longest Day," and then the season finale. Even in its first season without series creator Kevin Williamson, Dawson's Creek still had plenty of punch. On the DVDs, executive producer Paul Stupin does his usual commentary track for two episodes, and he's joined by Kerr Smith. They discuss the series itself, Smith's character, and Smith's subsequent career more than the events of the episodes. The second-season DVD set disappointed many fans by replacing a large portion of the music, and that trend continues in the third season, most surprisingly in the loss of Paula Cole's theme song. Instead, the opening credits feature Jann Arden's "Run Like Mad," which was used briefly in the international broadcast. Stupin explains the switch as an attempt to do something different and creative, but then admits there was also "a bit of an economic reality." Fortunately, the DVDs do have John Lennon's "Imagine" and Mary Beth Maziarz's "Daydream Believers"--songs that in dramatic context simply could not have been replaced--and it could be argued that a veteran viewer might skip the opening credits anyway. Still, for many fans, the music made Dawson's Creek what it was, and without all of it--especially the theme song--the DVDs seem like a compromise rather than a permanent keepsake. --David Horiuchi
The story of Rocky Balboa, as presented in this five-movie Rocky anthology, looks suspiciously like a barely fictional parallel to Sylvester Stallone's own career. Such a strong vein of autobiography is hardly surprising, really, since Stallone wrote all five movies and directed II, III and IV. The original was a feel-good patriotic update on the American Dream, mirroring Stallone's own journey as a lucky break drags a man from the gutter into stardom; Rocky II was the story of a man who is subsequently plagued by the need to prove that his first success wasn't a fluke, and represented Stallone's attempt to keep his career afloat amidst a sudden explosion of blockbuster movies and superstar actors; the third featured a rival to his position echoing the friendly battle kept up with Schwarzenegger for box-office dominance; Rocky IV appeared at the same time as Rambo: First Blood Part II and was a veritable shower of self-glorification; and the fifth entered old age as gracefully as it could with younger blood ready to pounce from all directions. Balboa may have been "a little punchy", but Stallone was clearly the brains behind the Rockymovies' success.On the DVD: For picture and sound, it's to the first disc connoisseurs should turn. Transfer and 5.1 soundtrack are a notch above instalments III and IV. Inexplicably, II and V are only in three-channel surround. Disc 1 is also the place for the extras. Although the others feature their own trailer and a half-heartedly animated menu, the first has a montage menu that matches the excellent packaging and links rather easily to a hidden feature ("Rocky Meets Stallone"). There's a fascinating 12-minute "behind the scenes" short with director John Avildsen showing fight test footage and two short tributes to the late Burgess Meredith and cinematographer James Crabe. The commentary might seem a little crowded, featuring Avildsen, producers Irwin Winkler and Robert Chartoff, Talia Shire, Burt Young and Carl Weathers. The best feature is a 30-minute interview with Stallone, who remembers writing from an 8x9 room in Philadelphia and being inspired by an Ali fight. There are confessions about injuries, casting and his dog Butkus! As a 25th Anniversary special edition, the first disc alone is excellent value. --Paul Tonks
From Hammer-rival Amicus Productions comes this horror anthology penned by Robert Bloch (author of Psycho) and directed by the great British cinematographer Freddie Francis. Genre legend Peter Cushing stars alongside Jack Palance and Burgess Meredith in an omnibus of chilling and gruesome stories, inspired by E.C. Comics' Tales from the Crypt comic-book series of the 1950s. INDICATOR LIMITED EDITION SPECIAL FEATURES: High Definition remaster Original mono audio Ramsey Campbell on Robert Bloch (2017, tbc mins) Interview with Fiona Subotsky (2017, tbc mins) Interview with actor Barbara Ewing (2017, tbc mins) TBC Hannah Gordon on husband DoP Norman Warwick (2017, tbc mins) TBC Original theatrical trailer Image gallery: on-set and promotional photography New and improved English subtitles for the deaf and hard-of-hearing Limited edition exclusive booklet with a new essay by Laura Mayne, an overview of contemporary critical responses, and historic articles on the film UK premiere on Blu-ray Limited Edition of 3,000 copies
Otto Preminger's sprawling Second World War drama, In Harm's Way, packs a lot in its 165 minutes, beginning with the attack on Pearl Harbor (which Preminger re-creates in amazing detail) and ending a couple of years later with America's return to the South Pacific in force. John Wayne and Kirk Douglas star as a career naval captain and his self-pitying commander in the peacetime navy who are thrust into battle when Pearl Harbour is bombed while they are on manoeuvres. Minutes into World War II, they are already scapegoated and demoted by the embarrassed military brass. Wayne romances a WAVE nurse (Patricia Neal) and attempts a reconciliation with his estranged, spoiled son (Brandon de Wilde) while Douglas sinks into the bottle after the death of his cheating wife until the American fleet rebuilds and calls upon Wayne to lead one of the initial invasion forces. Henry Fonda makes a brief but commanding appearance as the fleet admiral. Burgess Meredith is a former writer turned witty commander, Dana Andrews a showy but indecisive admiral, and Stanley Holloway a genial Australian scout working with the American invasion forces. Tom Tryon and Paula Prentiss play newlyweds torn apart by the war, and also appearing are Franchot Tone, Carroll O'Conner, Slim Pickens, George Kennedy, Bruce Cabot, and Larry Hagman, among many, many more. Loyal Griggs's handsome black-and-white photography is topped only by Saul Bass's impressive closing credits sequence, a rising cascade of crashing waves and rough surf reportedly paced to mirror the dramatic rhythm of the film. --Sean Axmaker
The 1976 Best Picture Award-winner Rocky has the look of a contemporary on-the-streets movie like Taxi Driver, but the heart of a fairytale. For the Bicentennial Year, world heavyweight champion Apollo Creed (Carl Weathers), a Muhammad Ali-like stars-and-stripes blowhard, cynically offers a title shot to an unknown over-the-hill Philadelphia club fighter, Rocky Balboa (Sylvester Stallone). Unlike the sequels, Rocky is a rare American sports movie to realise there's more drama and emotional resonance in losing than winning. The unique finale suggests that going the distance against the odds is more of a triumph than a conventional victory. Stallone, then an unknown as actor and writer, crafts the script to his own strengths--mumbling, Brando-like sincerity combined with explosive physicality expressed in his use of a side of beef as a punch-bag or wintery jogs around Philly. Surprisingly little of the film is taken up with ring action, as we follow Rocky's awkward courtship of pet-store minion Adrian (Talia Shire) and uneasy relationship with her slobbish brother (Burt Young), while Burgess Meredith provides the old pro licks as the curmudgeonly trainer. Though it led to a slick, steroid-fuelled franchise, it has a pleasing roughness, exemplified by the memorable funk/brass band score and the array of fidgety, credible method acting tics. On the DVD: 1.85:1 16x9 print, which represents the sometimes-slick, sometimes rough look of the cinematography; feature commentary with supporting cast and crew (Burt Young admits to rubbing vermouth into his neck to make himself repulsive), video interview with Stallone, a retrospective featurette (which includes news footage of the Ali fight that inspired the story), 8mm test fight footage with a flabbier Stallone, tributes to Burgess Meredith and cameraman James Crabe, trailers for Rocky and all the sequels (which makes a solid précis of the whole series). All this and a "special hidden feature" (a comic sketch with Sly meeting Rocky).--Kim Newman
They did it for money. For power. For fun. Two ruthless drug dealers commit a brutal mass murder in Los Angeles and are forced to flee the state. And when Fantasia their beautiful accomplice begs to go home to Arkansas she unwittingly leads them into the eye of the hurricane. Waiting for them in Arkansas is an unlikely arsenal of law enforcers that includes two cynical L.A. cops and one eager small-town sheriff. Sheriff Dale ""Hurricane"" Dixon has waited all his life for a majo
Evil does not die...it waits to be re-born! Karen Tandy possesses a growing tumour on her back and is admitted to San Fran Cisco hospital. The doctors believe that it's a living creature and that a foetus is being born inside the growth! What lays in wait for Karen is far more terrifying than she can possibly imagine: the growth is actually a demonic 3-foot tall 400-year-old Native American who has somehow managed to get inside Karen's upper body! A heroic medicine man mu
John Nada (Piper) is a struggling labourer who drifts into town and luckily scores a job at a construction site. Discovering a box of sunglasses Nada swipes a pair and is shocked to find what he can see through them; billboards demand citizens 'Eat' or 'Sleep' TV shows spout orders at him and some people look rather less than human...
After her husband leaves her an American woman travels to London for the funeral of Victor Fox the pop star she's adored all her life. There she meets Fox's gay lover and convinces him to come back to Chicago with her to figure out who killed the singer...
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