With more than a decade of cinema in Basic Instinct's wake it's fascinating to look back at just how influential Paul Verhoeven's "erotic thriller" has been. The director's endless fight with censorship and unwillingness to kowtow to social mores meant his movies became notorious for graphically depicting sex and violence while pushing contemporary boundaries of taste. This whodunit about a bisexual femme fatale (Sharon Stone in a career-best performance) caused an enormous furore on its release; but after years of generally inferior imitations there's not much in it that seems quite so shocking now. It's perhaps best appreciated in retrospect more for its Hitchcockian style than the steamy sex. On the DVD: one of the most welcome elements of the disc is an acknowledgement of the film's own influences--from Hitchcock's Vertigo to Verhoeven's own The Fourth Man. The print is far superior to the previous release, looking magnificent in 1:78.1. Jerry Goldsmith's Oscar-nominated score sounds terrific in either 5.1 or DTS, as does Verhoeven's thick accent on the first commentary track alongside then Director of Photography Jan De Bont (Speed), who together reminisce on locations and manipulating their actors' performances. A second commentary from feminist critic Camille Paglia is a brave way of putting paid to the gay/feminist community uproar. There are some standard inclusions (trailer, production notes, photo gallery etc) but far more interesting are two mini-documentaries; "Cleaning Up Basic Instinct" shows how and why the TV version was so dull, while "Blonde Poison" focuses on the film's making and marketing. Finally, there are three storyboard comparisons and nine minutes of screen tests for Stone and Tripplehorn. This is the definitive release of an oft-cited modern classic. --Paul Tonks
The complete second series of this hugely successful television series starring John Thaw as the legendary Jack Regan and Dennis Waterman as sidekick George Carter. Episodes comprise: 1. Chalk and Cheese 2. Faces 3. Supersnout 4. Big Brother 5. Hit and Run 6. Trap 7. Golden Fleece 8. Poppy 9. Stay Lucky Eh? 10. Trojan Bus 11. I Want The Man 12. Country Boy 13. Thou Shalt Not Kill
The first three episodes of this third series of Jeeves & Wooster take place in Manhattan. In spite of the change of scene, our hero continues to get into the most terrible scrapes, and it falls to the faithful Jeeves to save the day, frequently. When he realises that Honoria Glossop may once again have her sights set on his precious bachelorhood, Bertie Wooster sets sail for the New World. Here he helps old pal Tuppy to make a business deal. At the same time he has to keep Motty Malvern on the straight and narrow, while helping two writer friends deceive their prying relatives. The final straw comes in the shape of Cyril Bassington-Bassington, the stage-struck son of Aunt Agatha's closest friend. Back home in England, Bertie and Gussie Fink-Nottle switch identities, the lunatic Roderick Spode reappears, Bertie is forced to commit burglary (again!), and there's a spot of trouble with a tin of treacle and some communists. The unflappable Jeeves is Bertie's only hope. Although the humour in this collection sometimes feels a little less assured than in earlier episodes and the new actor playing Gussie is a disappointment, the central performances of Hugh Laurie and Stephen Fry are as good as ever. Few actors have ever brought such beloved characters so convincingly to life. --Simon Leake
Michael Bisping is one of the biggest personalities the UFC has ever known and the obstacles he faced to become UFC Middleweight Champion are unmatched. More than once the world of MMA thought Bisping was at the end of his career, and that was before they knew he lost sight in one of his eyes. His perseverance pushed him to fight through circumstances that no other UFC fighter has before. With a pure will to win, Bisping took on Silva, GSP, Belfort, Henderson, and Rockhold -- some of the greatest to ever fight in the octagon. Witness the full, behind-the-scenes story of how Bisping not only battled the best to become UFC Champion, but also the personal struggle and unwavering support of his family that propelled him to greatness.
PITCH PERFECT SING-ALONG EDITION Beca (Anna Kendrick), a freshman at University, finds herself not right for any group but is somehow coaxed into joining a group she would have never picked on her own, The Bellas, her school's all-girls singing group. The group consists of mean girls, sweet girls and weird girls whose only thing in common is how good they sound when they sing together. Injecting some much needed energy into their repertoire, The Bellas take on their male rivals in a campus competition. Loaded with new takes on old favourites to hits of right now that are seamlessly mixed together, mashed-up and arranged like you've never heard before, Pitch Perfect is the new out-loud comedy! PITCH PERFECT 2 Beca (Anna Kendrick), Fat Amy (Rebel Wilson) and the Barden Bellas are back to pitch slap the world! After a scandal threatens to derail their last year at Barden, the three-time defending champs worry that they've lost their harmony for good. With one chance left at redeeming their legacy, they must face off against the toughest competition on the planet: German supergroup Das Sound Machine and fght for their right to win at the World Championships of A Cappella. It will take the power of sisterhood to find their voice and see what it takes to be the world's top pitches! Bonus Features: Disc 1 (P1): Feature Commentary with Director Jason Moore and Producers Elizabeth Banks and Max Handelman Feature Commentary with Producer Paul Brooks Starships: The Pitch Perfect Music Video Deleted and Extended Scenes: Line-O-Ramas: The Aca- Inappropriate Version, Announcer Line-O-Rama Backstage at Barden: Benji Goes To Barden On the Set: Burrito Drive By! Disc 2 (P2): Feature Commentary with Director/Producer Elizabeth Banks and Producers Paul Brooks And Max Handelma The World Championships of A Cappela Gag Reel An Aca-Love Story: Bumper and Fat Amy Bonus Song Performed by the Treblemakers Extended Musical Performances Deleted/Extended/Alterate Scenes Riff-Off (Subbed as THE MAKING OF THE RIFF-OFF)
Steve Martin takes his wild and crazy persona and splits it into an hilarious battle of the sexes within the same body. Ambitious attorney RogerCobb is assigned to alter the will of ailing millionaire Edwina Cutwater (Lily Tomlin), who wishes to bequeath her estate to a healthy young woman (Victoria Tennant)--after Cutwater's guru transfers the old eccentric's soul to her healthy body. No one believes for a second it will actually work until Ms. Cutwater awakens in Roger's body and he becomes, literally, a man possessed, fighting for control of himself. Martin delivers a hilariously animated performance as a body torn between two masters as it wrestles with itself in a spastic walk down a city street. Directed with comic aplomb by regular Martin collaborator Carl Reiner, All of Me combines the best of Martin's self-scripted films--anarchic moments of inspired physical comedy--with a solid (if somewhat silly) narrative holding the scenes together. Screenwriter Phil Alden Robinson went on to script and direct Field of Dreams. --Sean Axmaker
In 1940 a deserted airfield somewhere in the heart of England becomes a bustling bomber command station. In 1942 advance units of the American Air Force arrive to join The Royal Air Force and help turn the tide of World War II. So unfolds the story of a group of flyers and their 'missions'. Peter Penrose (John Mills) a young RAF pilot is sent to Halfpenny Field close to the small town of Shepley. His Squadron Leader Flight Lieutenant David Archdale (Michael Redgrave) gives him inspiration and encouragement and they fast become friends. They are joined by a young American pilot Johnny (Douglas Montgomery) which complicates the friendship. This is the story of the group's private lives - particularly their loves during war-time.
Four convicts volunteer for a salvage space mission which turns into a nightmare when the crew begin disappearing.
The controversy that surrounded Stanley Kubrick's adaptation of Anthony Burgess's dystopian novel A Clockwork Orange while the film was out of circulation suggested that it was like Romper Stomper: a glamorisation of the violent, virile lifestyle of its teenage protagonist, with a hypocritical gloss of condemnation to mask delight in rape and ultra-violence. Actually, it is as fable-like and abstract as The Pilgrim's Progress, with characters deliberately played as goonish sitcom creations. The anarchic rampage of Alex (Malcolm McDowell), a bowler-hatted juvenile delinquent of the future, is all over at the end of the first act. Apprehended by equally brutal authorities, he changes from defiant thug to cringing bootlicker, volunteering for a behaviourist experiment that removes his capacity to do evil.It's all stylised: from Burgess' invented pidgin Russian (snarled unforgettably by McDowell) to 2001-style slow tracks through sculpturally perfect sets (as with many Kubrick movies, the story could be told through decor alone) and exaggerated, grotesque performances on a par with those of Dr Strangelove (especially from Patrick Magee and Aubrey Morris). Made in 1971, based on a novel from 1962, A Clockwork Orange resonates across the years. Its future is now quaint, with Magee pecking out "subversive literature" on a giant IBM typewriter and "lovely, lovely Ludwig Van" on mini-cassette tapes. However, the world of "Municipal Flat Block 18A, Linear North" is very much with us: a housing estate where classical murals are obscenely vandalised, passers-by are rare and yobs loll about with nothing better to do than hurt people. On the DVD: The extras are skimpy, with just an impressionist trailer in the style of the film used to brainwash Alex and a list of awards for which Clockwork Orange was nominated and awarded. The box promises soundtracks in English, French and Italian and subtitles in ten languages, but the disc just has two English soundtracks (mono and Dolby Surround 5.1) and two sets of English subtitles. The terrific-looking "digitally restored and remastered" print is letterboxed at 1.66:1 and on a widescreen TV plays best at 14:9. The film looks as good as it ever has, with rich stable colours (especially and appropriately the orangey-red of the credits and the blood) and a clarity that highlights previously unnoticed details such as Alex's gouged eyeball cufflinks and enables you to read the newspaper articles which flash by. The 5.1 soundtrack option is amazingly rich, benefiting the nuances of performance as much as the classical/electronic music score and the subtly unsettling sound effects. --Kim Newman
This zany sequel stars George Clooney in one of his earlier roles and is brought to you by the team that gave us Attack of the Killer Tomatoes. It is 20 years on from the Great Tomato Wars and red skins are still banned. But Professor Gangreen has made a fiendish discovery - how to turn tomatoes into perfect replicas of men and women. These tomatoes are really stewed and dangerous! Just when you thought it was safe to go back into the greenhouse the vegetable of doom returns!
Sweeney! Hard-bitten Flying Squad officer Jack Regan (Thaw) gets embroiled in a deadly political plot when an old friend asks him to investigate the death of his girlfriend. Framed on a drink-driving charge and suspended from the force with his partner and best mate George Carter (Waterman) unable to help Jack must rely on his wits to evade deadly government hitmen and expose the real villain... Sweeney 2 Regan and Carter head a n investigation into a series of British bank raids by a team of well-armed villains who are flying in from the continent.
This lavish two-hour concert special, originally produced for HBO, offers ample proof of Janet Jackson's fierce ambitions. Whitney, Celine and Mariah can run circles around her small, sweet voice, but Janet brings a tough, muscular power to her live performances that none of those peers can approach, storming through myriad set and costume changes, and sustaining an aerobic pace through elaborate dance routines. As captured during this Madison Square Garden presentation of her Velvet Rope tour, Janet Jackson is, ahem, very buff indeed, not just in her well-toned physical health, but in her vocal attack.The Velvet Rope tosses up rappers, hard-rock heroism, melting romantic pop and Jackson's own brand of soft-core erotica, but the show transcends those components in its broad sense of spectacle. The star fronts a formidable battalion of dancers, singers and musicians to make her points, and while it's obvious that the musical performances have been nipped, tucked and polished to an acceptable sheen, Janet earns her props through sheer willpower.Ranging across Jackson's best-known songs from the last decade, the production is noteworthy for its intricate choreography and massive settings, in which the star seeks to match the big-budget sweep of her music videos. The live troupe is formidable, composed of a crack band and a large cast of nimble dancers, and Janet keeps pace with her aerobic presence. We'll leave it to social scientists to ponder the significance of the "Rope Burn" sequence, in which an ecstatic male fan is lashed to a chair and gets to watch his favourite sex object pole-dance. If this stalwart is any indication, Janet has already won the hearts (and more) of her faithful. --Sam Sutherland, Amazon.com
It's a day he'll never forget. Until tomorrow! A private detective discovers that his amnesia leaves him with no memory of the previous day. As a key prosecution witness in a trial this proves frustrating for the prosecuting attorney...
A career driven female investment executive is seduced by a young man who uses her to steal from his wealthy father. He then sets her up to take the fall for his several murders but she eventually tries to turn the tables on him...
A young Fiona Fullerton heads an all-star British cast in this double BAFTA-winning musical comedy; widely regarded as the most lavish and faithful adaptations of Lewis Carroll's classic fantasy novel. Filmed to mark the centenary of the completion of the Alice novels this extravagant British spectacle which brings to life Sir Tenniel's famous illustrations with a bewitching score from James Bond composer John Barry and BAFTA-winning cinematography by Geoffrey unsworth (2001: A Sp
The Bone Collector: He takes his victims' lives and leaves behind mysterious pieces of a bizarre puzzle. And the only person who may be able to make sense of the serial killer's deranged plan is Lincoln Rhyme (Denzel Washington) a one-time top homicide investigator. After a tragic accident changes his life forever Rhyme can only watch as other cops bungle the case...until he teams up with a young rookie Amelia Donaghy (Angelina Jolie) who bravely becomes his eyes and ears and searches out the clues that help them solve the case. But as the killer senses the cops closing in Rhyme realizes that he and his partner are on the trail of a vicious sadistic murderer who will stop at nothing on his deadly mission. At any moment Rhyme and Amelia could become his next targets - and their first case could become their last. (Dir. Phillip Noyce 1999) The Skeleton Key: It can open any door. From the writer of The Ring (Ehren Kruger) and the director of K-PAX (Iain Softley) comes the supernatural thriller The Skeleton Key. Set largely in the dark atmospheric backwoods just outside of New Orleans The Skeleton Key stars Kate Hudson as Caroline a live-in nurse hired to care for an elderly woman's (Rowlands) ailing husband (Hurt) in their home... a foreboding and decrepit mansion in the Louisiana delta. Intrigued by the enigmatic couple their mysterious secretive ways and their rambling old house Caroline begins to explore the mansion. Armed with a skeleton key that unlocks every door in the house she discovers a hidden attic room that holds a deadly and terrifying secret. (Dir. Iain Softley 2005) Panic Room: It was supposed to be the safest room in the house. Meg Altman is at a crossroads. Suffering through a painful divorce from her husband pharmaceuticals millionaire Stephen Altman Meg moves from their suburban home in Greenwich New York and buys an Upper West Side Manhattan townhouse for herself and her eleven-year-old daughter Sarah. She intends to go back to school raise her child and start a new life. But the panic she feels at starting over pales in comparison to her fear and desperation when intruders break into her new home. (Dir. David Fincher 2002)
A 1950's gripping drama produced by the Rank Film Studios and starring Michael Craig, Betta St John, Patrick McGoohan and directed by Philip Leacock. Returning home to the rugged island off the coast of Nova Scotia, Joanne MacKenzie (Betta St John), is reunited with her family, the local landowners. Initially the lobster fishing industry which dominates the local economy is prosperous and Joanne spends her time looking for a suitable husband. There is no shortage of suitors and Joanna finally marries Alec Douglas (William Sylvester) but quickly discovers that he is a gambler who squanders their savings. Life gets hard for the remaining islanders when the fishing season fails and the island is left deserted but will Joanne eventually finally find happiness? Phillip Leacock was nominated for a Palme d'Or award at the Cannes film festival of 1957 for his work as Director of this film.
In his travels Caine (Carradine) meets an old man who has several surprises for him. The first being the destruction of the Shaolin order the second being that the man is the father of the Emperor's nephew whom he killed in China and the third is that he seeks his revenge using the son Caine never knew he had sired as the instrument of his death! It will take all of Caine's skill and wisdom to find a solution to this deadly predicament...
Johnny Smith's life is interrupted by a near fatal car crash that leaves him in a deep coma for six years. When he regains consciousness he discovers that he now possesses amazing psychic powers; powers that allow him to see into the life of anyone he touches... Based on the characters and story from the best-selling book by Stephen King The Dead Zone is a unique psychological thriller that combines a rich mix of action the paranormal and a continuing quest for justice. Fe
Most critics couldn't get behind Bill Murray's modern retelling of Charles Dickens' A Christmas Carol, finding it too unfocused at times and not nearly wicked enough. Still, if you are a Murray fan, you have to enjoy his deliciously nasty portrayal of the world's meanest TV executive, who has his cathartic moment one cold Christmas night in New York City. The various ghosts lead him on a ghost-town tour of Manhattan, with stops at holidays past, present and future and a Kumbaya moment when Al Green and Annie Lennox sing "Put a Little Love in Your Heart". The effects are otherworldly, but one wishes the writing were as sharp as Murray's edgy portrayal. --Marshall Fine
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