Sometimes dead is better... For most families moving is a new beginning. But for the Creeds it could be the beginning of the end. Because they've just moved in next door to a place that children built with broken dreams the Pet Sematary. It's a tiny patch of land that hides a mysterious Indian burial ground with the powers of resurrection. Master Of The Macabre Stephen King will take you and the Creeds to hell and back. (But the Creeds don't have return tickets.) Your tour gui
Richard Burton stars in Alexander the Great, a middling entry in the 1950s CinemaScope epic cycle. The film boasts excellent production values and a fine cast--including Frederic March, Claire Bloom, Harry Andrews, Stanley Baker, Peter Cushing and Michael Hordern--but it rarely comes to life other than as a big fat ancient Greek wedding of the talents of Burton and Bloom. They strike real dramatic sparks together, so much so they would be reunited in Look Back in Anger (1958) and The Spy Who Came in from the Cold (1965). The film's failures must be laid at the feet of writer, director and producer Robert Rossen, who never before or after helmed anything remotely on this scale; his best work would follow with the intimate The Hustler (1961). Rossen simply shows little sensibility for the epic, staging lavish but brief and rather pedestrian battles and somehow drawing from the usually mesmerising Burton a performance lacking the charisma essential to a great military commander. Burton fans can enjoy him at his epic best as Marc Anthony in Cleopatra (1963). On the DVD: Alexander the Great is presented anamorphically enhanced at 2.35:1, although the picture is still obviously cropped at either side of the screen throughout. The print is very variable, in places quite grainy and soft with some serious flickering blotchiness, but otherwise it has strong colours, detail and contrast. The sound is primitive stereo. The only extra is the theatrical trailer, effectively presented in anamorphic 2.35:1. --Gary S. Dalkin
When straight-laced fire superintendent Jake Carson (John Cena) and his elite team of expert firefighters (Keegan-Michael Key, John Leguizamo and Tyler Mane) come to the rescue of three siblings (Brianna Hildebrand, Christian Convery and Finley Rose Slater) in the path of an encroaching wildfire, they quickly realize that no amount of training could prepare them for their most challenging job yet babysitters. Unable to locate the children's parents, the firefighters have their lives, jobs and even their fire depot turned upside down and quickly learn that kids much like fires are wild and unpredictable. Bonus Features Storytime With John Cena What it Means to Be A Family The Real Smokejumpers: This Is Their Story
David Lynch's Lost Highway is one of the most puzzled over movies of the 1990s. After Twin Peaks and Wild at Heart audiences were prepared for more questions than answers. But this mystery is without doubt the most sinister and disturbing of all his work, which is to say it's arguably the most worthy of puzzling out. Bill Pullman goes to jail for murdering his wife Patricia Arquette the Brunette. He metamorphoses into Balthazar Getty who falls for Patricia Arquette the Blonde. They're involved in many bad things. Getty morphs back to Pullman who's left with neither girl, but a lot of explaining to do about how Robert Loggia was involved with both and who/what on earth Robert Blake is. There are no straight answers. It might just be possible to twist the film into a Moebius strip and work out half the chronology, but that would be missing the point. Lynch makes paintings that move and if they happen to tell a tale (thank you The Straight Story), that's just a happy by-product. This film is "about" a lot of things: obsession, the impossible notion of owning a partner, why tailgating is wrong. Beyond that, it's about nothing more than enjoying just how sensually delicious everything looks and sounds on Lynch's Highway. On the DVD: Lost Highway is presented on disc in Lynch's preferred 2.35:1 ratio (anamorphically enhanced), even if it isn't the cleanest of transfers. Sound however, is only two channel stereo, whereas 5.1 mixes do exist elsewhere. The teaser trailer is hardly worth the effort. --Paul Tonks
Oscar® nominee Michael Fassbender stars in this big-screen action-adventure, based on the wildly popular gaming phenomenon. Fassbender plays Callum Lynch, who experiences the life of his 15th-century ancestor through a technology that unlocks his genetic memories. Callum discovers he once belonged to a secret society of assassins and amasses lethal skills to take on the oppressive Templars.Click Images to Enlarge
Released in 1971 (the same year Straw Dogs and A Clockwork Orange hit the screens, which must make 71 the annus mirabilis for violent films set in Britain), Get Carter opens with gangsters leering over pornographic slides and ends on a filthy, slag-stained beach in Newcastle. It's a low-down and dirty movie from beginning to end, and possibly the grittiest and best film of its kind to come out of Britain. The granddaddy of Lock, Stock & Two Smoking Barrels and all its ilk, director Mike Hodges' Get Carter offers revenge tragedy swinging-60s style, all nicotine-stained cinematography, shabby locations and the kind of killer catchphrases Vinnie Jones would die for ("You're a big man, but you're in bad shape. With me, it's a full-time job. Now behave yourself", says Michael Caine's deadpan anti-hero Carter before inflicting a few choice punches on Brian Mosley, aka Coronation Street's Alf Roberts, to name but one example from Hodges and Ted Lewis' exquisitely laconic script). Presenting the dark horse in his family of loveable Cockney geezer roles (Alfie, The Italian Job), Michael Caine plays the title role of Jack Carter, a man so hard he barely registers a flicker of regret watching a woman he's just had sex with plunge to her death. After taking the train up to Newcastle as the credits roll and Roy Budd's chunky bass-heavy theme tune plays, Carter returns to his hometown to attend his brother's funeral and investigate the circumstances of his death. Not that he's all that sentimental about family: he shaves nonchalantly over the open coffin, and shows affection to his niece Doreen (Petra Markham) by cramming a few notes in her hand and telling her to "be good and don't trust boys". Gradually, Carter unravels the skein of drugs, pornography and corruption tangled around his brother's death, which brings him up against supremely oleaginous kingpin Kinnear (played by the author of Look Back in Anger John Osborne) among others. A remake starring Sylvester Stallone is in the offing, but quite frankly it will be a 30-degree (Celsius) Christmas night in Newcastle before Hollywood could ever make something as assured, raw and immortal as this. --Leslie Felperin
THE SCREEN STRETCHES TO NEW HORIZONS TO TELL THE EPIC STORY OF THE SOUTHWEST! After making his first bonafide classic in Ride the High Country, director Sam Peckinpah took a step towards the epic with Major Dundee. The film would, in many ways, define the rest of his career both on screen and off, as the drama behind the camera matched the action in front of it. Charlton Heston stars as Major Amos Dundee, a vainglorious Union Cavalry officer, who mounts an expedition to hunt down Apache war chief Sierra Charriba. Building his own army of criminals, ex-slaves and Confederate POWs - among them one Captain Ben Tyreen (Richard Harris), whose intense former friendship with Dundee is tainted with a sense of betrayal on both sides - Dundee heads into Mexico, his eye fixed firmly on a last shot at greatness. Legendarily acerbic, Major Dundee would be the first time that Peckinpah had a movie taken away from him. While a director's cut may be lost to us, this Limited Edition shows us the thrilling, morally complex epic that Peckinpah was aiming for. Beautifully shot and with a stellar supporting cast including James Coburn, Warren Oates, and L.Q. Jones, it remains a stunning achievement and an essential experience for anyone interested in the life and cinema of Bloody Sam. Special Features The 136-minute Extended Version of the film from a 4K scan, as well as the original 122-minute Theatrical Version 60-page perfect bound booklet featuring new writing by Farran Nehme, Roderick Heath and Jeremy Carr plus select archive material Limited edition packaging featuring newly commissioned artwork by Tony Stella Fold out poster featuring original and newly commissioned artwork by Tony Stella DISC ONE - EXTENDED VERSION High Definition Blu-ray (1080p) presentation from a 4K scan by Sony Pictures DTS-HD MA 5.1 surround audio with new score by Christopher Caliendo Lossless original mono audio with original score by Daniele Amfitheatrof Optional English subtitles for the deaf and hard of hearing Audio commentary with Nick Redman, David Weddle, Garner Simmons, Paul Seydor Audio commentary by historian and critics Glenn Erickson & Alan K. Strode Audio commentary by historian and critic Glenn Erickson Moby Dick on Horseback, a brand new visual essay by David Cairns Passion & Poetry: The Dundee Odyssey, a feature length documentary about the making of Major Dundee by Mike Siegel, featuring James Coburn, Senta Berger, Mario Adorf, L.Q. Jones, R.G. Armstrong, Gordon Dawson Passion & Poetry: Peckinpah Anecdotes, nine actors talk about working with legendary director Sam Peckinpah, featuring Kris Kristofferson, Ernest Borgnine, James Coburn, David Warner, Ali MacGraw, L.Q. Jones, Bo Hopkins, R.G. Armstrong, Isela Vega Mike Siegel: About the Passion & Poetry Project, in which filmmaker Mike Siegel talks about his beginnings and his ongoing historical project about director Sam Peckinpah Extensive stills galleries, featuring rare on set, behind the scenes, and marketing materials 2005 re-release trailer DISC TWO - THEATRICAL VERSION (LIMITED EDITION EXCLUSIVE) High Definition Blu-ray (1080p) presentation from a 2K scan Lossless original mono audio Optional English subtitles for the deaf and hard of hearing Riding for a Fall, a vintage behind the scenes featurette Extended/deleted scenes Silent Outtakes Select extended/deleted scenes and outtakes with commentary by historian and critic Glenn Erickson giving context on how they were intended to appear in Peckinpah's vision of the film Original US, UK and German theatrical trailers Stills gallery
Just as he's about to get out of the game entirely, a drug dealer gets drawn back in to the doublecrossing world of the London mafia in this refreshing British thriller.
Nothing, and no one, is as it seems, in this adaptation of Graham Greene's classic and prophetic story of love, betrayal, murder and the origin of the American war in Southeast Asia.
Christmas Vacation Special Features: Feature Commentary Theatrical Trailer Vegas Vacation Special Features: Vegas Vacation Trailer National Lampoon's 30th Anniversary Special Features: Introduction by Chevy Chase Randy Quaid and Matty Simmons Commentary by Harold Ramis Chevy Chase Randy Quaid Anthony Michael Hall Dana Barron and Matty Simmons Inside Story: National Lampoon's Vacation (A&E Special) Theatrical Trailer
The smallest member of The Little family returns in this blockbusting sequel. Alongside fellow family pet Snowbell the cat he sets of on a journey through the streets of New York in search of a missing friend.
James Cameron wrote the script for this not-so-futuristic science fiction tale about a former vice cop (Ralph Fiennes) who now sells addicting, virtual reality clips that allow a user to experience the recorded sensations of others. He becomes embroiled in a murder conspiracy, tries to save a former girlfriend (Juliette Lewis), and has a romance with his chauffeur and bodyguard (Angela Bassett). Cameron's ex-wife, director Kathryn Bigelow (Point Break), brought the whole, busy, violent enterprise to the screen, and while the film's socially relevant heart is in the right place, its excesses wear one out. Some of the casting doesn't quite click either: Fiennes isn't really right for his nervous role, and Lewis is annoying (and unbelievable as the hero's much-yearned-for former squeeze). Expect some ugly if daring moments with the virtual reality stuff. --Tom Keogh, Amazon.com
The heroic Autobots and evil Decepticons must deal with a world-devouring being called Unicron. This new two-disc edition of the fondly remembered animated tale boasts over five hours of extra features.
Thelma & Louise is a feminist manifesto writ large on the big screen, a smart and funny gender reversal of the standard Hollywood buddy formula, a road movie extraordinaire, with characters who became instant cultural icons. No matter how you define it, Ridley Scott's 1991 box-office hit pinched a nerve and made the cover of national news magazines for tweaking gender politics like no movie before or since. Callie Khouri's screenplay overhauls the buddy formula with its story about two best friends (Susan Sarandon and Geena Davis) who embark on a liberating adventure that turns into an interstate police chase after a traumatic incident makes both women into fugitives; they are en route to a destiny they could never have imagined. The perfect casting of Sarandon and Davis makes Thelma & Louise a movie for the ages and Brad Pitt became an overnight star after his appearance as the con-artist cowboy who gives Davis a memorable (but costly) night in a roadside motel. --Jeff Shannon
One of cinema’s greatest auteurs Alfred Hitchcock's six-decade career generated an unmissable run of suspense-packed thrillers strongly characterised by macabre plots and twist endings. Made in 1938 this classic comedy-thriller was arguably his most popular and significant pre-war feature and one of the films that helped pave his way to Hollywood success. Featuring a whimsically suspenseful script from Launder and Gilliat The Lady Vanishes boasts one of the all-time great ensemble casts and is featured here in a brand-new High Definition transfer from the original film elements in its as-exhibited theatrical aspect ratio. Intrigue and espionage abound when a young woman travelling aboard a transcontinental express train strikes up an acquaintance with a charming elderly English governess who then disappears without a trace. Is the young woman hallucinating or is something altogether more sinister afoot..? Special Features: Introduction by Charles Barr Original Theatrical Trailer Image Gallery PDF Material
San Franciscan Police Officer Frank Connor has to go to desperate measures to find a suitable bone marrow donor for his critically ill son. The perfect match is a homicidal sociopath serving a life sentence who escapes from prison while being transferred to hospital. The race is on to recapture him and he has to be alive.
PG Wodehouse's much-loved stories about Bertie Wooster and his brilliantly clever valet Jeeves were brought faithfully to life in Jeeves and Wooster, starring Hugh Laurie and Stephen Fry as master and servant. Perfectly cast and with scripts that retain all the sparkling wit of Wodehouse's prose, it's hard to see how any future adaptation of his work could surpass this wonderfully funny series. This set contains the entire first season of Jeeves and Wooster. In "Jeeves Takes Charge" young man-about-town Bertie Wooster employs a new valet called Jeeves, and not a moment too soon. Thanks to his Aunt Agatha, Bertie faces the terrible prospect of marriage to the statuesque Honoria Glossop, and only Jeeves can save the day. "Tuppy and the Terrier" finds Bertie in trouble again when he loses Aunt Agatha's dog. Further aunt-related complications arise when Bertie's chum Tuppy falls for our hero's cousin Angela. Aunt Dahlia is not amused. An uncle in love with a waitress, a trip to the country, a speedy choirboy, and a secret betting syndicate all lead to trouble in "The Purity of the Turf". Jeeves, of course, is the only one who can put things right. Jeeves and Wooster really hits its stride in the final episodes of Series 1: "The Hunger Strike" and "Brinkley Manor". When Bertie visits Aunt Dahlia he is called upon to solve the romantic problems of his friends Tuppy Glossop (in love with Cousin Angela) and the delightful Gussy Fink-Nottle (in love with Madeleine Basset, a young lady who believes the stars to be God's daisy-chain.) Unwisely, Bertie decides to cook up his own plan and before long disaster strikes. Aunt Dahlia's superb chef Anatole gives his notice, and Bertram is to blame. Thank goodness for Jeeves. --Simon Leake, Amazon.com
The basic joke of the would-be romp Without a Clue is that Dr Watson (Ben Kingsley) is a detecting genius who has had to hide his light under a bushel by hiring an alcoholic ham actor Reginald Kincaid (Michael Caine) to pose as his imaginary alter ego Sherlock Holmes. He is now frustrated because the blundering idiot is hailed as an infallible hero while he is forever being pushed out of the picture. To really work, the film should have cast a leading man who gives the impression that he might make a good serious Holmes, but Caine is all too credible in his idiot act. In one of the best jokes Watson covers up a faux pas by complementing Holmes on his convincing disguise as a drunken lout, and so the laughs that should come in a flow only manage to trickle. The actual plot is about forged bank-notes ruining the Empire but is constructed to allow for the usual excursion by picturesque steam train to a clue-ridden holiday destination and some dirty deeds down by the docks. The leads coast through their routines but the supporting cast has an appropriately rat-like and embittered Inspector Lestrade from Jeffrey Jones, a winsomely duplicitous Victorian heroine from Lysette Anthony and a rather good goateed sadist Professor Moriarty from Paul Freeman. It can't hold a magnifying glass to Billy Wilder's The Private Life of Sherlock Holmes, but as a Holmesian footnote it edges a deerstalker or so ahead of Gene Wilder's The Adventure of Sherlock Holmes' Smarter Brother. It certainly beats the Peter Cook-Dudley Moore Hound of the Baskervilles and John Cleese in The Strange Case of the End of Civilisation as We Know It.--Kim Newman
A policeman is shot dead and two South London boys stand accused of his murder. The verdict and the sentence passed the crime. Both the verdict and the sentence were subsequently quashed. This is the case that shocked the nation.
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