January 1991 : The world is watching the Gulf War. Day and night millions tune into CNN-TV to see a real life and death drama played out in the cities and deserts of Iraq. As the US Forces take a starring role the PR department at the White House is working overtime. What they're looking for is a hero. What they find is a scandal. What a troubled officer must now uncover is the truth...
Directed by renowned producer/director Herbert Wilcox at the height of his career, this British post-War film drama spans four generations to tell the never-changing story of the soldier husband who returns home expecting to find everything just as he left it. Starring screen icon Anna Neagle, Elizabeth of Ladymead is presented here in a brand-new transfer from the original film elements in its as-exhibited theatrical aspect ratio. Ladymead is the gracious Georgian mansion in which El...
Arthur Penn's chronicle of hippie life during the late 1960s garnered the acclaimed director his second Oscar nomination. Based on the song by folk music troubadour Arlo Guthrie son of legendary ""Dust Bowl"" balladeer Woody Guthrie this tribute film to ""the last generation"" features memorable scenes with other folk artists like Pete Seeger who join Arlo in song to make a profound statement about war protest and change. In the late '60s a changing social and political climate inspi
This ferocious movie tells the story of the Battle of Thermopylae in which 300 Spartans fought to the death against the massive Persian army.
A new animated version of Charles Dickens' classic tale of Scrooge and the three ghosts that visit him one Christmas Eve.
Starring Michael Landes and Ophelia Lovibond, Hooten & The Lady is a rip roaring, rope swinging adventure that follows an American treasure hunter and an English aristocrat who, despite not getting along, form a team travelling the world searching for lost treasures on behalf of the British Museum.
He's a big city plastic surgeon...in a small town that doesn't take plastic. A brash young medical resident is driving across the country to begin a career in Beverly Hills as a cosmetic surgeon to the stars. But an accident of fate strands him in a small southern town. There his outlook on life - and love - gets a down-home twist that changes him forever.
A crime mystery set in the quiet family town of Suburbicon during the 1950s, where the best and worst of humanity is hilariously reflected through the deeds of seemingly ordinary people.
It's easy to forget that this Spartan, violent film, which begat the Rambo series, was such a big hit in 1982 because it was a good movie. Green Beret vet John Rambo (Sylvester Stallone) wanders into the wrong small town to find a fellow 'Nam buddy and gets the living heck kicked out of him by the local law enforcement (led by Brian Dennehy). The vet strikes back the only way he knows how, leading to a visceral, if unrealistic, flight and fight through the local mountains. Based on the 1972 novel by David Morrell, this film saved Stallone's then-foundering career and the Rambo character became the inspiration for countless political cartoons. But this film is Deliverance without the moral ambiguity. --Keith SimantonThe Rambo trilogy is also available on DVD as a complete set.
Fantastic Mr. Fox is visionary director Wes Anderson's first animated film, utilizing classic handmade stop motion techniques to tell the story of the best selling children's book by Roald Dahl (author of Charlie and the Chocolate Factory and James and the Giant Peach). Three horrible farmers - Boggis, Bunce and Bean - are dedicated to destroying Mr. Fox, the wily and wonderful Mr Fox, who makes a habit of eating their chickens. When they pull out all the stops and surround his den,...
A mailman adopts a dog that, unbeknown to him, is an FBI drug-sniffing dog who has escaped from the witness relocatio programme. Mayhem ensues when a hit man is sent to destroy the dog.
Dominic 'Nicky' Cole has a reputation as an ambitious and diligent detective constable. But when he reports on a fellow officer he's promptly transferred to a new station - effectively in disgrace. Nicky takes his uncle and his abandoned nephew with him but finds himself working on the difficult night duty stretch. Often he finds himself looking after cases that his day colleagues have left unsolved - and that in itself brings risk dilemma and danger. The complete Series 1 and
The luminescent lines and shimmering surfaces of Tron: Legacy will tantalise anyone who's lusted after the latest smartphone. The long-ago disappearance of his computer-genius father has left Sam Flynn (Garrett Hedlund, Four Brothers) with existential ennui and a lot of money. When he discovers his father's secret workshop, he gets sucked into a computerised realm ruled by a megalomaniac computer program named Clu--who just happens to be his father's virtual doppelganger. To find his real father (Jeff Bridges, reprising his role from the original Tron, with a bit of his role from The Big Lebowski thrown in for kicks), Sam has to fight in gladiatorial games, drive in digital demolition derbies, and be stripped and dressed by slinky pneumatic babes. For all the techno-babble and quasi-philosophy the characters spout, this is a movie without an idea in its shiny head. It would be pointless to describe the many sillinesses because Tron: Legacy isn't actually trying to be smart; it's trying to look cool. It succeeds. Olivia Wilde (House) looks like the coolest action figure ever (if the entire movie could be nothing but the shot of her lounging on a futuristic sofa, it would be a masterpiece of avant-garde gizmo-fetishism). The facemasks are cool, the glowing skintight outfits are cool, the light-cycles are really, really cool--and let's be honest, it's all about the light-cycles. That's what the audience for Tron wants, and that's what Tron: Legacy delivers. --Bret Fetzer
CENTURION, a gripping thriller set in early AD Britain, finds Quintus, the sole survivor of a savage raid on a Roman frontier fort, joining General Virilus' legendary Ninth Legion to wipe out the terrifying tribes known as the Picts.
Season 1 About the Show, Filming in Iceland, On the Glacier, From Script to Screen, Rogue Secrets, The Set Tour, Let it Snow, Beware the Bear, Reflection of Reality, Killer Revealed, Recipe for Blood, Graphic Content Season 2 The Story So Far: Fortitude, Fortitude: New Faces, New Dangers, Investigate Fortitude Part 1: Climate Change & Human Health, Investigate Fortitude Part 2: From Wildlife Behaviour to Pathogens, Investigate Fortitude Part 3: Emerging Infectious Diseases, Investigate Fortitude Part 4: Creating a Healthy Future
From yet another derivative science fiction novel by Michael Crichton comes Sphere, an equally derivative and flaccid movie, in which three top Hollywood stars struggle to squeeze tension and excitement out of material that doesn't match their talents. You're supposed to find awe and mystery in Crichton's story about a team of scientists and scholars who discover a 300-year-old alien spacecraft deep on the ocean floor, but mostly you feel that this is all much ado about nothing. The exploration team consists of a psychologist (Dustin Hoffman), mathematician (Samuel L Jackson), biochemist (Sharon Stone), and an astrophysicist (Live Schreiber), and when they enter the alien ship they discover a mysterious sphere inside. What they don't know is that the sphere has the power to manipulate their thoughts and perceptions, and before long the scientists' undersea habitat is a veritable haunted house of frightening visions and creeping paranoia. Who can be trusted? What is the sphere's purpose, and why is it on the ocean floor? Sphere makes some attempt to answer these questions, but the film is a mess, and it leads to one of the most anticlimactic endings of any science fiction film ever made. There are moments of high intensity and psychological suspense, and the stellar cast works hard to boost the talky screenplay. But it's clear that this was a hurried production (Hoffman and director Barry Levinson made Wag the Dog during an extended production delay), and as a result Sphere looks and feels like a film that wasn't quite ready for the cameras. Though it's by no means a waste of time, it's undeniably disappointing. --Jeff Shannon, Amazon.com
CENTURION, a gripping thriller set in early AD Britain, finds Quintus, the sole survivor of a savage raid on a Roman frontier fort, joining General Virilus' legendary Ninth Legion to wipe out the terrifying tribes known as the Picts.
Narrated by Michael Fassbender 1: Life on the Limit is an action documentary that evokes the glamour speed danger and excitement of the golden age of Formula 1. In an era when the sport was terrifyingly dangerous the drivers were revered as rock stars with charisma and raw talent however many of them paid the ultimate price. Those who survived racing at this time became leaders standing up to save lives in a sport that was stealing them at a tragic rate. Special Features: Interview with Director Paul Crowder
By the time Alfred Hitchcock's second-to-last picture came out in 1972, the censorship restrictions under which he had laboured during his long career had eased up. Now he could give full sway to his lurid fantasies, and that may explain why Frenzy is the director's most violent movie by far--outstripping even Psycho for sheer brutality. Adapted by playwright Anthony Shaffer, the story concerns a series of rape-murders committed by suave fruit-merchant Bob Rusk (Barry Foster), who gets his kicks from throttling women with a necktie. This being a Hitchcock thriller, suspicion naturally falls on the wrong man--ill-tempered publican Richard Blaney (Jon Finch). Enter Inspector Oxford from New Scotland Yard (Alex McCowan), who thrashes out the finer points of the case with his wife (Vivian Merchant), whose tireless enthusiasm for indigestible delicacies like quail with grapes supplies a classic running gag.Frenzy was the first film Hitchcock had shot entirely in his native Britain since Jamaica Inn (1939), and many contemporary critics used that fact to account for what seemed to them a glorious return to form after a string of Hollywood duds (Marnie, Torn Curtain, Topaz). Hitchcock specialists are often less wild about it, judging the detective plot mechanical and the oh-so-English tone insufferable. But at least three sequences rank among the most skin-crawling the maestro ever put on celluloid. There is an astonishing moment when the camera backs away from a room in which a murder is occurring, down the stairs, through the front door and then across the street to join the crowd milling indifferently on the pavement. There is also the killer's nerve-wracking attempt to retrieve his tiepin from a corpse stuffed into a sack of potatoes. Finally, there is one act of strangulation so prolonged and gruesome it verges on the pornographic. Was the veteran film-maker a rampant misogynist as feminist observers have frequently charged? Sit through this appalling scene if you dare and decide for yourself. --Peter Matthews
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