In Blumhouse's Fantasy Island, the enigmatic Mr. Roarke makes the secret dreams of his lucky quests come true at a luxurious but remote tropical resort. But when the fantasies turn into nightmares, the guests have to solve the island's mystery in order to escape with their lives.
Taking place on the last day of the Creeper's twenty-three-day feeding frenzy, as the skeptical Sargent Tubbs teams up with a task force hellbent on destroying the Creeper for good. The Creeper fights back in gory glory as its enemies grow closer than ever before to learning the secret of its dark origins.
The Breakfast Club (Dir. John Hughes 1985): Without doubt John Hughes' The Breakfast Club is one of the greatest teen movies of all-time if not the best. Without it we might not have witnessed the phenomenal rise of the 'Brat Pack'; the group of actors synonymous with the teen films of the '80s. They were five teenage students with nothing in common faced with spending a Saturday detention together in their High School library. At 7am they had nothing to say but
All 43 episodes from Seasons One, Two & Three of the hit Zombie series, Z Nation - in a 12 disc set. SEASON ONE Three years after the devastating ZN1 virus gutted the country, a team of everyday heroes must transport the only known survivor of a zombie attack and humanity s last hope to develop a vaccine from New York to California. However, he s hiding a secret that could endanger the mission. Z Nation: Season 1 is a rollercoaster of non-stop thrills, chills, and blood-splattering fun. EXTRAS: Race for The Cure: The Making of Z Nation Preparing for the ZN1 Virus Behind the Gore Music of The Apocalypse Zombie Kill Reel Z-Nation Gag Reel and more SEASON TWO While the heroes barely surviving the nuclear blasts search for Murphy, Citizen Z broadcasts Murphy's identity and offers a bounty from the CDC to get him to California safely. Suddenly everyone wants a piece of The Murphy, including a mysterious and deadly bounty hunter, Vasquez. EXTRAS: Making Of Season 2 Behind The Effects Zombie Kill Reel SEASON THREE With Operation Bite Mark in shambles and our heroes again on the hunt for Murphy, the mission has changed, the team makeup has changed, and even the threats have changed. With all new horrors like Wolf-Z's, Electro-Shock Z's, and the deadly but surprisingly feral humans called 'Enders', the Apocalypse has gotten worse, and the stakes have gotten higher.
The complete two seasons of the thrilling Murder One show in which a single but multi-faceted case is explored from opening trial arguments to final judgment over the course of many enthralling episodes.
Out 1 is one of the crowning achievements of Jacques Rivette s remarkable career. Conceived as a television mini-series, this near-thirteen-hour monolith consists of eight feature-length episodes revolving around two theatre troupes, blackmail and conspiracy. Multiple characters introduce multiple plotlines, weaving a rich tapestry across an epic runtime. Rivette, in many ways the most radical of the French New Wave founders, here presents a film unlike any other, which eschews a script, includes references to Honoré de Balzac and Lewis Carroll, features cameos from Eric Rohmer and Barbet Schroeder, and stars icons from the New Wave including Jean-Pierre Leaud, Juliet Berto, Bulle Ogier, Michael Lonsdale and Bernadette Lafont. Leaud plays a deaf-mute who receives a clue which connects him to a group who may or may not be conspirators in a plot, stories intertwine and identities blur, as Rivette guides us through one of his most hypnotic and dazzling works. The holy grail of French cinema, Jacques Rivette's magnum opus had been nigh on impossible to see until the new restoration presented here. Screened just once in 1971 as Out 1: Noli me tangere, before being re-edited as as Out 1: Spectre, to acknowledge it's shadow-like nature, both versions are presented in this boxed-set, fully restored and with English subtitles. Special Features: High Definition Blu-ray (1080p) presentation from 2K restorations of both versions, supervised by cinematographer Pierre-William Glenn Original uncompressed mono PCM audio Optional English subtitles The Mysteries of Paris: Jacques Rivette s Out 1 Revisited a feature length documentary by Robert Fischer and Wilfried Reichart containing interviews with actors Bulle Ogier, Michael Lonsdale and Hermine Karagheuz, cinematographer Pierre-William Glenn, assistant director Jean-François Stévenin and producer Stéphane Tchalgadjieff, as well as rare archival interviews with actors Jacques Doniol-Valcroze and Michel Delahaye, and director Jacques Rivette
This Western has become a modest cult favorite since its release in 1993, when the film was met with mixed reviews but the performances of Kurt Russell (as Wyatt Earp) and especially Val Kilmer, for his memorably eccentric performance as the dying gunslinger Doc Holliday, garnered high praise. The movie opens with Wyatt Earp trying to put his violent past behind him, living happily in Tombstone with his brothers and the woman (Dana Delany) who puts his soul at ease. But a murderous gang called the Cowboys has burst on the scene, and Earp can't keep his gun belt off any longer. The plot sounds routine, and in many ways it is, but Western buffs won't mind a bit thanks to a fine cast and some well-handled action on the part of Rambo director George P. Cosmatos, who has yet to make a better film than this. --Jeff Shannon
When a new breed of small transformers the Mini Cons are discovered to provide an immeasurable source of power the Decepticons and Autobots go head to head with the fate of Earth hanging in the balance...
10 Cloverfield Lane Outside is dangerous inside is terrifying in the deliciously twisted* new thriller from producer J.J. Abrams that's big on chills.** After a catastrophic car crash, a young woman (Mary Elizabeth Winstead, A Good Day to Die Hard) wakes up in a survivalist's (John Goodman, Argo) underground bunker. He claims to have saved her from an apocalyptic attack that has left the outside world uninhabitable. But, as his increasingly suspicious actions lead her to question his motives, she'll have to escape in order to discover the truth. *Bill Zwecker, Chicago Sun-Times **Sara Stewart, NY POST BLU-RAY SPECIAL FEATURES: Commentary by Director Dan Trachtenberg and Producer J.J. Abrams Cloverfield Too Bunker Mentality Duck and Cover Spin-Off Kelvin Optical Fine Tuned End Of Story Cloverfield From visionary producer J.J. Abrams (Lost) and director Matt Reeves comes the worldwide sensation of nonstop terror and suspense. BLU-RAY SPECIAL FEATURES: Special Investigation Mode: Enhanced Viewing Mode with GPS Tracker, Creature Radar, Military Intelligence and more! HD Commentary by Director Matt Reeves Document 01.18.08: The Making of Cloverfield HD Cloverfield Visual Effects HD I Saw It! It's Alive! It's Huge! HD Clover Fun HD Deleted Scenes HD Alternate Endings HD
In his writing and directorial debut, Julian Schnabel's film Basquiat depicts the life of graffiti artist Jean-Michel Basquiat, aka SAMO, and the turbulent period from the late 1970s to 1988, as his life was catapulted into fame and notoriety. As Jean-Michel's work gained favourable attention from New York's elite art community, he went from a street punk living in a cardboard box to the first black artist to succeed in the all-white dominated art world. Tony Award-winning actor Jeffrey Wright does a brilliant job portraying a man tortured by self-doubt and thoughts of suicide, struggling to survive and be acknowledged as an artist. The film's use of dream-like imagery and rhythmic pace tells the story from the perspective of Jean-Michel's eyes as he manages to "float" through relationships and gallery showings,until his impending death in 1988 from a heroin overdose. Brimming with talent, the film also stars David Bowie as pop-artist Andy Warhol, Michael Wincott as poet Rene Ricard and many others, including Gary Oldman, Benicio del Toro, Dennis Hopper and Courtney Love. --Michele Goodson
With a creature designed by H. R. Giger and cast which includes Ben Kingsley, Michael Madsen, and Natasha Henstridge in her feature debut, Species is the perfect mix of shocking sci-fi with the added bonus of a very sexy, and seductive alien. Sil (Henstridge) is creation of alien DNA which has been spliced with that of a human. She grows and develops incredibly quickly into a creature capable of killing all in her path with only one thing on her mind, to successfully reproduce and continue her extermination of the whole human race. Visually stunning with a knowing nod to the classic B-movies of the 50s, this big budget fantasy manages to balance gruesome effects with cinemas most beautiful monster.
This is a John Wayne Western double-bill featuring The Comancheros (1961) and The Undefeated (1969). Nobody made a fuss about The Comancheros when it came out, yet it has proved to be among the most enduringly entertaining of John Wayne's later Westerns. The Duke, just beginning to crease and thicken toward Rooster Cogburn proportions, plays a veteran Texas Ranger named Jake Cutter who joins forces with a New Orleans dandy (Stuart Whitman) to subdue rampaging Indians and the evil white men behind their uprising. The Comancheros was the last credit for Michael Curtiz (Casablanca), who, ravaged by cancer, ceded much of the direction to Wayne (uncredited) and action specialist Cliff Lyons. With support from Wayne stalwarts James Edward Grant (co-screenplay) and William Clothier (camera), the first of many rousing Elmer Bernstein scores for a Wayne picture and a big, flavourful cast including Lee Marvin (the once and future Liberty Valance), Nehemiah Persoff, Bruce Cabot, and Guinn "Big Boy" Williams (in his last movie), they made a broad, cheerfully bloodthirsty adventure movie for red-meat-eating audiences of all ages. In The Undefeated Wayne and Rock Hudson each play a Civil War commander who, after the ceasefire, lead a community of folks into Mexico to make a fresh start. Hudson is a Southern gentleman; Wayne commanded the Yankee cavalry at Shiloh, where Hudson's brother died. Nevertheless, Rock, with his extended family, and Duke, with his troop of cowboys and 3,000 horses to sell to Emperor Maximilian, soon join forces to outgun banditos and beam paternally over the budding romance between their respective daughter and son. Lingering North-South animosities are celebrated in an obligatory communal fistfight, and the showdown with both Maximilian's lancers and the rebel Juaristas is disconcertingly perfunctory. --Richard T Jameson
GOLD is the incredible true story of Kenny Wells (Oscar winner® Matthew McConaughey), a modern-day prospector, hustler, and dreamer, desperate for a lucky break. Left with few options, Wells teams up with an equally luckless geologist to execute a grandiose, last-ditch effort: to find gold deep in the uncharted jungle of Indonesia.
All episodes from the first 13 seasons of the JAG spin-off series NCIS, centering on the Naval Criminal Investigative Service, a crack team of government agents who operate outside the military chain of command. These special agents traverse the globe, investigating crimes linked to the Navy or Marine Corps from murder and espionage, to terrorism and stolen submarines. More than just an action-packed drama, NCIS shows the sometimes complex, always amusing dynamics of a team forced to work together under high-stress situations.
Releasing January 2012, Haywire stars champion MMA fighter Gina Carano alongside Ewan McGregor, Michael Fassbender, Michael Douglas, Antonio Banderas and Channing Tatum.
Edwina has moved into the neighbourhood known as 'Widows' Peak' so called due to the prevalent maritial status of the residents. The residents are all curious about their new neighbour Edwina including Mrs Counihan the residents leader whose son is busy wooing Edwina. Miss O'Hare and Edwina have an immediate dislike for each other and some accidential encounters look like Edwina is trying to ruin her new rival.
Harold Pinter (1930-2008) was one of the most important and influential British playwrights of the last century. Whilst best-known for his work for the stage, this collection celebrates Pinter's significant contribution to television. His work for the screen shares many of the qualities of that for the stage, from a fascination with the private roots of power and an abiding preoccupation with memory, to a belief in the agency of women. Featuring 10 plays made for the BBC between 1965 and 1988, and previously unavailable on DVD, highlights include Tea Party (1965), Old Times (1975) and 1987's The Birthday Party which sees a rare example of Pinter acting in his own work. A dazzling array of British acting talent is on display, including Michael Gambon, Julie Walters, Leo McKern, Vivian Merchant, John Le Mesurier and Miranda Richardson. THE PLAYS: The Tea Party (Charles Jarrot, 1965) A Slight Ache (Christopher Morahan, 1967) A Night Out (Christopher Morahan, 1967) The Basement (Charles Jarrot, 1967) Monologue (Christopher Morahan, 1973) Old Times (Christopher Morahan, 1975) The Hothouse (Harold Pinter, 1982) Landscape (Kenneth Ives, 1983) The Birthday Party (Kenneth Ives, 1987) Mountain Language (Harold Pinter, 1988) Special Features: Writers in Conversation: Harold Pinter (1984, 47 mins): an ICA interview with Harold Pinter by Benedict Nightingale Pinter People (1969, 16 mins): a series of four animated films written by Harold Pinter Face to Face: Harold Pinter (1997, 39 mins): Sir Jeremy Isaacs interviews Harold Pinter, who discusses the images and events which have inspired some of his most powerful dramas Harold Pinter Guardian Interview (1996, 73 mins, audio only): an extensive interview with the legendary playwright by critic Michael Billington, recorded at the National Film Theatre Illustrated booklet with new writing by Michael Billington, John Wyver, Billy Smart, Amanda Wrigley, David Rolinson and Lez Cooke, and full film credits UK | 1965 1988 | black and white, and colour | 628 minutes | English language with optional hard-of-hearing subtitles | original aspect ratio 1.33:1 | 5 x DVD9, PAL, Dolby Digital 2.0 mono audio (192kbps) | cert 15 (strong language, moderate violence, threat, sex references | region 2
For anyone who travels the congested roads of Britain these days the utterly delightful Genevieve will provoke a wistful, nostalgic sigh of regret for times gone by when there were no motorways, traffic jams were almost non-existent and friendly police motorcyclists riding classic Nortons (without helmets) cheerfully let people driving vintage cars race each other along country lanes. Even in 1953, Henry Cornelius gentle comedy must have seemed pleasingly old-fashioned, concerned as it is with the antics of two obsessive enthusiasts on the annual London to Brighton classic car rally. The principal quartet could hardly be bettered: though John Gregson is something of a cold fish as Genevieves proud owner, the radiant warmth of Dinah Sheridan as his long-suffering wife more than compensates. Kenneth More is ideally cast in the role of boastful rival enthusiast and Kay Kendall has possibly the best comic moment of all when she astonishes everyone with her drunken trumpet playing. Cornelius also directed Ealings Passport to Pimlico, so his sure eye for gently mocking and celebrating British eccentricities is never in doubt. The screenplay by (American writer) William Rose now seems like an elegy to a way of life long disappeared: the pivotal moment when Gregson stops to humour a passing old buffer about his love of classic cars comes from a vanished era of politeness before road rage; as does the priceless exchange between hotel owner Joyce Grenfell and her aged resident: "No ones ever complained before", says the mystified Grenfell after Gregson and Sheridan moan about the facilities, "Are they Americans?" asks the old lady, unable to conceive that anyone British could say such things. Genevieve is both a wonderful period comedy and a nostalgic portrait of England the way it used to be. On the DVD: the "Special Edition" version of Genevieve has a decent new documentary with reminiscences from Dinah Sheridan (still radiant), the director of photography and the films editor, who talk about the challenges of filming on location. Most treasurable of all, though, is legendary harmonica player Larry Adler, who remembers his distinctive score with much fondness and is not at all embittered by his Hollywood blacklisting, which meant he was denied an Academy Award nomination. Theres also a short piece on some of the locations used (which for economic reasons were mostly in the lanes around Pinewood studios), cast biographies and a gallery of stills. The 4:3 ratio colour picture looks pretty good for its age and the mono sound is adequate. --Mark Walker
Robert De Niro stars as an American intelligence operative adrift in irrelevance since the end of the Cold War--much like a masterless samurai, a.k.a. "ronin." With his services for sale, he joins a renegade, international team of fellow covert warriors with nothing but time on their hands. Their mission, as defined by the woman who hires them (Natascha McElhone), is to get hold of a particular suitcase that is equally coveted by the Russian mafia and Irish terrorists. As the scheme gets underway, De Niro's lone wolf strikes up a rare friendship with his French counterpart (Jean Reno), gets into a more-or-less romantic frame of mind with McElhone, and asserts his experience on the planning and execution of the job--going so far as to publicly humiliate one team member (Sean Bean) who is clearly out of his league. The story is largely unremarkable--there's an obligatory twist midway through that changes the nature of the team's business--but legendary filmmaker John Frankenheimer (Seconds, The Manchurian Candidate) leaps at the material, bringing to it an honest tension and seasoned, breathtaking skill with precision-action direction. The centerpiece of the movie is an honest-to-God car chase that is the real thing: not the how-can-we-top-the-last-stunt cartoon nonsense of Richard Donner (Lethal Weapon), but a pulse-quickening, kinetic dance of superb montage and timing. In a sense, Ronin is almost Frankenheimer's self-quoting version of a John Frankenheimer film. There isn't anything here he hasn't done before, but it's sure great to see it all again. --Tom Keogh
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