Continuing its mission to unearth the very best in weird and wonderful horror obscura from the golden age of US independent genre moviemaking, Arrow Video is proud to present the long-awaited second volume in its American Horror Project series co-curated by author Stephen Thrower (Nightmare USA: The Untold Story of the Exploitation Independents). Starting off with a little-seen 1970 offering from underrated cult auteur John Hayes (Grave of the Vampire, Garden of the Dead), Dream No Evil is a haunting, moving tale of a young woman's desperate quest to be reunited with her long-lost father only to find herself drawn into a fantasyland of homicidal madness. Meanwhile, 1976's Dark August stars Academy Award-winner Kim Hunter (A Streetcar Named Desire) in a story of a man pursued by a terrifying and deadly curse in the wake of a hit-and-run accident. Lastly, 1977's Harry Novak-produced The Child is a gloriously delirious slice of horror mayhem in which a young girl raises an army of the dead against the people she holds responsible for her mother's death. With all three films having been newly remastered from the best surviving film elements and appearing here for the first time ever on Blu-ray, alongside a wealth of supplementary material, American Horror Project Volume Two offers up yet another fascinating and blood-chilling foray into the deepest, darkest corners of stars-and-stripes terror. Limited Edition Contents: Brand new 2K restorations from original film elements High Definition Blu-ray presentation Original uncompressed PCM mono audio English subtitles for the deaf and hard of hearing Reversible sleeves for each film featuring original and newly-commissioned artwork by The Twins of Evil American Horror Project Journal Vol. II limited edition 60-page booklet featuring new writing on the films by Stephen R. Bissette, Travis Crawford and Amanda Reyes Dream No Evil: Filmed appreciation by Stephen Thrower Brand new audio commentary with Kat Ellinger and Samm Deighan Hollywood After Dark: The Early Films of John Hayes, 1959-1971 brand new video essay by Stephen Thrower looking at Hayes' filmography leading up to Dream No Evil Writer Chris Poggiali on the prodigious career of celebrated character actor Edmond O'Brien Excerpts from an audio interview with actress Rue McClanahan (The Golden Girls) discussing her many cinematic collaborations with director John Hayes Dark August: Filmed appreciation by Stephen Thrower Brand new audio commentary with writer-director Martin Goldman Brand new on-camera interview with Martin Goldman Brand new on-camera interview with producer Marianne Kanter The Hills Are Alive: Dark August and Vermont Folk Horror author and artist Stephen R. Bissette on Dark August and its context within the wider realm of genre filmmaking out of Vermont Original Press Book The Child: 1.37:1 and 1.85:1 presentations of the feature Filmed appreciation by Stephen Thrower Brand new audio commentary with director Robert Voskanian and producer Robert Dadashian, moderated by Stephen Thrower Brand new on-camera interviews with Robert Voskanian and Robert Dadashian Original Theatrical Trailer Original Press Book
The Halloween night when Michael Myers returned isn't over yet. Laurie Strode (Jamie Lee Curtis) left masked monster Michael Myers caged and burning in Laurie's basement but when Michael manages to free himself from the trap, his ritual bloodbath resumes. As Laurie fights her pain and prepares to defend herself against him, she inspires all of Haddonfield to rise up against their unstoppable monster. Evil dies tonight.
This Western has become a modest cult favourite since its release in 1993, when the film was met with mixed reviews but the performances of Kurt Russell (as Wyatt Earp) and especially Val Kilmer, for his memorably eccentric performance as the dying gunslinger Doc Holliday, garnered high praise. The movie opens with Wyatt Earp trying to put his violent past behind him, living happily in Tombstone with his brothers and the woman (Dana Delany) who puts his soul at ease. But a murderous gang called the Cowboys has burst on the scene, and Earp can't keep his gun belt off any longer. The plot sounds routine, and in many ways it is, but Western buffs won't mind a bit thanks to a fine cast and some well-handled action on the part of Rambo director George P Cosmatos, who has yet to make a better film than this. --Jeff Shannon
Danny Aiello stars as Al McCord a nice guy who stumbles into a weekend of wacky intrigue when he impulsively gives Ellie (Angelina Jolie) a ride from Los Angeles to the Mojave Desert. Al never expects Ellie to fall in love with him nor does he expect to fall for her mother Julie (Anne Archer)! When Julie's lunatic boyfriend Boyd (Michael Biehn) shows up Al gets more action than he ever counted on. Caught in a hilarious web of bizarre events that can only be explained by the bewitching way of the Mojave Moon Al's life and loves will never be the same.
Vacation paved the way for the John Hughes movie dynasty of the 1980s. Written by Hughes (who would go on to write, direct, and/or produce The Breakfast Club, Ferris Bueller's Day Off, Uncle Buck, Home Alone, and so on) and directed by Harold Ramis (Caddyshack, Groundhog Day, Stuart Saves His Family), the first Vacation movie introduces us to the all-American Griswold family: father Clark (Chevy Chase), mother Ellen (Beverly D'Angelo), son Rusty (future Hughes staple Anthony Michael Hall), and daughter Audrey (Dana Barron). They all pile into the car for a cross-country road trip to Walley World, stopping along the way to view the world's biggest ball of twine. John Candy, Imogene Coca, and Randy Quaid (as yokel Cousin Eddie) pop up along the way. The movie was a big hit, and was followed by several sequels--National Lampoon's European Vacation, National Lampoon's Christmas Vacation, and National Lampoon's Vegas Vacation--but this one is still probably the freshest and funniest of the bunch. --Jim Emerson
A group of teens win a contest to spend a night in Michael Myers' childhood home to be broadcast live on the internet. But things go frightfully wrong and the game turns into a struggle to make it out of the house alive.
One of the most anticipated and exciting tours in the world of International cricket England will defend the Ashes against Australia over five Investec Ashes Tests across July and August at Old Trafford Lord's Riverside Ground the Oval and Tent Bridge. This DVD will bring you all the action interviews news and analysis from this legendary contest.
A bereaved woman's daughter vanishes at 30,000 feet in this claustrophobic, Hitchcockian thriller.
This limited edition deluxe Box Set - released for the first time in the UK to celebrate Michael Jackson's 50 anniversary on August 29 2008 - presents a compilation of his greatest short films spanning the decades of his career as the undisputed King of Pop. Along with being one of the most successful pop stars of all time Jackson also helped to revolutionise the music video art form hiring Hollywood filmmakers such as John Landis to direct what are essentially short narrative films. Disc 1 contains Bad and The Way You Make Me Feel in their original versions - over 12 min long each - which are exclusively available on this DVD. Black and White is also presented in its original non-censored version. In addition to short films Disc 2 features two unforgettable live performances notably that of Billie Jean at Motown's 25 anniversary celebrations where Michael premiered his world-famous trademark moonwalk. Available for a limited time only this Box Set is presented in a deluxe slipcase with matt varnish and is a must have for every Michael Jackson fan ! Tracklist: 1. Brace Yourself 2. Billie Jean 3. The Way You Make Me Feel 4. Black or White 5. Rock with You 6. Bad 7. Thriller 8. Beat It 9. Remember the Time 10. Don't Stop Till You Get Enough 11. Heal the World 12. Teaser 13. Billie Jean - Live at Motown 25 Anniversary Celebration 14. Beat It 15. Liberian Girl 16. Smooth Criminal 17. Performance at 1995 MTV Music Video Awards 18. Thriller 19. Scream (featuring Janet Jackson) 20. Childhood 21. You Are Not Alone 22. Earth Song 23. They Don't Care About Us 24. Stranger in Moscow 25. Blood on the Dance Floor 26. Brace Yourself
How a legend was born! Ruthless. Shameless. Clueless! Celebrity interviewer Jiminy Glick (Martin Short) tackles the big screen with his first feature film: a wildly irreverent laugh-till-it-hurts movie experience. Hungry for an A-list interview that could launch him into the gossip-page stratosphere the small-time journalist with big aspirations and an even bigger appetite drags his wife and kids across the country to the star-studded Toronto Film Festival. But in between t
Cheryl Ladd and Michael Nouri star in this highly-charged romantic drama about two successful single parents who fall in love and have to confront many new and traumatic changes in their lives. Melanie is a top TV news reporter living in New York with her two teenage daughters. Peter is a handsome widowed heart surgeon working at an LA hospital with three children of his own. A chance meeting leads to instant romance and eventual marriage bringing out the drastic changes in their
James Cameron wrote the script for Strange Days, a not-so-futuristic science fiction tale about a former vice cop (Ralph Fiennes) who now sells addictive, virtual reality clips that allow a user to experience the recorded sensations of others. He becomes embroiled in a murder conspiracy, tries to save a former girlfriend (Juliette Lewis), and has a romance with his chauffeur and bodyguard (Angela Bassett). Cameron's ex-wife, director Kathryn Bigelow (Point Break), brought the whole, busy, violent enterprise to the screen, and while the film's socially relevant heart is in the right place, its excesses wear one out. Some of the casting doesn't quite click either: Fiennes isn't really right for his nervous role, and Lewis is annoying (and unbelievable as the hero's much-yearned-for former squeeze). Expect some ugly if daring moments with the virtual reality stuff. --Tom Keogh, Amazon.com
Once a generation, a tournament is held to between the champions of Outworld and Earthrealm. This tournament will determine the fate of Earth and all its citizens. Lord Raiden, protector of Earthrealm, must gather the greatest fighters of his realm to defend it from the evil Shang Tsung in the battle to end all battles - Mortal Kombat!
""Two Thumbs Up!... Even Better Than The Original."" -Siskel & Ebert Number Five aka Johnny Five that incredible lovable robot form the smash hit Short Circuit is back and taking the big city by storm in this action-packed comedy adventure. Upbeat Johnny's out for some ""urban input "" but some street hoods a greedy banker and a gang of crooks see his naivete as their high-tech ticket to easy street. Will Johnny survive the big bad city and its big bad city slickers? Keep your wi
An upstanding pastor uncovers a dark and twisted underworld as he searches for answers surrounding his daughter's brutal murder.
All the episodes from the television drama set in the 1970s and based on the novel by John le Carré in which a talented young actress is given a role like never before when she is used as a pawn in a political minefield. During a holiday in Greece, Charlie (Florence Pugh) is offered an opportunity to help put right a complex situation involving Israeli-Palestine conflict, yet matters are soon complicated further when she begins to question to which side she belongs.
If you should come upon a glowing, possibly extraterrestrial object buried in a hole, go ahead and touch the thing--you might just get superpowers. Or so it goes for the three high-school buds in Chronicle, an inventive excursion into the teenage sci-fi world. Once affected by the power, the guys exercise the joys of telekinesis: shuffling cars around in parking lots, moving objects in grocery stores, that kind of thing. Oh yeah--they can fly, too: and here director Josh Trank takes wing, in the movie's giddiest sequence, as the trio zips around the clouds in a glorious wish-fulfillment. It goes without saying that there will be a shadow side to this gift, and that's where Chronicle, for all its early cleverness, begins to stumble. Broody misfit Andrew (Dane DeHaan), destined to be voted Least Likely to Handle Superpowers Well by his graduating class, is documenting all this with his video camera, which is driving him even crazier (the movie's in "found footage" style, so everything we see is from a camcorder or security camera, an approach that gets trippy when Andrew realises he can levitate his camera without having to hold it). Trank and screenwriter Max Landis (son of John) seem to lose inspiration when the last act rolls around, so the movie settles for weightless battles around the Space Needle and a smattering of mass destruction. Still, let's give Chronicle credit for an offbeat angle, and a handful of memorable scenes. --Robert Horton
Originally hatched in 1978 as a short film parody, The Rutles was later expanded into a 70-minute mockumentary about a trend-setting quartet of British mop-tops and became one of Eric Idle's better projects outside Monty Python. Taking the career (and hagiography) of The Beatles and inverting them quite nicely, Idle conjures up four doppelgangers who offer the familiar mannerisms but practically none of the intelligence of their models. If that sounds like the same gag that powered This is Spinal Tap (which emerged six years later), it is, with the crucial difference that Idle's lampoon is precise where Tap was consciously generic. In telling the saga of the Rutles, Idle (who doubles as earnest narrator and McCartney-esque Rutle Dirk McQuigley) works from a rich and immediately familiar trove of pop lore, and he has a ball revisiting and reinventing milestones from the Fab Four's fabled history. The attention to period detail helps elevate the gags further, but Idle's real secret weapon is Neil Innes, standing in as Ron Nasty, the Rutles' answer to John Lennon: it's Innes who serves as the musical architect for the wonderful Beatles parodies that give All You Need is Cash a delicious kick, and Innes--a one-time principal in the legendary Bonzo Dog Band--is gifted enough to capture the band's lyricism and energy as well as their shifting sense of style. With the blessing and on-camera participation of George Harrison, and wry cameos from Mick Jagger and Paul Simon, All You Need is Cash is a perfect companion to the Beatles' own glorious screen comedies and a great antidote to sanctimonious pop documentaries. --Sam Sutherland, Amazon.com
PrometheusRidley Scott director of Alien and Blade Runner returns to the science-fiction genre he helped define. In Prometheus a team of scientists and explorers journey to the darkest corners of the universe searching for the origins of mankind. But what they find could threaten all life on Earth leading to a terrifying battle to save the future of the human race! I RobotSuperstar Will Smith rages against the machines in this futuristic action thrill ride - now in eye-popping 3D for the ultimate I Robot experience! In the year 2035 technology and robots are a trusted part of everyday life. But that trust is broken when a scientist (James Cromwell) is found dead and a cynical detective (Smith) believes that an advanced robot may be responsible. Abraham Lincoln Vampire HunterFrom visionary filmmakers Tim Burton and Timur Bekmambetov (Wanted) comes this visceral satisfying thriller based on Seth Grahame-Smith's best seller. Benjamin Walker turns in a killer performance as Abraham Lincoln who must risk the presidency his family and his life to protect America from bloodthirsty vampires. Lead by the diabolical Adam (Rufus Sewell) the vicious creatures plot to create a nation of their own - the U.S! Thrust into an epic fight against the hideous undead killers Lincoln must rely on those around him. But it's unclear who he can trust in this white-knuckle adventure that's ablaze with plot twists blood pumping action and spectacular effects!
Brian De Palma's 1998 thriller is largely an exercise in airing out his orchestral, oversized visual style (think of his Blowout, Body Double or Raising Cain) for the heck of it. The far-fetched story featuresNicolasCage as a crooked police detective attending a championship boxing match at which the Secretary of Defence is assassinated. The unfortunate Secretary's right-hand man (Gary Sinise) happens to be Cage's old friend, a fact that complicates the cop's efforts to reconstruct the crime from conflicting accounts--a directorial strategy bearing similarities to Kurosawa's Rashomon. The outrageousness of the scenario essentially gives DePalma permission to construct a baroque cathedral of spectacular camera stunts, which (he well knows) are inevitably more interesting than the hoary conspiracy plot. (The opening scene alone, which runs on for a number of minutes and consists of one, unbroken shot that moves in from the street, following Cage up and down stairs and in and out of rooms until finally ending ringside at the match, is breathtaking.) The shifting points of view--based on the contradictory statements of witnesses--also give De Palma licence to get creative with camera angles and scene rearrangements. The script bogs down in the third act but De Palma is just revving up for a big, operatic finish that is absolutely gratuitous but undeniably impressive. Yes, it's style over substance in Snake Eyes but what style you're talking about.--Tom Keogh
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