To all around him blood splatter analyst Dexter Morgan appears to be a perfect gentleman and respected member of the police force but behind this convincing facade Dexter harbours a terrifying secret. He is a serial killer. The Emmy-nominated series returns for an all-new season - and this time Dexter's got a new take on taking life. Having faced some of his darkest demons Dexter's ready to put the past behind him. Now with family life a day job catching kills and an uncontrollable urge to do away with the ones that get away Dexter's got his work cut out for him. And when a high-profile case sides him with powerful Assistant DA Miguel Prado the pressure might be too great for even our most beloved serial killer.
IT'S A WRAP. It's the beginning of the end for charming Miami forensics expert Dexter Morgan (Golden Globe� Winner Michael C. Hall) as all 12 season eight episodes bring to rest the critically acclaimed hit series. He's spent his days solving crimes and his nights committing them, but never before has Dexter had to deal with a more abhorrent and deranged enemy than he does now: himself. Six months after the stunning murder of Lt. LaGuerta, Dexter's estranged sister Debra (Jennifer Carpenter)...
Jon Baker (Shepard) and Frank Ponch Poncherello (Peña) have just joined the California Highway Patrol (CHP) in Los Angeles but for very different reasons. Baker is a beaten up pro motorbiker trying to put his life and marriage back together. Poncherello is a cocky undercover Federal agent investigating a multi-million dollar heist that may be an inside jobinside the CHP. The inexperienced rookie and hardened pro are teamed together, but clash more than click, so kickstarting a partnership is easier said than done. But with Baker's bike skills combined with Ponch's street savvy it might just work if they don't drive each other crazy along the way. Click Images to Enlarge
April, 1945. As the Allies make their final push in the European Theatre, a battle-hardened army sergeant named Wardaddy (Brad Pitt) commands a Sherman tank and her five-man crew on a deadly mission behind enemy lines. Outnumbered and outgunned, and with a rookie soldier thrust into their platoon, Wardaddy and his men face overwhelming odds in their heroic attempts to strike at the heart of Nazi Germany. Special features: Presented in SD or HD resolution 4K ultra HD: Tanks of Fury Documentary No Guts, No Glory: The Horrors of Combat Featurette Tiger 131 Featurette Heart of Fury Featurette Clash of Armour Featurette Theatrical Trailers Blu-Ray: Over 50 Minutes of Deleted & Extended Scenes Director's Combat Journal Armoured Warriors: The Real Men Inside the Shermans Featurette Taming the Beasts: How to Drive, Fire & Shoot Inside a 30-Ton Tank Featurette Blood Brothers Featurette
World War II aviation buffs may quibble with the details of Mosquito Squadron, but they'll love it just the same. It's an average war movie, capably directed by Boris Sagal, who thrived in television before he was tragically killed by a helicopter rotor in 1981. At the peak of his post-Man from UNCLE success, David McCallum plays a melancholy RAF ace, leading his squadron of De Havilland "Mosquito" bombers on low-altitude strikes over Nazi strongholds in Germany and France. His ground-based dilemma involves the grieving wife of his best friend, a fellow pilot presumed dead but later discovered alive with other POWs held at a French chalet where the Nazis are developing advanced V-class bombers. The RAF employs bouncing "highballs" capable of penetrating difficult targets, and the rousing climax doubles as a rescue mission and treacherous bombing run. Explosive action compensates for predictable melodrama, and Rocky Horror fans will enjoy seeing Charles ("the Criminologist") Gray as a stuffy RAF Commodore. --Jeff Shannon
Set in Nazi-occupied France at the height of World War Two the story centres on a young Scottish woman (Cate Blanchett) working with the French Resistance in the hope of rescuing her lover, a missing RAF pilot shot down behind enemy lines.
Rambunctious and unpredictable, action-comedy 30 Minutes or Less manages to be simultaneously cynical and softhearted, which is quite a trick. A disgruntled pizza delivery guy named Nick (The Social Network's Jesse Eisenberg) gets his life hijacked by two dimwitted yet canny thugs (Danny McBride and Nick Swardson), who need $100,000 to hire a hit man--so they strap a bomb to Nick and order him to rob a bank. So many little twists and turns follow that it would ruin the fun to describe the plot any further; suffice it to say that 30 Minutes or Less takes a high-concept idea and grounds it in well-written characters, an outstanding cast, and some brutally funny bits. But what really makes 30 Minutes or Less so sympathetic is not the buddy relationship between Nick and his best friend Chet (Aziz Ansari from Parks and Recreation), though that's thoroughly enjoyable--it's the buddy relationship between the two would-be hoodlums that holds the movie's heart. McBride has stolen scenes in dozens of comedies now; his ability to be a complete, unrepentant lummox and yet shimmer with charisma is unmatched. Swardson (from Reno 911!) miraculously matches McBride's comic chutzpah. They are ridiculous and surly buffoons, and they are a delight. --Bret Fetzer
In the action-comedy 30 Minutes or Less, Nick (Jesse Eisenberg) is a small town pizza delivery guy whose mundane life collides with the big plans of two wanna-be criminal masterminds (Danny McBride and Nick Swardson).
Love is a weakness to be exploited and betrayed. Starring Bob Hoskins Michael Caine and Cathy Tyson 'Mona Lisa' is a classic drama written and directed by Neil Jordan about a driver (Hoskins) who falls for his employer - high-class prostitute Simone (Tyson).
Michael B Jordan stars in the explosive origin story of Tom Clancy's action hero John Kelly, an elite Navy SEAL whose life is changed forever after uncovering an international conspiracy. Torn between personal honor and loyalty to his country, he fights his enemies without remorse if he hopes to avert disaster. Directed by Stefano Sollima (Sicario: Day Of The Soldado) and adapted by Taylor Sheridan (Yellowstone) and Will Staples (Shooter) from the bestselling novel, Without Remorse is a must-see thriller. Product Features John Kelly Rebon Watch Your Six
In Blumhouse's Fantasy Island, the enigmatic Mr. Roarke makes the secret dreams of his lucky quests come true at a luxurious but remote tropical resort. But when the fantasies turn into nightmares, the guests have to solve the island's mystery in order to escape with their lives.
The Breakfast Club (Dir. John Hughes 1985): Without doubt John Hughes' The Breakfast Club is one of the greatest teen movies of all-time if not the best. Without it we might not have witnessed the phenomenal rise of the 'Brat Pack'; the group of actors synonymous with the teen films of the '80s. They were five teenage students with nothing in common faced with spending a Saturday detention together in their High School library. At 7am they had nothing to say but
In 12 Strong, a U.S. Special Forces team, led by their new Captain, Mitch Nelson (Hemsworth), is sent into Afghanistan for an extremely dangerous mission. There, in the rugged mountains, they must convince a Northern Alliance General to join forces with them to fight their common adversary: the Taliban and their Al Qaeda allies. In addition to overcoming mutual distrust and a vast cultural divide, the team accustomed to state-of-the-art warfare must adopt the rudimentary tactics of the Afghani horse soldiers, combining ancient strategies of cavalry warfare with twenty-first-century aerial bombardment technology to perform a seemingly impossible feat. Directed by Nicolai Fuglsig and based on the acclaimed Horse Soldiers book by best-selling author Doug Stanton, 12 STRONG also stars Michael Peña and Trevante Rhodes. Produced by legendary producer Jerry Bruckheimer (the Pirates of the Caribbean films, Black Hawk Down), together with Molly Smith, Trent Luckinbill and Thad Luckinbill (La La Land, Sicario). The screen play is written by Oscar winner Ted Tally (The Silence of the Lambs) and Peter Craig (The Hunger Games: Mockingjay, Parts 1 & 2).
In his writing and directorial debut, Julian Schnabel's film Basquiat depicts the life of graffiti artist Jean-Michel Basquiat, aka SAMO, and the turbulent period from the late 1970s to 1988, as his life was catapulted into fame and notoriety. As Jean-Michel's work gained favourable attention from New York's elite art community, he went from a street punk living in a cardboard box to the first black artist to succeed in the all-white dominated art world. Tony Award-winning actor Jeffrey Wright does a brilliant job portraying a man tortured by self-doubt and thoughts of suicide, struggling to survive and be acknowledged as an artist. The film's use of dream-like imagery and rhythmic pace tells the story from the perspective of Jean-Michel's eyes as he manages to "float" through relationships and gallery showings,until his impending death in 1988 from a heroin overdose. Brimming with talent, the film also stars David Bowie as pop-artist Andy Warhol, Michael Wincott as poet Rene Ricard and many others, including Gary Oldman, Benicio del Toro, Dennis Hopper and Courtney Love. --Michele Goodson
All episodes from the first 13 seasons of the JAG spin-off series NCIS, centering on the Naval Criminal Investigative Service, a crack team of government agents who operate outside the military chain of command. These special agents traverse the globe, investigating crimes linked to the Navy or Marine Corps from murder and espionage, to terrorism and stolen submarines. More than just an action-packed drama, NCIS shows the sometimes complex, always amusing dynamics of a team forced to work together under high-stress situations.
Robert De Niro stars as an American intelligence operative adrift in irrelevance since the end of the Cold War--much like a masterless samurai, a.k.a. "ronin." With his services for sale, he joins a renegade, international team of fellow covert warriors with nothing but time on their hands. Their mission, as defined by the woman who hires them (Natascha McElhone), is to get hold of a particular suitcase that is equally coveted by the Russian mafia and Irish terrorists. As the scheme gets underway, De Niro's lone wolf strikes up a rare friendship with his French counterpart (Jean Reno), gets into a more-or-less romantic frame of mind with McElhone, and asserts his experience on the planning and execution of the job--going so far as to publicly humiliate one team member (Sean Bean) who is clearly out of his league. The story is largely unremarkable--there's an obligatory twist midway through that changes the nature of the team's business--but legendary filmmaker John Frankenheimer (Seconds, The Manchurian Candidate) leaps at the material, bringing to it an honest tension and seasoned, breathtaking skill with precision-action direction. The centerpiece of the movie is an honest-to-God car chase that is the real thing: not the how-can-we-top-the-last-stunt cartoon nonsense of Richard Donner (Lethal Weapon), but a pulse-quickening, kinetic dance of superb montage and timing. In a sense, Ronin is almost Frankenheimer's self-quoting version of a John Frankenheimer film. There isn't anything here he hasn't done before, but it's sure great to see it all again. --Tom Keogh
Based on Stieg Larsson's literary phenomenon and featuring an award-winning breakthrough performance by Noomi Rapace, the trilogy follows the unlikely heroine Lisbeth Salander and journalist Mikael Blomkvist. First as they unite to solve the case of a missing girl and then as they fight to uncover the truth about Salander's past. A past full of secrets that a mysterious underground Government group would kill to keep hidden.
The Forsyte Saga is often cited as the first television miniseries; it wasn't, but there's no question that it was a singular, powerful cultural phenomenon that deservedly got under the skin of European viewers in 1967. Today the 26-episode production, based on several novels and short stories by John Galsworthy, is a more timeless enterprise than many of the protracted British TV dramas that have followed. While it would be wrong to consider The Forsyte Saga high art, it's certainly a mesmerizing and inspired mix of theater, sprawling Victorian narrative, thinking man's soap opera, and some finely tuned, 1960s black-and-white production values that (especially when shot outdoors) are strikingly handsome. Above all, Forsyte is driven by its characters--perhaps to an extreme, though the two-generation storyline makes no apologies for creating compelling people whose capacity for short-sighted blundering, bursts of grace, and slow-brewing redemption make them recognizably human. Eric Porter towers over everything as Soames Forsyte, a humorless attorney whose guiding principles of measurable value cause great heartache but slowly evolve, leaving him a graying, good father, arts patron, and sympathetic repository of memory. From the cast of 150 or so, other standouts include Susan Hampshire as Soames's troubled daughter, Nyree Dawn Porter as the wife of two very different Forsyte men, and Kenneth More as the family's artistic black sheep. --Tom Keogh
It's more than 40 years since their classic crime capers in The Lady Vanishes, Night Train to Munich and It's Not Cricket. The gentlemen-sleuth duo may be retired but they still forgo their Friday lunch to investigate a new murder mystery. Caldicott (Michael Aldridge) lives in splendid luxury at Viceroy Court, Marylebone, while Charters (Robin Bailey) resides in leafy Reigate and as ever they meet at their posh Pall Mall club. When the body of an old friend's daughter is found in Caldicott's flat, the pair forgo their regular Friday lunch to solve the crime. The mystery deepens, though, when Charters receives a phone call from the supposedly dead girl! Over the six entertaining episodes the plot thickens as the case is linked to a cargo of gold on a sunken German WWII U-Boat. And from there the excitement builds to a thrilling climax at Lord's Cricket Ground both on and off the pitch!
A recreation of the meeting at the White House between Elvis Presley and President Richard Nixon.
Please wait. Loading...
This site uses cookies.
More details in our privacy policy