First time on Blu-Ray in the UK. Waterloo is the 1970 epic period war film directed by Sergei Bondarchuk and produced by legendary producer Dino De Laurentis. It depicts the story of the preliminary events and the Battle of Waterloo and is famous for its lavish battle scenes. Starring Rod Steiger as Napoleon Bonaparte and Christopher Plummer as the Duke of Wellington with a cameo by Orson Welles as Louis XVIII of France, and Jack Hawkins all contribute fine portraits of great men against a magnificent backdrop of battle and bloodshed.
Spanning the years 1987-1994, this collection includes 6 feature films from director Derek Jarman, including The Last of England and Blue. The Last of England (1987) War Requiem (1989) The Garden (1990) Edward II (1991) Wittgenstein (1993) Blue (1993) Special Features: Face to Face (40 mins, 1993): in-depth interview with Derek Jarman by Jeremy Isaacs Audio commentary on The Last of England with producer James Mackay, lighting designer Christopher Hughes, production designer Christopher Hobbs and composer Simon Fisher Turner Audio commentary on War Requiem with Don Boyd Original trailers + many more extras TBC 100-page perfect-bound book with new essays of each of the included films, contemporary reviews and rare never-before-seen images from Jarman's archive, held by the BFI National Archive
Based on the worldwide bestsellers by Stieg Larsson.
With this thrilling, must-see movie event, writer and director Quentin Tarantino completes the action-packed quest for revenge begun by The Bride (Uma Thurman) in Kill Bill Volume 1! Having already crossed two names from her Death List, The Bride is back with a vengeance and taking aim at Budd (Michael Madsen) and Elle Driver (Daryl Hannah), the only survivors from the squad of assassins who betrayed her four years earlier. It's all leading up to the ultimate confrontation with Bill (David Carradine), The Bride's former master and the man who ordered her execution! As the acclaimed follow-up to the instant classic Vol. 1, you know all about the unlimited action and humour, but until you've seen Kill Bill Vol. 2, you only know half the story!
A strange race of human-like marsupials appear suddenly in Australia, and a sociologist who studies these creatures falls in love with a female one. Is this a dangerous combination?
It's not quite as clever as it tries to be, but The Game does a tremendous job of presenting the story of a rigid control freak trapped in circumstances that are increasingly beyond his control. Michael Douglas plays a rich, divorced, and dreadful investment banker whose 48th birthday reminds him of his father's suicide at the same age. He's locked in the cage of his own misery until his rebellious younger brother (Sean Penn) presents him with a birthday invitation to play "The Game" (described as "an experiential Book of the Month Club")--a mysterious offering from a company called Consumer Recreation Services. Before he knows the game has even begun, Douglas is caught up in a series of unexplained events designed to strip him of his tenuous security and cast him into a maelstrom of chaos. How do you play a game that hasn't any rules? That's what Douglas has to figure out, and he can't always rely on his intelligence to form logic out of what's happening to him. Seemingly cast as the fall guy in a conspiracy thriller, he encounters a waitress (Deborah Unger) who may or may not be trustworthy, and nothing can be taken at face value in a world turned upside down. Douglas is great at conveying the sheer panic of his character's dilemma, and despite some lapses in credibility and an anticlimactic ending, The Game remains a thinking person's thriller that grabs and holds your attention. Thematic resonance abounds between this and Seven and Fight Club, two of the other films by The Game 's director David Fincher. -- Jeff Shannon, Amazon.com
From the director of Feast and Piranha 3DD and starring Daryl Hannah (Kill Bill: Vol. 1 and 2) and Anthony Michael Hall (The Dark Knight Edward Scissorhands) comes a zombie movie that doesn't take any prisoners. As darkness falls in small-town California the undead rise from the graves mausoleums and morgues and they're hungry! With an army of zombies thirsty human flesh pounding at their doors and windows can the townspeople survive till sunrise? It's time to lock the front door and get ready for the fright of your life.
James Clavell's The Last Valley is a heartfelt film of paradise found and lost in the midst of the bloody Thirty Years War, a senseless religious conflict long since degenerated into a rabble of looters preying on peasants. It's also a triumph of passion over style. Michael Caine stars as the Captain, a happily tolerant leader whose army of mercenaries--a mix of Protestants and Catholics--murders, pillages and rapes side by side for whichever faction is paying more at the time. Omar Sharif is Vogel, a lone refugee whose flight from the marauding band leads them all to a beautiful village in the mountains. The Captain and Vogel make an unlikely pair: the shrewd mercenary with the dream of peace, and the philosopher-peasant hanging on to his own life in the face of certain death--and their alliance to preserve this Eden and her people stands in contrast to the soldiers who soon become splintered by greed, lust and religious zealotry. Clavell isn't exactly subtle, but his sense of irony is biting: one Christian soldier is ready to lead a mob in righteous battle after a perceived blaspheme, and in the next scene attacks and rapes an innocent Christian maiden he's sworn to protect. The film falters in clumsy battle scenes and awkward dramatic staging, but Caine's complex characterisation of the guarded Captain and Sharif's haunted performance keep the story alive, and the beautiful photography fixes the film like a jewel into its setting. --Sean Axmaker, Amazon.com
When Michael Kissane was sent to prison for stealing Church funds, he lost his reputation along with his freedom. On his release two years later even Shelah, his former sweetheart, refuses to accept that he might be innocent, and her rejection drives him into the arms of seductive fellow-outsider Blanche. Only Ma Murnighan, a wily old spinster with a penchant for prophesy, believes in Michael's innocence and when she falls ill she hits upon an ingenious plan to winkle out a confession from the real villain and clear Michael's name for good... This marvellously engaging comedy-drama once again saw Gainsborough lynchpin Leslie Arliss directing Irish star Kieron Moore, two years after their collaboration on the hit thriller A Man About the House. Also starring British bombshell Christine Norden, Saints and Sinners is featured here in a brand-new transfer from the original elements, in its as-exhibited theatrical aspect ratio. SPECIAL FEATURES: Image Gallery Promotional Material PDF
As "gigantic monster reptile attacks New York" movies go, you've got to admit that Godzilla delivers the goods, although its critical drubbing and box-office disappointment were arguably deserved. It's a shameless, uninspired crowd-pleaser that's content to serve up familiar action with the advantage of really fantastic special effects, and if you expect nothing more you'll be one among millions of satisfied customers. There's really no other way to approach it--you just have to accept the fact that Independence Day creators Roland Emmerich and Dean Devlin are unapologetic plagiarists, incapable of anything more than mindless spectacle that can play in any cinema in the world without dubbing or subtitles. The whole movie plays out like a series of highlights stolen from previous blockbusters of the 1990s; it's little more than a rehash of the Jurassic Park movies. The derivative script is so trivial that it's unworthy of comment, apart from a few choice laughs and the casting of Michael Lerner as New York's mayor, whose name is Ebert and who closely resembles a certain well-known movie critic. Perhaps that's a clever hint that this movie's essentially critic-proof. It's stupid but it's fun, and for most audiences that's a fitting definition of mainstream Hollywood entertainment. --Jeff Shannon
After growing too big for his elf community, a man raised as an elf at the North Pole is sent to New York in search of his true identity.
Jack Deth - a bounty hunter in the bleak Los Angeles of the future. He's become obsessed with chasing Whistler - an evil criminal who uses powerful hypnotic powers to convert people into zombie like creatures known as trancers. Whistler has managed to escape through time travel and is loose in 1980s L.A. but Deth is on his trail. Special Features: All Region Codes Booklet Notes by Calum Waddell Videozone 'Behind the Scenes' Original Trailer Reversible Sleeve Incorporating Original Artwork
Secret agent Harry Palmer (Michael Caine) is blackmailed into working for MI5 again on his wildest - and most dangerous - assignment yet. An insane oil billionaire, intent on destroying Communism by starting a new world war, is close to achieving his goal with the help of the world's largest, and most powerful, computer. Harry is the only man who may be able to stop him; but as he races from London to Finland to Latvia to Texas and back, he must determine who of his supposed allies is the one he can actually trust, a sexy Russian agent, Soviet colonel or an American mercenary. Legendary filmmaker Ken Russell directed this third and final film in the great Harry Palmer series. The wonderful supporting cast includes Karl Malden, Ed Begley and Francoise Dorleac.
Nicole Kidman plays a woman who becomes convinced that a ten year old boy is the reincarnation of her dead husband.
The very epitome of a cult SF classic, The Day the Earth Stood Still is more often referenced than seen, which is a pity since it remains even now one of the most thought-provoking examples of the genre. The title is a misnomer, a mere tease to entice 1950s audiences into the cinema in the expectation of seeing another sensationalist B-movie about murderous aliens (i.e. Communists). In fact, Robert Wise's film of Edmund North's screenplay is a thoughtful Cold War allegory about a Christ-like visitor (Michael Rennie) who comes to Earth preaching a message of salvation for mankind, only to be spurned, killed then finally resurrected (significantly, Rennie's character Klaatu adopts the pseudonym "Mr Carpenter" while on the run from the authorities). Aside from its philosophical message, the film also boasts memorable imagery--notably the giant robot Gort--a much-quoted catchphrase in "Klaatu barada nikto", and one of composer Bernard Herrmann's most admired scores, featuring the theremin and other electronic instruments that must have sounded very otherworldly back in 1951. The result is a bona fide landmark in cinema SF with a central message about "weapons of mass destruction" that's still uncannily relevant today. On the DVD: The Day the Earth Stood Still has been splendidly restored for its DVD incarnation from the original 35 mm print, and the results are demonstrated in the "Restoration Comparison" feature. Also included is a fascinating 1951 newsreel showing Klaatu receiving a certificate of merit amid stories of Communist threats, the Korean war and beauty pageants ("Pomp and pulchritude on parade in Atlantic City"). Best of all is an absorbing commentary track with director Robert Wise in conversation with Nicholas Meyer (both men have Star Trek movies on their CV). --Mark Walker
Everyone's favorite serial killer is back for more in Season 7 of Showtime's wickedly good drama, Dexter. Golden Globe winner Michael C. Hall returns as the Miami forensics expert with blood on his hands – only now, he's finally forced to come clean to his sister, Deb, about his deadly ways. Meanwhile, there's a chance for possible romance with a beautiful fellow murderer, Deb learns how difficult it is to keep her brother's secrets, Batista pursues a dream away from the force, Quinn loses his heart, and LaGuerta gets closer to pinning the Bay Harbor Butcher killings on Dexter. Someone's got it coming...
Dario Argento describes FOUR FLIES ON GREY VELVET as a deeply personal exploration of his inner turmoil: I decided to let loose, gocrazy, and unleash all my creativity and personal nightmares. Psychoanalysis plays a major role in the film because it's partly autobiographical rather Freudian, in fact. Both Argento and lead actor Michael Brandon, in exclusive interviews for this edition, reveal how the director found his alter ego in Brandon, channelling his own paranoia to create an unsettling psychological thriller. The result is a shocking, knife-edge whodunit with a stunning twist. Introspection becomes art in Argento's hands, making FOUR FLIES ON GREY VELVET essential viewing for anyone seeking a glimpse into the director's psyche. It concludes Argento's iconic Animal' trilogy, paving the way for Suspiria' and his later expressionistic masterpieces that earned him the title Master of Horror.' Celebrated rock musician Roberto Tobias (Michael Brandon) is thrust into a nightmare. Framed for a brutal stabbing, he soon finds himself ensnared in a web of senseless murders. The only clue to the deranged killer lies in a cryptic image captured on a victim's retina. Roberto's desperate search for truth will push him to the brink of madness, culminating in a shocking climax. With Argento's signature blend of terror and visual opulenceand Ennio Morricone's haunting score FOUR FLIES ON GREY VELVET reaches an unforgettable slow-motion finale in breath-taking cinematic style. This Full HD 1080P is encoded from the 4K-restoration of original video and audio materials, finally presenting Maestro Argento's vision as he wishes it to be experienced - preferably in a completely dark room! SPECIAL FEATURES New Exclusive Interview with Dario Argento New Exclusive Interview with star Michael Brandon Interview with Writer & Assistant Dir. Luigi Cozzi English Opening & End Credits English & Italian Theatrical Trailers English TV-Spot Photo Gallery New English Subtitles & SDH Inside a Serialised Limited Collector's O-Card Edition Highly anticipated, long awaited 4K-Restored sourced Full HD release of this pivotal Argento film. The last of his Animal Trilogy and harbinger of his SUSPIRIA masterpiece(which follows together with other 5 Argento films on Shameless UHD soon). Argento himself declares on this disc's unique exclusive interview that 4 FLIES his is most deeply personal work: for fans who wish to understand Dario Argento: this IS THE film..! Film's lead, Michael Brandon, also in a world-unique interview on this edition, concurs that he became Argento alter-ego in that film, with both exploring the director's avowed paranoia!
Dreams schemes graduation - the completion of Senior Year! Goodbye Tree Hill High. Graduation nears. And with its approach comes the realization that for students and parents alike life is changing forever. There are new loves to nurture old score still to settle. The longtime triangle of Lucas Peyton and Brooke finally comes down to two. The memory of Keith - or is it his spirit? - inspires Lucas and Nathan and haunts Dan. Two expectant mothers are about to raise Tree Hill's population stats. Lucas begins to wonder what really happened the terrifying day Keith died. And the Ravens - led by Coach Whitey Durham - have one last chance for hoops glory and the state championship. Live for now. Make way for what's to come. Hello future...
When mysterious spacecraft touch down across the globe, an elite team led by expert linguist Louise Banks (Amy Adams) are brought together to investigate. As mankind teeters on the verge of global war, Banks and the team race against time for answers and to find them, she will take a chance that could threaten her life, and quite possibly humanity's very existence.
Tamsin Greig and Michael Landes star in this romantic comedy drama penned by sitcom legend David Renwick. Love Soup looks at what happens when your first love is a distant memory but you haven't yet found the one. Dealing with the parallel lives of a perfectly matched couple who have yet to meet each other the comedy-drama follows their hopes fears and dating disasters as they try to remain sane in a world from which they each feel increasingly excluded. Tamsin Greig (Green Wing) plays Alice Chenery an account manager for a perfume company in a London department store struggling to maintain a flat in Brighton she cannot afford. Michael Landes who has starred in The Wonder Years and The Fresh Prince Of Bel Air plays Gil Raymond a successful American comedy writer who has fled his home country in search of artistic integrity and a lasting relationship.
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