Based on the Dennis Lehane novel about two Boston area detectives investigating a little girl's kidnapping, which ultimately turns into a crisis both professionally and personally.
Olivia de Havilland won her second Academy Award for The Heiress giving one of her finest screen performances in this version of the Ruth and Augustus Goetz play based on Henry James's 'Washington Square'. In 1840's New York Catherine lives with her father Dr. Sloper a physician. Her mother died some years before and Dr. Sloper still idolizes her. He never misses an opportunity to compare his daughter to her - a comparison the daughter cannot win. When Morris Towns
Based on the Dennis Lehane novel about two Boston area detectives investigating a little girl's kidnapping, which ultimately turns into a crisis both professionally and personally.
Based on the Dennis Lehane novel about two Boston area detectives investigating a little girl's kidnapping, which ultimately turns into a crisis both professionally and personally.
It started like any other night... Ambulance driver Frank Jessup (Robert Mitchum) gets a call from the house of Catherine Tremayne (Barbara O'Neil) little realising where this routine call will take him. Mrs Tremayne has a beautiful wilful stepdaughter Diane (Jean Simmons); she's attracted to Frank and insists he take a job as the family chauffeur. Frank's wary of getting too close to the kid however especially when he realises she's not as sweet as she looks. But Diane has a habit of getting what she wants and it doesn't matter what - or who - it costs...
Based on the smash hit Broadway show, Dear Ruth is a wartime romantic comedy that's as endearingly funny today as it ever was! Ruth Wilkins (Joan Caulfield) is engaged to her uninspiring boss Albert which makes things a little tricky when a handsome Air Force Lieutenant Bill Seacroft (William Holden) turns up out of the blue claiming to be her pen-pal! It turns out that Ruth's patriotic younger sister Miriam has been writing rather passionately to him in the name of building wartime morale! And not only has she been using Ruth's name she's sent him her photo too. It seems only polite that Ruth humours the lonely lieutenant. After all he only has two days' leave and he's come all the way from the perils of war in the hope of making her his wife! The laughs come thick and fast in this genial and genuinely witty romantic comedy.
The most interesting--and entertaining--aspect of Battle Cry, a long, episodic World War II drama, is that it marked the debut of one Justus E McQueen, who subsequently took the name of the good ol' Arkansas boy he played in the movie: LQ Jones. He's only one of eight or nine marine recruits who divide the screen time with commanding officer Van Heflin and James Whitmore as a lifer sergeant named Mac, "just Mac", who ramrods their squad and also delivers the movie's overbearing narration. Unfortunately, the narration is necessary to maintain continuity as the CinemaScope production galumphs its way from rounding up the melting-pot cast to seeing them through basic training and sundry, mostly amatory misadventures in San Diego, to further training in New Zealand and finally to baptism of fire on Guadalcanal. Trouble is, among the recruits only McQueen/Jones (whose job is mostly comic relief) and Aldo Ray (as a brawling lumberjack who's never known family life) have any charisma or acting chops--and that's not forgetting Tab Hunter, whose matinee-idol status at the time does not speak well for the 50s. Battle Cry is also a cardinal example of Hollywood's penchant for buying big, lusty, profane bestsellers (by Leon Uris, in this case) and then bowdlerising all the lustiness and profanity to appease the censors. Raoul Walsh, the poet laureate of lowdown gusto, does what he can in the circumstances, and as one of the first guys ever to direct a widescreen movie (1930's The Big Trail), he makes the battle scenes roar. --Richard T. Jameson
Robert Mitchum and Jean Simmons team in this outstanding example of classic Noir. Directed by Otto Preminger (Laura The Man with The Golden Arm). Mitchum is at his best as Frank Jessup an ambulance driver driven and ensnared by Simmons who demonstrates her own brilliant talents in this compelling plot that leads to a taut and suspenseful climax.
Focusing on the disappearance of a young girl within a crime-saturated neighbourhood Gone Baby Gone is an urban mystery of failure that mixes high-wire suspense with vivid characters and provocative themes. This dark hard-bitten and powerful adaptation of Dennis Lehane's haunting and emotional crime novel Gone Baby Gone sees Ben Affleck in his debut directorial role produce an intense crime thriller that is constantly surprising and deeply compelling. Dorchester a tough district of Boston where the gritty working class streets are lined with the wreckage of broken families and dreams is home to private investigator Patrick Kenzie (Casey Affleck). With professional partner and girlfriend Angela (Michelle Monaghan) Patrick investigates minor criminal cases. Their approachable tone and familiarity with the neighbourhood enables them to talk to people the police cannot. When four-year-old Amanda McCready (Madeline O'Brien) is abducted from her bedroom after her drug addicted mother Helene (Amy Ryan) leaves her alone the local police unit led by Capt. Jack Doyle (Morgan Freeman) and his ace detective Remy Bressant (Ed Harris) use all their resources to try and track the little girl down. With the police making no headway Patrick and Angela are bought in by Amanda's proud and virtuous aunt Bea to start their own investigation. As Patrick and Angela delve further down a path in to the dark heart of the neighbourhood they uncover an intensifying web of sordid lies and a labyrinthine maze of class corruption evil and innocence. With every clue or fact that is revealed tension mounts and much like Clint Eastwood's adaptation of Lehane's Mystic River Gone Baby Gone packs an emotionally powerful punch that keeps you ultimately involved and unaware of what is around the corner. By opting for a cast that consists of established and confident actors like Morgan Freeman and Ed Harris paired with real-life toughened Bostonians straight out of local pool-halls and clubs Ben Affleck has managed to portray the tough real feel of the streets of South Boston with natural grit and charm and has adapted Dennis Lehane's best-selling novel Gone Baby Gone in to a terrifying and intellectually engaging feature.
Flesh and Fury stars OSCAR'' nominated Tony Curtis (Some Like it Hot The Defiant Ones The Great Race) in one of his first leading roles with Golden Globe winner Jan Sterling (The High and the Mighty Ace in the Hole) and Wallace Ford (Harvey Spellbound). Director Joseph Pevney (Man of a Thousand Faces) tells the story of deaf mute boxer Paul Callan (Curtis) who starts boxing for purses when he catches the eye of Sonya Bartow (Sterling) a bloodthirsty money-sucking blonde bombshell. With Sonya keen to push his career (and his winnings!) and with the help of retired fight manager Jack 'Pop' Richardson (Ford) Callan seems all but unstoppable. For a time Sonya has the upper hand with Paul until a rival appears in the shape of upper-crust reporter Ann Hollis (Mona Freeman). Assigned to write an article on the hearing-impaired fighter she soon finds herself falling for him. With the women fighting for influence over Paul and ultimately his love or money in Sonya's case Paul quickly discovers that getting what he has always wanted doesn't necessarily lead to a happy ending. Available for the first time in this digitally re-mastered form Flesh and Fury shows its cast in the most flattering light: Tony Curtis is exceptional in one of his first starring roles and Jan Sterling delivers possibly the finest performance of her career.
Battle Cry: A tight-knit group of marines have adventures in both love and war as they progress from boot camp training to a New Zealand ops base and on to the hard-fought invasion of Saipan. Operation Pacific: 'Duke' Gifford an ultra devoted commander feeling guilty about the death of his former commanding officer and the failure of his marriage leads his submarine crew up into uncharted waters in the battle for the Pacific... Objective Burma: A crack squad of paratroopers parachute into Japanese-occupied Burma with a dangerous and important mission: to locate and blow up a radar station. When an ambush cuts off their only escape route his troop are forced into the swamp-infested hell of the Burmese jungle. The harrowing fight for survival begins in a realistic account of the grim hardships facing brave men in battle...
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