Straight from the pages of Peter O'Donnell's newspaper comic strip Monica Vitti is Modesty Blaise - the world's deadliest female agent.
Broadway Danny Rose is vintage Woody Allen. Danny (Allen) is a down-at-heel theatrical agent whose regular clients include talking bird acts and a man who twists balloons into animal shapes. His faith in these eccentrics never fails, despite the fact that everyone leaves him for another agent in the end. Complications ensue when one of his clients, an overweight crooner, starts a romance with a mafia widow (excellently played by Allen's partner of the time, Mia Farrow). The mob think Danny is her boyfriend, forcing the two of them to take evasive action, at one point dodging bullets among giant floats for a forthcoming Fourth of July parade. The script is witty, the acting superb, the situations inventive. The film is shot in black and white and looks superb for it. On the DVD: The DVD is widescreen, with extremely clear sound so you won't miss a single wisecrack. Dialogue is available in French, German, Italian and Spanish as well as English. It's a pity, however--since the film is so short (84 minutes)--that there are no extras apart from the theatrical trailer. --Ed Buscombe
The generic title of Martha - Meet Frank, Daniel and Laurence suggests a bland, by-the-numbers romantic comedy. Its dialogue certainly doesn't help--there's a lot of piffle about destiny and "having only one chance", etc.--but there are some surprising differences. The plot centres around Martha (Monica Potter), an American trying to start a new life in London. She meets three men (Tom Hollander, Rufus Sewell and Joseph Fiennes, who played the title role in Shakespeare in Love). These three are best friends and all three fall in love with her but the one she falls in love with feels like he's betraying the others to be with her. Despite the resulting confusion, she pursues him to the end--which makes it unlike most current romantic comedies where the woman is a hapless love object to be captured by the right guy. But more entertainingly, Martha - Meet Frank, Daniel and Laurence pays particular attention to the ways men delude themselves because the two friends Martha doesn't care for are both convinced she's hankering for them, which allows for some fairly subtle skewering of the male ego. It's a flimsy movie but no more so than Notting Hill and Joseph Fiennes, in particular, has a relaxed, winning charm that marks him as a rising star. --Bret Fetzer
Five handsome bachelors. One lucky woman! When Lucy's seemingly perfect boyfriend dumps her she just wants to hide away in her apartment - but her friends set her up with a series of blind dates: a shy entomologist (John Hannah) a sensual playwright (Gael Garcia Bernal) a hunky doctor (David Boreanaz) a self-centred baseball player (Anthony LaPaglia) and a bickering businessman (Henry Thomas). But which man is Mr Right?
Writer-director Theodoros Bafaloukos responded to Jamaica's siren call all the way over in Greece and came to the island to make this 1977 movie about a band of Rasta men/Robin Hoods getting their own back at the expense of those perennial bloodsuckers, the "uptown top rankings", as men of money and position are called in Jamaica. The reggae star-studded cast is undoubtedly the movie's most rewarding feature, though some fans have objected to the demeaning sight of the incomparable late singer Jacob Miller threatening a friend with a knife over a purloined chicken leg or the equally great singer Gregory Isaacs exacting chump change for unlocking a tourist's rental car. However, these and other great reggae figures are also seen here in full and glorious performance at their peak. In fact, this film provides our only extended visual record of Miller's kinetic performance style and one of the best pieces of footage on Isaacs. Although Rockers doesn't approach the multi-layered complexity of The Harder They Come and it does betray a little superiority now and then to its characters, there are plenty of laughs as well as insights into life at the time for Jamaica's growing Rastafarian movement. Drummer Leroy "Horsemouth" Wallace makes an unlikely though quintessentially Jamaican leading man as he moves between wooing the rich man's virginal daughter and making pit stops at the shack he shares with his wife and children. His band of accomplices is priceless, and the scene in which each struts in his own "stylee" to Peter Tosh's "Stepping Razor" is alone worth the price. --Elena Oumano
Jarhead: Welcome To The Suck. Academy Award winner Jamie Foxx and Jake Gyllenhaal star in this critically acclaimed brilliantly unconventional war story from Oscar-winning director Sam Mendes. Jarhead (the self-imposed moniker of the Marines) follows Swoff (Gyllenhaal) from a sobering stint in boot camp to active duty where he sports a sniper rifle through Middle East deserts that provide no cover from the heat or Iraqi soldiers. Swoff and his fellow Marines sustain themselves with sardonic humanity and wicked comedy on blazing desert fields in a country they don't understand against an enemy they can't see for a cause they don't fully grasp. (Dir. Sam Mendes 2005) Black Hawk Down: Ridley Scott directs this fast moving action adventure about the disastrous mission in Somalia on October 3 1993 where nearly 100 U.S. Army Rangers commanded by Capt. Mike Steele were dropped by helicopter deep into the capital city of Mogadishu to capture two top lieutenants of a Somali warlord which leads to a large and chaotic firefight between the Rangers and hundreds of Somali gunmen which destroys two U.S. Black Hawk helicopters in Mogadishu. (Dir. Ridley Scott 2002) Tears Of The Sun: Loyal veteran Navy S.E.A.L. Lt. A.K. Waters is sent into the heart of war-torn Africa on a hazardous mission to rescue Dr. Lena Hendricks a U.S. citizen who runs a mission. When the beautiful doctor refuses to abandon the refugees in her care Lt. Waters finds himself having to choose between following orders and the dictates of his own conscience. Together they begin a dangerous trek through the deadly jungle all the while being pursued by a rebel militia group with only one goal in mind: to assassinate Lt. Waters' unit and the refugees in his care... (Dir. Antoine Fuqua 2003)
Writer-director Theodoros Bafaloukos responded to Jamaica's siren call all the way over in Greece and came to the island to make this 1977 movie about a band of Rasta men/Robin Hoods getting their own back at the expense of those perennial bloodsuckers, the "uptown top rankings", as men of money and position are called in Jamaica. The reggae star-studded cast is undoubtedly the movie's most rewarding feature, though some fans have objected to the demeaning sight of the incomparable late singer Jacob Miller threatening a friend with a knife over a purloined chicken leg or the equally great singer Gregory Isaacs exacting chump change for unlocking a tourist's rental car. However, these and other great reggae figures are also seen here in full and glorious performance at their peak. In fact, this film provides our only extended visual record of Miller's kinetic performance style and one of the best pieces of footage on Isaacs. Although Rockers doesn't approach the multi-layered complexity of The Harder They Come and it does betray a little superiority now and then to its characters, there are plenty of laughs as well as insights into life at the time for Jamaica's growing Rastafarian movement. Drummer Leroy "Horsemouth" Wallace makes an unlikely though quintessentially Jamaican leading man as he moves between wooing the rich man's virginal daughter and making pit stops at the shack he shares with his wife and children. His band of accomplices is priceless, and the scene in which each struts in his own "stylee" to Peter Tosh's "Stepping Razor" is alone worth the price. --Elena Oumano
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