The Playgirls and Playboys team up as federal agents who fight amongst other things international terrorists who've stolen a trigger to a nuclear bomb.
She is a determined woman with a grim past and hopeful future an ex-con determined to go straight and stay clean - until a lover's betrayal sends her back to a nightmare of abuse humiliation and desperation at a women's prison where the staff brutalised the inmates and forced them to have sex. Yet even criminals have rights and Alice vows to fight for justice and expose the scandal with the help of a crusading lawyer. But with her freedom and even her life under threat just how far is she prepared to go and what price will she have to pay?
From the Academy Award-winning Coen brothers (Fargo, True Grit), The Big Lebowski is a hilariously quirky comedy about bowling, a severed toe, White Russians and a guy named…The Dude. Jeff “The Dude” Lebowski doesn’t want any drama in his life…heck, he can’t even be bothered with a job. But, he must embark on a quest with his bowling buddies after his rug is destroyed in a twisted case of mistaken identity. Starring Jeff Bridges, John Goodman, Julianne Moore, Steve Buscemi, Philip Seymour Hoffman and John Turturro, experience the cultural phenomenon of The Dude in the “#1 cult film of all time!” (The Boston Globe). Special Features: The Dudes Life The Dude Abides: The Big Lebowski Ten Years Later Flying Carpets and Bowling Pin Dreams: The Dream Sequences of the Dude Interactive Map Jeff Bridges Photo Book An Exclusive Introduction Making of the Big Lebowski The Lebowski Fest: An Achiever's Story Photo Gallery Scene Companion PIP U-Control: The Music Of The Big Lebowski Mark It Dude PIP Worthy Adversaries: Whats My Line Trivia
A musical journey to Jamaica's Golden Age of music Rocksteady. The film features the music and stories of the legendary singers and musicians of the Rocksteady era. They come together after 40 years to record an album of Rocksteady hits to perform together again at an All-Stars reunion concert in Kingston Jamaica and to tell their story.
Between Heaven And Hell (Dir. Richard Fleischer 1956): Sam Gifford (Wagner) is a young successful cotton planter who lacks compassion for others especially his own sharecroppers. But once in combat he answers a sadistic officer (Crawford) and must rely on the friendship of a ""cropper"" (Ebsen). Nominated for a 1956 Oscarifor Best Music 'Between Heaven And Hell' is an action-packed story of men in battle - sometimes with themselves... Guadalcanal Diary (Dir. Lewis Seiler 1943): Based on the best seller of the same name Guadalcanal Diary is one of the greatest war movies of all time. This strikingly realistic film follows a devoted platoon of Marines through the terrors of war in the South Pacific. The all-star cast includes Lloyd Nolan William Bendix Preston Foster and Anthony Quinn as soldiers battling disease treacherous terrain and unrelenting weather as well as a human enemy. Poignantly narrated and with explosive action rooted in a solid historical context 'Guadalcanal Diary' is action-packed entertainment from beginning to end. To The Shores Of Tripoli (Dir. H. Bruce Humberstone 1942): When a carefree playboy (John Payne) joins the Marine Corps he tests the skill and patience of the tough veteran sergeant (Randolph Scott) who tries to whip him into a real Marine. But as his training proceeds the recruit's cocky selfishness is replaced by selfless valour and he eventually earns the love of a beautiful Navy nurse (Maureen O'Hara). Nominated for the Academy Award for Best Cinematography 'To The Shores Of Tripoli' was shot with the co-operation of the US Marine Corps and contains authentic scenes of Marine combat training and ground drills.
'Strange Things Happen At Sundown' is the story of vampires run amuck in New York City. There's a group of low level mobsters with fangs there's an old-age vampire who does mob hits for money there's a pair of vampire lovers on the run. Throw in a born again Christian trying to bring one of the vampires over to her side an Italian girl from Brooklyn bitten by vampires and left to endure an agonising three-day turn and a psychotic four-hundred year old blood sucking housewife with
Based on an F. Scott Fitzgerald story this romantic epic stars Elizabeth Taylor and Van Johnson as two strangers who meet fall in love and marry in post-war Paris. Taylor represents the Ellswirth family: eccentric and free spending but seemingly always on the brink of bankruptcy. When she is unable to change her ways when married life becomes more difficult...
Elijah Wood has one of his first post-Frodo leading roles in the mild-mannered comedy All I Want (the original title of which was Try Seventeen in its film festival showings). He's a 17-year-old college dropout who moves into a funky old apartment building and becomes intrigued by his wacky neighbours. Mandy Moore plays the self-absorbed actress across the hall and Run Lola Run goddess Franka Potente is a cranky photographer. The movie has a few surprises (the casting seems to suggest a teenybopper romance for Wood and Moore, but not so fast), although the energy level rarely perks up and it's pretty thin on actual narrative happenings. Wood's tendency toward fantasy is an especially tired device. A furtive sense of humour, plus the big adoring close-ups of the highly photogenic leading ladies, provides the low-key interest. Trivia: Elizabeth Perkins plays the hero's irresponsible mum; she was also Elijah Wood's mother in Avalon. --Robert Horton
Based on an idea by Gene Roddenberry Andromeda confidently wears its debt to Star Trek on its sleeve, recalling the best sci-fi of Roddenberry's heyday. The two-part premiere "Under the Night" and "An Affirming Flame" make for a terrific introduction to the lead character, Captain Dylan Hunt, played by Kevin (ex-Hercules) Sorbo. He's a sympathetically flawed idealist in command of the Andromeda Ascendant, a massive 1.4 km long starship of the now-disbanded Systems Commonwealth. The fall of civilisation has meant that although she ought to be a relic she remains the zenith of technological advancement. In the series opener we see Captain Hunt in battle against 10,000 enemy ships, winning a bout of fisticuffs with a close friend turned enemy traitor, wrestling with the shock of being frozen in time for 300 years and then diplomatically negotiating his way out of a salvage rights battle for his ship. The Andromeda Ascendant's emotionally driven, life-like computer is desired by the Eureka Maru salvage vessel, and feisty Captain Beka Valentine can barely stop her engineer Harper from drooling about tinkering with her. The Maru's shipmates are similarly driven: Rev Bem (from another sworn enemy race) has a spiritual calling, while cutesy-pie Trance Gemini's motivations are part of her winning mysteriousness. One final addition is the show's muscle, Tyr, the enemy with a conscience. But it's Dylan's show all the way, though he's no flawless hero: in "To Loose the Fateful Lightning" he makes a really stupid mistake. On the DVD: the first box set contains the show's first five episodes. From the excellently animated menus there are links to some standard fare: trailers for each of the (uncut) episodes, a Web link, biographies of the seven leading cast and a 16-picture Production Design Gallery of the Andromeda Ascendant. Much more interesting are the mini interviews with Sorbo (nine minutes) and Producer/Writer Robert Hewitt Wolfe (eight minutes), an archive of deleted scenes and audio comments by Sorbo per episode. Picture is standard TV format 4.3 and sound is plain stereo. --Paul Tonks
Available "fully uncut" for the first time in the UK, Two Thousand Maniacs! is the second of director HG Lewis' "blood" trilogy. Though the "once-in-a-lifetime" title makes a promise no film could keep--only about 30 maniacs show up--and the level of gore is a notch or so down from Blood Feast--only four deaths--this is perhaps the director's most watchable film. The Brigadoon-derived plot nugget concerns a Deep South town (variously suggested to be in Georgia or Arkansas, but actually Florida) wiped out by Union raiders during the Civil War, which reappears once every 100 years to wreak "blood vengeance". For the centennial celebrations, Pleasant Valley lures Yankee tourists off the road and subjects them to gruesome fairground games--a cannibal BBQ, a "horse-race", a "barrel roll" and "teetering rock". The ideas are nasty, and Lewis even attempts subtlety by keeping the quartering and the spiked barrel inside mostly off screen, but the creepiest touch is the "aw-shucks" good humour with which the ghostly Confederate maniacs--led by a mayor who is the spitting image of Sergeant Bilko's Colonel Hall--treat their horrible sport. It has the usual Lewis drawbacks--mostly inept staging, acting that veers between the wooden ("Playmate" Connie Mason) and the amateurishly hammy (one of the worst child actors in film history), clumsy editing, community theatre production values--but his fans wouldn't have it any other way and the hayseed music is great! On the DVD: The full-screen image is as good as this ever will look, considering Lewis' primitive understanding of lighting cinematography, with rich scarlet blood, vividly ugly 1963 leisurewear and very few print imperfections. The features offer an imaginative "Welcome to Pleasant Valley Centennial" menu, with buttons like the target you have to hit to drop the "teetering rock" on the Yankee; lurid original trailer ("Two thousand maniacs crazed for carnage started bathing a whole town in pulsing, human blood ... brutal, evil, ghastly beyond belief"); filmographies for Lewis, Friedman and star William Kerwin (aka Thomas Wood); promotional art gallery; notes by aptly-monickered expert Billy Chainsaw, highlighting the connections with John Waters and Brigadoon; a teaser trailer for "the Herschell Gordon Lewis Collection"; a mass of trailers for other "Tartan terror" titles. The Lewis-Friedman commentary and mind-numbing outtakes reel available on the Region 1 DVD are sadly absent, but that release doesn't have this one's major bonus addition--the entire soundtrack album, with compositions by Lewis himself (including the immortal "Yee-Hah, the South's Gonna Rise Again") and Flatt and Scruggs (of Bonnie and Clyde fame). --Kim Newman
Remember when Laura got her toestuck in a hotel bathtub? When Rob dreamed about ever-presentwalnuts and an alien with no thumbs that looked like Danny Thomas? Trip into the living room of comedy writer Rob Petrie (Dick Van Dyke) along with his lovely wife Laura (Mary Tyler Moore) wisecracking co-workers and nutty neighbors. Consistently ranked among the top TV comedies of all time and renowed for its top-notch cast and stellar writing.
Directed by Richard Lester (A Hard Day's Night Superman II & III The Four Musketeers Robin and Marian The Knack) The Bed Sitting Room is based on a play by Spike Milligan and John Antrobus. Set in a post-apocalyptic London nine months after World War III (the Nuclear Misunderstanding) which lasted two minutes and twenty eight seconds - including the signing of the peace treaty. Nucelar fallout is producing strange mutations in people; the title refers to the character Lord Fortnum who finds himself transforming into a bed sitting room. The plot concerns the fate of the first child to be born after the war. The film can be compared to Milligan's work with The Goons but with a savage cynical and more surreal edge. This was probably the first time that Milligan let his creative dark side out into the light. The bizarre set design has been an influence on filmmakers such as Terry Gilliam and Jeunet and Caro (Delicatessen). The cast list includes the cream of British comedic and acting talent from the late 1960's: Rita Tushingham Ralph Richardson Peter Cook Harry Secombe Dudley Moore Spike Milligan Michael Horden Roy Kinnear Arthur Lowe Dandy Nichols and Marty Feldman. Lots of people talk about 'lost classics' but The Bed Sitting Room is a film that truly deserves that description. It was not particularly well received at the box office but that may be due to the profound strangeness of the film. However it's reputation has grown over the years and VHS copies taped from a BBC broadcast 25 years ago have been selling for ridiculous prices online. It beggars belief that such a startling piece of British cinema has remained in the vaults for so long. Over an hour of extras will include interviews from 1967 with Richard Lester Spike Milligan and Peter Cook.
Director Jim Sheridan links up once more with Daniel Day-Lewis for 1997's The Boxer, a study of a violent Belfast's uneasy crossover into the peace process (they had previously worked on My Left Foot among other films). Day-Lewis stars as Danny Flynn, imprisoned in his late teens for terrorism, now out after 14 years. A once promising boxer, he's initially looking to resume what's left of his career. However, his rekindled love for Maggie (Emily Watson), daughter of local IRA boss (Brian Cox), is coupled with a need to be a part of the healing process in Northern Ireland. With the help of his former trainer (Ken Stott), he reopens a non-sectarian gym. However, the non-pacific wing of the IRA, personified by Gerard McSorley, resents Flynn, not least for consorting with Maggie, who is another IRA prisoner's wife. Day-Lewis plays Flynn as an almost spiritual figure, still caught in the introspection that enshrouded him during his years in jail. Ironically, the well-executed boxing scenes provide a respite from the air of serious violence that pervades the rest of the film, symbolised by the ominous rotorblades of the ever-present helicopters, from which much of the action of this sad, yet gripping and ultimately uplifting movie, is shot.On the DVD: Generous extras include commentaries from producer Arthur Lappin, who offers a tourist's guide to various locations, as well as one from director Jim Sheridan, who offers technical info and remarks drily of a brief, tart exchange between Maggie and Flynn, "This is an Irish love scene". There's also an alternative (though not that alternative) ending, extra scenes which probably deserved to stay on the cutting room floor and, most illuminatingly, a featurette on the movie. This reveals that the career of Barry McGuigan (boxing advisor here) provided Sheridan with the impetus to make The Boxer, inspired by the courage and grace he showed in the ring to rise above partisanship. --David Stubbs
From the Academy-Award - winning Coen brothers (Fargo, True Grit), The Big Lebowski is a hilariously quirky comedy about bowling, a severed toe, white Russians and a guy named... The Dude. Jeff The Dude Lebowski doesn't want any drama in his life... heck, he can't even be bothered with a job. But, he must embark on a quest with his bowling buddies after his rug is destroyed in a twisted case of mistaken identity. Special Features: Making of the Big Lebowski Introduction by Mortimer Young Jeff Bridges Photography Production Notes
A film starring Will Hay, Graham Moffatt, Moore Marriott. Directed by Marcel Varnel. Year of production 1938 Rereleased by Granada Ventures Limited
Episode Comprise: UFO Files: The secret KGB UFO files is a program detailing the public's obsession with UFO'S and the popular theory that the U.S government covers up certain UFO-related evidence. The program also attempts to ascertain what other governments know about this topic. UFO Abduction Files: When researchers began looking into just how much the soviet government knew about UFOs and extraterrestrial visitation, they were not surprised to learn that the Russians took the subject very seriously. What they didn't expect was evidence of ancient alien visitation, paranormal properties associated with related artefacts, and most shocking of all, a mass abduction in 1985! Paranormal Files: Enter the world of mysterious spirits and haunted places. Where people read minds and travel to distant places without ever leaving their bodies. The KGB has investigated many strange occurrences since its inception.
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