No one tries very hard in Big Momma's House, so your enjoyment of this Martin Lawrence vehicle pretty much depends on how much amusement you're able to derive from a guy dressed up as a very ample woman. The setup is of the eye-rolling, only-in-Hollywood nature: Lawrence, as detective Malcolm Turner, is after a killer, and apparently the only way to capture him is to pose as the bad guy's ex-girlfriend's grandmother, who--the film cannot stress this point too much--is quite large. Apparently, Sherry (Nia Long), the young woman in question--she's as attractive as Big Momma is, well, you know--is none too bright, for she falls for Malcolm's ruse, which of course ostensibly amuses mainly because it's so transparent. She at least has an excuse--she hasn't seen Big Momma in two years--but Big Momma's oblivious friends must be functional morons. Screenwriters Darryl Quarles and Don Rhymer didn't tax themselves very much, as they have Malcolm-as-Big-Momma going through fairly predictable motions--botching a meal and delivering a baby unconventionally (Big Momma's a midwife), but ruling at basketball and self-defence and protecting Sherry while trying vainly not to flirt with her. Paul Giamatti is wasted as Malcolm's partner; director Raja Gosnell's clunky sense of comic rhythm is bewildering, because he used to be an editor (he brought a similar lack of magic to Home Alone 3). Lawrence won't have anyone forgetting Tony Curtis and Jack Lemmon in Some Like It Hot, Dustin Hoffman in Tootsie, or Robin Williams in Mrs Doubtfire anytime soon. Eddie Murphy in The Nutty Professor 2: The Klumps is far more accomplished, versatile, and funny. --David Kronke, Amazon.com
A reinvention of Michael Caine's 1960s classic starring Jude Law as a lothario forced to rethink his carefree lifestyle.
TBC
A wealthy family living in Bel-Air California receives a dubious gift from their poorer relations in Philadelphia when Grammy Award-winner Will Smith arrives as The Fresh Prince Of Bel-Air. His mother wants him to learn some good old-fashioned values from his successful relatives. But Will shatters the sophisticated serenity of Bel-Air with his streetwise common sense much to the dismay of his upper-crust uncle Philip Banks (James Avery) Aunt Vivian (Janet Hubert-Whitten and Daph
Oscar-winner Colin Firth stars in this heart-warming cross-cultural romantic comedy set in the idyllic South of France. Nimi a beautiful Nigerian single mother to son Sammy is under pressure from her family to find a suitable husband and who better than the local Reverend? After making friends with Matthew a British comic-book writer and one of his heros Sammy has other ideas. He successfully plots to get them together but they've still a few obsticles to overcome.
Ice Cube returns in this sequel to the popular 2005 family comedy - only this time he has to contend with a contractor from hell.
The intense soundtrack of Boiler Room is a fitting underscore for this movie, which pulses with the vigour of young, rich, amoral men wreaking havoc. This is not the anti-societal havoc of Fight Club, but the more deliberate mayhem that comes from greed run amok. The testosterone-junkie brokers of JT Marlin (the only female in the office is Abby, the receptionist and love interest, played by Nia Long) are out to make the sale, and whether that sale is legal or ethical doesn't matter. Seth Davis (Giovanni Ribisi) is a 19-year-old college dropout who strives for approval from his father (Ron Rifkin), a judge who is horrified that his son operates a 24-hour illicit casino. When an old friend visits the casino with a fellow broker, Davis is impressed by their wads of money and yellow Ferrari, and decides to join the firm. In no time he's making sales and settling into the groove of the office and all the after-hours perks, but the dream fades when Davis discovers the scam that is making all of the brokers wealthy beyond their dreams. Borrowing heavily from Wall Street and Glengarry Glen Ross, Boiler Room is at its best when dealing with matters of money, and powerful scenes of Davis learning to be a "closer" showcase the significant talent of Ribisi, Nicky Katt, and Vin Diesel. The movie flounders when developing the relationship between Davis and his father, becoming sentimental and trite. However, as a fable of modern society and a nostalgic vehicle about the days of yuppies past, Boiler Room is right on the money. --Jenny Brown, Amazon.com --This text refers to another version of this video.
Are We There Yet? Smooth operator Nick (Ice Cube) is interested in young attractive divorcee Suzanne (Nia Long) mother of a 7-year-old-boy and an 11-year-old-girl. Trying to get together with Suzanne Nick volunteers to bring her children to meet her out of town. Missing the plane they must make the long journey by car. What Nick doesn't know is that Suzanne's children think that no man is good enough for their mom and will do everything they can to make the trip a nightmare for him.... Are We Done Yet? Newlyweds Nick (Ice Cube) and Suzanne (Nia Long) decide to move to the suburbs to provide a better life for their two kids. But their idea of a dream home is disturbed by a contractor (John C. McGinley) with a bizarre approach to business.
The cynical yet tender tale of a group of gay friends living in Hollywood, all ultimately in search of one true love.
Soul Food: A family which comes together to eat and enjoy each others company is devastated by their mother's sudden illness. Their traditional Sunday dinners are soon nothing more than opportunities to argue... Waiting To Exhale: Savannah Bernadine Robin and Gloria are all searching for the real thing: true love. Bernadine thought she had it until her husband left her for another woman. Savannah and Robin are successful in business but their love lives are bankrupt
Nonstop laughs are back in the house with this supersized sequel that's wilder funnier and filled with even more outrageous new adventures! Martin Lawrence and Nia Long return in a heavyweight hit comedy that's loads of fun for the whole family! In the interest of national security FBI agent Malcolm Turner (Lawrence) goes back undercover as Big Momma - a slick-talking slam-dunking Southern granny with attitude to spare! Now this granny must play nanny to three demanding kids to complete his most outrageous assignment ever!
In an endearing and funny coming-of-age story Dennis can't quite decide if his friends are a blessing or a curse. Benji is a punkish youth whose obsession with gym bods gets him into trouble. Howie is an annoyingly overanalysing psychology grad student who can't let go of his ex-boyfriend. Cole is a ""pretty boy"" actor who goes through guys like clean underwear. Patrick is a painfully ordinary ""average Joe"" whose insecurity has turned him bitter. Taylor is the resident drama queen who prides himself on his LTR (long-term relationship) only to find himself sleeping single in a double bed. Jack is the group's wizened patriarch whose restaurant is a haven for them all. And then there's Kevin the nave ""newbie"" and most recent addition to the club. To an outsider it may seem like the only thing these friends have in common is that they play on the same team but when times get tough these friends are more like family.
Boyz N The Hood (Dir. John Singleton) (1991): Boyz N The Hood is the critically acclaimed story about three friends growing up in a South Central Los Angeles neighborhood, and of street life where friendship, pain, danger and love combine to form reality. The Hood is a place where drive-by shootings and unemployment are rampant. But it is also a place where harmony co-exists with adversity, especially for the three young men growing up there: Doughboy (Ice Cube), an unambitious drug dealer; his brother Ricky (Morris Chestnut), a college-bound teenage father; and Ricky's best friend, Tre (Cuba Gooding Jr.), who aspires to a brighter future beyond the The Hood.In a world where a trip to the store can end in death, the friends have diverse reactions to their bleak surroundings. Tre's resolve is strengthened by a strong father (Larry Fishburne) who keeps him on the right track. But the lessons Tre learns are put to the ultimate test when tragedy strikes close to home, and violence seems like the only recourse. This powerful portrait of black urban America is a film of enormous relevance and importance. --Roger Ebert, Chicago Sun-Times.8 Mile (Dir. Curtis Hanson) (2002): The people of Detroit know 8 Mile as the city limit, a border, a boundary. It is also a psychological dividing line that separates Jimmy Smith Jr. (Eminem) from where and who he wants to be...
Friday is a hilarious look at a day in the life of two friends growing up in the 'hood' in urban Los Angeles. Featuring an all-star cast Friday stars rapper/actor Ice Cube in this outrageous story of the pitfalls of growing up in South Central Los Angeles. 22 year old Craig Jones has just been fired from his job at the shoe store and on top of that his parents are threatening to kick him out of the house. Meanwhile Craig has his eye on Debbie a beautiful fitness instructor but his insanely jealous girlfriend Joi is standing in the way. To make matters worse Craig's best friend Smokey is in the midst of a shady drug deal gone sour. Before the sun sets in South Central Craig has to get Smokey out of trouble find a new job avoid Joi and win Debbie's heart and survive a climactic confrontation with Deebo the neighborhood menace.
Impressive debut from Lee (Spike's cousin), which should easily lay to rest any charges of Hollywood nepotism.
Are We Done Yet? is the hilarious follow-up to the 2005 family comedy Are We There Yet? Picking up from where the last story left off Nick Pearsons (Ice Cube) brings his new life with Suzanne (Nia Long) and her two kids to live with him in his bachelor pad apartment. It soon becomes obvious there just isn't enough space for them all. The Pearsons family leave city life for the wide open country and into their dream home. But when things start to fall apart around the Nick tries to do-it-himself and ends up in over his head. It doesn't get any better when he hires a wacky contractor Chuck (John C. McGinley) whose unorthodox methods only make the destruction worse. The Persons wonder if they'll ever call this house a home.
Boyz N The Hood is the critically acclaimed story about three friends growing up in a South Central Los Angeles neighborhood and of street life where friendship pain danger and love combine to form reality. ""The Hood"" is a place where drive-by shootings and unemployment are rampant. But it is also a place where harmony co-exists with adversity especially for the three young men growing up there: Doughboy (Ice Cube) an unambitious drug dealer; his brother Ricky (Morris Chestnut) a college-bound teenage father; and Ricky's best friend Tre (Cuba Gooding Jr.) who aspires to a brighter future beyond the ""The Hood."" In a world where a trip to the store can end in death the friends have diverse reactions to their bleak surroundings. Tre's resolve is strengthened by a strong father (Larry Fishburne) who keeps him on the right track. But the lessons Tre learns are put to the ultimate test when tragedy strikes close to home and violence seems like the only recourse. This powerful portrait of black urban America is ""a film of enormous relevance and importance."" --Roger Ebert Chicago Sun-Times.
A predictable vehicle for the resistable Martin Lawrence, Black Knight is yet another rerun of Mark Twain's Connecticut Yankee at the Court of King Arthur concept which here plays like a horror-free, considerably less funny take on Army of Darkness. Jamal (Lawrence), minion in a mediaeval theme park, reaches into a moat for a magic amulet and is transported to the 14th century, where he is appalled by the toilet facilities, pals around with a disgraced knight (an equally disgraced Tom Wilkinson), romances a feminist lady-in-waiting (Marsha Thomason), introduces soul music to the court in a bit done better in A Knight's Tale, and becomes the legendary black knight to help the rebels overthrow the wicked king. It has a bigger, more lavish feel than most of Lawrence's makeshift knockabouts, but that may also be why it is even less funny, since his rants are rather reined-in and his screen character comes across as just overly pleased with himself rather than a comic foul-up who turns heroic. --Kim Newman No-one tries very hard in Big Momma's House so your enjoyment of this Martin Lawrence vehicle pretty much depends on how much amusement you are able to derive from a guy dressed up as a very ample woman. The setup is of the eye-rolling, only-in-Hollywood nature: Lawrence, as detective Malcolm Turner, is after a killer, and apparently the only way to capture him is to pose as the bad guy's ex-girlfriend's grandmother, who--the film cannot stress this point too much--is quite large. Apparently, Sherry (Nia Long), the young woman in question--she's as attractive as Big Momma is, well, you know--is none too bright, for she falls for Malcolm's ruse, which of course ostensibly amuses mainly because it's so transparent. Paul Giamatti is wasted as Malcolm's partner, while director Raja Gosnell's clunky sense of comic rhythm is bewildering, because he used to be an editor (he brought a similar lack of magic to Home Alone 3). Eddie Murphy in The Nutty Professor 2: The Klumps is far more accomplished, versatile and funny. --David Kronke
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