'Never was so much owed by so many to so few' Winston Churchill, 1940. 303 Squadron is the powerful and true story of No.303 Fighter Squadron, the forgotten legends of the Battle of Britain and their incalculable contribution towards Britain's World War II victory. 303 Squadron is the authentic and historically accurate portrayal of how the Polish pilots of 303 Squadron turned the tide in the most seminal battle of World War II and paved way to victory. At a time when every day could be the last, they didn't hesitate to perform extreme airborne manoeuvres to hit their targets. No-one flew quite like them. Their extraordinary skills and genuine patriotism can be an example for future generations of Poles, of what true heroism is. The film not only tells about the spectacular actions in which they took part in the Battle of Britain, but also shows their private lives: Who they loved, lost and missed. Includes subtitles for the Hard Of Hearing
The breath-taking, generation-defining Broadway phenomenon becomes a soaring cinematic event as Tony, Grammy and Emmy Award winner Ben Platt reprises his role as an anxious, isolated high schooler aching for understanding and belonging amid the chaos and cruelty of the social-media age. Directed by acclaimed filmmaker Stephen Chbosky ( The Perks of Being A Wallflower, Wonder ), the film is written for the screen by the show's Tony winner Steven Levenson with music and lyrics by the show's Oscar®, Grammy and Tony-winning song-writing team of Benj Pasek & Justin Paul ( La La Land, The Greatest Showman ). Featuring Grammy winning songs, including the iconic anthem You Will Be Found, Waving Through a Window, For Forever and Words Fail, Dear Evan Hansen stars six-time Oscar® nominee Amy Adams, Oscar® winner Julianne Moore, Kaitlyn Dever, Amandla Stenberg, Colton Ryan, Nik Dodani, DeMarius Copes and Danny Pino.
Echoing the sentiments of Schindler's List Auschwitz is a hard-hitting but respectful war film which shows life as it really was at the death camp. Including documentary footage controversial German director Uwe Boll (Rampage Darfur) says 50% of the German population doesn't know anything about the Holocaust. When I realized that there were many people who deny the Holocaust or who had a distorted point of view about it I decided to make this movie and get straight to the point without any metaphors.
Dear God No! is a tribute to a lost regional drive-in film from 1976 that doesn't rely heavily on computer gimmicks, and cuts to the core of what made these low-budget films shockingly fun. Shot entirely on super 16mm Fuji film and using equipment from the era, Dear God No! is a drive-in and grindhouse lover's dream. No pretty actors - just a rocking original soundtrack, bikers, babes and blood, and as many naked breasts as the script would allow. Outlaw motorcycle gang The Impalers' tri-state rape and murder spree ended in a bloody massacre with rival club Satan's Own. The surviving members sought refuge in a secluded cabin deep in the North Georgia mountains. What first must have seemed like easy prey for a home invasion, became a living nightmare of depravity and violence. A young innocent girl being held captive may hold the key to the twisted secrets locked in the basement and the killing machine feasting on human flesh in the forest outside. Special Features: Exclusive full colour booklet featuring the words of Director James Bickert and Graphic Illustrator Tom Hodge, production stills and more Audio Commentary with Writer/Director James Bickert and Composer Richard Davis Audio Commentary with Actors Jett Bryant, Madeline Brumby and Shane Morton Original Theatrical Trailer Redband Trailer Behind the Scenes Gag Reel Poster and Still Slideshow Zombie Parody Canadian Theatrical Promo Torture Porn Parody Festival Promo Vlog the Magnificent at the Dear God No! World Premiere
A cross-cultural oddity, Tale of a Vampire feels like a 1970s British horror movie retranslated from the Japanese and mounted as a vehicle for Julian Sands. Director-writer Shimako Sato takes a gloom-haunted approach to the undead, allegedly influenced by the necrophile romanticism of Edgar Allan Poe (it claims to be based on Poe's poem "Annabel Lee") but also draws on the popular blood-sucking posiness of Anne Rice's bestselling novels. Alex (Sands), is a style-conscious vampire whose white shirts are always immaculate although he spends most of his nights messily pouring gore over his face. Living in a spartan docklands pad, Alex haunts a library of long-forgotten lore where he sets his cap at a young woman (Suzanna Hamilton) who may be the reincarnation of his lost love. Unfortunately, a hat-wearing rival vampire (Kenneth Cranham) has been nurturing a grudge against Alex for lifetimes and sticks his oar in, complicating the relationship between vampire and willing victim, setting up for a big stake-shoving climax. For all its vampire feuds and dodgily S&M-flavoured blood-drinking scenes, this is somewhat staid and solemn, with few locations and a low budget abstraction reminiscent of those old episodes of The Avengers where they could only afford to build a corner of a set and there wasn't any money left to hire actors. While Sands, with aptly vampirish poise, and Cranham, with a sinister Southern accent, are interesting and poised antagonists, making the most of Sato's allusive dialogue, heroine Hamilton lets the side down with an awkward performance that hardly suggests anyone worth giving up immortality for. Cranham's character is supposed to be Poe himself, oddly transformed from his historical stature: he seems to have put on a bit of weight since his death in 1849, but Cranham's sly nasty way of ordering gruesome nouvelle cuisine and tormenting a harmless crackpot is aptly Poeish. The slow-paced film takes a long time to confirm what is obvious from the outset (even from the title) and then shudders to a halt with all the characters' fates left vague. However, it has a unique and disturbing atmosphere--the few familiar vampire images of a bloody Sands are outweighed by weirder moments like Cranham's presentation of a pale Hamilton, tied to a bed with red ribbons, as an offering to his nemesis--that makes it more insidiously memorable than many of its higher-budgeted, splashier cousins. On the DVD: A no-frills (no trailer, no cast notes, no nothing), full-screen presentation, which sometimes cramps Sato's careful compositions, this also has a mixed blessing transfer which lends a mouldy or rusty fuzz to some of the blacks in the many night scenes. There is, however, a nice animated menu. --Kim Newman
A far-fetched combination of psychological thriller and over-the-top horror movie, The Day the World Ended is a brash, rather ham-fisted piece of work. With Nastassja Kinski leading the cast, the odds were never on this being an example of great cinema, but Terence Gross's film is exceptionally ridiculous in parts.The director manages to pull a range of clichés out of the bag, from the Lynchian small-town American weirdos to the handy thunder storm during moments of high drama. The premise of a lonely, gifted child hiding a dark secret has been explored before but never quite to such a bizarre extent--the events involved here leading to a gory, tasteless finale. Kinski sleepwalks her way through her role with little conviction, matched by Randy Quaid's caricature villain. Much is made of the special effects skills of Stan Winston (Jurassic Park, Terminator 2), but without any degree of budget, his efforts are merely terrifyingly ordinary. On the DVD: one thing becomes clear from the DVD version of the film--despite the overwhelming evidence to the contrary, the makers of The Day the World Ended consider it a fine example of the genre. The audio commentary from producers Winston and Shane Mahan is especially self-reverential, even going so far at one point as to praise the film's great character acting. A hectic visual style and suitably monstrous sound effects it may have (all admittedly enhanced by the digital format), but great character acting it does not. Likewise, there is an in-depth feature on the rather shoddy special effects. The last thing anybody wanted, the earnest voiceover tells us, was for the monster to look like some guy in a rubber suit. --Phil Udell
Stricken and suffering with a terminal disease, multimillionaire Steve Battier (Rutger Hauer, Blade Runner, Batman Begins) is desperate to be young again. Prepared to risk all, Battier approaches RPG: a biotechnological company with the ability to displace age, pain and reality. Submerging the rich in an extreme, revitalizing experience, a ten-hour game ensues. The players awake in unfamiliar territory and transformed physiques. Faced with the reminder of their old-age holograms, the deadline.
Stricken and suffering with a terminal disease, multimillionaire Steve Battier (Rutger Hauer, Blade Runner, Batman Begins) is desperate to be young again. Prepared to risk all, Battier approaches RPG: a biotechnological company with the ability to displace age, pain and reality. Submerging the rich in an extreme, revitalizing experience, a ten-hour game ensues. The players awake in unfamiliar territory and transformed physiques. Faced with the reminder of their old-age holograms, the deadline.
Tracklist: 1. Wouldn't It Be Good 2. I Won't Let The Sun Go Down On Me 3. Dancing Girls 4. Wide Boy 5. Nobody Knows 6. Human Racing 7. Don Quixote 8. When A Heart Beats 9. Radio Musicola 10. Elizabeth's Eyes
Featuring a wicked magician a talking eagle a beautiful princess and the hippest genie of all time Aladdin is a timeless tale of romance and dreams that come true....
The Story of O (Dir. Just Jaeckin 1975): This film is based on the hugely successful S&M novel that has been read by millions of people worldwide. The author Pauline Reage tells the story of a beautiful young woman known only as 'O' who is taken by her boyfriend Rene to a chateau just outside Paris. There 'O' is trained in bondage and sexual perversion. 'O' is deeply in love with Rene and in order to prove her love she allows herself to be subjected to all kinds of degradation
Reckoning Day
Kicks off with how to ride the waves up and down-wind when the wind goes onshore. Sections on choosing and tweaking kit for different conditions; fitness for wave-sailing; shore-breaks & how to conquer them; riding styles. The programme then concentrates on jumping - the basics, then how to get and control big air, twist into table tops and finally how to do those jaw-dropping loops, backwards AND forwards.
The original rock'n'roll space warrior the alien godfather of heavy metal Nik Turner has spent over three crazed decades helping to create what can only be described as some of the most mind shattering hypnotic and fantastical music ever to feature on the international rock scene. From fronting legendary psychedelic rock band Hawkwind to his days with surreal proto-punk outfit Inner City Unit he has never been anything less than 150% entertaining. A performance artist second to none Nik Turner has awed thousands of adoring fans with a plethora of onstage characters rivalled only by Bowie. His musical genius is unquestionable his charisma the icing on the kaleidoscopic cake. A cult hero in every sense! Recorded at the Great American Music Hall San Francisco during the band's tour of America in 1994 and available on DVD for the first time this film truly captures the psychedelic madness of the 'Space Ritual.' Turner is on his best and craziest form as he fronts his most powerful line up in years including HELIOS CREED (Chrome) DEL DETTMAR (Hawkwind) GENESIS P.ORRIDGE (Throbbing Gristle Psychic TV) ALAN POWELL (Hawkwind) and members of PRESSUREHEAD. Featuring many out-there classics from his back catalogue this DVD demonstrates exactly why the man is heralded as a major influence on Psychedelic Rock even today. The DVD also features a selection of previously unseen footage from Nik's private archive of material filmed on the American tour. Track Listing: 1. Ejection 2. D-Rider 3. Master Of The Universe 4. The Awakening 5. The Right Stuff 6.Armour For Everyday 7. Nirbasion Annasion 8.You Shouldn't Do That 9. Thoth 10. Silver Machine
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