A heart-pounding ode to thrillers such as "Straw Dogs" as two mild-mannered couples find themselves trapped in a whirlpool of violence.
In Batman Begins acclaimed director Christopher Nolan explores the origins of the legendary Dark Knight. In the wake of his parents' murders disillusioned heir Bruce Wayne (Christian Bale) travels the world seeking the means to fight injustice and turn fear against those who prey on the fearful. With the help of his trusted butler Alfred (Michael Caine) detective Jim Gordon (Gary Oldman) and his ally Lucius Fox (Morgan Freeman) Wayne returns to Gotham City and unleashes his alter ego: Batman a masked crusader who uses strength intellect and an array of high-tech weaponry to fight the sinister forces that threaten the city.
It was directed with energetic skill by Top Gun Tony Scott, but this breathtaking 1993 thriller (think of it as an adolescent crime fantasy on steroids) has Quentin Tarantino written all over it. True Romance is really part of a loose trilogy that includes Reservoir Dogs and Pulp Fiction, with a crackling Tarantino screenplay that rides a fine line between raucous comedy and violent excess. Christian Slater plays Clarence, the comic-book lover who meets a beguiling prostitute named Alabama (Patricia Arquette), confronts her vicious pimp (Gary Oldman), and embarks on a cross-country odyssey with $5 million worth of Mafia cocaine. Mayhem ensues, culminating in a favourite Tarantino climax--the "Mexican standoff"--in which a roomful of guys are pointing guns at each other, waiting to see who shoots first. Brutal, profane, and totally outrageous, True Romance is not for everyone, but with a supporting cast that includes Dennis Hopper, Christopher Walken, Brad Pitt, and Val Kilmer (as the ghost of Elvis!), you can be sure this movie will never be boring. --Jeff Shannon
Bruce Willis plays Korben Dallas a New York cabbie who picks up the type of fare that only comes along once every 5 000 years. Leeloo (Milla Jovovich) isn't just the perfect beauty; she's also the perfect weapon. As planet Earth is about to be wiped out the pair set off on a deadly mission to find a set of stones that represent the four elements and unite them with the fifth. But what is the fifth? From Luc Besson the acclaimed director of 'Leon' and 'Nikita' comes a film that reinvents the sci-fi genre. The Fifth Element takes you on an adrenaline-filled journey to a new dimension of sumptuous visuals and spectacular explosions.
Of all the "most anticipated" movies ever claiming that title, it's hard to imagine one that has caused so much speculation and breathless expectation as Christopher Nolan's final chapter to his magnificently brooding Batman trilogy, The Dark Knight Rises. Though it may not rise to the level of the mythic grandeur of its predecessor, The Dark Knight Rises is a truly magnificent work of cinematic brilliance that commandingly completes the cycle and is as heavy with literary resonance as it is of-the-moment insight into the political and social affairs unfolding on the world stage. That it is also a full-blown and fully realized epic crime drama packed with state-of-the-art action relying equally on immaculate CGI fakery and heart-stopping practical effects and stunt work makes its entrée into blockbuster history worthy of all the anticipation and more. It deserves all the accolades it will get for bringing an opulently baroque view of a comic book universe to life with sinister effectiveness. Set eight years after the events of The Dark Knight, TDK Rises finds Bruce Wayne broken in spirit and body from his moral and physical battle with the Joker. Gotham City is at peace primarily because Batman took the fall for Harvey Dent's murder, allowing the former district attorney's memory to remain as a crime-fighting hero rather than the lunatic destructor he became as Two-Face. But that meant Batman's cape and cowl wound up in cold storage--perhaps for good--with only police commissioner Jim Gordon in possession of the truth. The threat that faces Gotham now is by no means new; as deployed by the intricate script that weaves themes first explored in Batman Begins, fundamental conflicts that predate his own origins are at the heart of the ultimate struggle that will leave Batman and his city either triumphant or in ashes. It is one of the movie's greatest achievements that we really don't know which way it will end up until its final exhilarating moments. Intricate may be an understatement in the construction of the script by Nolan and his brother Jonathan. The multilayered story includes a battle for control of Wayne Industries and the decimation of Bruce Wayne's personal wealth; a destructive yet potentially earth-saving clean energy source; a desolate prison colony on the other side of the globe; terrorist attacks against people, property, and the world's economic foundation; the redistribution of wealth to the 99 percent; and a virtuoso jewel thief who is identified in every way except name as Catwoman. Played with saucy fun and sexy danger by Anne Hathaway, Selina Kyle is sort of the catalyst (!) for all the plot threads, especially when she whispers into Bruce's ear at a charity ball some prescient words about a coming storm that will tear Gotham asunder. As unpredictable as it is sometimes hard to follow, the winds of this storm blow in a raft of diverse and extremely compelling new characters (including Selina Kyle) who are all part of a dance that ends with the ballet of a cataclysmic denouement. Among the new faces are Marion Cotillard as a green-energy advocate and Wayne Industries board member and Joseph Gordon-Levitt as a devoted Gotham cop who may lead Nolan into a new comic book franchise. The hulking monster Bane, played by Tom Hardy with powerful confidence even under a clawlike mask, is so much more than a villain (and the toughest match yet for Batman's prowess). Though he ends up being less important to the movie's moral themes and can't really match Heath Ledger's maniacal turn as Joker, his mesmerizing swagger and presence as demonic force personified are an affecting counterpoint to the moral battle that rages within Batman himself. Christian Bale gives his most dynamic performance yet as the tortured hero, and Michael Caine (Alfred), Gary Oldman (Gordon), and Morgan Freeman (Lucius Fox) all return with more gravitas and emotional weight than ever before. Then there's the action. Punctuated by three or four magnificent set pieces, TDKR deftly mixes the cinematic process of providing information with punches of pow throughout (an airplane-to-airplane kidnap/rescue, an institutional terrorist assault and subsequent chase, and the choreographed crippling of an entire city are the above-mentioned highlights). The added impact of the movie's extensive Imax footage ups the wow factor, all of it kinetically controlled by Nolan and his top lieutenants Wally Pfister (cinematography), Hans Zimmer (composer), Lee Smith (editor), and Nathan Crowley and Kevin Kavanaugh (production designers). The best recommendation TDKR carries is that it does not leave one wanting for more. At 164 minutes, there's plenty of nonstop dramatic enthrallment for a single sitting. More important, there's a deep sense of satisfaction that The Dark Knight Rises leaves as the fulfilling conclusion to an absorbing saga that remains relevant, resonant, and above all thoroughly entertaining. --Ted Fry
Bram Stoker's Dracula (Dir. Francis Ford Coppola 1992): Francis Ford Coppola returns to the original source of the Dracula to create a modern masterpiece. It follows the tortured journey of the devastatingly seductive Transylvanian Prince (Gary Oldman) as he moves from Eastern Europe to 19th century London in search of his long lost Elisabeta who is reincarnated as the beautiful Mina (Winona Ryder)... Mary Shelley's Frankenstein (Dir. Kenneth Branagh 1994): It is the late 18th Century. After the death of his beloved mother young Victor Frankenstein leaves his father and Elizabeth the adopted sister he passionately loves to attend university. Here he becomes obsessed with the teachings of Professor Walman who believes that living creatures can actually be created from dead matter. One electrifying night Frankenstein's efforts are rewarded as his Creature struggles to life. Alone despised and driven by a rage of emotional agony it sets off to find its maker. And so begins the nightmare that will engulf Victor Frankenstein...
In this third instalment in the blockbusting series a notorious prisoner escapes from the prison for wizards, and young wizard Harry Potter is believed to be his target for death.
These days people are dangerously nostalgic about the sinister tackiness of the 1980s, but there's no stiffer antidote to such delusion than Alan Clarke's The Firm. This unforgettable film was made as a one-off drama for the BBC in 1988, but its cult following has grown steadily through video, thanks to a startling central performance from a young Gary Oldman, and the riveting manner in which Clarke captures the lethal, mindless energy of football hooliganism. Oldman plays Clive "Bexy" Bissell, working-class East London boy done good: a prosperous estate agent, proud homeowner, happy husband and doting father. But his chief pleasure is to be team leader ("top boy") of a bunch of overgrown yobs who attend football matches in order to cause violence. At weekends Bexy leads his "Inter City Crew" into rucks with rival warlords such as Yeti (Phil Davis) and Oboe (Andrew Wilde), in search of what he calls "the buzz", no matter the cost to his young family and his future prospects. The Firm was entirely shot on SteadiCam, enabling Clarke to drop the viewer right into the thick of the action and exploit some hair-raisingly authentic rowdiness from his talented cast. Among these thugs, soap fans will spot Eastenders' Steve McFadden and Charlie Lawson of Coronation Street. The Firm is a masterpiece of social-realist drama, and one of the most virulently anti-Thatcherite films of its time. An avid supporter of Everton FC, Clarke responded to Al Hunter's script because he felt that the vicious idiots spoiling football were a new breed of disgrace. The tabloids raised a stink about the film's violence, and the BBC delayed its broadcast until 1989. A year later, Alan Clarke died of cancer, But The Firm is a tremendous last testament from the finest English director of his generation. --Richard Kelly
Love Kills. Gary Oldman stars as Sex Pistols bassist Sid Vicious with Chloe Webb as his junkie girlfriend Nancy; social misfits who literally love each other to death in this riveting biography of burnt-out icons Their love affair is one of pure devotion. Sid falls hard for groupie Nancy Spungen who seduces him with her affection - and addiction to heroin. Their inseparable bond - to each other and their drugs - eventually corrodes the band sending Sid and Nancy down a dark road of despair. Out of money hope and options the dependent two hit rock bottom while living in squalor at New York's infamous Chelsea Hotel. But their journey takes yet another tragic turn as they face their final curtain - and attempt to fulfill their destiny of going out in a blaze of glory.
Ben Chase (Gary Oldman) is an on-the-rise Boston attorney currently defending a wealthy client in a high profile murder case. Martin Thiel (Kevin Bacon) is the wealthy young man on trial for a particularly brutal murder. The verdict sets Thiel free. Within 24 hours another grizzly and all-too-familiar murder has taken place with striking similarities to the first crime. Chase inexplicably agrees to act as his defense attorney; but this time it will be to gather evidence that will put away his client for good. But who's manipulating who in this edge-of-your- seat thrill ride?
A collection of films from acclaimed director Ridley Scott. Gladiator (2000): The great Roman General Maximus (Russell Crowe) has once again led the legions to victory on the battlefield. The war won Maximus dreams of home wanting only to return to his wife and son; however the dying Emperor Marcus Aurelius (Richard Harris) has one more duty for the general - to assume the mantle of his power. Jealous of Maximus' favor with the emperor the heir to the throne Commodus (J
True Romance: Two lovers (Christian Slater, Patricia Arquette) are thrust into a dangerous game of high-stakes negotiations and high-speed adventure. The pair come into unexpected possession of a suitcase of mob contraband. Fleeing to Los Angeles, they hope to sell the goods and begin a new life. But both sides of the law have other ideas... Natural Born Killers: America has become a society steeped in violence and most decent, ordinary people are sick of it. Or are they?
Blu Ray steelbook
Tom Stoppard's modern stage classic finds a pair of film actors worthy of its verbal japery and existential bewilderment: Gary Oldman and Tim Roth are deliciously locked in as the title characters of Rosencrantz and Guildenstern are Dead. And yet it remains difficult to tell which one is Rosencrantz and which Guildenstern--even they seem unsure--a clever part of Stoppard's ingenious design. Focusing on a pair of unremarkable characters from Hamlet, Stoppard sees the great play from their confused perspective. Now and again the action of Hamlet sweeps them up, but most of the time R&G are left wondering where they are, what they have been sent for, and why they can't remember anything that happened before the beginning of the play. Richard Dreyfuss (fittingly grandiloquent) is the Player King, who seems to know more about the ominous workings of fiction and tragedy than the heroes do. Stoppard's first outing as a film director is handsomely shot but uncertainly paced--although any time Oldman and Roth go into one of their tennis-match debates on probability, identity, or death, the movie crackles. Rosencrantz and Guildenstern may be the "indifferent children of the earth," but for this brief moment they deserve center stage. --Robert Horton
Van Helsing (Dir. Stephen Sommers 2004): Hunted as a murderer by those who do not understand his calling Van Helsing (Hugh Jackman) travels the globe as a fugitive. Accompanied only by Carl (David Wenham) a friar entrusted with providing Van Helsing's safety and a weapons arsenal to rival James Bond Van Helsing is despatched to the shadowy world of Transylvania. Home to the ravishing Anna Valerious (Kate Beckinsale) one of the last remaining descendents of a powerful royal family Van Helsing has been sent to terminate the evil and undefeatable Count Dracula (Richard Roxburgh) and his alluring bloodthirsty vampire brides. Herself a fearless hunter Anna joins forces with Van Helsing to confront her family's life long adversary and avenge the deaths of her predecessors. In a stunning showdown Van Helsing comes face to face with his mortal enemy but is also forced to confront his past... Bram Stoker's Dracula (Dir. Francis Ford Coppola 1992): Francis Ford Coppola returns to the original source of the Dracula to create a modern masterpiece. It follows the tortured journey of the devastatingly seductive Transylvanian Prince (Gary Oldman) as he moves from Eastern Europe to 19th century London in search of his long lost Elisabeta who is reincarnated as the beautiful Mina (Winona Ryder)... Mary Shelley's Frankenstein (Dir. Kenneth Branagh 1994): It is the late 18th Century. After the death of his beloved mother young Victor Frankenstein leaves his father and Elizabeth the adopted sister he passionately loves to attend university. Here he becomes obsessed with the teachings of Professor Walman who believes that living creatures can actually be created from dead matter. One electrifying night Frankenstein's efforts are rewarded as his Creature struggles to life. Alone despised and driven by a rage of emotional agony it sets off to find its maker. And so begins the nightmare that will engulf Victor Frankenstein...
Ten years have passed since FBI agent Clarice Starling faced the ingenious Dr. Hannibal Lecter... ten years of watching, wondering and waiting. But now the wait is over. The sophisticated killer re-emerges in Florence, Italy, ready to entice Clarice into their old game of cat-and-mouse. Yet she isn't the only one interested in capturing him. Another mind with a dubious motive - ravenous vengeance - also wishes to stake his claim to the enigma that is Hannibal. But of these three brilliant minds, whose cunning will prevail? Product Features The art of storyboarding with Ridley Scott exclusive interview Opening Title Design: Multi-angle exploration Anatomy of a Shoot-Out: An uncut 5 camera multi-angle breakdown of The Fish Market action scene Feature Commentary with Director Ridley Scott Breaking The Silence: The Making Of Hannibal Deleted Scenes with Optional Directors Commentary Alternate Ending with Optional Directors Commentary
Gary Oldman (The Dark Knight Harry Potter The Book Of Eli) is at his dark best in the action-packed and sharply written Brit-Flick Dead Fish. Accompanying Oldman on this hilarious and thrilling rollercoaster ride of gangster life gone wrong is a legendary line up including Robert Carlyle (Trainspotting The Full Monty The Beach) Jimi Mistry (The Guru 2012 Blood Diamond) Terence Stamp (Wanted Yes Man Get Smart) and Billy Zane (Titanic). Dead Fish tells the story of Lynch (Oldman) an obscure but charming hit man sent to London for what should be a routine job. The hit becomes anything but straightforward as Lynch finds his world turned upside down when his phone is switched with a strangers'. Cut off from his employer's instructions Lynch goes on a manic rampage across London to recover his phone - and find its owner the girl of his dreams. He soon has bigger problems when he discovers he is being hunted by a rival assassin sent by his employers to take him out.
Titles Comprise:The Unborn: Writer/Director David Goyer (Blade: Trinity The Invisible Batman Begins) gives a terrifying glimpse into the life of the undead in The Unborn a supernatural thriller that follows a young woman pulled into a world of nightmares when a demonic spirit haunts her and threatens everyone she loves. Quarantine: Television reporter Angela Vidal (Jennifer Carpenter) and her cameraman (Steve Harris) are assigned to spend the night shift with a Los Angeles Fire Station. After a routine 911 call takes them to a small apartment building they find police officers already on the scene in response to blood curdling screams coming from one of the apartment units. They soon learn that a woman living in the building has been infected by something unknown. After a few of the residents are viciously attacked they try to escape with the news crew in tow only to find that the CDC has quarantined the building. Phones internet televisions and cell phone access have been cut-off and officials are not relaying information to those locked inside. When the quarantine is finally lifted the only evidence of what took place is the news crew's videotape. The Strangers: Explore your worst fears imaginable with this shocking suspense thriller inspired by disturbing true events. After a 4 a.m. knock at the door and a haunting voice Kristen McKay (Liv Tyler) and James Hoyt's (Scott Speedman) remote getaway becomes a psychological night of terror as three masked strangers invade. Now they must go far beyond what they thought themselves capable of if they hope to survive.
Made In Britain Tim Roth made an unforgettable screen debut as the tattooed contemptuous racist Trevor. Made In Britain depicts his relationship with Harry and the reasons behind his violence with documentary-style naturalism. Filmed on location in London Made In Britain is one of the most memorable feature-length TV dramas of the 1980s. Prick Up Your Ears Joe Orton was one of the 1960s golden boys from working class Leicester lad to national celebrity from sexual innocent to grinning satyr from penniless student to icon of Swinging London. He became a star by breaking the rules - sexual and theatrical. But while his plays including Loot What the Butler Saw and Entertaining Mr Sloane were hugely successful his private life was sometimes sordid often farcical and ended in tragedy... Meantime A drama which centres on the Pollack family who live in a council house in East London whose lives are affected by unemployment and boredom...
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