For his follow-up to VAMPYROS LESBOS, writer/director Jess Franco delivered perhaps his most twisted shocker of the 70s: In what fans and critics consider to be her greatest role, the luscious Soledad Miranda in one of her final performances before her tragic death stars as the vengeful widow who seduces then murders the men and women responsible for her husband's suicide. Howard Vernon (THE AWFUL DR. ORLOFF), Paul Muller (BARBED WIRE DOLLS), Ewa Strömberg (VAMPYROS LESBOS) and Jess himself co-star in this EuroCult classic featuring another epic sexadelic lounge score by Manfred Hübler & Siegfried Schwab now remastered in HD and featuring all-new Extras. It's Franco at his perversely erotic best, like you've never seen or heard it before! Extras: Jess Killed In Ecstasy Interview with Director Jess Franco Sublime Soledad Interview with Soledad Miranda Historian Amy Brown Stephen Thrower on She Killed in Ecstasy Interview with the author of Murderous Passions The Delirious Cinema of Jess Franco Paul Muller on Jess Franco interview with the frequent Franco star Original German trailer Cast and Crew: Soledad Miranda, Ewa Stromberg, Howard Vernon, Paul Muller Jess Franco (director) Awards and Reviews: Stunning. A superior slice of eroticism The Spinning Image Truly shows what a creative genius Franco can be when at the top of his form Classic Horror
Between the mild profanities, underage drinking, and promiscuous sex, Greek is definitely not your older sibling's Saved by the Bell: The College Years. This instantly addictive series may not be, as its creators intended, "the definitive fun college show," but it gets high marks for its appealing cast, smart writing, and reasonably clear-eyed portrayal of fraternity and sorority life. Jacob Zachar stars as Rusty Cartwright, an incoming freshman at Cyprus Rhodes University. He is a geeky science major and socially awkward (his first taste of tequila earns him the nickname "Spitter"). But he is eager to join a fraternity and "have a real college experience". The soapsuds froth early. His sister, Casey (Spencer Grammer, Kelsey's daughter) is campus royalty, a junior with a wealthy and well-connected boyfriend, Evan (Jake McDorman). She is also "heir to the throne" of her "best of the best" sorority house. So embarrassed is she by Rusty, she has never told anyone she had a brother. "You have your world, and I have mine", she dismisses him early on. But her world is rocked after Rusty accidentally catches Evan about to cheat on Casey with Rebecca Logan (Dilshad Vadsaria), a senator's daughter and highly prized pledge who Casey has been charged to bring in to the sorority at all costs. Greek is not just kids behaving badly. What moves this series to the head of the class is that its characters struggle with doing the right thing, and as Casey tells Rusty, "sometimes doing the right thing isn't doing the right thing", adding, "It's shades of grey from here on out". Greek creates compelling moral dilemmas and should spark worthwhile family discussions. Should Rusty tell his sister about Evan and ruin his chance to join Evan's elite fraternity? Should Casey break up with Evan and risk her social standing? Greek is all about acceptance and how friends can become like an extended family. Rusty finds his at a rowdy Animal House-like frat headed by Cappie (Scott Foster), Casey's less reputable former boyfriend. Though Rusty may be lame, he proclaims, "he'd be fun to corrupt and bring to the dark side". How Rusty wrestles with his ideals and reconnects with Casey is at the heart of this auspicious season. Greek does traffic in stereotypes, but most of the characters emerge as fully dimensional, including Evan, less of a jerk and more soulful than one would expect, and Dale (Clark Duke), Rusty's "fundamentalist hick" roommate, who becomes less of an easy punch line as the season progresses. For a show that at one point gives a shout-out to Gilmore Girls, Greek's own pop-culture references (from The Matrix and Monty Python to Grey's Anatomy) are spot-on. Beyond that, the character-based writing is well observed. After a first date, a euphoric Rusty calls it the best night of life, adding, "Even better than the time they announced Pluto wasn't a planet. I hated Pluto". With one year under its belt, you'll want to pledge yourself to Greek. --Donald Liebenson
"THE LION MAN-SERIES 2" FOLLOWS THE EXCITING DEVELOPMENTS AT THE PARK - AS ZION WILDLIFE GARDENS MOVES IN TO PHASE TWO OF IT'S EXCITING EXPANSION PLANS.
An ageing actress (Robin Wright, playing a version of herself) decides to take her final job: preserving her digital likeness for a future Hollywood.
Rising (Part 1): The discovery of an amazing city left behind by the Ancients in the most unlikely of places leads a new Stargate team to the distant Pegasus galaxy. Once there the new team encounters a planet of primitive humans being decimated by a terrible alien race - the Wraith. Rising (Part 2): Sheppard tries to convince Weir to mount a rescue mission to free Colonel Sumner Teyla and the others captured by the Wraith. Meanwhile Sumner faces the Wraith themselves. Hide And Seek:An alien intruder has found it's way into the city threatening the security of the base. Dr McKay's experiments with alien technology lands him in trouble. 38 Minutes: The Atlantis team's 'puddle jumper' becomes trapped in the Stargate.
It will scare you to death! In the winter of 1972 a young filmmaker named Roger Watkins began work on what is commonly referred to as the most vile and disgusting film ever made. Under the pseudonym of Victor Janos Watkins wrote directed produced and starred in The Last House on Dead End Street. Roger Watkins stars as Terry Hawkins a down and out pornographer fresh out of prison. Disgusted by the world around him he begins work on a series of snuff films-target
Children Of The Corn Traveling through Nebraska Burt (Peter Horton) and Vicky (Linda Hamilton) stop in a small town to report the death of a child on the highway. There they discover something strange about the community: all the grownups are gone and the children seem to belong to a strange cult. What's worse it's a cult that sacrifices adults to the dreadful 'he who walks behind the rows'... Children Of The Corn 2 A young couple uncovered the horrors that lay hidd
Dolores has everything she wants for her birthday - a party a fine cake with 18 candles and Stephen the handsome stranger who is more than a guest. He's a present to keep daddy's little girl happy - and he's a prisoner...
Oscar winner Julia Roberts and Clive Owen reunite for "Duplicity", from writer/director Tony Gilroy (seven-time Oscar-nominated for "Michael Clayton").
To safeguard his liege from the clutches of evil sorceress Morgana Merlin transports the young King Arthur into modern day America...
They're close mates but not that close! To take advantage of newly leglislated tax laws two 'very straight' old timers (Hogan and Caton) have to learn how to pass as a loving gay couple after falsely claiming same-sex status!
On one of the last days of an exceptionally hot summer in 1956 Bertolt Brecht prepares to leave his tranquil lakeside house in Brandenburg for Berlin and the upcoming theatre season. Most of the many women in his life are there: his wife daughter old lovers and latest flames including a beautiful young actress and a women whose affections and body he shares with her political activist husband. The serenity of the countryside stands a stark contrast to the deep volatile emotions o
Since its release in 1998, Steven Spielberg's D-Day drama Saving Private Ryan has become hugely influential: everything from the opening sequence of Gladiator ("Saving Marcus Aurelius") to the marvellous 10-hour TV series Band of Brothers has been made in its shadow. There have been many previous attempts to recreate the D-Day landings on screen (notably, the epic The Longest Day), but thanks to Spielberg's freewheeling hand-held camerawork, Ryan was the first time an audience really felt like they were there, storming up Omaha Beach in the face of withering enemy fire. After the indelible opening sequence, however, the film is not without problems. The story, though based on an American Civil War incident, feels like it was concocted simply to fuel Spielberg's sentimental streak. In standard Hollywood fashion the Germans remain a faceless foe (with the exception of one charmless character who turns out to be both a coward and a turncoat); and the platoon, led by Tom Hanks, consists of far too many stereotypes: the doughty sergeant; the thick-necked private; the southern-man religious sniper; the cowardly corporal. Matt Damon seems improbably clean cut as the titular private in need of rescue (though that may well be the point); and why do they all run straight up that hill towards an enemy machine-gun post anyway? Some non-US critics have complained that Ryan portrays only the American D-Day experience, but it is an American film made and financed by Americans after all. Accepting both its relatively narrow remit and its lachrymose inclinations, Saving Private Ryan deserves its place in the pantheon of great war pictures. On the DVD: This DTS edition of Saving Private Ryan presents the movie with astonishingly vivid surround sound that is audibly superior to the standard Dolby Digital version. With a wider dynamic range and a more spacious soundfield, the battles really do spill over into your living room. There are new animated menus but because the DTS data stream requires greater space on the disc, the 30-minute behind-the-scenes documentary included on the previous release is omitted. --Mark Walker
The Last Man on Earth is Not Alone! In a world where mankind has been wiped out by germ warfare Los Angeles is the desolate playground of the sole survivor of the tragedy. Robert Neville (Heston) spends his sunny L.A. days gunning his convertible around town foraging for supplies but at night he flees to the safety of his barricaded penthouse high above the streets and the other survivors. After sunset the streets belong to the Family; nocturnal plague-ravaged victims of the germ war out to destroy all things modern - and that includes Neville! When Neville encounters other healthy survivors his life changes completely. At last there is hope but not if the Family can help it...
A ruthless elven bounty huntress shoots down the dragon ridden by the fugitive orc shaman, Fangtor Bloodmoon. When Fangtor refuses to surrender quietly, the huntress must battle for her own life against the dangerous villain, and comes away with more than just his head.
Joseph and Brenda have done what many only dream of and retired to the South of France to live out the rest of their days as if they were permanently on holiday. But retirement is not what Joseph imagined and when a young attractive couple Suzanne and Mark choose their favourite bistro for dinner everything Joseph thought he knew about himself and his world is turned upside down.
Verena Steynton (Judy Parfitt) is holding a party for her daughter. All the aristocratic families of Strathcroy in the Scottish Highlands are attending with all their guilty secrets. Lord Archie Balmerino (Edward Fox) a crippled war veteran and his long suffering wife will be there. Edmund Aird (Michael York) a wealthy entrepreneur and his beautiful American wife have been invited. And Pandora (Jacqueline Bisset) Archie's exotic and mysterious sister who disappeared from the village twenty years ago is returning under a cloud of suspicion. Only Edmund and her brother know the secret of her flight from home. But the rumours are flying and the local families feel that Pandora's return can only bring bad luck. When a lifeless body is found in the loch the tension rises. Why has Pandora come back after so long? What are her motives? And has her return already had deadly consequences?
Waking the Dead, like director-writer Keith Gordon's earlier films (The Chocolate War, A Midnight Clear, Mother Night), is based on a well-regarded modern novel (by Scott Spencer) and has a great many quiet virtues: a genuine engagement with near-contemporary America, complicated characters well-played by a cast of perfectly selected not-quite-star performers and a questioning approach that sits ill with the too-easy answers of most contemporary films. The complex story opens in 1974 with the death in a car bomb explosion of Sarah Williams (Jennifer Connelly), a radical working with a faction of left-wing Catholics to rescue dissidents from Chile. This has a devastating effect on her straighter boyfriend, Fielding Pierce (Billy Crudup), who is working within the system with an eye on rising in the Democratic Party through the patronage of a senior figure (Hal Holbrook), the man who is eventually to become the President. We flash back to 1972 and Fielding's intense relationship with Sarah, marked by romantic and political differences that feel far more real than the contrived oppositional arguments in most political movies. Then skip 10 years forward to find a sleeker, hollow-faced Fielding running for Congress, tormented not only by memories of Sarah but her actual or phantasmal appearances. Another film might play this as a paranoid mystery thriller, but this goes for psychology, and Crudup delivers an intense portrait of a man cracking up by the loss of his ideals as much as his life's love--climaxing in a terrific restaurant outburst to his needy, congratulatory family. Unreleased theatrically in the UK, this outstanding film has award-quality performances from Crudup and Connelly, both doing their best screen work to date. On the DVD: The picture is presented in 1.85.1 anamorphic widescreen, with Dolby Digital sound. You get the usual trailer, filmographies and puff piece featurette, but also three superb extras: a commentary from Gordon that passionately and intelligently addresses the thematic material and production circumstances of the film; a package of deleted scenes that goes well beyond the usual irrelevant snippets--everything here offers additional insights into the plot and character; tracks from the composers Tomandandy which play over the menus--a rare feature that's liable to become more common. --Kim Newman
The Fast and the Furious Vin Diesel and Paul Walker reteam for the ultimate chapter of the franchise built on speed - Fast and Furious. Heading back to the streets where it all began, they rejoin Michelle Rodriguez and Jordana Brewster to blast muscle, tuner and exotic cars across Los Angeles and floor through the Mexican desert in the new high-octane action-thriller. When a crime brings them back to L.A., fugitive ex-con Dom Toretto (Diesel) reignites his feud with agent Brian O'Conner (Walker). But as they are forced to confront a shared enemy, Dom and Brian must give in to an uncertain new trust if they hope to outmaneuver him. And from convoy heists to precision tunnel crawls across international lines, two men will find the best way to get revenge: push the limits of what's possible behind the wheel. 2 Fast 2 Furious Supercharged street-racing action exploding onto the streets of Miami incredible cars driven to the edge. Beautiful girls and a lifestyle to die for.. It's 2 Fast 2 Furious Academy Award nominated Director John Singleton (Boyz N Da Hood) brings you the nitrous-injected follow-up to the The Fast and The Furious. Brian O'Conner (Paul Walker) has lost his job after letting his friend Dom Toretto, a street-racking crime boss, escape the law. Now he's back in Miami with his old friend, Roman Pearce (Tyrese). He's working undercover for the cops to avoid punishment for his actions. He's helping the gorgeous Monica Fuentes (Eva Mendes) track down a shady Miami businessman. And he's racing again - this time, its for his life. The Fast and the Furious: Tokyo Drift From the makers of The Fast and the Furious and 2 Fast 2 Furious comes the highest-octane instalment of the hit movie franchise built for speed! Shaun Boswell has always been an outsider. A loner at school, his only connection to the indifferent world around him is through illegal street racing - which has made him particularly unpopular with the local authorities. To avoid jail time, Shaun is sent out of the country to live with his uncle in the military, in a cramped apartment in a low-rent section of Tokyo. In the land that gave birth to the majority of modified racers on the road, the simple street race has been replaced by the ultimate pedal-to-the-metal, gravity-defying automotive challenge ... drift racing, a deadly combination of brutal speed on heart stopping courses of hairpin turns and switchbacks. For his first unsuccessful foray in drift racing, Shaun unknowingly takes on D.K., the Drift King, with ties to the Yakuza, the Japanese crime machine. The only way he can pay off the debt of his loss is to venture into the deadly realm of the Tokyo underworld, where the stakes are life and death.
Please wait. Loading...
This site uses cookies.
More details in our privacy policy