Biography of Martin Luther the 16th-century priest who led the Christian Reformation and opened up new possibilities in exploration of faith
Rediscover the magic of Roald Dahl's family classic about the legendary Candy Man, Willy Wonka (Gene Wilder). This dazzling musical, filled with incredible chocolate waterfalls, Oompa-Loompas and industrial-sized confections, never fails to enchant both young and old. Special Features Delectable Documentary Pure Imagination: The Story of Willy Wonka & the Chocolate Factory Mouth-Watering Commentary with the Wonka Kids 4 Scrumptious Sing-Along Songs Tasty Vintage Featurette Theatrical Trailer
On the day before Easter in 1911, Don Hewes is crushed when his dancing partner (and object of affection) Nadine Hale refuses to start a new contract with him.
1942: The Libyan war zone, North Africa. After a German invasion a British ambulance crew are forced to evacuate their base but become separated from the rest of their unit. Somehow they must make it to Alexandria, but how? Their only hope is a dilapidated ambulance named Katy and an irrational, alcoholic soldier known as Captain Anson. Facing landmines, Nazi troops, spies and the merciless, scorching, brutal environment of the desert, can Captain Anson face his demons and make the road to hell a journey to freedom? Features: NEW Steve Chibnall on J. Lee Thompson NEW Interview with Melanie Williams Senior Lecturer in Film Studies, University of East Anglia Interview with Sylvia Syms John Mills Home Video Footage Original Trailer Behind The Scenes Stills Gallery Extended Clip from A Very British War Movie Documentary
It's 'vege-mania' in Wallace and Gromit's first feature adventure.
Sometimes the truth is lost in battle. Honus Gent a U.S. soldier devoted to his duty and Cresta a white woman who had lived with the Cheyenne for two years are the only two survivors of a slaughter committed by the Cheyennes on a cavalry group. Together they are hoping to stay alive until they reach the cavalry's base camp. As they travel Honus feels a growing affection for Cresta but he is disgusted with her anti-American beliefs as she has more sympathy for Indians than for the U.S. government. They arrive at the cavalry outpost on the eve of an attack on a Cheyenne village where Honus will learn who has been telling him the truth.
Odette is the story of a brave woman who volunteered to join SOE (Special Operations Executive) during WWII.
Featuring every episode from the hugely popular Thick of It. Join the farce that is the department of social afairs and citizenship as it farcically stumbles its way through the corridors of power. Starring a fantastic cast: Peter Capaldi, Chris Addison, Rebecca Front, Roger Alam and a host of other British talent.
Christmas family comedy directed by independent filmmaker Jon Favreau. Will Ferrell stars as Buddy, a human being who has spent his whole life believing himself to be an elf. Brought up by Santa (Edward Asner) and his elves at the North Pole, Buddy has spent the last 30 years happily working in Santa's toy workshop. But when his ungainly size starts to become a liability in the elf-sized working environment, Santa suggests that Buddy head to New York City to find his biological father (James Caan). Needless to say, the unlikely spectacle of a 6'5' man dressed from head to foot in bright green stands out a mile on the streets of the Big Apple, and the good-natured Buddy finds himself in all sorts of scrapes as he gets used to his new family and surroundings - and they get used to him.
There's something intrinsically funny about tactlessly truth-telling talking animals. And there are plenty of those--and laughs to go with them--in this 1998 re-imagining of Hugh Lofting's children's story. Eddie Murphy plays the doctor in question, a modern-day San Francisco physician who discovers that he can understand what animals have to say. Director Betty Thomas makes the most of an amazing voice cast for the animals, led by Norm McDonald and including everyone from Garry Shandling to Julie Kavner to Albert Brooks. The story itself is pretty slim--will the conscientious doctor sign his soul away to a greedy HMO?--but Murphy makes the most of it, often providing priceless reactions to animal voices only he can hear. --Marshall Fine, Amazon.com
London, 1872. On the day his world is turned upside down by a postcard from a lost love, Phileas Fogg (David Tennant) is inspired by an article about the exciting advances in travel to take on an almost impossible wager to circumnavigate the globe in just eighty days. As a man who has spent the last twenty years in a comfortable leather armchair at The Reform Club, he will need all the resilience he can muster and of course would be nowhere without the assistance of quick-witted Frenchman, Passepartout (Ibrahim Koma). Joining them on the road will be the Daily Telegraph journalist who came up with the whole crazy idea in the first place Abigail Fix (Leonie Benesch).
The three films in this Terry Thomas Collection--The Naked Truth, Too Many Crooks and Make Mine Mink--are each an unalloyed delight from beginning to end. Though produced on slim budgets they possess witty scripts by Michael Pertwee, deft direction in two instances by Mario Zampi, inventive music scores and marvellous casts featuring two generations of British actors, from Athene Seyler to a young Kenneth Williams. Individually and as an ensemble these players are a pleasure to watch. But of course Terry Thomas, the catalyst of the collection, runs the gamut with a plethora of facial expressions, body language and verbal repartee that contribute so much to the unbuttoned joy of each film. In the earliest of them, The Naked Truth (1957), TT plays a dodgy peer of the realm being blackmailed in the company of Peter Sellers, Peggy Mount and Shirley Eaton by a gutter press journalist, Dennis Price ("Don't try to appeal to my better nature, because I haven't one"). The moments of slapstick are brought off to a tee as when the larger-than-life Peggy Mount attempts a suicide drop from her window to be saved by an awning on a shop front. Too Many Crooks (1959) has TT being blackmailed once again, this time for the hoards he's stashed away as a renowned tax dodger. Look out for the very funny court scene, where TT makes three appearances on separate charges, before a bemused magistrate, John Le Mesurier. Make Mine Mink (1960), the odd one out in this collection, was adapted from a West End stage farce, Breath of Spring. TT leads a gang of middle-aged biddies who decide to brighten up "the dullness of the tea time of life", by staging a series of robberies on furriers, then donating the proceeds to charitable concerns. The splendid cast includes Hattie Jacques and Kenneth Williams. On the DVD: The Terry Thomas Collection comes in an attractive box containing the three discs. All are 4:3 ratio and with mono sound. The only extras are a trailer for each film which, in the instance of Make Mine Mink, is introduced by Terry Thomas himself, who presents us to his gang of fur thieves as the voice on the soundtrack announces him as "fur, fur funnier than you've seen him before". --Adrian Edwards
House on Haunted Hill is one of the new breed of waste-no-time thrill machines, like Deep Blue Sea, and a particularly effective example at that. The plot is pure contrivance: For a party stunt, a wealthy amusement-park manufacturer (Geoffrey Rush) offers five people a million dollars if they spend the night in a former insane asylum where the patients murdered the sadistic staff. But it turns out the five people who arrive aren't the five he invited--did his wife (Famke Janssen), who hates him, make the switch? From there events unfold with a smart combination of human and supernatural machinations; spooky jolts are dispensed at regular, but not entirely predictable, intervals. The visual effects owe a considerable debt to Jacob's Ladder, a much more ambitious movie; House on Haunted Hill just wants to get under your skin, and succeeds more than you'd expect. Rush is his entertainingly hammy self; Janssen, Taye Diggs, Ali Larter and Bridgette Wilson are attractive and reasonably straight-faced about it all; and Chris Kattan is genuinely funny as the house's neurotic owner. Some elements of the plot seem to have been lost in the editing process, but it hardly matters. More bothersome is that the scares go flat when computer effects take over at the end--the digital images just aren't as creepy as the more suggestive stuff that came before. But that's just the very end; most of the movie has a lot of momentum. Watch until the end of the credits for a final bit of eeriness. --Bret Fetzer, Amazon.com
There's no shortage of competition in the battle to be named the ultimate screen Dracula, but Peter Cushing's turn in Terence Fisher's take on Bram Stoker's classic novel surely makes him a candidate worth considering. As the first Hammer Dracula movie, it's long been cherished by both Hammer and horror enthusiasts. And this Blu-ray release could, with some justification, be described as definitive. There are several reasons for this. Firstly, this release brings together two different takes on the feature, including the 2012 restoration work from Hammer itself, which added in material that had been unseen for many years. Furthermore, the film's transfer is excellent, a real labour of love and an outright justification alone for getting hold of the Blu-ray. But then there are the further two discs of extra material, which dig into the story of the film, as well as spending some time exploring the restoration work that brought it into its current state. Furthermore, there's an excellent commentary track to enjoy as well. The film itself? It remains the star of the show, and one of the best of Hammer's impressive catalogue. Cushing is magnetic in the central role, and the supporting work from the likes of Christopher Lee and Michael Gough adds majesty to an already impressive production. How refreshing, then, that it's all arrived packaged on a Rolls Royce-standard disc release, that shows that with real care and diligence, it's possible to put together Blu-ray packages of older films that are something really very special indeed. --Jon Foster
It's 1666, and medieval England is in the grip of the Great Plague. But when the Doctor and his companions arrive, they discover an even greater threat: the entire planet is in danger. As the Grim Reaper stalks the countryside, the Doctor uncovers an alien menace intent on wiping out humanity and claiming our planet for themselves. The Terileptils have arrived - and only the Doctor can stop them... Special Features: Commentary with Peter Davison, Janet Fielding, Sarah Sutton, Matthew Waterhouse and Director Peter Moffatt Grim Tales: Brand-new 45-minute documentary. Former companion Mark Strickson takes Peter Davison, Janet Fielding and Sarah Sutton back to the original filming locations while other cast and crew members discuss their memories of the story. The Television Centre of the Universe Part 1 - Peter Davison, Mark Strickson and Janet Fielding return to the BBC Television Centre and meet up with old friends and colleagues to reminisce on their time in the iconic building. Doctor Forever - The Apocalypse Element - Examining the world of Doctor Who on audio. Including interviews with Colin Baker, Russell T Davies, Mark Gatiss and many others. Film Trims - Shots and sequences cut from the finished programme Directing Who - Peter Moffatt Writing a Final Visitation Scoring the Visitation - Interview with Composer Paddy Kingsland Subtitle Production Notes Radio Times Listings and BBC Sales Sheet Photo Gallery Coming Soon Trailer Isolated Music Score Easter Egg Digitally Remastered Picture Sound and Quality
The Big Lebowski, a casually amusing follow-up from the prolifically inventive Coen brothers (Ethan and Joel), seems like a bit of a lark and the result was a box-office disappointment. It's lazy plot is part of its laidback charm. After all, how many movies can claim as their hero a pot-bellied, pot-smoking loser named Jeff "The Dude" Lebowski (Jeff Bridges) who spends most of his time bowling and getting stoned? And where else could you find a hair-netted Latino bowler named Jesus (John Turturro) who sports dazzling purple footgear, or an erotic artist (Julianne Moore) whose creativity consists of covering her naked body in paint, flying through the air in a leather harness, and splatting herself against a giant canvas? Who else but the Coens would think of showing you a camera view from inside the holes of a bowling ball, or an elaborate Busby Berkely-styled musical dream sequence involving a Viking goddess and giant bowling pins? The plot--which finds Lebowski involved in a kidnapping scheme after he's mistaken for a rich guy with the same name--is almost beside the point. What counts here is a steady cascade of hilarious dialogue, great work from Coen regulars John Goodman and Steve Buscemi, and the kind of cinematic ingenuity that puts the Coens in a class all their own. --Jeff Shannon
1942: The Libyan war zone, North Africa. After a German invasion a British ambulance crew are forced to evacuate their base but become separated from the rest of their unit. Somehow they must make it to Alexandria, but how? Their only hope is a dilapidated ambulance named Katy and an irrational, alcoholic soldier known as Captain Anson. Facing landmines, Nazi troops, spies and the merciless, scorching, brutal environment of the desert, can Captain Anson face his demons and make the road to hell a journey to freedom? Features: NEW Steve Chibnall on J. Lee Thompson NEW Interview with Melanie Williams Senior Lecturer in Film Studies, University of East Anglia Interview with Sylvia Syms John Mills Home Video Footage Original Trailer Behind The Scenes Stills Gallery Extended Clip from A Very British War Movie Documentary
The last film completed by Bruce Lee before his untimely death, Enter the Dragon was his entrée into Hollywood. The American-Hong Kong co-production, shot in Asia by American director Robert Clouse, stars Lee as a British agent sent to infiltrate the criminal empire of bloodthirsty Asian crime lord Han (Shih Kien) through his annual international martial arts tournament. Lee spends his days taking on tournament combatants and nights breaking into the heavily guarded underground fortress, kicking the living tar out of anyone who stands in his way. The mix of kung fu fighting (choreographed by Lee himself) and James Bond intrigue (the plot has more than a passing resemblance to Dr. No) is pulpy by any standard, but the generous budget and talented cast of world-class martial artists puts this film in a category well above Lee's primitive Hong Kong productions. Unfortunately he's off the screen for large chunks of time as American maverick competitors (and champion martial artists) John Saxon and Jim Kelly take centre stage, but once the fighting starts Lee takes over. The tournament setting provides an ample display of martial arts mastery of many styles and climaxes with a huge free-for-all, but the highlight is Lee's brutal one-on-one with the claw-fisted Han in the dynamic hall-of-mirrors battle. Lee narrows his eyes and tenses into a wiry force of sinew, speed and ruthless determination. -- Sean Axmaker, Amazon.com
Taste the Blood of Dracula is one of the best of Christopher Lee's Dracula series for Hammer. A group of businessmen who, out of sight of their families, like nothing more than to frequent brothels and generally behave in sensation-seeking ways, are persuaded by Dracula's servant (a splendidly manic Ralph Bates) that summoning up the orthodontically-challenged aristocrat would be the ultimate thrill. They warily agree, purchasing relics for the necessary ritual from a shifty dealer (Roy Kinnear--who else?), but panic halfway through the proceedings and decide to kick their initiator to death instead. Unfortunately, it's too late, and Dracula materialises as they make good their escape, swearing to avenge the murder of his servant. While the subsequent descent into paranoia by the three villains-Dracula himself hardly counts in comparison with this odious bunch--isn't exactly the stuff of Rosemary's Baby, it still infuses the plot with an element of psychodrama that is unusual for a Hammer fang-fest. There are strong performances pretty much all round, but Peter "Clegg" Sallis quakes exceptionally nicely as one of the trio of miscreants. The sets, props and costumes are of an unusually high order, too. --Roger Thomas
Contains all 12 episodes from Peter Capaldi's second series in the role with guest star's Maisie Williams and Rufus Hound as well as the brilliant Missy (played by Michelle Gomez) The Complete Boxset also contains the 2014 Christmas Special, Last Christmas and this year's highly anticipated, The Husbands of River Song and more than four hours' worth of extras. EXTRAS Documentaries Writing Who The definitive guide for a would-be Doctor Who scriptwriter. We follow Sarah Dollard on her intricate journey to create her episode, Trap Street. From the highs of pitching her original idea to Steven Moffat, to the challenges of writing her first draft - faced with a blank page and typing Int. TARDIS Day - to seeing her episode becoming reality. Dalek Devotion Peter Capaldi and Steven Moffat reveal the inspiration for the return of the Daleks to the incredible season opener of series 9, how their earliest memories have shaped their devotion to the ultimate killing machine, and the journey to the Dalek homeland of Skaro. The Adventures of River Song Join Alex Kingston and Steven Moffat as we look forward to River's return in The Husbands of River Song. Find out how River's character came to be created, why Alex just had to play the role, what happened when the cast discovered who River really is. Narrated by Nina Toussaint-White. Clara's Journey In 2012, Jenna Coleman joined Doctor Who and took her place in television history as the Doctor's newest companion, Clara Oswald. Having become the longest serving companion since the revival of the show, Clara's time on the TARDIS has now come to an end, so we can now look back at just what made the Impossible Girl, well, possible. Featuring interviews with Peter Capaldi, Matt Smith and Jenna Coleman. Narrated by Colin McFarlane. DVD Commentaries Under the Lake and Before the Flood: actor Sophie Stone, writer Toby Whithouse, producer Derek Ritchie The Woman Who Lived: actor
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