In this adrenaline-fueled adventure, Optimus Prime and the Autobots take on their biggest challenge yet. When a new threat capable of destroying the entire planet emerges, they must team up with a powerful faction known as the Maximals. With the fate of humanity hanging in the balance, Noah (Anthony Ramos) and Elena (Dominique Fishback) will do whatever it takes to help the Transformers as they engage in the ultimate battle to save Earth.
Michael Douglas, Kathleen Turner and Danny DeVito are reunited for a third time to fabulous effect in The War of the Roses. This is a dark, disturbing comedy of marital trauma and revenge, which couldn't be more different from their sunnier outings in Romancing the Stone and The Jewel of the Nile. Douglas and Turner, in career-best performances, are the materialistic, consumer-driven Roses of the title (Oliver and Barbara) whose seemingly perfect marriage has soured beyond repair; their only point of contact is their meticulously maintained dream house, which Douglas bought and Turner decorated to perfection. When Turner gets a taste of financial independence, she asks Douglas for a divorce--all she wants is the house and everything in it (aside from his clothes and shaving kit). He laughs at her and she punches him in the face. Things only get worse from there, as nasty divorce proceedings (with DeVito as Douglas's lawyer) give way to insults, threats, ruined dinner parties and pet abuse. And through it all, the Roses begin destroying their beloved home and its contents, just to spite each other. DeVito, who also directed, takes Michael Leeson's blacker-than-black screenplay and gives it a hyper-stylised spin, complete with skewed camera angles and wonderfully expressionistic cinematography (by Stephen Burum) as Douglas and Turner barricade themselves in their house, both refusing to give an inch. Shocking for a mainstream studio picture, with its unsympathetic protagonists, escalating bitterness and disturbing finale, Roses is a poisonously funny valentine to both marriage and 1980s materialism, tempered only by its framing device as a cautionary tale. --Mark Englehart, Amazon.com
Viggo Mortensen stars in this stylized thriller from director David Cronenberg.
New to Blu-Ray: the British cult pop history movie released for the first time on BD, complete with a massive 4.5 hours of bonus material! A witty and compelling portrait of the 80's music scene, 24HRPP is viewed through the eyes of Tony Wilson: founder of the now world-famous Factory Records & the Hacienda nightclub. Starring Steve Coogan (Alan Partridge, Philomena) and featuring Peter Kay, Rob Brydon, Simon Pegg, John Simm, John Thomson, Ralf Little & Shirley Henderson.
A chronicle of England's Golden Age during the late 16th century recounting the life and times of the remarkable Elizabeth I in a cycle of six plays. Academy Award-winning actress Glenda Jackson stars in one of the most popular and acclaimed Masterpiece Theatre presentations ever created the story of England's Queen Elizabeth I. Filled with palace intrigue royal romance and stunning historical detail it traces her reign from a young Princess through almost 50 years of rule over
According to critic Pauline Kael Straw Dogs was "the first American film that is a fascist work of art". Sam Peckinpah's only film shot in Britain is adapted from a novel by Gordon M Williams called The Siege of Trencher's Farm which Peckinpah described as a "lousy book with one good action-adventure sequence". The setting is Cornwall, where mild-mannered US academic David Sumner (Dustin Hoffman) has bought a house with his young English wife Amy (Susan George) in the village where she grew up. David is mocked by the locals (one of whom is Amy's ex-boyfriend) and treated with growing contempt by his frustrated wife, but when his house comes under violent siege he finds unexpected reserves of resourcefulness and aggression. The movie, Peckinpah noted, was much influenced by Robert Ardrey's macho-anthropological tract, The Territorial Imperative. Its take on Cornish village life is fairly bizarre--this is a Western in all but name--and many critics balked at the transposition of Peckinpah's trademark blood-and-guts to the supposed peace of the British countryside. A scene where Amy is raped caused particular outrage, not least since it's hinted she consents to it. Not for the first time in Peckinpah's movies there are disquieting elements of misogyny, and it doesn't help that the chemistry between Hoffman and George is non-existent. (Impossible to believe these two would ever have clicked, let alone married.) But taken as a vision of irrational violence irrupting into a civilised way of life Straw Dogs is powerful and unsettling, and the action sequences are executed with all Peckinpah's unfailing flair and venom. Oh, and that title? A quote from Chinese sage Lao-Tze, it seems, "The wise man is ruthless and treats the people as straw dogs." The film was long withheld from home viewing in Britain by nervous censors, but this release presents it complete and uncut. --Philip KempOn the DVD: Straw Dogs is as jam-packed a disc as is possible for a film made before the days of obligatory "making of" features. Both the sound and visuals have transferred well, and, like the script, have aged well. There's a bumbling original interview in the style of Harry Enfield's Mr. Cholmondley-Warner, along with stills and original trailers. The new material includes a feature on the history of the film's censorship and commentaries by Peckinpah's biographers musing over interesting fan-facts (though none of the speakers have any first-hand experience of the making of the film). However, Katy Haber's commentary, and interviews with Susan George and Dan Melnick, offer a much more in-depth and intimate portrayal of the man and the making of the film. --Nikki Disney
Max & Paddy's Power Of Two takes burning calories to a new surreal level with the motor home enthusiasts doing the workout. This DVD masterpiece features completely new Peter Kay comedy that has never been seen anywhere before, and it's the only way to flex and laugh your way to a leaner, fitter you!
Patch Adams raises two schools of thought: there are those who are inspired by the true story of a troubled man who finds happiness in helping others--a man set on changing the world and who may well accomplish the task. And then there are those who feel manipulated by this feel-good story, who want to smack the young medical student every time he begins his silly antics. Staving off suicidal thoughts, Hunter Adams commits himself into a psychiatric ward, where he not only garners the nickname "Patch" but learns the joy in helping others. To this end, he decides to go to medical school, where he clashes with the staid conventions of the establishment as he attempts to inject humour and humanity into his treatment of the patients ("We need to start treating the patient as well as the disease", he declares throughout the film). Robin Williams, in the title role, is as charming as ever, although someone should tell him to broaden his range--the ever-cheerful, do-gooder à la Good Will Hunting and Dead Poets Society is getting a little old. His sidekick Truman (Daniel London) steals the show with his gawky allure and eyebrows that threaten to overtake his lean face--he seems more real, which is odd considering that Patch Adams does exist and this film is based on his life. Monica Potter is the coolly reluctant love interest and she makes the most of her one-dimensional part. While moments of true heartfelt emotion do come through, the major flaw of this film is that the good guys are just so gosh-darn good and the bad ones are just big meanies with no character development. Patch Adams, though, does provide the tears, the giggles and the kooky folks who will keep you smiling at the end. --Jenny Brown
Fast paced and edgy this mini-series (first shown on BBC3) alternates between the gripping love triangle involving the young Casanova Henriette and her husband Grimani and the swan song of the world's most notorious lothario! Written by Russell T. Davies creator of 'Queer As Folk' and the scribe behind the new 'Doctor Who'.
For as long as anyone can remember the island of Sodor land of talking trains has been a realm of magic and innocence. But now Thomas the Tank Engine and his friends on the magic railroad are being threatened by diesel engines like the surly Diesel 10 and his sidekicks Dodge and Splatter. Even the magical Mr. Conductor (Alec Baldwin) who has always traveled between the train world and the human world of Shining Time Station is losing his powers and sparkle. In the middle of this crisis Lily (Mara Wilson) a resourceful 12-year-old meets up with Mr. Conductor on the way to visit her lonely grandfather Burnett Stone (Peter Fonda). With a host of whimsical witty and wise characters they embark on an adventure in the Island of Sodor with Thomas the Tank Engine to preserve that wonderful world that exists just beyond the limits of the imagination. Brave Thomas reminds them all that ""even little engines can do big things.""
Celebrate one of the biggest movie franchises of all time with the Jurassic Park Trilogy Collection! From Academy Award-winning director Steven Spielberg (Jurassic Park, The Lost World: Jurassic Park), and Joe Johnston (Jurassic Park III), dinosaurs once again roam the earth in an amazing theme park on a remote island. The action-packed adventures find man up against prehistoric predators in the ultimate battle for survival. Featuring visually stunning imagery and groundbreaking filmmaking, these epic films are sheer moviemaking magic which was 65 million years in the making. Welcome to Jurassic Park. Hours of Bonus Features: Jurassic Park Return to Jurassic Park: Dawn of A New Era, Making Prehistory, The Next Step in Evolution The Lost World: Jurassic Park The Making of the Lost World Behind the Scenes Return to Jurassic Park: Something Survived Jurassic Park III Making Of Jurassic Park III Special Effects of Jurassic Park III Dinosaurs Jurassic Park III
Three digitally remastered Doctor Who stories from the 1960s '70s and '80s. In the three-part 'The Seeds of Death' (1969) the Doctor (Patrick Troughton) Jamie (Frazer Hines) and Zoe (Wendy Padbury) travel to a moon relay station to find out why T-Mat a form of instant travel has broken down. There they discover a race of Ice Warriors planning to use T-Mat to carry seed pods to earth which will produce a deadly fungus to suck the air dry of oxygen. The Doctor has to foil the Ice Warriors' plan avoiding the deadly pods along the way. In the four-part 'Carnival of Monsters' (1972) the Doctor (Jon Pertwee) and Jo (Katy Manning) find themselves arrested as stowaways after the TARDIS makes an unplanned arrival on the S.S. Bernice en route to India in 1926. However the ship is in fact trapped in a miniscope - the mechanical peepshow of intergalactic showman Vorg (Leslie Dwyer). When the Scope is impounded by officials on the planet Inter-Minor many of the creatures contained within get loose including the monstrous Drashigs. In the four-part 'Resurrection of the Daleks' (1983) the Daleks are once again seeking their creator Davros (Terry Molloy) to discover a cure for the Movellan virus. Mercenaries free Davros from his prison ship but the Kaled scientist has other ideas and soon a Dalek civil war is underway. On 20th-century Earth the Doctor (Peter Davison) Tegan (Janet Fielding) and Turlough (Mark Strickson) are caught up between the rival factions and the Earth rebels but they are already part of a larger plan to destroy Gallifrey.
It always comes up when people are comparing their most traumatic movie experiences: "the death of Bambi's mother," a recollection that can bring a shudder to even the most jaded filmgoer. That primal separation (which is no less stunning for happening off-screen) is the centerpiece of Bambi, Walt Disney's 1942 animated classic, but it is by no means the only bold stroke in the film. In its swift but somehow leisurely 69 minutes, Bambi covers a year in the life of a young deer. But in a bigger way, it measures the life cycle itself, from birth to adulthood, from childhood's freedom to grown-up responsibility. All of this is rendered in cheeky, fleet-footed style--the movie doesn't lecture, or make you feel you're being fed something that's good for you. The animation is miraculous, a lush forest in which nature is a constantly unfolding miracle (even in a spectacular fire, or those dark moments when "man was in the forest"). There are probably easier animals to draw than a young deer, and the Disney animators set themselves a challenge with Bambi's wobbly glide across an ice-covered lake, his spindly legs akimbo; but the sequence is effortless and charming. If Bambi himself is just a bit dull--such is the fate of an Everydeer--his rabbit sidekick Thumper and a skunk named Flower more than make up for it. Many of the early Disney features have their share of lyrical moments and universal truths, but Bambi is so simple, so pure, it's almost transparent. You might borrow a phrase from Thumper and say it's downright twitterpated. --Robert Horton
This award winning four part BBC series is an adaptation of Iain Banks' acclaimed novel. It all begins when History student Prentice returns home to attend his grandmother's funeral. As the McHoan the family gathers together to mark the solemn occasion old disagreements continue to fester and old acquaintances are renewed. Following the unexpected death of another close relative Prentice begins to question the past: why did his Uncle Rory suddenly disappear and where did he go? Reading his Uncle Rory's unpublished novel may provide the answers he is seeking but it also unearths some dark family secrets he didn't bargain for. Episodes Comprise: Prentice: When Prentice McHoan's grandmother dies he returns to his family home in Lochgair for the funeral. It's not long before old feuds resurface along with some old familiar faces. After meeting his Aunty Janice he begins to question the mysterious disappearance of his uncle Rory and decides to discover the truth. Kenneth: Prentice continues to lust after Verity but will she return his affections? A childhood secret that links Kenneth Rory Lachlan and Fergus is revealed. As he reads Rory's book Prentice discovers the truth about his aunt Fiona's marriage. Some match boxes and a journalist could explain where Rory has been. There is some devastating news for the McHoan family. Fergus: The McHoan family continues to mourn and the details of the accident are disclosed. Prentice manages to find more extracts from Rory's manuscript. The truth about how Lachlan lost an eye is revealed. Prentice becomes closer to Ashley when Verity and Lewis make a shock announcement. There is more evidence of marital discord for Fiona and Fergus. Rory: Prentice moves into an expensive Glasgow flat and continues his search for Rory. When he inadvertently discovers the truth about his Aunt Fiona's death his own life may be at risk. An inherited gift helps Prentice to solve the mystery surrounding Rory's disappearance.
Adapted from the classic novel by Charles Dickens, THE PERSONAL HISTORY OF DAVID COPPERFIELD brings to life one of the author's most cherished characters. From birth to infancy, from adolescence to adulthood, the good-hearted David Copperfield (Dev Patel) is surrounded by kindness, wickedness, poverty and wealth, as he meets an array of remarkable characters in Victorian England. As David sets out to be a writer, in his quest for family, friendship, romance and status, the story of his life is the most seductive tale of all.
Adam Sandler vaulted into the US$20-million-salary stratosphere with this, his second US$100-million hit in 1998--a movie that further shows just how deeply embedded he is in the Jerry Lewis tradition of idiot comedy. He plays Bobby Boucher, a backwoods Cajun and a mentally challenged individual with a fixation on water: specifically, on serving the coolest, most refreshing H2O available to the college football team he has served since he was an adolescent. But when he's fired from his position, he takes up a similar job with a lowlier college team coached by neurotic Henry Winkler. One day at practice, Bobby loses his temper and delivers a bone-shaking tackle to the starting quarterback; before he can say, "blackened crawdads", he's the star of the team and leading it to a bowl game. But it's all against the wishes of his overprotective mother (Kathy Bates), who wants to keep her Bobby to herself--and that includes keeping him away from the floozy girlfriend (Fairuza Balk) who's sweet on him. There are two kinds of people in this world: People who find Sandler funny and people who view him as a neon-lit symbol of the decline of popular taste. You know who you are and, based on that, you can decide whether this is a movie for you. --Marshall Fine
This ultra-rare musical film of 1966 tells the story of a rock and roll hopeful searching for his big break. Following the young singer as he goes from studio to studio with his girlfriend and attempts to convince radio and TV executives to play his song Just for You becomes a showcase for a host of Sixties musical talent including Freddie and The Dreamers The Applejacks Millie The Bachelors Peter and Gordon The Merseybeats and many more. Known in the US as Disk-O-Tek Holiday the film is presented here in a brand-new transfer from the original film elements in its as-exhibited theatrical aspect ratio. SPECIAL FEATURES: [] Original Theatrical Trailer [] Image Gallery [] Promotional Material PDF
Sometimes a movie works despite all its faults. Outrageous Fortune has a flimsy, formulaic script, so-so production values and an odd combination of stars, but somehow it's engaging and fun. Shelley Long and Bette Midler play two struggling actresses--one a hoity-toity priss and the other a brassy slob--who learn they've been sleeping with the same guy (Peter Coyote) when he gets blown up in a terrorist assault and they confront each other in the morgue. When they discover that he's still alive, the bickering pair track him down, traipsing across the US in high heels, pursued all the way by government agents, using their dubious acting talents to get them out of tough situations. The absurd plot keeps things moving and director Arthur Hiller (Silver Streak, The Out of Towners) gets cheerful performances out of everyone, particularly the strong supporting cast--including Robert Prosky (Broadcast News, Mrs. Doubtfire) as a pompous acting teacher, comedian George Carlin as a burnt-out would-be Indian and the underused John Schuck (M*A*S*H, McCabe & Mrs. Miller) as a long-suffering agent. Although contrived and cliché-ridden, the film is just absurd enough to entertain. --Bret Fetzer
Welcome to Holmfirth, a breathtakingly beautiful village in the heart of the Holme Valley, home to our favourite idiosyncratic retired gentlemen. As they amble about the countryside, these unlikely lads are now enjoying a mischievous second childhood, devising and executing a multitude of (grey) hare-brained schemes. Which is just what you'd expect from Britain's oldest, if not wisest adolescents, and their equally eccentric fellow townspeople. Helped by a supporting band of formidable wives, hen-pecked husbands, sexually-charged mistresses, inventors, pigeon fanciers and balding lotharios, our three heroes are never far from one adventure or another. It'll end in trouble - especially when the formidable Nora Batty finds out.
Please wait. Loading...
This site uses cookies.
More details in our privacy policy