AND A CHILD SHALL LEAD THEM... From the mind of celebrated horror author Stephen King, the man behind such classic terror tales as The Shining, Carrie, and It, comes one of his most chilling offerings yet. Linda Hamilton (The Terminator) and Peter Horton (Thirtysomething) star as a young couple who find themselves lost on the backroads of Nebraska, eventually winding up in the seemingly deserted town of Gatlin. But the town is far from empty. As the couple soon discover, it is inhabited by a twisted cult of murderous children, thirsty for another blood sacrifice... Arrow Video is proud to present a 4K restoration of the film that launched one of the most enduring horror franchises of all time. Children of the Corn... they're an adult nightmare! 4k Ultra Hd Blu-ray Special Edition Contents 4K restoration from the original camera negative by Arrow Films 4K (2160p) UHD Blu-ray presentation in Dolby Vision (HDR10 compatible) Original uncompressed stereo and 5.1 audio options Optional English subtitles for the deaf and hard of hearing Audio commentary with horror journalist Justin Beahm and Children of the Corn historian John Sullivan Audio commentary with director Fritz Kiersch, producer Terrence Kirby, and actors John Franklin and Courtney Gains Harvesting Horror: The Making of Children of the Corn, a retrospective piece featuring interviews with director Fritz Kiersch and actors John Franklin and Courtney Gains It Was the Eighties!, an interview with actress Linda Hamilton Return to Gatlin, featurette revisiting the film's original Iowa shooting locations Stephen King on a Shoestring, an interview with producer Donald Borchers Welcome to Gatlin: The Sights and Sounds of Children of the Corn, an interview with production designer Craig Stearns and composer Jonathan Elias Cut from the Cornfield, an interview with the actor who played The Blue Man in the fabled excised sequence Disciples of the Crow, a 1983 short film adaptation of Stephen King's story Theatrical Trailer
The Remains of the Day is one of Merchant-Ivory's most thought-provoking films. Anthony Hopkins is a model of restraint and propriety as Stevens, the butler who "knows his place"; Emma Thompson is the animated and sympathetic Miss Kenton, the housekeeper whose attraction to Stevens is doomed to disappointment. As Nazi appeaser Lord Darlington, James Fox clings to the notion of a gentleman's agreement in the ruthless political climate before World War Two. Hugh Grant is his journalist nephew all too aware of reality, while Christopher Reeves gives a spirited portrayal of an American senator, whose purchase of Darlington Hall 20 years on sends Stevens on a journey to right the mistake he made out of loyalty. As a period drama with an ever-relevant message, this 1993 film is absorbing viewing all the way. On the DVD: the letterbox widescreen format reproduces the 2.35:1 aspect ratio with absolute clarity. Subtitles are in French and German, with audio subtitles also in English, Italian and Spanish, and with 28 separate chapter selections. The "making-of" featurette and retrospective documentary complement each other with their "during and after" perspectives, while "Blind Loyalty, Hollow Honour" is an interesting short on the question of appeasement and war. The running commentary from Thompson, Merchant and Ivory is more of a once-only diversion. --Richard Whitehouse
Classic BBC comedy starring Dawn French (French & Saunders) and written by Richard Curtis (Love Actually, Four Weddings and a Funeral). Geraldine Granger is not your run-of-the-mill village vicar. She is a bubbly, young reverend overseeing an eccentric congregation in a rural community. She and her off-the-wall parishioners bring us unconventional laughs in Richard Curtis' award-winning divine comedy. Includes Series 1-3, plus the Easter Special (1996) and Christmas Specials (1996 & 1997).
Richard Burton stars in Alexander the Great, a middling entry in the 1950s CinemaScope epic cycle. The film boasts excellent production values and a fine cast--including Frederic March, Claire Bloom, Harry Andrews, Stanley Baker, Peter Cushing and Michael Hordern--but it rarely comes to life other than as a big fat ancient Greek wedding of the talents of Burton and Bloom. They strike real dramatic sparks together, so much so they would be reunited in Look Back in Anger (1958) and The Spy Who Came in from the Cold (1965). The film's failures must be laid at the feet of writer, director and producer Robert Rossen, who never before or after helmed anything remotely on this scale; his best work would follow with the intimate The Hustler (1961). Rossen simply shows little sensibility for the epic, staging lavish but brief and rather pedestrian battles and somehow drawing from the usually mesmerising Burton a performance lacking the charisma essential to a great military commander. Burton fans can enjoy him at his epic best as Marc Anthony in Cleopatra (1963). On the DVD: Alexander the Great is presented anamorphically enhanced at 2.35:1, although the picture is still obviously cropped at either side of the screen throughout. The print is very variable, in places quite grainy and soft with some serious flickering blotchiness, but otherwise it has strong colours, detail and contrast. The sound is primitive stereo. The only extra is the theatrical trailer, effectively presented in anamorphic 2.35:1. --Gary S. Dalkin
THE BEE GEES: HOW CAN YOU MEND A BROKEN HEART takes audiences on a unique cinematic journey through the brotherhood of the Bee Gees and their ever-enduring musical accomplishments. The story of Barry, Maurice and Robin is one of phenomenal success, of loss and heartbreak, and a continual spirit of creative reinvention. From the award-winning producers behind The Beatles: Eight Days A Week and Sinatra: All Or Nothing At All, How Can You Mend A Broken Heart features newly shot interviews, rarely seen archive and remastered performances across the Bee Gees' five-decade long career.
In Carry On Follow That Camel, Sergeant Bilko himself, Phil Silvers, lends lustre and trademark spectacles to this 1967 desert spectacle following the adventures of a group of foreign legionnaires who find themselves besieged by a bloodthirsty band of Bedouins. Silvers plays Sergeant Nocker, a rogue cast firmly in the Bilko mould, who takes a dislike to new recruit Jim Dale, a young upper class gent forced to join the legion following disgrace at a cricket match. He's accompanied, naturally, by his faithful manservant (Peter Butterworth), with the pair showing a fine disregard for the austere requirements of the Foreign Legion. However, once they reach an agreement with Sergeant Nocker, they can join forces to repel the Bedouins, led, not unpredictably, by Bernard Bresslaw. This is vintage Carry On, in spite of Sid James' absence. Kenneth Williams' performance is subdued by having to deliver the usual puns ("zere are a couple of points I still need to go over", he informs busty Joan Sims) in a mangled French accent but Silvers gets into the right mode of delivering broad comedy with subtle inflections. Peter Butterworth draws the short straw this time and must feature in the obligatory cross-dressing scene, while Charles Hawtrey is a splendidly unconvincing hardened legionnaire. As for Bresslaw, can any other British actor, with the exception of Sir Alec Guinness, have distinguished himself in such a variety of multi-ethnic roles? On the DVD: Sadly, there are no extra features except scene selection. The picture ratio is 4:3. --David Stubbs
Features the DVD's Midlife Christmas All The Trimmings and Victoria Wood Sold Out Live.
Dr. Who (Doctor Who): Black Guardian Trilogy (3 Disc)
A drama with heart and energy that follows the hopes and dreams of a tight-knit group of young dance students as they try to make a name for themselves and become stars in the fiercely competitive world of professional dance.
FROM THE ACADEMY AWARD®-WINNING NICK PARK! THIS IS THE COLLECTION OF FOUR CRACKING HALF-HOUR SPECIALS FEATURING THE CHARMING AND ECCENTRIC INVENTOR WALLACE, AND HIS FAITHFUL, FOUR-LEGGED FRIEND GROMIT!
Everything you love about THE HUNGER GAMES began here. The prequel to the beloved franchise reveals the story of how the boy (Snow) became the ruler we have come to know. Young Snow is assigned to mentor a young girl tribute from impoverished District 12. Our reintroduction to the lush world of the Capitol is juxtaposed against the 10th annual Hunger Games. The diverse young cast shines as they challenge the powers that be to reveal who is a songbird, and who is a snake.Product FeaturesExtra 1: Audio Commentary with Producer-Director Francis Lawrence and Producer Nina JacobsonExtra 2: Predator or Prey: Making The Ballad of Songbirds & Snakes - 8 Part DocumentaryExtra 3: The Hanging Tree: Song by Rachel ZeglerExtra 4: A Letter to the FansExtra 5: Theatrical Trailer 1Extra 6: Theatrical Trailer 2Extra 7: Theatrical Trailer 3
Director Wes Ball breathes new life into the global, epic franchise set several generations in the future following Caesar's reign, in which apes are the dominant species living harmoniously and humans have been redcued to living in the shadows. As a new tyrannical ape leader builds his empire, one young ape undertakes a harrowing journey that will cause him to question all that he has known about the past and to make choices that will define a future for apes and humans alike.Featurette: Inside the Forbidden Zone (Making Kingdom Of The Planet Of The Apes), Deleted & Extended scenes
The first prehistoric family is ready for another rocking adventure! The Croods have survived fanged beasts, natural disasters, and even young love, but now they must face their biggest challenge yet: another family! In search of a new home, the Croods discover a walled-in paradise created by the sophisticated Betterman family (emphasis on the better). As they try to coexist, the differences between the two families escalate into a full-blown feud, but when a new threat forces both families to embark on an epic adventure, they must all learn to work together...or they'll all go extinct! Nicolas Cage, Emma Stone, Ryan Reynolds, and Peter Dinklage star in this hilarious animated comedy for the whole family! With Even More Croods Fun for the Whole Family: Includes an EXCLUSIVE COLOUR-IN SLOTH MASK! With TONS OF SPECIAL FEATURES and extra content, including 2 all-new Croods Shorts! Plus Deleted Scenes, How to Draw: Caveman Style, Stone Age Snack Attack, Famileaf Album, and more
San Franciscan Police Officer Frank Connor has to go to desperate measures to find a suitable bone marrow donor for his critically ill son. The perfect match is a homicidal sociopath serving a life sentence who escapes from prison while being transferred to hospital. The race is on to recapture him and he has to be alive.
One of Britain's greatest dramatists the award-winning playwright Jack Rosenthal created some of the most critically-acclaimed and popular single plays of the last forty years. Instantly recognisable by their warmth and humour Rosenthal's scripts were always popular with the viewing public and were invariably big ratings winners. Alongside single plays he also honed his craft on a diverse range of television shows - from Coronation Street (for which he was one of the key writ
John Goodman (Roseanne, Raising Arizona) had his first starring role in this warm-hearted comedy from Oscar®-winning writer and director David S. Ward (The Sting, Major League, Sleepless in Seattle). When a freak accident wipes out the entire royal family, a surviving heir to the throne must be found, and turns up in the unlikely form of Ralph Jones (Goodman), a good-natured Las Vegas lounge singer. But even his private secretary (Peter O'Toole) can't prepare Ralph for the trouble he gets into when he runs afoul of the fiendish Lord Graves (John Hurt) and falls for a shy stripper (Camille Coduri). Based on the novel Headlong by Emlyn Williams (Night Must Fall, The Corn Is Green), this tailor made vehicle lets Goodman give his considerable comic talents free reign quite-literally for the first time.
Screenwriter William Goldman's novel The Princess Bride earned its own loyal audience on the strength of its narrative voice and its gently satirical, hyperbolic spin on swashbuckled adventure that seemed almost purely literary. For all its derring-do and vivid over-the-top characters, the book's joy was dictated as much by the deadpan tone of its narrator and a winking acknowledgement of the clichés being sent up. Miraculously, director Rob Reiner and Goldman himself managed to visualize this romantic fable while keeping that external voice largely intact: using a storytelling framework, avuncular Grandpa (Peter Falk) gradually seduces his sceptical grandson (Fred Savage) into the absurd, irresistible melodrama of the title story. And what a story: a lowly stable boy, Westley (Cary Elwes), pledges his love to the beautiful Buttercup (Robin Wright), only to be abducted and reportedly killed by pirates while Buttercup is betrothed to the evil Prince Humperdinck. Even as Buttercup herself is kidnapped by a giant, a scheming criminal mastermind, and a master Spanish swordsman, a mysterious masked pirate (could it be Westley?) follows in pursuit. As they sail toward the Cliffs of Insanity... The wild and woolly arcs of the story, the sudden twists of fate, and, above all, the cartoon-scaled characters all work because of Goldman's very funny script, Reiner's confident direction, and a terrific cast. Elwes and Wright, both sporting their best English accents, juggle romantic fervor and physical slapstick effortlessly, while supporting roles boast Mandy Patinkin (the swordsman Inigo Montoya), Wallace Shawn (the incredulous schemer Vizzini), and Christopher Guest (evil Count Rugen) with brief but funny cameos from Billy Crystal, Carol Kane, and Peter Cook. --Sam Sutherland
The basic joke of the would-be romp Without a Clue is that Dr Watson (Ben Kingsley) is a detecting genius who has had to hide his light under a bushel by hiring an alcoholic ham actor Reginald Kincaid (Michael Caine) to pose as his imaginary alter ego Sherlock Holmes. He is now frustrated because the blundering idiot is hailed as an infallible hero while he is forever being pushed out of the picture. To really work, the film should have cast a leading man who gives the impression that he might make a good serious Holmes, but Caine is all too credible in his idiot act. In one of the best jokes Watson covers up a faux pas by complementing Holmes on his convincing disguise as a drunken lout, and so the laughs that should come in a flow only manage to trickle. The actual plot is about forged bank-notes ruining the Empire but is constructed to allow for the usual excursion by picturesque steam train to a clue-ridden holiday destination and some dirty deeds down by the docks. The leads coast through their routines but the supporting cast has an appropriately rat-like and embittered Inspector Lestrade from Jeffrey Jones, a winsomely duplicitous Victorian heroine from Lysette Anthony and a rather good goateed sadist Professor Moriarty from Paul Freeman. It can't hold a magnifying glass to Billy Wilder's The Private Life of Sherlock Holmes, but as a Holmesian footnote it edges a deerstalker or so ahead of Gene Wilder's The Adventure of Sherlock Holmes' Smarter Brother. It certainly beats the Peter Cook-Dudley Moore Hound of the Baskervilles and John Cleese in The Strange Case of the End of Civilisation as We Know It.--Kim Newman
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