Set in a seaside town on the Italian Riviera, Disney and Pixar's Luca is a coming-of-age story about a young boy experiencing an unforgettable summer. Luca shares his amazing adventures with his friend Alberto, but their fun is threatened by a deeply held secret: they're sea monsters from a world below the water's surface. Special Features: Our Italian Inspiration Secretly A Sea Monster Best Friends Deleted Scenes Summer English Teaser Trailer Libertà Italian Trailer Summer Days Japanese Trailer
Academy Award® nominee° Edward Norton stars as scientist Bruce Banner, a man who has been living in shadows, scouring the planet for an antidote to the unbridled force of rage within him: the Hulk. But when the military masterminds who dream of exploiting his powers force him back to civilization, he finds himself coming face to face with his most formidable foe: the Abomination a nightmarish beast of pure aggression whose powers match the Hulk's own! Bonus Features Comic Book Gallery Thunderbolt Files Animated Comic Picture In Picture Alternate Opening The Making Of Incredible Becoming The Hulk Becoming The Abomination Anatomy Of A Hulk Out Scene Explorer Deleted Scenes Feature Commentary with Director Louis Leterrier And Tim Roth
Own the best of Mr. Bean, 3 fantastic films in one box set, including Mr. Bean's Holiday, Bean - The Movie and Merry Christmas Mr. Bean.
Movie critic Roger Ebert made this amusing observation about Malice: "This is the only movie I can recall in which an entire subplot about a serial killer is thrown in simply for atmosphere". He's referring to the fact that this hokey but highly charged thriller is so packed with plot twists and red herrings that you'll soon find yourself so confused that you just have to sit back and hope that it will all make sense by the time the credits roll. It never does make much sense, but the movie at least has the look, feel, and twisted momentum of a really good thriller, and the talent on both sides of the camera is pretty impressive. Alec Baldwin plays a hot-shot surgeon who meets up with an old med-school buddy (Bill Pullman), whose wife (Nicole Kidman) has no objections when Baldwin moves into the upstairs room of their New England Victorian home. The situation's ripe for intrigue, suspicion, temptation, emergency surgery, legal proceedings, and just about anything else you'd find in a movie that desperately struggles to out-Hitchcock Hitchcock. Talk about McGuffins--this movie's chock full of 'em! When the plot thickens to the consistency and clarity of quicksand, you can still enjoy the darkly stylish work of master cinematographer Gordon Willis--or you can check out director Harold Becker's more coherent thriller Sea of Love. With Kidman and Baldwin working up a steamy lather, this one's just fun enough to be an agreeable waste of time. --Jeff Shannon
They can break any code and get inside any system. They are often still in their teens and already under surveillance by the authorities. They are the hackers. Zero Cool real name Dade Murphy is a legend among his peers. In 1988 he single-handedly crashed 1 507 computers on Wall Street and was forbidden by law to touch another keyboard until his 18th birthday. It's been seven years without a byte and he's hungry. Kate Libby handle Acid Burns has a souped up laptop that can
Black Beauty, a magnificent stallion, is born on a rundown family farm and loved by young Joe Evans (Mark Lester - Oliver!). Growing up together, the boy and his horse are inseparable - until the wicked new squire (Patrick Mower) forces the Evans family from the farm and steals Black Beauty away from Joe. Escaping from his cruel new master, Black Beauty finds himself caught up in a series of adventures - racing with gypsies, performing at the circus and even going to war. Back home, Joe has never given up hope of being reunited with Beauty, and is determined to find the great love of his childhood days once more...
A sweet-natured, small-town guy inherits a controlling stake in a media conglomerate and begins to do business his way.
A mailman adopts a dog that, unbeknown to him, is an FBI drug-sniffing dog who has escaped from the witness relocatio programme. Mayhem ensues when a hit man is sent to destroy the dog.
The Innocents tells of an impressionable and repressed governess Miss Giddens (Deborah Kerr) who agrees to tutor two orphaned children Miles (Martin Stephens) and Flora (Pamela Franklin). On arrival at Bly House she becomes convinced that the children are possessed by the perverse spirits of former governess Miss Jessel (Clytie Jessop) and her Heathcliffe-like lover Quint (Peter Wyngarde) who both met with mysterious deaths.
Peter Barkworth (Where Eagles Dare) and Harriet Walter (The Sense of an Ending) star in Peter Ransley's twisting BAFTA-nominated drama, set at the height of The Troubles. Geoffrey Carr (Barkworth), a major player in the emerging computer industry, is newly married to the impetuous Frances (Walter), a much younger woman with a wilful daughter from a previous marriage. He'll go to any lengths to make her happy, and stretches his finances to buy a crumbling Georgian estate in County Wicklow where Frances spent part of her childhood. Aside from commitments on the new house, Geoffrey's continuing control of the company depends on an uncertain research deal with a visiting Japanese consortium. Frank Crossan (Derek Thompson) is an Irish Republican hitman on the run from British authorities in the North, and from his own commanders. Seeking refuge with old flame Kate (Aingeal Grehan), he hatches a plan to kidnap a wealthy Brit for a hefty ransom to fund a major arms deal. The two worlds collide when Frances and daughter Clare are brutally snatched and removed to a bleak hideaway. Geoffrey's immediate impulse is to cave in to the kidnappers demands but nothing is straightforward when a personal crisis plays out against the forces of political intrigue, high finance, and the full glare of the media. First broadcast in 1985, the series is written by Peter Ransley (Fingersmith, Fallen Angel) and directed by Peter Smith (No Surrender, A Perfect Spy), with a haunting soundtrack by David Earl and the RTE Concert Orchestra. In a rare acting role, a pre-teen Susanna Reid (Good Morning Britain) plays Clare, and the cast also includes Simon Jones (The Hitchhiker's Guide to the Galaxy, Brideshead Revisited) and Adrian Dunbar (The Crying Game, Line of Duty).
From director Peter Horton (Grey's Anatomy) comes a complex journey through global politics military secrets and three strangers who only have one thing in common... the truth. In this Traffic-like action drama an international conspiracy explodes when three strangers' lives unexpectedly collide - a female soldier a corporate lawyer and a political activist. After a team of American soldiers battle Jihadists in North Africa they're shocked to find that one of the men they killed is Al Qaeda's top man. Sergeant Odelle Ballard - a soldier mother wife and the unit's only female member - discovers computer files that suggest a major U.S. corporation is funding the Jihadists. But before she can tell anyone her team is attacked and left for dead. News is reported that the unit was wiped out but the truth is that Odelle survived and is the only witness to her unit's assassination.
Brad Pitt and Orlando Bloom star in this jaw-dropping epic about the famous siege of the ancient city of Troy.
Southern Comfort is more than merely Deliverance in the Louisiana Bayou. Walter Hill's taut little tale of weekend warrior National Guardsman on swamp exercises reverberates with echoes of Vietnam. Powers Booth brings a hard pragmatism to the "new guy" in the unit, a Texas transplant less than thrilled with his new unit. "They're just Louisiana versions of the same rednecks I served with in El Paso", he tells level-headed Keith Carradine. The barely functional unit of city boys and macho rednecks invade the environs of the local Cajun trappers and poachers, "borrowing" the locals' boats and sending bursts of blank rounds over their heads in a show of contempt. Before they know it the dysfunctional strangers in a strange land are on the losing end of guerrilla war. The swamp rats kill their commanding officer (Peter Coyote) and terrorise the bickering bunch as they flee blindly through the jungle without a map, a compass, or a leader to speak of. Hill directs with a clean simplicity, creating tension as much from the primal landscape and the Cajuns' unsettling reign of terror as from the dynamics of a platoon of battle virgins tearing itself apart from rage and fear. Ry Cooder's eerie and haunting score and the primal, claustrophobic landscape only intensifies the paranoia as the city boys splinter with infighting (sparked by a bullying Fred Ward), blunder through booby traps and ambushes, and finally turn just as savage as their pursuers in their drive to survive. --Sean Axmaker, Amazon.com
Pilot: Prescription: Murder Psychiatrist Roy Fleming and his wife are celebrating their anniversary when he is called to deal with a patient - Susan Hudson. On returning he has to soothe his angry wife with the promise of a trip to Acapulco. When Fleming's wife is found dead Columbo is brought in to investigate and seeds of doubt are planted in his mind which typically he can not ignore. 2: Fade In To Murder Ward Fowler a star with a reputation for being difficult and demandin
A blistering portrait of the great Dutch painter Vincent van Gogh Robert Altman's 'Vincent and Theo' focuses on the deeply neurotic relationship between the unstable impoverished Vincent (Tim Roth) and his art dealer brother Theo (Paul Rhys). Specifically it investigates the role Theo played in providing the normality and connection to the outer world that Vincent lacked while Vincent in turn acted as the living embodiment of Theo's unfulfilled artistic aspirations...
From yet another derivative science fiction novel by Michael Crichton comes Sphere, an equally derivative and flaccid movie, in which three top Hollywood stars struggle to squeeze tension and excitement out of material that doesn't match their talents. You're supposed to find awe and mystery in Crichton's story about a team of scientists and scholars who discover a 300-year-old alien spacecraft deep on the ocean floor, but mostly you feel that this is all much ado about nothing. The exploration team consists of a psychologist (Dustin Hoffman), mathematician (Samuel L Jackson), biochemist (Sharon Stone), and an astrophysicist (Live Schreiber), and when they enter the alien ship they discover a mysterious sphere inside. What they don't know is that the sphere has the power to manipulate their thoughts and perceptions, and before long the scientists' undersea habitat is a veritable haunted house of frightening visions and creeping paranoia. Who can be trusted? What is the sphere's purpose, and why is it on the ocean floor? Sphere makes some attempt to answer these questions, but the film is a mess, and it leads to one of the most anticlimactic endings of any science fiction film ever made. There are moments of high intensity and psychological suspense, and the stellar cast works hard to boost the talky screenplay. But it's clear that this was a hurried production (Hoffman and director Barry Levinson made Wag the Dog during an extended production delay), and as a result Sphere looks and feels like a film that wasn't quite ready for the cameras. Though it's by no means a waste of time, it's undeniably disappointing. --Jeff Shannon, Amazon.com
Hammer icon Barbara Shelley stars alongside cult actor Lee Patterson in a brilliantly taut and compelling thriller from the late '50s. Deadly Record is featured here in a brand-new transfer from the original film elements, in its as-exhibited theatrical aspect ratio.When pilot Trevor Hamilton touches down at London Airport, his wife Jenny is not there to meet him. Their marriage is on the point of collapse, and when Jenny is found dead, Hamilton becomes Suspect Number One. With the police searching for enough evidence to arrest him, Hamilton desperately interviews everyone in Jenny's social circle to find the real murderer!SPECIAL FEATURE: Original Theatrical Trailer
A telephone number dialled in error could prove the downfall of a ruthless criminal gang in this gripping Merton Park thriller from versatile British director Vernon Sewell. Featuring Italian star Lisa Gastoni and noted character players Peter Reynolds and Paul Whitsun-Jones, Wrong Number is presented in a brand-new transfer from the original film elements in its as-exhibited theatrical aspect ratio.A security guard is murdered during a mail-van robbery and one of the van crew overhears the killer's name: Angelo. Before he can phone his boss to confirm that the job has been successfully accomplished, the elderly Miss Crystal mistakenly dials the same number and hears a girl ask if it is Angelo speaking. The next day, seeing the newspaper headlines, Miss Crystal realises she may have a valuable clue but can she remember the incorrect number she dialled..?
The incredible, untold story of the British artist Penny Slinger and the traumatic events that led to the creation of her masterpiece, the 1977 photo-romance, An Exorcism. Coming of age against a backdrop of post-war austerity and the subsequent explosion of colour that characterised the 1960s counterculture, Slinger embraced her generation's quest for personal freedom and sexual liberation, and channelled these desires into her ground-breaking collages, sculptures, and films (including collaborations with Jane Arden and Peter Whitehead). So powerful was her vision that fifty years later her work is still influencing contemporary artists. Extras High Definition presentation Original stereo soundtrack Audio commentary with director Richard Kovitch (2020) Conversations in the Desert: Q&A with Penny Slinger (2019, 50 mins): the artist in conversation with writer and critic Chris Campion, recorded in Joshua Tree, California Return to Lilford Hall (2020, 5 mins): short film by Kovitch, detailing Slinger's return to the inspiration for An Exorcism following a fifty-year absence Lizzi Bougatsos + Kim Gordon x Penny Slinger (2019, 32 mins): live improvised musical performance against a backdrop of Slinger's early experimental 16mm films, recorded at Blum & Poe, Los Angeles An Exorcism: The Final Cut (1977/2020, 21 mins): video presentation of Slinger's much sought-after collection, presented in sequential order for the first time Theatrical trailer Live from Miskatonic trailer: promo for Slinger's 2019 appearance at the Miskatonic Institute, Los Angeles Optional English subtitles for the deaf and hard-of-hearing Limited edition exclusive booklet containing new writing on the film by Chris Campion, an interview with Penny Slinger by Richard Kovitch, analyses of Slinger's works by Alissa Clarke and Patricia Allmer, and film credits Limited edition of 3,000 copies
Please wait. Loading...
This site uses cookies.
More details in our privacy policy