The most widely seen movie produced by a Hollywood studio, The Sound of Music grows fresher with each viewing. Though it was planned meticulously in pre-production (save for the scene where Maria and the children take a dipping in an Austrian lake that nearly cost a life), on each viewing one is struck anew by the spontaneous almost improvisatory air of the acting, notably of Julie Andrews under Robert Wise's direction. There are also the little human touches he brings to, for instance, the scene where Maria leads the children to the hills, over bridges and along tow paths where the smallest boy trips up and momentarily gets left behind: it creates a feeling that most of us have encountered. From the opening pre-credit sequence of muted excitement as the camera roves over the Austrian Alps (photographed in magnificent colour), where little phrases from the wind instruments on the soundtrack are flung as if on the breeze, foreshadowing the title song to follow, the production never puts a foot wrong. On the DVD: On the first disc the film itself has never looked or sounded better since its original presentation in Todd AO (prints of which are said to have disappeared forever). The disc also contains a separate audio guide that takes the viewer through the film sequence by sequence, with director Robert Wise commenting on the weather, the production design by Boris Leven, the sequences filmed on location and in Hollywood (like the interiors of the Von Trapp villa), and the naming of other actors who were eager for the lead roles, notably Doris Day and Yul Brynner. On the second disc there are the documentaries. "Salzburg Sight and Sound" was Charmian Carr's own record of her time on location in the summer of 1964, playing Liesl, the eldest Von Trapp daughter. "From Fact to Fiction", running two hours, begins with the birth of Maria in 1905 who inspired the film, charts her subsequent marriage to Captain Von Trapp, their escape from Nazi Germany not across the Alps but via a train across the Italian boarder, their home in Vermont and thence to the German film of the family that was brought to the attention of Rodgers and Hammerstein as an ideal vehicle for a stage musical. A second group of documentaries covers previews, television and radio commercials and a 1973 interview with Wise and Andrews. Overall, this is a marathon package but in its way is as compelling as the film itself. --Adrian Edwards
“The Hobbit: The Battle of the Five Armies” brings to an epic conclusion the adventures of Bilbo Baggins (Martin Freeman) Thorin Oakenshield (Richard Armitage) and the Company of Dwarves. The Dwarves of Erebor have reclaimed the vast wealth of their homeland but now must face the consequences of having unleashed the terrifying Dragon Smaug upon the defenseless men women and children of Lake-town. As he succumbs to dragon-sickness the King Under the Mountain Thorin Oakenshield sacrifices friendship and honor in his search for the legendary Arkenstone. Unable to help Thorin see reason Bilbo is driven to make a desperate and dangerous choice not knowing that even greater perils lie ahead. An ancient enemy has returned to Middle-earth. Sauron the Dark Lord has sent forth legions of Orcs in a stealth attack upon the Lonely Mountain. As darkness converges on their escalating conflict the races of Dwarves Elves and Men must decide—unite or be destroyed. Bilbo finds himself fighting for his life and the lives of his friends as five great armies go to war.
You know the story: Cinderella rides in a magical pumpkin to the ball, enchants the prince and flees at midnight. He finds her slipper and tracks her down, and they live happily ever after. But wait! In The Slipper and the Rose, it turns out there's more to the life of a prince than being charming. The king prefers to choose the prince's wife, one of proper social station who would provide a strong political alliance to ward off the kingdom's enemies. That's one of the twists in this 1976 British take on the classic fairy tale, one of a long line of musical versions. The disgruntled prince, who's as much of a focal point here as the lady with the footwear, is played by Richard Chamberlain, during the years when he was taking on the classics and had not yet been crowned king of the TV mini-series. He displays a pleasant voice opposite Gemma Craven as Cinderella, and veteran character actor Michael Hordern as the king leads the supporting ensemble. Add lavish sets and lush scenery (partially filmed in Austria), humour, fun choreography, and an Oscar-nominated score full of charming songs by Richard M. and Robert B. Sherman (veterans of such Disney movies as Mary Poppins and The Jungle Book, and who also co-wrote the script with director Bryan Forbes), and you have a grand, engaging family musical. The 143-minute running time and dreamy, deliberate pace might test the patience of antsy viewers, but The Slipper and the Rose's legion of fans wouldn't have it any other way. --David Horiuchi, Amazon.com
Return to the stunning locations and epic adventures in Peter Jackson's Middle-earth⢠saga THE HOBBIT⢠and THE LORD OF THE RINGSâ¢. Now more stunning than ever before, the films have been beautifully remastered in 4K UHD, under the supervision of Director Peter Jackson and restored by Park Road Post. From director Peter Jackson, rediscover the stunning locations and epic adventures in the greatest film saga of all time. The critically acclaimed series of six films encompasses The Hobbit⢠and The Lord of the Rings⢠trilogies and tells the mythic tales of an ancient world called Middle-earthâ¢: A world of Elves, Dwarves, Wizards, Humans and Hobbits in a constant struggle against the evil forces of the Dark Lord Sauron and his army of Goblins and Orcs a world of quests, Dragons, treasures and a legendary final battle for the future of Middle-earth⢠itself. Peter Jackson's epic adventure through J.R.R. Tolkien's Middle-earth⢠begins with The Hobbit⢠trilogy as Bilbo Baggins is swept into an unexpected journey. Bilbo, the Wizard Gandalf and 13 Dwarves led by Thorin Oakenshield journey to reclaim the lost Dwarf Kingdom of Erebor. Along the way, Bilbo must fight for his life, and Dwarves, Elves and Men must unite or risk being destroyed. Meanwhile, a dark power rises again and finds its way back to Middle-earthâ¢. This three-film collection includes: The Hobbit Theatrical and Extended Edition Trilogy on stunning 4K Ultra HD: The Hobbit: An Unexpected Journey, The Hobbit: The Desolation of Smaug, and The Hobbit: The Battle of the Five Armies Across 6 Discs A premium slipcase showcasing unique artwork
War of the five Kings. Kings from across Westeros vie for the Iron Throne. As winter approaches, the cruel young Joffrey Baratheon sits upon the Throne in King's Landing, counselled by his conniving mother, Cersei Lannister, and his uncle Tyrion Lannister. But the Lannister hold on power is under assault on many fronts, with two Baratheons donning crowns and Robb Stark fighting as the King in the North. A new leader is rising among the wildlings north of the Wall, adding new perils for Jon Snow and the Night's Watch, while Daenerys Targaryen looks to shore up her depleted power in the East with her three newborn dragons. Special Features Includes over 2 hours of bonus features
The most widely seen movie produced by a Hollywood studio, The Sound of Music grows fresher with each viewing. Though it was planned meticulously in pre-production (save for the scene where Maria and the children take a dipping in an Austrian lake that nearly cost a life), on each viewing one is struck anew by the spontaneous almost improvisatory air of the acting, notably of Julie Andrews under Robert Wise's direction. There are also the little human touches he brings to, for instance, the scene where Maria leads the children to the hills, over bridges and along tow paths where the smallest boy trips up and momentarily gets left behind: it creates a feeling that most of us have encountered. From the opening pre-credit sequence of muted excitement as the camera roves over the Austrian Alps (photographed in magnificent colour), where little phrases from the wind instruments on the soundtrack are flung as if on the breeze, foreshadowing the title song to follow, the production never puts a foot wrong. On the DVD: On the first disc the film itself has never looked or sounded better since its original presentation in Todd AO (prints of which are said to have disappeared forever). The disc also contains a separate audio guide that takes the viewer through the film sequence by sequence, with director Robert Wise commenting on the weather, the production design by Boris Leven, the sequences filmed on location and in Hollywood (like the interiors of the Von Trapp villa), and the naming of other actors who were eager for the lead roles, notably Doris Day and Yul Brynner. On the second disc there are the documentaries. "Salzburg Sight and Sound" was Charmian Carr's own record of her time on location in the summer of 1964, playing Liesl, the eldest Von Trapp daughter. "From Fact to Fiction", running two hours, begins with the birth of Maria in 1905 who inspired the film, charts her subsequent marriage to Captain Von Trapp, their escape from Nazi Germany not across the Alps but via a train across the Italian boarder, their home in Vermont and thence to the German film of the family that was brought to the attention of Rodgers and Hammerstein as an ideal vehicle for a stage musical. A second group of documentaries covers previews, television and radio commercials and a 1973 interview with Wise and Andrews. Overall, this is a marathon package but in its way is as compelling as the film itself. --Adrian Edwards
They could be any group of 20-somethings sharing a house. But these friends carry their own strange and dark secrets - they each live a supernatural life as a werewolf, a vampire, or a ghost... Though desperate to live as normal young people, their paranormal qualities cast more than just a shadow over their everyday lives. Being human is anything but easy - try holding down a career or dating when there are unwelcome intruders in your supernatural life, power struggles in the underworld and the constant threat of exposure. Over five gripping, witty and sexy series, the housemates battle with their own demons as well as confronting terrifying forces threatening the whole of human society.
50 years on from its first transmission, the BBC's Play for Today anthology series remains one of British television's most influential and celebrated achievements. Between 1970 and 1984, plays which combined some of the era's finest writing, acting and directing talents were broadcast direct to living rooms, regularly challenging viewers and pushing the boundaries of TV drama. Featuring plays by the likes of Ingmar Bergman, Julia Jones and Colin Welland and featuring a roster of eminent British actors, Play for Today: Volume One brings together seven iconic dramas on Bluray for the very first time, in a collection that exemplifies the breadth and brilliance of this groundbreaking series. The set includes five plays which have been restored from the original negatives held in the BBC archive. The Plays: The Lie (Written by Ingmar Bergman | Dir. Alan Bridges, 1970) Shakespeare or Bust (Written by Peter Terson | Dir. Brian Parker, 1973) Back of Beyond (Written by Julia Jones | Dir. Desmond Davis, 1974) Passage to England (Written by Leon Griffiths | Dir. John Mackenzie, 1975) Our Flesh and Blood (Written by Mike Stott | Dir. Pedr James, 1977) A Photograph (Written by John Bowen | Dir. John Glenister, 1977) Your Man from Six Counties (Written by Colin Welland | Dir. Barry Davis, 1976)
PG Wodehouse's much-loved stories about Bertie Wooster and his brilliantly clever valet Jeeves were brought faithfully to life in Jeeves and Wooster, starring Hugh Laurie and Stephen Fry as master and servant. Perfectly cast and with scripts that retain all the sparkling wit of Wodehouse's prose, it's hard to see how any future adaptation of his work could surpass this wonderfully funny series. This set contains the entire first season of Jeeves and Wooster. In "Jeeves Takes Charge" young man-about-town Bertie Wooster employs a new valet called Jeeves, and not a moment too soon. Thanks to his Aunt Agatha, Bertie faces the terrible prospect of marriage to the statuesque Honoria Glossop, and only Jeeves can save the day. "Tuppy and the Terrier" finds Bertie in trouble again when he loses Aunt Agatha's dog. Further aunt-related complications arise when Bertie's chum Tuppy falls for our hero's cousin Angela. Aunt Dahlia is not amused. An uncle in love with a waitress, a trip to the country, a speedy choirboy, and a secret betting syndicate all lead to trouble in "The Purity of the Turf". Jeeves, of course, is the only one who can put things right. Jeeves and Wooster really hits its stride in the final episodes of Series 1: "The Hunger Strike" and "Brinkley Manor". When Bertie visits Aunt Dahlia he is called upon to solve the romantic problems of his friends Tuppy Glossop (in love with Cousin Angela) and the delightful Gussy Fink-Nottle (in love with Madeleine Basset, a young lady who believes the stars to be God's daisy-chain.) Unwisely, Bertie decides to cook up his own plan and before long disaster strikes. Aunt Dahlia's superb chef Anatole gives his notice, and Bertram is to blame. Thank goodness for Jeeves. --Simon Leake, Amazon.com
The Fly (Dir. David Cronenberg 1986): This frightening but extremely moving and romantic horror film stars Jeff Goldblum as an over-ambitious scientist who accidentally merges with a housefly while conducting a bizarre teleporting experiment. A journalist (Geena Davis) who has fallen in love with him while covering his scientific endeavours suddenly finds herself caring for a horrific creature whose insect half gradually begins to take over. The Fly 2 (Dir. Chris Walas
They were perfect strangers, assembled to pull off the perfect crime. Then their simple robbery explodes into a bloody ambush, and the ruthless killers realise one of them is a police informer. But which one? Critically acclaimed for its raw power and br
This curiously dry adaptation of Thomas Hardy's last novel, Jude is a good example of Michael Winterbottom's inability to make a particularly good film until Welcome to Sarajevo. Christopher Eccleston plays Jude Fawley, a self-educated stonemason who holds the dream of attending university but identifies with the working class. Kate Winslet is enlisted to play his cousin Sue Bridehead, a young woman with suffragette leanings and a position as a teacher's assistant. When the two enter into an illicit union, they are condemned to the margins of society, ultimately resulting in a horrifying tragedy. Winterbottom takes an oddly lean approach to Hardy's deterministic story, which leaves a viewer feeling short on emotion just when one needs it for the from-bad-to-worse third act. Welcome to Sarajevo proved that Winterbottom needs a whole other level of personal involvement to make a film that inspires him. Jude isn't one of those lucky films. --Tom Keogh, Amazon.com
They could be any group of 20-somethings sharing a house. But these friends carry their own strange and dark secrets - they each live a supernatural life as a werewolf, a vampire, or a ghost... Though desperate to live as normal young people, their paranormal qualities cast more than just a shadow over their everyday lives. Being human is anything but easy - try holding down a career or dating when there are unwelcome intruders in your supernatural life, power struggles in the underworld and the constant threat of exposure. Over five gripping, witty and sexy series, the housemates battle with their own demons as well as confronting terrifying forces threatening the whole of human society.
You know the story: Cinderella rides in a magical pumpkin to the ball, enchants the prince and flees at midnight. He finds her slipper and tracks her down, and they live happily ever after. But wait! In The Slipper and the Rose, it turns out there's more to the life of a prince than being charming. The king prefers to choose the prince's wife, one of proper social station who would provide a strong political alliance to ward off the kingdom's enemies. That's one of the twists in this 1976 British take on the classic fairy tale, one of a long line of musical versions. The disgruntled prince, who's as much of a focal point here as the lady with the footwear, is played by Richard Chamberlain, during the years when he was taking on the classics and had not yet been crowned king of the TV mini-series. He displays a pleasant voice opposite Gemma Craven as Cinderella, and veteran character actor Michael Hordern as the king leads the supporting ensemble. Add lavish sets and lush scenery (partially filmed in Austria), humour, fun choreography, and an Oscar-nominated score full of charming songs by Richard M. and Robert B. Sherman (veterans of such Disney movies as Mary Poppins and The Jungle Book, and who also co-wrote the script with director Bryan Forbes), and you have a grand, engaging family musical. The 143-minute running time and dreamy, deliberate pace might test the patience of antsy viewers, but The Slipper and the Rose's legion of fans wouldn't have it any other way. --David Horiuchi, Amazon.com
Comedy-drama series about three twenty-something housemates trying to live normal lives despite struggling with unusual afflictions - one is a werewolf one is a vampire and the other is a ghost. In series two the threat is human in the form of the mysterious Professor Jaggat and the cold-hearted Kemp. Jaggat and Kemp are fundamentalists Christians who have discovered the existence of vampires werewolves and ghosts - and are determined to destroy then or carry out brutal experiments upon them. They believe that vampires are the devil incarnate and must be destroyed; that werewolves contain an evil gene that can be removed by violent scientific experiments; and that ghosts must be forced over to the other side whether they like it or not.
In the second hilarious series of Jeeves & Wooster, Pelham Grenville Wodehouse's immortal characters are once again brought to glorious life by Hugh Laurie as the chinless but charming Bertie Wooster and Stephen Fry as his valet and frequent saviour, Jeeves. Superb period detail, performers who seem to have been born for these roles, and a hearty helping of Wodehouse wit make these shows essential viewing for anyone in search of a sophisticated chuckle. All six episodes are included here: "Jeeves Saves the Cow-Creamer", "A Plan for Gussie", "Pearls Mean Tears", "Jeeves in the Country", "Kidnapped!" and "Jeeves the Matchmaker". --Simon Leake
They were perfect strangers, assembled to pull off the perfect crime. Then their simple robbery explodes into a bloody ambush, and the ruthless killers realise one of them is a police informer. But which one? Critically acclaimed for its raw power and br
Hailed as one of the most successful adaptations of Shakespeare Derek Jarman's 'The Tempest' is also unsurprisingly one of the most unconventional. Though keeping the essence of the text the films greatness lies in Jarman's skill at creating a visually stunning erotically charged world of haunting imagery. Flamboyant highly atmospheric and full of Jarman's punk era attitude the famous finale in which Elizabeth Welch sings `Stormy Weather' surrounded by sailors is one of th
Share the magical heartwarming true-life story that has become the most popular family film of all time - Rodgers and Hammerstein's The Sound Of Music. Julie Andrews lights up the screen as Maria the spirited young woman who leaves the convent to become governess to the seven children of Captain von Trapp an autocratic widower whose strict household rules leave no room for music or merriment. Winner of five Academy Awards including Best Picture this timeless cla
This superb major BBC documentary provides an entirely fresh perspective on the Somme revealing that there was more to events than just senseless mass slaughter - because it was on those blood-soaked fields that the British Army learned how to defeat its German enemy. Featuring superb and highly authentic dramatic enactments and contemporary combat footage it compares the assault on Thiepval by a company of the 2nd Salford Pals on July 1st 1916 with an attack on the same objective
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