Legendary filmmaker Ovidio G. Assonitis, whose Tentacles and Piranha II sought to cash in on the killer fish craze spawned by Jaws, first hit pay dirt in 1974 with Beyond the Door â a gloriously bonkers riff on The Exorcist featuring Emmy Award-winning actress Juliet Mills and distinguished British actor Richard Johnson. Set against the backdrop of San Francisco, Beyond the Door stars Mills as Jessica Barrett, a young mother who starts to develop strange behaviours whilst pregnant with her third child. Before you can say split pea soup, Jessica is displaying signs of full-blown demonic possession â complete with projectile vomiting and fully-rotating head! Could it be that she's carrying the child of the Antichrist himself? Described as disgusting, scary trash and maddeningly inappropriate by film critic Roger Ebert and subject to a lawsuit by Warner Bros. (who claimed copyright infringement against a certain William Friedkin film), the devilish denizens at Arrow Video have summoned up this wickedly entertaining popcorn spiller fit for Satan himself! SPECIAL EDITION CONTENTS 2K restoration of the Uncut English Export Version, released as The Devil Within Her High Definition Blu-ray⢠(1080p) presentation Original uncompressed mono audio Optional English subtitles for the deaf and hard of hearing Archival audio commentary with director/producer Ovidio G. Assonitis and Euro-horror historian Nathaniel Thompson, moderated by Lee Christian Archival audio commentary with star Juliet Mills and filmmaker Scott Spiegel, moderated by film scholar Darren Gross and Lee Christian Archival introduction with Juliet Mills and Lee Christian The Devil and Me an interview with director/producer Ovidio G. Assonitis Barrett's Hell an interview with writer/ cinematographer Roberto D'Ettorre Piazzoli Beyond the Music an interview with composer Franco Micalizzi The Devil's Face an interview with camera operator Maurizio Maggi Motels and Devils an audio interview with actor Gabriele Lavia Beyond the Door: 35 Years Later archival featurette including interviews with Ovidio G. Assonitis, Juliet Mills, star Richard Johnson and writer Alex Rebar Richard Johnson: An Englishman in Italy archival featurette Alternate opening titles Trailers, TV and Radio Spots Image Gallery Reversible sleeve featuring original and newly commissioned artwork by Marc Schoenbach
Be very very afraid... Martin Brundle (Stoltz) son of 'The Fly' continues his father's work on the teleporters for Bartok Industries. He is ignorant of his father's true identity and believes himself to have a growth disease. When Martin falls in love with Beth his life changes. As he loses his innocence he also learns the full horror...
Featuring the entire series of 'Jeeves And Wooster' based on the characters created by P.G. Wodehouse. Jeeves & Wooster is one of the most delightful period comedy series on TV. Stephen Fry and Hugh Laurie have captured the wit and sophistication of PG Wodehouse and manage to portray the marvellous light hearted atmosphere in which the stories were originally set to perfection. Now you can enjoy every episode at your leisure in this delightful digipack of the complete tip-top shennanigans of Jeeves & Wooster.
Comedy-drama series about three twenty-something housemates trying to live normal lives despite struggling with unusual afflictions - one is a werewolf one is a vampire and the other is a ghost. They face a human threat in the form of the mysterious Professor Jaggat and the cold-hearted Kemp. Jaggat and Kemp are fundamentalist Christians who have discovered the existence of vampires werewolves and ghosts - and are determined to destroy them or carry out brutal experiments upon them. They believe that vampires are the Devil incarnate and must be destroyed; that werewolves contain an evil gene that can be removed by violent scientific experiments; and that ghosts must be forced over to the other side whether they like it or not.
The first three episodes of this third series of Jeeves & Wooster take place in Manhattan. In spite of the change of scene, our hero continues to get into the most terrible scrapes, and it falls to the faithful Jeeves to save the day, frequently. When he realises that Honoria Glossop may once again have her sights set on his precious bachelorhood, Bertie Wooster sets sail for the New World. Here he helps old pal Tuppy to make a business deal. At the same time he has to keep Motty Malvern on the straight and narrow, while helping two writer friends deceive their prying relatives. The final straw comes in the shape of Cyril Bassington-Bassington, the stage-struck son of Aunt Agatha's closest friend. Back home in England, Bertie and Gussie Fink-Nottle switch identities, the lunatic Roderick Spode reappears, Bertie is forced to commit burglary (again!), and there's a spot of trouble with a tin of treacle and some communists. The unflappable Jeeves is Bertie's only hope. Although the humour in this collection sometimes feels a little less assured than in earlier episodes and the new actor playing Gussie is a disappointment, the central performances of Hugh Laurie and Stephen Fry are as good as ever. Few actors have ever brought such beloved characters so convincingly to life. --Simon Leake
Dr. Sullivan Travis is the envy of his buddies at the Dallas country club. As they freely and frequently point out, he's the luckiest kind of doctor.
Cripes Jeeves it looks like we're back for another. We've got all six episodes of our splendid fourth series in one marvellous double DVD box set. Bertie has returned with Jeeves of course to that glittering metropolis New York hoping for a peaceful existance. The peace doesn't last long though as he is soon beseiged by his wayward cousins along with the dreaded Aunt Agatha. When former fiancees also start appearing Bertie realises only too well that his bachelorhood is in jeopardy. One thing's for sure it will take the not inconsiderable skill of Jeeves to save the day but as he struggles to save his hapless employer from more trouble it seems the only way out is to set sail for England. Return To New York: While in New York Bertie commissions a portrait of Aunt Agatha from a young artist whom he hopes to marry. Tuppy Glossop sells a recipe for Cock-a-Leekie soup to an American soup mogul. Lady Florence Craye Arrives in New York: Bertie must arrange a secret meeting between two millionaire business tycoons. Meanwhile fiery-tempered Stilton Cheesewright suspects Bertie has designs on his betrothed Lady Florence. Honoria Glossop Turns Up: Perpetually love-sick Bingo Little has bestowed his affections on a mild-mannered waitress and once again he implores Bertie to assume the identity of a popular romance novelist to appeal in the name of love to Bingo's disapproving uncle. Arrested In A Nigh Club: Bertie's new mustache comes between Lady Florence and fiance Stilton Cheesewright. Aunt Dahlia requires assistance from Jeeves to retrieve a pearl necklace she has pawned. Totleigh Towers: An African tribal totem is believed to hold a curse over the Bassett household at Totleigh Towers. The Ex's Are Nearly Married Off: The Ganymede Club book-- containing potentially scandalous information about certain members of the ruling class as recorded by their personal valets-- has been stolen. The impending wedding between Madeline Bassett and Spode at Totleigh Towers is fraught with complications.
'The Fly' is a remake of the 1958 horror classic about a brilliant scientist who develops a machine that molecularly transports objects in seconds but inadvertently turns him into a fly incredibly agile super strong and driven to insanity by appetites he cannot control. In 'The Fly 2' Martin Brundle son of 'The Fly' continues his father's work on the teleporters for Bartok Industries. He is ignorant of his father's true identity and believes himself to have a growth disease. Wh
Richard Gere is a frantically overworked socially-in-demand gynecologist whose life is coming apart at the seams. His wife (Farrah Fawcett) has regressed into a child-like state while one daughter (Tara Reid) is raising suspicions about the relationship between his soon-to-be-married other daughter (Kate Hudson) and her maid of honor (Liv Tyler). Meanwhile just as his champagne-loving sister-in-law (Laura Dern) arrives with three nieces in tow the doctor falls for the sexy new golf pro (Helen Hunt). As complications mount the good doctor's life rapidly approaches the force of a Texas tornado!
Johnny Rebel is a charismatic hetrosexual man who makes his living acting in gay porn movies. Sean is a 22 year-old who wants to get into the business. His obsession with Johnny will change both of their lives forever.
Russell Tovey Lenora Crichlow and Aidan Turner return as George Annie and Mitchell in the critically-acclaimed drama Being Human in which three housemates try to live normal lives despite being a werewolf a ghost and a vampire. After the death of vampire leader Herrick at the end of series one the supernatural friends are hoping that they can now get on with their lives but an even greater danger is lurking within the very human world in which they are desperate to be a part of. Werewolf George is coming to terms with the fact that he has Herrick's blood on his hands and a girlfriend who knows his horrific secret. Meanwhile turning down the door of death has implications for ghost Annie but her confidence is at a peak and she is determined to stand up and be counted in the real world... And with Herrick gone Mitchell must appease the vampire world; but can he find a way to lead by example? With unwelcome intruders into their world rumblings about an impending revolution from the vampire underworld and constant threats of exposure - on top of the usual issues faced by young people surrounding love work and mates - the only thing they may be able to rely on in their heightened world is each other.
Russell Tovey plays the lovable George battling with his double identity as a mild-mannered and geeky hospital porter who for one night a month is transformed into a flesh-hungry predatory werewolf. Aidan Turner plays the good-looking and laid-back Mitchell who in contrast to George has the gift of the gab and an easy confidence with the ladies. But he is also a blood-sucking vampire struggling with going cold-turkey from the blood he craves. Completing the flat-share trio is Annie played by Lenora Crichlow a talkative ghost lacking in self-confidence and desperate for company. Annie is still pining after her fianc'' whom she was due to marry before the fatal accident that left her with her ghostly affliction - and who happens to be the landlord of their flat. The series follows the trio as they do their best to live their lives as normally as possible despite their strange and dark secrets. But with unwelcome intruders into their world rumblings about an impending revolution from the vampire underworld and constant threats of exposure - on top of the usual issues faced by young people surrounding love work and mates - the only thing they may be able to rely on in their heightened world is each other.
Comedy-drama series about three twenty-something housemates trying to live normal lives despite struggling with unusual afflictions - one is a werewolf one is a vampire and the other is a ghost. They face a human threat in the form of the mysterious Professor Jaggat and the cold-hearted Kemp. Jaggat and Kemp are fundamentalist Christians who have discovered the existence of vampires werewolves and ghosts - and are determined to destroy them or carry out brutal experiments upon them. They believe that vampires are the Devil incarnate and must be destroyed; that werewolves contain an evil gene that can be removed by violent scientific experiments; and that ghosts must be forced over to the other side whether they like it or not.
Quentin Tarantino came out of nowhere (i.e. a video store in Manhattan Beach, California) and turned Hollywood on its ear in 1992 with his explosive first feature, Reservoir Dogs. Like Tarantino's mainstream breakthrough Pulp Fiction, Reservoir Dogs has an unconventional structure, cleverly shuffling back and forth in time to reveal details about the characters, experienced criminals who know next to nothing about each other. Joe (Lawrence Tierney) has assembled them to pull off a simple heist, and has gruffly assigned them colour-coded aliases (Mr Orange, Mr Pink, Mr White) to conceal their identities even from each other. But something has gone wrong, and the plan has blown up in their faces. One by one, the surviving robbers find their way back to their prearranged warehouse hideout. There, they try to piece together the chronology of this bloody fiasco--and to identify the traitor among them who tipped off the police. Pressure mounts, blood flows, accusations and bullets fly. In the combustible atmosphere these men are forced to confront life-and-death questions of trust, loyalty, professionalism, deception and betrayal.As many critics have observed, it is a movie about "honor among thieves" (just as Pulp Fiction is about redemption, and Jackie Brown is about survival). Along with everything else, the movie provides a showcase for a terrific ensemble of actors: Harvey Keitel, Tim Roth, Steve Buscemi, Michael Madsen, Christopher Penn and Tarantino himself, offering a fervent dissection of Madonna's "Like a Virgin" over breakfast. Reservoir Dogs is violent (though the violence is implied rather than explicit), clever, gabby, harrowing, funny, suspenseful and even--in the end--unexpectedly moving. (Don't forget that "Super Sounds of the Seventies" soundtrack, either.) Reservoir Dogs deserves just as much acclaim and attention as its follow-up, Pulp Fiction, would receive two years later. --Jim Emerson
Quentin Tarantino came out of nowhere (i.e. a video store in Manhattan Beach, California) and turned Hollywood on its ear in 1992 with his explosive first feature, Reservoir Dogs. Like Tarantino's mainstream breakthrough Pulp Fiction, Reservoir Dogs has an unconventional structure, cleverly shuffling back and forth in time to reveal details about the characters, experienced criminals who know next to nothing about each other. Joe (Lawrence Tierney) has assembled them to pull off a simple heist, and has gruffly assigned them colour-coded aliases (Mr Orange, Mr Pink, Mr White) to conceal their identities even from each other. But something has gone wrong, and the plan has blown up in their faces. One by one, the surviving robbers find their way back to their prearranged warehouse hideout. There, they try to piece together the chronology of this bloody fiasco--and to identify the traitor among them who tipped off the police. Pressure mounts, blood flows, accusations and bullets fly. In the combustible atmosphere these men are forced to confront life-and-death questions of trust, loyalty, professionalism, deception and betrayal.As many critics have observed, it is a movie about "honor among thieves" (just as Pulp Fiction is about redemption, and Jackie Brown is about survival). Along with everything else, the movie provides a showcase for a terrific ensemble of actors: Harvey Keitel, Tim Roth, Steve Buscemi, Michael Madsen, Christopher Penn and Tarantino himself, offering a fervent dissection of Madonna's "Like a Virgin" over breakfast. Reservoir Dogs is violent (though the violence is implied rather than explicit), clever, gabby, harrowing, funny, suspenseful and even--in the end--unexpectedly moving. (Don't forget that "Super Sounds of the Seventies" soundtrack, either.) Reservoir Dogs deserves just as much acclaim and attention as its follow-up, Pulp Fiction, would receive two years later. --Jim Emerson
This rare collection of original videos brings back the fashions and fads of the period as well as its unforgettable soundtrack. Featuring Smokey Robinson Billy Joel Spandau Ballet Lionel Richie Natalie Cole Huey Lewis & The News Culture Club Tina Turner and Marvin Gaye...
Quentin Tarantino came out of nowhere (i.e. a video store in Manhattan Beach, California) and turned Hollywood on its ear in 1992 with his explosive first feature, Reservoir Dogs. Like Tarantino's mainstream breakthrough Pulp Fiction, Reservoir Dogs has an unconventional structure, cleverly shuffling back and forth in time to reveal details about the characters, experienced criminals who know next to nothing about each other. Joe (Lawrence Tierney) has assembled them to pull off a simple heist, and has gruffly assigned them colour-coded aliases (Mr Orange, Mr Pink, Mr White) to conceal their identities even from each other. But something has gone wrong, and the plan has blown up in their faces. One by one, the surviving robbers find their way back to their prearranged warehouse hideout. There, they try to piece together the chronology of this bloody fiasco--and to identify the traitor among them who tipped off the police. Pressure mounts, blood flows, accusations and bullets fly. In the combustible atmosphere these men are forced to confront life-and-death questions of trust, loyalty, professionalism, deception and betrayal.As many critics have observed, it is a movie about "honor among thieves" (just as Pulp Fiction is about redemption, and Jackie Brown is about survival). Along with everything else, the movie provides a showcase for a terrific ensemble of actors: Harvey Keitel, Tim Roth, Steve Buscemi, Michael Madsen, Christopher Penn and Tarantino himself, offering a fervent dissection of Madonna's "Like a Virgin" over breakfast. Reservoir Dogs is violent (though the violence is implied rather than explicit), clever, gabby, harrowing, funny, suspenseful and even--in the end--unexpectedly moving. (Don't forget that "Super Sounds of the Seventies" soundtrack, either.) Reservoir Dogs deserves just as much acclaim and attention as its follow-up, Pulp Fiction, would receive two years later. --Jim Emerson
Quentin Tarantino came out of nowhere (i.e. a video store in Manhattan Beach, California) and turned Hollywood on its ear in 1992 with his explosive first feature, Reservoir Dogs. Like Tarantino's mainstream breakthrough Pulp Fiction, Reservoir Dogs has an unconventional structure, cleverly shuffling back and forth in time to reveal details about the characters, experienced criminals who know next to nothing about each other. Joe (Lawrence Tierney) has assembled them to pull off a simple heist, and has gruffly assigned them colour-coded aliases (Mr Orange, Mr Pink, Mr White) to conceal their identities even from each other. But something has gone wrong, and the plan has blown up in their faces. One by one, the surviving robbers find their way back to their prearranged warehouse hideout. There, they try to piece together the chronology of this bloody fiasco--and to identify the traitor among them who tipped off the police. Pressure mounts, blood flows, accusations and bullets fly. In the combustible atmosphere these men are forced to confront life-and-death questions of trust, loyalty, professionalism, deception and betrayal.As many critics have observed, it is a movie about "honor among thieves" (just as Pulp Fiction is about redemption, and Jackie Brown is about survival). Along with everything else, the movie provides a showcase for a terrific ensemble of actors: Harvey Keitel, Tim Roth, Steve Buscemi, Michael Madsen, Christopher Penn and Tarantino himself, offering a fervent dissection of Madonna's "Like a Virgin" over breakfast. Reservoir Dogs is violent (though the violence is implied rather than explicit), clever, gabby, harrowing, funny, suspenseful and even--in the end--unexpectedly moving. (Don't forget that "Super Sounds of the Seventies" soundtrack, either.) Reservoir Dogs deserves just as much acclaim and attention as its follow-up, Pulp Fiction, would receive two years later. --Jim Emerson
After losing his job a young man holes up in a ramshackle hotel where after being terrorised his mind begins to run riot and turns to a bloody revenge against those he perceives to have slighted him...
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