In a future time rebellion means death at the hands of mechanical monsters - the Cyber Trackers. Secret Service Agent Phillips joins the rebels to fight for justice.
A classic punk rock movie from 1980 starring Richard Hell illustrating the end of the first wave of New York City punk rock better than any documentary. Nada (Carole Bouquet) a beautiful French journalist on assignment in New York records the life and work of an up and coming punk rock star Billy (Richard Hell). Soon she enters into a volatile relationship with him and must decide whether to continue with it or return to her lover a fellow journalist trying to track down the elusive Andy Warhol (playing himself). Featuring members of the Voidoids and the Ramones. This long lost film is like a time capsule from pre-Disneynification New York City: sleazy dirty and most importantly real. Includes a lengthy new interview with Hell about the film and more.
Shipwrecked and cast adrift Lemuel Gulliver wakes to find himself on Lilliput an island inhabited by little people whose height makes their quarrels over fashion and fame seem ridiculous. His subsequent encounters give Gulliver new bitter insights into human behaviour... A combination of live action and animation in a version of Jonathan Swift's satire.
How to Get Ahead in Advertising stars Richard E. Grant as Dennis Dimbleby Bagley a brilliant young advertising executive whose constant fretting over an inability to devise a slogan for a revolutionary new pimple cream causes a growth to appear on his neck... which soon develops into a miniature talking head. Are two heads really better than one?
Boulting Brothers Collection: Run For The Sun
In this powerful, dramatic filming of the Henry James classic, superbly adapted for the screen by Jack Pulman (I, Claudius), Suzanne Neve stars as the young Isabel Archer. On the death of her father, Isabel refuses the hand of Mr. Goodwood and leaves her married sisters for Europe, stubborn, independent, and in the company of her rich eccentric Aunt Lydia (Beatrix Lehmann).Welcomed into the bosom of her aunt's family, she is soon befriended by her cousin Ralph (Richard Chamberlain) who respects and admires her spirit. Ralph persuades his father, on the aged man's deathbed, to divert half his fortune to Isabel, while he watches to see what she makes of her now fully-funded freedom.The choices she makes, both good and bad, will have a deep and long-lasting impact on those around her, arousing much passion and weighted with much grief. In his book 'The Realists', acclaimed author C.P. Snow described this production as a supreme television achievement, aesthetically and in all other ways. As gripping as it is compelling, it is not hard to see why.
The career where two heads are better than one! To hotshot advertising executive Dennis Bagley (Richard E. Grant) people are pathetic sheep to whom he can sell anything...except a brand-new pimple cream. Creatively blocked Dennis becomes so stressed that he sprouts a pimple of his own...a pimple that eventually grows intoia huge head with a mind and a voice! Before long the sassy carbuncle takes over Dennis' life revealing to him a diabolical plan to control the masses. Now Dennis must find courage deep within himself to save society and himself from the beastly blemish!
Cup Fever Barton United's hopes of winning the Manchester junior football league receive a setback when their ground is taken over and used as a car park forcing the boys into action... Hide & Seek Keith absconds from school in the hope that his father will take him to Canada yet Keith's father seems more interested in robbing a bank...
Jay Trotter has waited a lifetime for this day. He's got a hot tip on a horse everyone thinks is ready for the glue factory. But as track aficionados say ""Even when you know you never know"". One thing you can be sure of is that with Richard Dreyfuss David Johansen Teri Garr and more this is a winning comedy. Robbie Coltrane gives an hilarious performance as the pestered bookie always sceptical of Trotter's run of luck. Its characters give new meaning to ""the odds"". And its h
Jody Drew (Ann-Margret) is a sweet, sexy, psycho-babe on the run from the law. She's escaped from a detention centre, stabbed a guard and burned the place to the ground. David Patton (John Forsythe) doesn't know all this. He's just a Senatorial candidate trying to do all the right things. However, Jody makes sure that all the wrong things happen.
All sixteen episodes from the thirteenth series of the hit TV show focusing on the exploits of a group of London firemen.
An undercover FBI agent meets a druglord and his henchmen in a sting and as the smoke clears all the bad guys are dead. The FBI agent finds herself the sole survivor of a hitman...
High Speed Action and Thrills! This 1954 Hammer production is set in the high-speed world of motor racing featuring perfromances from real-life racecar drivers such as Stirling Moss and Reg Parnell. Peter Wells is an ambitious driver in the tough world of motor racing. But his dedication to his sport and his single-mindedness put his marriage at risk off the racetrack and his life at risk on it! This early Hammer classic was filmed on location at Goodwood in 1954 and features
Russell Crowe stars as "Lucky" Jack Aubrey, who pits his crew of the HMS Surprise against a much better armed and ruthless enemy in a chase that takes him all the way to the far side of the world.
The new manager of a cemetery (Richard Boone) begins to question reality when he places black pins instead of white in the cemetery map seemingly causing the owners of the plots to die. As the death count rises the mystery gets deeper and deeper pointing to a resolution almost too strange to face...
The newly appointed chairman of a cemetery discovers that by replacing the white pins on a cemetery map to black he can cause the death of the plot owner...
Theres little doubt that much of what we now take for granted about cinema owes much to the vision of director D W Griffith. Monumental Epics collects five of his most influential silent masterpieces. The Birth of a Nation (1915) is also the birth of the epic film. Made to commemorate the 50th anniversary of the end of the American Civil War this provocative film unflinchingly shows the humiliation of Southern culture, the "heroism" of the Ku Klux Klan, and links the Union and Confederacy by a common Aryan birthright. All of which has to be viewed in its period context if it is to be viewed at all. Intolerance (1916) is film-making of epic complexity. Human intolerance is related through a modern tale of wrongful conviction, intercut by three stories from Babylonian, Judean, and French history to point up the issue through the ages. The intricacy of the intercutting is breathtaking even now, but those as confused as the first audiences evidently were can opt to see each story separately. Sensitively tinted, this is Griffith's finest three hours. Broken Blossoms (1919) has Griffith venturing into domestic melodrama. Although there's a clear moral to be drawn from this tale of compassion in the face of ignorance and brutality, neither the over-acting of Lillian Gish and Donald Crisp, nor the vein of sentimentality that creeps into their characters' relationship allow the viewer to forget the period-piece nature of the film. Here an appropriately expressive musical score helps keep viewing at an attentive level. Way Down East (1920) shows Griffith moving from the epic to the personal, though still on a large scale. The combining of old-style melodrama with latter-day female emancipation is tellingly brought off, and Lillian Gish excels as the country girl used and abused by male society, until "rescued" by a farmer of true moral scruples. Unconvinced? Then go straight to the climactic snowstorm and ice floe sequences--Eisenstein et al are inconceivable without this as trailblazer. Abraham Lincoln (1930) marked Griffith's entry into the talkie era. Tautly directed, it offers a historically accurate account of the 16th US President's rise to power and his visionary outlook on American society. Civil War scenes are implied rather than enacted, and its Walter Huston's robust yet understated acting that carries the day, with sterling support from Una Merkel as Ann Rutledge and Hobart Bosworth as General Lee. On the DVD: Stylishly packaged, restoration and digital remastering has been carried out to Eureka's usual high standard, and the 4:3 aspect ratio has commendable clarity. Birth of a Nation has Joseph Carl Breil's original orchestral score and a pithy "making of" film by Russell Merritt. Intolerance contains a useful rolling commentary and a great wurlitzer soundtrack too. Way Down East includes a commentary. Abraham Lincoln also has a commentary, though Hugo Riesenfeld's score often verges on the mawkish. Overall this set is a must for anyone remotely interested in film as a living medium.--Richard Whitehouse
Here's how American critic Roger Ebert described the unique and lasting value of George Lucas' 1973 box-office hit, American Graffiti: "[It's] not only a great movie but a brilliant work of historical fiction; no sociological treatise could duplicate the movie's success in remembering exactly how it was to be alive at that cultural instant." The time to which Ebert and the film refers is the summer of 1962, and American Graffiti captures the look, feel, and sound of that era by chronicling one memorable night in the lives of several young Californians on the cusp of adulthood. (In essence, Lucas was making a semi-autobiographical tribute to his own days as a hot-rod cruiser, and the film's phenomenal success paved the way for Star Wars.) The action is propelled by the music of DJ Wolfman Jack's rock & roll radio show--a soundtrack of pop hits that would become as popular as the film itself. As Lucas develops several character subplots, American Graffiti becomes a flawless time capsule of meticulously re-created memory, as authentic as a documentary and vividly realised through innovative use of cinematography and sound. The once-in-a-lifetime ensemble cast members inhabit their roles so fully that they don't seem like actors at all, comprising a who's who of performers--some of whom went on to stellar careers--including Ron Howard, Richard Dreyfuss, Harrison Ford, Cindy Williams, Mackenzie Phillips, Charles Martin Smith, Candy Clark, and Paul Le Mat. A true American classic. --Jeff Shannon, Amazon.com
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