Spectacularly stunning...a magical tale of adventure and friendship. Rebecca Mahoney. TVTimes From Magic Light Pictures, Oscar-nominated creators of the hugely successful The Gruffalo, Room on the Broom and Revolting Rhymes. The Snail and the Whale is the story of a tiny snail on the tail of a great big grey-blue humpback whale, and their journey around the globe. Based on the wonderful picture book wrriten by Julia Donaldson and illustrated by Axel Scheffler. A little snail longs to see the world and hitches a lift on the tail of a whale. He shows her the wonders of the natural world - coral caves, ocean depths, distant icebergs and far off lands. She's amazed by it all but begins to feel so small in comparison. When disaster strikes though, Snail proves that everyone, no matter how small, can make a difference in their own special way. A spectacularly animated adventure with the voices of Rob Brydon, Sally Hawkins and Diana Rigg. Extras: Behind the Scenes Animating Water Artwork Gallery
Wacky Professor Philip Brainard (Robin Williams) has just invented a revolutionary new compound. Its green it flies and it looks like rubber. Its Flubber! And it has the ability to save his financially troubled college as well as his broken engagement to his girlfriend Sara. That is until the gooey substance is stolen right from under the nose of his beloved but jealous robot assistant Weebo! Now the professor's got to get the goo and the girl back where they belong. Mix one
An imperturbable English gentleman played by the unflappably urbane David Niven attempts to completely circumnavigate the world in eighty days in order to win a large wager. But is he also conveniently missing from London as an investigation into a robbery at the Bank Of England begins? Winner of 5 Oscars at the 1957 Academy Awards!
A prominent banker unjustly convicted of murder spends many years in the Shawshank prison. He is befriended by a convict who knows the ropes and helps him to cope with the frightning realities of prison life. Special Features Commentary by Writer/Director Frank Darabont Hope Springs Eternal: A Look Back at The Shawshank Redemption Shawshank: The Redeeming Feature Comic Spoof The SharkTank Redemption Stills, Storyboards and Collectibles Galleries Theatrical Trailer
When Harlem P.I John Shaft first appeared on the movie scene, he was a 'shut your mouth' detective to reckon with, a fact underscored by Isaac Hayes' Oscar - winning Best Original Song (1971). Richard Roundtree plays the hard-hitting, street- smart title role, hunting for a kidnap victim in Shaft (1971) and seeking a friend's murderer in Shaft's Big Score! - mixing it up with mob thugs each time. Finally, there's Shaft in Africa, with our hero bringing down a slavery cartel. Shaft's the name. Excitement's the game! Special Features: Behind The Scenes Documentary Soul In Cinema: Filming Shaft On Location Shaft: The Killing (1973 TV Episode) Theatrical Trailers
San Francisco has been the setting of a lot of exciting movie car chases over the years, but this 1968 police thriller is still the one to beat when it comes to high-octane action on the steep hills of the city by the Bay. The outstanding car chase earned an Oscar for best editing, but the rest of the movie is pretty good, too. Bullitt is a perfect star vehicle for cool guy Steve McQueen, who stars as a tenacious detective (is there any other kind?) determined to track down the killers of the star witness in an important trial. Director Peter Yates (Breaking Away) approached the story with an emphasis on absolute authenticity, using a variety of San Francisco locations. Jacqueline Bisset and Robert Duvall appear in early roles, and Robert Vaughn plays the criminal kingpin who pulls the deadly strings of the tightly wound plot. --Jeff Shannon
NOTICE: Polish Release, cover may contain Polish text/markings. The disk has English audio.
In Sister Act Whoopi Goldberg plays a Reno lounge singer who hides out as a nun when her villainous boyfriend (Harvey Keitel) goes gunning for her. Maggie Smith is the mother superior who has to cope with Whoopi's unorthodox behaviour, but the cute script turns the tables and shows the latter energising the stodgy convent with song and attitude. A real crowd-pleaser and a perfect vehicle for Goldberg, this is a happy experience all around. --Tom Keogh, Amazon.com
First and foremost a star vehicle for Tom Cruise, this paper-thin Horatio Alger story of a young bartender with dreams of get-rich-quick success is notable only for Cruise's immense likeability in contrast to a creaky plot and thinly drawn characters. Cruise plays Brian Flanagan, a young entrepreneur and ladies' man who with his mentor (Bryan Brown) takes the New York bar scene by storm. Through setbacks and tragedy, Brian eventually realises there's more to life than a quick buck, and fights for the woman he loves (Elisabeth Shue). Despite its shortcomings, a worthwhile viewing for Tom Cruise fans. --Robert Lane, Amazon.com
A prominent banker unjustly convicted of murder spends many years in the Shawshank prison. He is befriended by a convict who knows the ropes and helps him to cope with the frightning realities of prison life.
A spectacular action movie set on K2, one of the highest and most dangerous mountains in the world. Chris O'Donnell stars as a mountaineer who has less than a day to rescue his sister, trapped on the mountain.
A beautiful woman (series star JAIMIE ALEXANDER) is found in Times Square, her memory erased, her body fully covered in a series of coded tattoos. But as Jane Doe and the FBI team who discovered her including agents Kurt Weller (series star SULLIVAN STAPLETON), Edgar Reade (series star ROB BROWN), Tasha Zapata (series star AUDREY ESPARZA) and the tech savvy Patterson (series star ASHLEY JOHNSON) work to decipher, investigate and solve the complex treasure map of her body, an ever-widening web of conspiracy and corruption is revealed, as is the truth behind Jane Doe's real identity and the identity of the people who sent her to the FBI in the first place. Following the emotionally charged third season finale, Blindspot returns for its fourth season. As we learned in the finale, Jane is being poisoned by ZIP, the very drug used to wipe her memory at the premiere of the series. Also suffering from the disease, her brother Roman (LUKE MITCHELL) was searching for a cure and hid caches of data all over the globe. The team will follow a trail of cryptic breadcrumbs that lead to all-new crimes to solve and, with any luck, a cure to save Jane. Season four begins with Weller on the brink of death, Remi (ALEXANDER) returned from the depths of Jane's mind and Zapata working with the bad guys. Not knowing that Zapata has joined the villainous HCI Global, Reade tries desperately to find her. At the same time, Patterson hunts to cure Jane with Rich DotCom (new series regular ENNIS ESMER). Embracing last season's global scope, season four starts with a daring heist in Tokyo, and action-packed missions will take the team all over Europe and South America.
All 22 episodes from the third season of the US crime drama. The story revolves around a Jane Doe (Jaimie Alexander) who, after being found naked and suffering from amnesia in Times Square, is taken into FBI custody while they try to discover her true identity. They are offered clues by the recent tattoos which cover her body, amongst them the name of FBI agent Kurt Weller (Sullivan Stapleton) who finds himself drawn into the centre of the mystery. In this season, the FBI team is brought back together after an 18-month absence and Jane discovers she has new bioluminescent tattoos, which provide the team with new puzzles to solve. The episodes are: 'Back to the Grind', 'Enemy Bag of Tricks', 'Upside Down Craft', 'Gunplay Ricochet', 'This Profound Legacy', 'Adoring Suspect', 'Fix My Present Havoc', 'City Folks Under Wraps', 'Hot Burning Flames', 'Balance of Might', 'Technology Wizards', 'Two Legendary Chums', 'Warning Shot', 'Everlasting', 'Deductions', 'Artful Dodge', 'Mum's the Word', 'Clamorous Night', 'Galaxy of Minds', 'Let It Go', 'Defection' and 'In Memory'.
Sullivan Stapleton (300: Rise of an Empire), Jaimie Alexander (Thor films) and Oscar® nominee Marianne Jean-Baptiste (Without a Trace) star in this one-hour action thriller from Berlanti Productions (The Flash, Arrow, Pan) and writer/executive producer Martin Gero. Stapleton stars as hardened FBI agent Kurt Weller, who is drawn into a complex conspiracy when a naked amnesiac, Jane Doe (Alexander), is found in Times Square covered in a series of cryptic tattoos ... including his name on her back. As Weller and his teammates at the FBI -- among them, wartime vet Edgar Reed, the secretive Tasha Zapata and Assistant Director Mayfair (Jean-Baptiste) -- begin to investigate the veritable treasure map that are Jane Doe's tattoos, they are drawn into a high-stakes underworld that twists and turns through a labyrinth of secrets and revelations -- the information they uncover might ultimately change the world. At the center of this mystery is the relationship between Weller and Jane Doe. With every passing day, Jane unveils a new skill or a hidden talent without understanding its origin, while Weller is drawn deeper into his troubled, complicated relationship with this enigmatic woman. They both strive to make a connection, unaware of the dangerous blindspot that threatens them.
The Living Daylights, new boy Timothy Dalton's first Bond outing, gets off to a rocking start with a pre-credits sequence on Gibraltar, and culminates in a witty final showdown with Joe Don Baker's arms dealer, set on a model battlefield full of toy soldiers. While the Aston Martin model whizzing through the car chase has been updated for the late 1980s--including lethal lasers and other deadly gizmos--the plot is pretty standard issue, maybe a little more cluttered and unfocused than usual, involving arms, drugs and diamond smuggling. Nevertheless, the action-formula firmly in place, this one rehearses the moves with ease and throws in some fine acting. Maryam d'Abo, playing a cellist-cum-spy, is the classy main squeeze for 007 (uncharacteristically chaste for once). Dalton, with his wolfish, intelligent features, was a perfectly serviceable secret agent, but never caught on with the viewers, perhaps because everyone was hoping for a presence as charismatic as Sean Connery's in the franchise's glory days.--Leslie Felperin On the DVD: Casting the new Bond takes up much of the "making-of" documentary: first Sam Neill was in the running, but vetoed by Cubby Broccoli, who wanted Timothy Dalton and had considered him as far back as On Her Majesty's Secret Service (but Dalton felt he was just too young at the time). When Dalton proved unavailable, Pierce Brosnan was hired. Then, at the last minute, Brosnan's Remington Steele contract was renewed and he had to drop out. Dalton came back in, on the proviso that he could give Bond a harder, more realistic edge after the action-lite of the Roger Moore years. The second documentary attempts to profile the enigmatic Ian Fleming, who was apparently as mysterious and chameleon-like as his alter ego. The commentary is a miscellaneous selection of edited interviews from various members of the cast and crew. There's also Ah-Ha's "Living Daylights" video, and a "making-of" featurette about it. A brief deleted scene (comic relief--wisely dropped) and trailers complete another strong package. --Mark Walker
A professional ballroom dancer teaches New York City school kids, becoming their mentor in the process.
This offbeat Australian comedy is based on the real life events of 1969, when a huge satellite dish in the middle of a sheep paddock in Australia was used to pick up the TV signals from the first moon landing!
This extraordinary tale of hope, friendship and survival inside a maximum security prison celebrates the decade since its release with a new three disc special edition.
This is the way it was.... Caveman Tumak is banished from his savage tribe. He finds a brief home among a group of gentle seacoast dwelling cave people until his unstable nature forces his banishment from them as well. Missing him one of their women Loana (Welch) leaves with him and the couple must survive the onslaught of giant reptiles before their love can be fulfilled...
The King of Comedy, which flopped at the box office, is actually a gem waiting to be rediscovered. Like A Face in the Crowd (a not-so-distant cousin to this film), Network, and The Truman Show, its target is show business--specifically the burning desire to become famous or be near the famous, no matter what. Robert De Niro plays the emotionally unstable, horrendously untalented Rupert Pupkin, a wannabe Vegas-style comedian. His fantasies are egged-on by Marsha, a talk-show groupie (brilliantly played by Sandra Bernhard) who hatches a devious, sure-to-backfire plan. Jerry Lewis is terrific in the straight role as the Johnny Carson-like talk-show host Jerry Langford. De Niro's performance as the obsessive Pupkin is among his finest (which is saying a lot) and he never tries to make the character likable in any way. Because there's no hero and no-one to root for, and because at times the film insists we get a little too close and personal with Pupkin, some will be put off. Yet it's one of Scorsese's most original and fascinating films, giving viewers much to consider on the subject of celebrity. Its inevitable climax is clever and quietly horrific. --Christopher J Jarmick
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