Notoriously, and entirely appropriately, the original outline for Doug Naylor and Rob Grant's comedy sci-fi series Red Dwarf was sketched on the back of a beer mat. When it finally appeared on our television screens in 1988 the show had clearly stayed true to its roots, mixing jokes about excessive curry consumption with affectionate parodies of classic SF. Indeed, one of the show's most endearing and enduring features is its obvious respect for the conventions of SF, even as it gleefully subverts them. The scenario owes something to Douglas Adams's satirical Hitch-Hiker's Guide, something to The Odd Couple and a lot more to the slacker SF of John Carpenter's Dark Star. Behind the crew's constant bickering there lurks an impending sense that life, the universe and everything are all someone's idea of a terrible joke. Later series broadened the show's horizons until at last its premise was so diluted as to be unrecognisable, but in the earlier episodes contained in this box set the comedy is witty and intimate, focusing on characters and not special effects. Slob Dave Lister (Craig Charles) is the last human alive after a radiation leak wipes out the crew of the vast mining vessel Red Dwarf (episode 1, "The End"). He bums around the spaceship with the perpetually uptight and annoyed hologram of his dead bunkmate, Arnold Rimmer (Chris Barrie, the show's greatest comedy asset) and a creature evolved from a cat (dapper Danny John Jules). They are guided rather haphazardly by Holly, the worryingly thick ship's computer (lugubrious Norman Lovett). --Mark Walker
"Twilight" is an action-packed, modern day love story between a teenage girl who falls in love with a 'good' vampire who must protect her from the 'bad' vampires while resisting his natural instincts.
Remember Me is an unforgettable story about the power of love, the strength of family, and the importance of living passionately and treasuring every day of one's life.
They came for water. And for food. And as it turned out we were the food. but humanity bravely resisted - a struggle seen in the hit miniseries V and V: The Final Battle. Yet the war continues. The heroic conflict comes to a surprising outcome in V: The Series presented complete and uncut in this 3-disc 19 episode set. Once again Earth is the main battleground. But now the aliens whose human guise hides their true reptillian natures are wiser. They believe the secret to their survival on Earth lies in the DNA of the newly born half-human half-spaceling Starchild. They intend to capture her. But that's something the world's Resistance Fighters cannot allow.
Perhaps no movie could capture F Scott Fitzgerald's novel The Great Gatsby in its entirety, but this adaptation, scripted by Francis Ford Coppola, is certainly a handsome try, putting costume design and art direction above the intricacies of character. Robert Redford is an interesting casting choice as Gatsby, the millionaire isolated in his mansion, still dreaming of the woman he lost. And Sam Waterston is perfect as the narrator, Nick, who brings the dream girl Daisy Buchanan back to Gatsby. The problem seems to be that director Jack Clayton fell in love with the flapper dresses and the party scenes and the jazz age tunes, ending up with a Classics Illustrated version of a great book rather than a fresh, organic take on the text. While Redford grows more quietly intriguing in the film, Mia Farrow's pallid performance as Daisy leaves you wondering why Gatsby, or anyone else, should care so much about his grand passion. The effective supporting cast includes Bruce Dern as Daisy's husband, and Scott Wilson and Karen Black as the low-rent couple whose destinies cross the sun-drenched protagonists. (That's future star Patsy Kensit as Daisy's little daughter.) The film won two Oscars--not surprisingly, for costumes and musical score. --Robert Horton
Ray rebuilds his life both personally and professionally in New York City. After being rescued from a plummet into the East River, his saviour, a cop named Mac, brings Ray into the Staten Island Police Department fraternity. While exploring this new world of brotherhood and corruption, Ray fi nds himself once again working for media mogul Samantha Winslow. Sam has teamed up with New York City mayoral candidate Anita Novak, a partnership that puts Ray at odds with his new friends out in Staten Island. Starring Golden Globe® and Emmy® nominee Liev Schreiber, Academy Award® winner and four-time nominee Susan Sarandon and Academy Award® and Golden Globe® winner Jon Voight. Special Features: Ray Donovan: Inside New York City Rise, Rebuild, Reclamation
Samuel L Jackson is a streetwise master chemist from L.A. who comes to Liverpool to launch his new designer drug. Collected from the airport by local 'fixer' Robert Carlyle its not long before he's involved in a web of shady underworld double dealings.
Buckle up for ride in the Black Moon, a sleek, high-tech supercar, powered by hydrogen and capable of speeds of over 300mph! Tommy Lee Jones (Rolling Thunder, Under Siege) stars as Sam Quint, a master thief working for the government who hides a computer disc loaded with evidence of corporate crime in a prototype supercar, the Black Moon. When a gang of thieves steal the car, Quint seduces their leader, Nina (Linda Hamilton, Terminator), to get to the disc. But in order to reclaim his property, Quint and Nina must break into an impenetrable skyscraper and take down Ed Ryland (Robert Vaughn, The Delta Force), the head of a dangerous stolen car syndicate A fast-moving, hydrogen-fueled action thriller written by John Carpenter (Halloween, The Thing), Black Moon Rising has earned admiration from cult movie audiences for its thrilling chase sequences, pounding synth score, and slick direction courtesy of Harley Cokeliss (Battle Truck, The Glitterball). Special Edition Contnets: Brand new 2K restoration of the film from the original 35mm interpositive High Definition Blu-ray (1080p) presentation Uncompressed PCM 2.0 stereo audio and alternative 5.1 DTS-HD MA soundtrack Optional English subtitles for the deaf and hard of hearing New audio commentary by Lee Gambin, author of Show Me: The Making of Christine Black Moon Ascending, a new interview with director Harley Cokeliss Thief in The Night: Producing Black Moon Rising, a new interview with producer Douglas Curtis Sound of Speed: Composing Black Moon Rising, a new interview with composer Lalo Schifrin and film music historian Daniel Schweiger Carpenter's Craft, a new video essay on co-writer John Carpenter's screenwriting career by author and critic Troy Howarth Making Black Moon Rising, an archival documentary featuring behind the scenes footage and cast and crew interviews Alternative Hong Kong version scenes, a presentation of selected scenes from the Hong Kong theatrical version with a different score and sound effects Theatrical trailer and radio spots Reversible sleeve featuring original and newly commissioned artwork by Haunt Love Collector's booklet featuring new writing on the film by Kieran Fisher
Based on the best selling videogame, "Hitman" is about the ultimate assassin: professional, unflinching, emotionless, stylish with expensive tastes.
Generally acknowledged as a bona fide classic, this Francis Ford Coppola film is one of those rare experiences that feels perfectly right from beginning to end--almost as if everyone involved had been born to participate in it. Based on Mario Puzo's bestselling novel about a Mafia dynasty, Coppola's Godfather extracted and enhanced the most universal themes of immigrant experience in America: the plotting-out of hopes and dreams for one's successors, the raising of children to carry on the good work, etc. In the midst of generational strife during the Vietnam years, the film somehow struck a chord with a nation fascinated by the metamorphosis of a rebellious son (Al Pacino) into the keeper of his father's dream. Marlon Brando played against Puzo's own conception of patriarch Vito Corleone, and time has certainly proven the actor correct. The rest of the cast, particularly James Caan, John Cazale, and Robert Duvall as the rest of Vito's male brood--all coping with how to take the mantle of responsibility from their father--is seamless and wonderful. --Tom Keogh
Fighting for the survival of the entire world, the Protagonist journeys through a twilight world of international espionage on a mission that will unfold in something beyond real-time. Special Features: LOOKING AT THE WORLD IN A NEW WAY: THE MAKING OF TENET - An exploration of the development and production of the film as told by the cast and crew. LOOKING AT THE WORLD IN A NEW WAY: THE MAKING OF TENET: I. THE PRINCIPLE OF BELIEF - Christopher Nolan talks about why he wanted to make this film and the twists he wanted to bring to the spy genre. LOOKING AT THE WORLD IN A NEW WAY: THE MAKING OF TENET: II. MOBILIZING THE TROUPE - The filmmakers to talk about casting and what the actors brought to their roles. LOOKING AT THE WORLD IN A NEW WAY: THE MAKING OF TENET: III. THE APPROACH - The company discusses how Nolan's filmmaking philosophies and in-camera approach applied to the challenges in this film. LOOKING AT THE WORLD IN A NEW WAY: THE MAKING OF TENET: IV. THE PROVING WINDOW - A look at the cinematography and the unique ways they shot the movie. LOOKING AT THE WORLD IN A NEW WAY: THE MAKING OF TENET: V. THE ROADMAP - Examining the ways the cast and crew kept track of the continuity across multiple perspectives and timelines. LOOKING AT THE WORLD IN A NEW WAY: THE MAKING OF TENET: VI. ENTROPY IN ACTION - Breaking down the complex action in the film and the stunt requirements for the actors. LOOKING AT THE WORLD IN A NEW WAY: THE MAKING OF TENET: VII. TRAVERSING THE GLOBE - Exploring the logistics of travelling and shooting in real locations as well as capturing the epic marine sequences in different countries around the world. LOOKING AT THE WORLD IN A NEW WAY: THE MAKING OF TENET: VIII. HOW BIG A PLANE? - The story of the dramatic crashing of a real 747. LOOKING AT THE WORLD IN A NEW WAY: THE MAKING OF TENET: IX. THE DRESS CODE - Costume Designer Jeffrey Kurland takes us through some of the iconic costumes from the film. LOOKING AT THE WORLD IN A NEW WAY: THE MAKING OF TENET: X. CONSTRUCTING THE TWILIGHT WORLD - A look at the practical sets designed and built by Nathan Crowley's team and the techniques they used to enhance the scope and scale of the film. LOOKING AT THE WORLD IN A NEW WAY: THE MAKING OF TENET: XI. THE FINAL BATTLE - Inside the epic sequence which had the cast and crew using everything that they had learned on the film to pull it off. LOOKING AT THE WORLD IN A NEW WAY: THE MAKING OF TENET: XII. COHESION - Nolan discusses his approach of involving the composer and the editor early on in the pre-production and all the way through the completion of the film to truly integrate them into the creative process. LOOKING AT THE WORLD IN A NEW WAY: THE MAKING OF TENET: XIII. DOESN'T US BEING HERE NOW MEAN IT NEVER HAPPENED? - The cast and crew discuss the unique experience of working on the film.
OUSMANE SEMBÃNE (Xala, Faat Kiné) was one of the greatest and most groundbreaking filmmakers who ever lived, as well as the most internationally renowned African director of the twentieth century but his name deserves to be better known in the rest of the world. He made his feature debut in 1966 with the brilliant and stirring Black Girl. Sembène, who was also an acclaimed novelist in his native Senegal, transforms a deceptively simple plotabout a young Senegalese woman who moves to France to work for a wealthy white couple and finds that life in their small apartment becomes a prison, both figuratively and literallyinto a complexly layered critique of the lingering colonialist mind-set of a supposedly postcolonial world. Featuring a moving central performance by M'BISSINE THÃRÃSE DIOP, Black Girl is a harrowing human drama as well as a radical political statementand one of the essential films of the 1960s. Special Features New 4K digital restoration, undertaken by The Film Foundation's World Cinema Project in collaboration with the Cineteca di Bologna, with uncompressed monaural soundtrack on the Blu-ray 4K restoration of the short film Borom sarret, director Ousmane Sembène's acclaimed 1963 debut New interviews with scholars Manthia Diawara and Samba Gadjigo Excerpt from a 1966 broadcast of JT 20h, featuring Sembène accepting the Prix Jean Vigo for Black Girl New interview with actor M'Bissine Thérèse Diop Trailer New English subtitle translation PLUS: An essay by critic Ashley Clark More!
Academy Award' winner Yul Brynner stars in the landmark western that launched the film careers of Steve McQueen Charles Bronson and James Coburn. Tired of being ravaged by an army of marauding bandits the residents of a small Mexican village seek help from seven American gunfighters. The only problem? It's seven against 50! Also featuring Eli Wallach and Robert Vaughn and set against Elmer Bernstein's Oscar' Nominated score director John Sturges' thrilling adventure belongs in any Blu-ray collection.
Directed by Leslie Norman (The Long, The Short And The Tall), starring John Mills (Ice Cold In Alex, Goodbye Mr Chips, Great Expectations) Richard Attenborough (Brighton Rock, The Great Escape) and a cast featuring actual army officers, DUNKIRK is one of the most authentic representations of conflict during World War II. DUNKIRK follows the dramatic events leading up to Operation Dynamo, where upon the British Army attempted to rescue fellow soldiers and Allied troops from Nazi occupied France. Seen from the dual perspectives of a jaded journalist in search of propaganda and a weary soldier desperately trying to give his troop some hope, DUNKIRK never shies away from the brutality of war and the bravery of its soldiers.
The last desperate fight that changed the course of history. Five months after D-Day most American soldiers think the German army is broken. The Germans think otherwise. In an attempt to buy time to fill the skies with their invincible new jets they launch one fast furious offensive: the Battle of the Bulge. For this epic recreation of one of World War II's most crucial confrontations director Ken Annakin (The Longest Day) captures the explosive action of massive f
From the Academy Award nominated director and producers of Loving Vincent, comes a stunning and epic new animation based on the Nobel Prize winning novel. A young woman, Jagna, is determined to forge her own path within the confines of a late 19th century Polish village, rife with gossip, feuds and inequality. When Jagna finds herself caught between the conflicting desires of the village's richest farmer, his eldest son and other leading men of the community, her resistance puts her on a tragic collision course with the community around her.
It's generally acknowledged that the Master of Suspense disliked costume dramas and Jamaica Inn--a rip-roaring melodrama drawn from a Daphne du Maurier pot-boiler, set in 1820s Cornwall--is about as costumed as they come. So what was he doing directing it? Killing time, essentially. In 1939 Hitchcock was due to leave Britain for Hollywood, but delays Stateside left him with time on his hands. Never one to sit idle, he agreed to make one picture for Mayflower Productions, a new outfit formed by actor Charles Laughton and émigré German producer Erich Pommer. An innocent young orphan (the 19-year-old Maureen O'Hara in her first starring role) arrives at her uncle's remote Cornish inn to find it a den of reprobates given to smuggling, wrecking and gross overacting. They're all out-hammed, though, by Laughton at his most corseted and outrageously self-indulgent as the local squire to whom Maureen runs for help. Since his star was also the co-producer, Hitch couldn't do much with the temperamental actor. He contented himself with adding a few characteristic touches--including a spot of bondage (always a Hitchcock favourite), and the chief villain's final spectacular plunge from a high place--and slyly sending up the melodramatic absurdities of the plot. Jamaica Inn hardly stands high in the Master's canon, but it trundles along divertingly enough. Hitchcock fanatics will have fun comparing it with his two subsequent--and far more accomplished--Du Maurier adaptations, Rebecca and The Birds. --Philip Kemp
4 Movies Film Noir Collection Includes: Double Indemnity One of the finest films the noir genre has to offer. Double Indemnity has a bona fide Hollywood cast: Fred MacMurry is the insurance salesman led astray by Barbara Stanwyck's definitive femme fatale, Edward G Robinson investigates them. The Blue Dahlia Raymond Chandler's one and only screenplay (nominated for an Oscar®*). Alan Ladd and Veronica Lake are the leads: He is the returning GI who may or may not have been framed for murder, she is the femme fatale aiding him. The Glass Key This masterful adaption of Dasheill Hammett's tale of intrigue sees Alan Ladd and Veronica Lake positively smouldering as a henchman and politician's daughter drawn to each other. This Gun for Hire An early example of the noir genre and the first time pairing of Veronica Lake and Alan Ladd, here making his screen debut. Based on a Graham Greene novel.
Post apocalyptic tale based on the bestselling novel by Cormac McCarthy (No Country For Old Men). A father and son travel on foot through a devastated American landscape battling both starvation and cannibals.
Inspiration vs Motivation - which enhances the ability to learn more effectively? The Lesson is a darkly satirical look at education. A teacher who has dedicated his life to his students, a class of children devoid of any appreciation of his sacrifice , living in a bleak and rural decaying community - what happens if something snaps? The Lesson is the love child of Fritz Lang and Harmony Korine, combining a coming of age, deadbeat summer with a charismatic, morally ambiguous, anti-hero led main narrative. Unashamedly intellectual but deeply violent, The Lesson is a dark, painful and savagely funny psychological thriller unlike any you've seen before. Click Images to Enlarge
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