Set at the Maryland School of the Arts Step Up 2 The Streets| revolves around dance student Patrick (Robert Hoffman) and rebellious new student Andie (Briana Evigan). When rebellious street dancer Andie lands at the elite Maryland School of the Arts she finds herself fighting to fit in while also trying to hold onto her old life. When she joins forces with the school's hottest dancer Chase to form a crew of classmate outcasts to compete in Baltimore's underground dance battle The Streets she ultimately finds a way to live her dream while building a bridge between her two separate worlds.
Adapted from the novel by Maeve Binchy this is a story of love friendship and obsession set in the Irish town of Castlebay between 1952 and 1962. A young woman wins a scholarship and leaves her small town to pursue her dreams in Dublin. There she falls in love with the son of the local doctor...
It's Christmas Eve, and Arnold needs to find a Turbo Man action figure, the craze of the season. Only they're sold out, of course. So the race is on, and the Austrian Oak must do fierce battle with other shoppers and merchants alike, all for the prize toy with which to purchase his son's affections. All of which is unwittingly very sad, on the content level. But the film supposes itself to be amiable enough, on its own shabby terms, even when it climbs out of the screen and starts gnawing at your furniture. If the humour were to get broader it would make HDTV obsolete. The tone can only be termed good-naturedly mean-spirited. Goofy carnival music runs continuously in the background so we never forget that what we're seeing is, er, um, funny. All the action is composed of comic violence, like an unhip Warner Bros. cartoon. Do the filmmakers actually consider this cynical foray to be indicative of the Christmas spirit? Apparently so, because the resolution has Arnold winning quite inadvertently, and offers no clear alternative to the competitive commercialism that drives the film's attempts at humour. In a key scene that's meant to be touching, Arnold and his chief rival Sinbad sit down for a heart-to-heart in which we learn that receiving much-wanted Christmas presents in our formative years is responsible for our success in adulthood. You get that Turbo Man, you'll be a billionaire; don't get it, you'll be a loser. Such is the formidable challenge of parenthood, to cater to the child's whims while it can still make a difference. This is what's wrong with America. --Jim Gay, Amazon.com
Elvis Presley's third and best film is this musical romp released in 1957, just as the Big "E" was reaching the peak of his hip-swivelling pre-army success. Filmed in ultra-cool black and white, the movie stars Elvis as a good ol' boy who saves a woman from an assault but kills her attacker, so he's convicted of manslaughter and sent to jail. While doing time he takes up the guitar and becomes a singing sensation, ready for the big time when he's finally released. He becomes a big star but his inflated ego gets him into trouble with his former cellmate and his new girlfriend. Short on plot but heavy on rock & roll, this EP classic features such hit songs as "Treat Me Nice", "Baby, I Don't Care", "Don't Leave Me Now" and, of course, the classic title song, performed in an elaborate jailhouse number that Elvis choreographed himself. This is Elvis in all his big-screen glory, and the movie's upbeat ending made it a huge success during its original release. --Jeff Shannon
Having developed his skill as a master of contemporary crime drama, writer-director Michael Mann displayed every aspect of that mastery in this intelligent, character-driven thriller from 1995, which also marked the first onscreen pairing of Robert De Niro and Al Pacino. The two great actors had played father and son in the separate time periods of The Godfather, Part II, but this was the first film in which the pair appeared together, and although their only scene together is brief, it's the riveting fulcrum of this high-tech cops-and-robbers scenario. De Niro plays a master thief with highly skilled partners (Val Kilmer and Tom Sizemore) whose latest heist draws the attention of Pacino, playing a seasoned Los Angeles detective whose investigation reveals that cop and criminal lead similar lives. Both are so devoted to their professions that their personal lives are a disaster. Pacino's with a wife (Diane Venora) who cheats to avoid the reality of their desolate marriage; De Niro pays the price for a life with no outside connections; and Kilmer's wife (Ashley Judd) has all but given up hope that her husband will quit his criminal career. These are men obsessed, and as De Niro and Pacino know, they'll both do whatever's necessary to bring the other down. Mann's brilliant screenplay explores these personal obsessions and sacrifices with absorbing insight, and the tension mounts with some of the most riveting action sequences ever filmed--most notably a daylight siege that turns downtown Los Angeles into a virtual war zone of automatic gunfire. At nearly three hours, heat qualifies as a kind of intimate epic, certain to leave some viewers impatiently waiting for more action, but it's all part of Mann's compelling strategy. Heat is a true rarity: a crime thriller with equal measures of intense excitement and dramatic depth, giving De Niro and Pacino a prime showcase for their finely matched talents. --Jeff Shannon
This Video Nasty banned since 1982 and has at long last been approved for home viewing. Produced in 1978 The Toolbox Murders made the USA's most disturbing movie list and was vilified by the nations media. It was later released in the UK in a gore-filled double bill with Zombie Flesh Eaters at cinemas across the country. Following it's success in the cinema Toolbox was unleashed on video to a huge media backlash was subsequently banned and placed on the video nasty list in 1982. It has taken all these years to gain a certificate. The Toolbox Murders tells the story of a hooded killer who commits the most atrocious crimes in American history using a nailgun drill and other implements from his toolbox. Now you have the chance to see this film on DVD and make up your own mind about one of the most controversial films ever made.
When a woman is murdered in a children's playground, a group of detectives embark on what initially seems to be a straightforward murder investigation but are quickly drawn into an ever-darkening mystery, taking them from the small town life they have always known, into a dangerous and beguiling journey across Europe. Will leave you looking over your shoulder The Mirror A dark conspiracy drama The Telegraph It could well join the ranks of Grantchester and Broadchurch The Guardian
Every college in the country wants Johnny. 'Cause when he's good he's very very good. And when he's bad he's better. It's an avalanche of wine women and cash kickbacks when two of the biggest college football factories in the country scramble to get Johnny Walker on their rosters. They'd give anything for an arm like Johnny's. And they're willing to offer anybody to see that they get him. Moving from lusty limousine rides to all-night strip joints Johnny (Anthony Michael Hall The
When charwoman Mrs Cragg (Peggy Mount), learns that her entire street is to be demolished by some unscrupulous business types, she and her friends decide to take matters into their own hands. Using important financial information gathered from the offices at which they regularly clean, the group seek to make a fortune in insider dealing to save their homes.Starring a host of British household favourites such as Harry H Corbett (Steptoe and Son), Dandy Nichols (Till Death Us Do Part) and Jon Pertwee (Doctor Who), Ladies Who Do is a classic small woman takes on the world' vintage comedy from veteran director C.M Pennington-Richards.
Analyze This: De Niro deftly spoofing the wiseguy roles that have been a staple of his estimable career plays powerful New York crime family racketeer Paul Vitti. Crystal always one joke ahead of sleeping with the fishes is shrink Ben Sobel who has just days to resolve Vitti's emotional crisis and turn him into a happy well-adjusted gangster. Yes Sobel is a family psychiatrist. But surely this isn't the kind of family he had in mind! Analyze That: They locked up
My Family: Series 10 (2 Discs)
Robert DeNiro plays the ageing master thief persuaded to take on one final job by criminal mastermind Marlon Brando and young hotshot Edward Norton.
Splice the main-brace and set sail with one of Hollywood's greatest pirate yarns. Robert Newton (Treasure Island) has the role of a lifetime as Blackbeard holy terror of the high seas. It's set at a time of buccaneers and privateers; plucky Robert Maynard (Keith Andes) infiltrates the ship of notorious pirate Charles Bellamy searching for vital evidence that will convict crooked official Henry Morgan. But Bellamy has been deposed; Blackbeard is captain now and he doesn't trust Maynard. There's treasure to plunder and a fair maiden to rescue but Blackbeard is a dangerous man and will not easily be defeated...
A thriller centered on a former Weather Underground activist who goes on the run from a journalist who has discovered his identity.
Timothy Dalton's second and last James Bond assignment in Licence to Kill is darker and harder-edged than anything from the Roger Moore years, dropping the sometimes excruciating in-jokes that had begun to dominate the series in favour of gritty, semi-realistic action. When CIA colleague and close friend Felix Leiter (David Hedison) gets married immediately after arresting villainous drug baron Franz Sanchez (with a little help from Bond), the crime lord's retribution is swift and terrible. Bond goes on a personal vendetta against Sanchez after his licence to kill is revoked. There are plenty of spectacular stunt scenes, of course, but the meaty story of revenge is this film's distinguishing feature. Dalton's portrayal of the iconic hero as tough but flawed was a brave decision that the producers subsequently retreated from after Licence to Kill's relatively poor box-office showing. On the DVD: Timothy Dalton's insistence that Bond was a man not a superhero, and "a tarnished man" at that encouraged the producers to redefine Bond with a tougher edge more in keeping with Fleming's original conception of the character. Licence to Kill is Bond's darkest assignment. The production team experienced their usual difficulties in bringing it to the screen, the "making-of" documentary reveals, including a haunted road in Mexico and a mysterious flaming hand that appeared out of the fire during the climactic tanker explosion. There are two commentaries here, both montage selections of interviews from cast and crew. The first features director John Glen and many of the actors; the second has producer Michael G Wilson and the production team. Gladys Knight pops up in the first music video, Patte La Belle in the second ("If You Asked Me To"). There are the usual trailers, gallery of stills and a feature on the Kenworth trucks specially adapted for the movie's stunt work. --Mark Walker
In this 10 disc collection features Five classic gangster films; American Gangster:Academy Award winners Denzel Washington and Russell Crowe team with director Ridley Scott (Gladiator) in this powerful, epic story. Armed with ruthless tactics and a strict sense of honour, crime boss Frank Lucas (Washington) rules Harlem’s chaotic drug underworld. When outcast cop Richie Roberts (Crowe) sets out to bring down Lucas’s multimillion-dollar empire, it plunges both men into a legendary confrontation. Carlito's Way: Oscar winner Al Pacino gives an electrifying performance as former drug kingpin Carlito Brigante, who is sprung from prison by his highpowered attorney (Academy Award winner Sean Penn). He stuns the New York underworld by vowing to go straight from a history of violence, but his plans are undermined by misguided loyalties and an outmoded code of honour. In a life-or-death battle, Carlito takes on therelentless forces that refuse to let him go.Casino:Robert De Niro, Sharon Stone and Joe Pesci star in director Martin Scorsese’s riveting look at how blind ambition, white-hot passion and24-carat greed toppled an empire. Las Vegas, 1973, is the setting for this fact-based story about the Mob’s multimillion-dollar casinooperation, where fortunes and lives were made and lost with a roll of the dice.Mean Streets:Mean Streets announced Martin Scorsese’s arrival as a new filmmaking force – and marked his first historic teaming with Robert De Niro. It’s a story Scorsese lived, a semi-autobiographical tale of the first-generation sons and daughters of New York’s Little Italy. Harvey Keitel plays Charlie, working his way up the ranks of a local mob. Amy Robinson is Teresa, the girlfriend his family deems unsuitable because of her epilepsy. And in the starmaking role that won Best Supporting Actor Awards from the New York and National Society of FilmCritics, De Niro is Johnny Boy, a small-time gambler in big-time debt to loan sharks.Scarface:Directed by hit-maker Brian DePalma and produced by Martin Bregman who brought both Carlito’s Way legends to the screen, Scarface follows the violent career of a small-time Cuban refugee hoodlum who guns his way to the top of Miami’s cocaine empire. With its intense screenplay by Academy Award Winner Oliver Stone, driving musical score by Giorgio Moroder, and superb insights into Miami’s Latin lifestyle, Scarface joins the ranks of Hollywood’s greatest underworld dramas, as it lays bare the sordid power of the American drug scene.
Now in High Definition. The second film from writer/director James Mangold, the corruption drama Cop Land stars Sylvester Stallone as Freddy Heflin, the much-denigrated sheriff of tiny Garrison, NJ, a community which -- thanks to a technicality -- is populated almost entirely by members of the New York City Police Department. When young cop Murray Superboy Babitch (Michael Rapaport) becomes embroiled in a controversial shoot-out which leaves two black youths dead, he apparently commits suicide rather than face the wrath of an official investigation. In reality, however, he flees to safety back home in Garrison. In the wake of the controversial events, NYPD Internal Affairs lieutenant Moe Tilden (Robert De Niro) arrives in Garrison to uncover the truth, attempting to enlist Freddy to help watch the watchmen, including Superboy's uncle, veteran cop Ray Donlan (Harvey Keitel); coked-out Gary Figgis (Ray Liotta); and Joey Randone (Peter Berg), the husband of the woman (Annabella Sciorra) Freddy loved and lost. A rich, complex film about redemption, Cop Land's portrayal of Freddy's struggles to prove his worth mirrors Stallone's own return to thoughtful, character-driven drama after years of vacuous action roles. Like Freddy, he faces an uphill battle, fighting for respectability in the face of a superb cast including Janeane Garofalo, Cathy Moriarty, and Paul Calderon.
The title says it all--the abominable Dr Phibes Rises Again and he's as ruthless as ever. No longer content with merely avenging his wife's death, Phibes is now bent on her resurrection. With his mute assistant, Vulnavia, he sets off for Egypt, meting out bizarrely elaborate deaths--everything from clockwork snakes to a particularly severe exfoliation treatment--to all who stand in his way. This time Phibes has two competitors to race against: the trusty Inspector Trout and the renowned archaeologist Biederbeck, who has his own reasons for chasing Phibes. Like its predecessor, Dr Phibes Rises Again adds dark wit and imaginative art direction to the mix. Vincent Price is once again in high form, playing his organ with swooping arms and adding dry comic touches with a delicately cocked eyebrow. Watch out for cameos from a host of familiar faces, including Peter Cushing, Terry Thomas and Beryl Reid. --Ali Davis
This lavish adaptation of Charles Dickens immortal tale follows Pip an orphan given the chance to break free from poverty and live life as a gentleman. The stunning performances by an all-star cast are unforgettable. James Mason is Magwitch the escaped convict Pip helps in an act which is to affect his whole life; Robert Morley plays his kindly uncle; Anthony Quayle is Jaggers the lawyer who intercedes for Pip's anonymous benefactor; and the rich but deeply troubled Miss Havisha
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