'Good Morning Night' is based on the dramatic true story of the kidnapping of Italy's former PM Aldo Moro in 1978 a crime which stunned the nation. Maya Sansa is superb as Chiara a young women whose composed exterior masks her true identity as a member of the extreme terrorist underground group The Red Brigade who plan to kidnap Moro for his supposed crimes. But the successful execution of the plan plunges the nation into crisis and the formidable realitiesof holding captive an
Benoit Jacquot's filmed Tosca treads a fine line between operatic staginess and cinematic contrivance. As per the libretto, each act takes place in a single setting, but with the singers here miming to a pre-recorded soundtrack. Jacquot freely reminds us of the conceit with cutaways to the recording session itself--revealing conductor, orchestra and soloists at work--thus a bridge is made between the on-screen action and the music-making itself, and the inherent duality of any opera production is laid refreshingly bare. The same cannot be said for the director's decision to interpolate spoken dialogue over the music in key places--a distraction not an enhancement. Angela Gheorghiu and Roberto Alagna are glamorous and attractive enough to make the most of their Hollywood-style close-ups; their singing easily bears similar close scrutiny--as anyone who owns the CD soundtrack album will surely already know. If Alagna lacks a little power as Cavaradossi on record, his charismatic screen presence happily compensates; Gheorghiu is both vocally and physically almost ideal as Tosca. Ruggero Raimondi's Scarpia completes an outstanding trio, and in the pit (or, rather, in the studio) conductor Antonio Pappano handles the drama of Puccini's score without missing a single nuance. Both musically and visually, then, this is a Tosca to treasure. On the DVD: Tosca on disc looks vibrant in this warm, widescreen picture accompanied by a DTS 5.1 soundtrack. Three filmed interviews--with Gheorghiu, Pappano and Jacquot--provide some insight into the making of this production. --Mark Walker
Fearless, Savage, Brutal. He's the only survivor of a blood-drenched massacre and he's on a relentless vendetta to avenge the death of his wife and his people. Consumed by hatred, driven by violence, his name is Navajo Joe and he wants a dollar for every head he rolls and every skull he splits. Directed by the creator of the legendary spaghetti western Django (Segio Corbucci) and written by the man responsible for Milano Calibre 9, (Fernando di Leo), Navajo Joe is a dark, violent and unforgettable cult western like you've never seen before. It features Burt Reynolds in only his second leading role. Fast paced, action packed and highly original, Navajo Joe is presented here from a new HD master for the very first time.
One of the most remarkable things about this recording of the Queen's Golden Jubilee Prom at the Palace--quite apart from the musical goodies on offer--is the opportunity to glimpse inside the royal garden, and see what Her Majesty's principal home looks like from the back. Who would have guessed she had her own lake? Voyeurism aside, director Bob Coles also catches the palpable sense of occasion and excitement that surrounds the concert, with some swooping camera angles and shots of a very chuffed-looking crowd. The music, introduced by Michael Parkinson, is a mix of popular favourites (Zadok the Priest, "Jupiter" from The Planets, Handel's Music for the Royal Fireworks) and a few lesser-known items such as Malcolm Arnold's The Nation's Dances. The outdoor acoustic is generally handled pretty well with some sensitive microphone placement, and the soloists all sound wonderful; Angela Gheorghiu stops the show with a passionate account of "Vissi d'Arte" (from Tosca) and 13-year-old clarinettist Julian Bliss gives a remarkably assured performance of Messager's fluffy salon-piece Solo de Concours. Occasionally the BBC Symphony Orchestra loses concentration and plays somewhat scrappily--the accompaniment to Figaro's aria "Largo al Factotum" is not all it should be--but overall this is a fine souvenir of a historic concert. On the DVD: Prom at the Palace has no special features on DVD. The arias in French and Italian are all subtitled in English. All profit from the sale of the DVD will be donated to the Queen Elizabeth II Golden Jubilee Trust. --Warwick Thomson
This is a 1996 all-star-cast version from Paris of the original French version of Verdi's epic five-act opera, Don Carlos. First produced in 1867, only Wagner would write musical drama on a grander scale, and due to the three-and-a-half-hour running time most subsequent productions have made substantial cuts. This is therefore a rare opportunity to witness Verdi's tragedy in its entirety.Set in the 16th century in the aftermath of war between Spain and France, Don Carlo (Roberto Alagna), the heir to the Spanish throne comes to France to meet with his beloved Elizabeth de Valois (Karita Mattila). Inevitably politics divide the lovers, and while Rodrigue (Thomas Hampson) falls in with Flemish rebels, the Inquisition is determined to be the power behind the peace. This is certainly not Verdi's greatest work, but it contains great music and the stars are allowed to shine with strong characterisations in an elegantly designed production. There are no gimmicks or attempts at spurious contemporary relevance here, simply singers of the calibre of Alagna, Mattila, Hampson, plus the outstanding Eric Halfvarson as the Grand Inquisitor. This is a production that continues in the 19th-century tradition, and in the process delivers the frisson of world-class opera. --Gary S. DalkinOn the DVD: While the running time precludes much in the way of special features, via DVD-ROM the libretto can be printed in French, together with an article and biographies. The picture is presented at approximately 1.7:1 and while far superior to video could still benefit from anamorphic enhancement. The sound is stereo or excellent Dolby Digital 5.0. The booklet offers a detailed synopsis in English, French, German, Italian and Spanish and there are subtitles in the same languages. The disc is encoded for regions two to six. --Gary S. Dalkin
CMJ 724504; CMAJOR ENTERTAINMENT; Classica Lirica
The title role in Norma is one of opera's supreme dramatic and vocal challenges. In January 2006 Edita Gruberova, today's bel canto prima donna assoluta, performed this role on stage for the first time in a new production that left critics and audiences searching for new superlatives.
H.R. Puff 'n' Stuff stars Jack Wild as Jimmy a young boy who comes into the possession of a magical talking flute named Freddy. When Jimmy is kidnapped and taken off to Living Island by the evil witch Witchiepoo (Billie Hayes) it is down to the local town mayor a six-foot tall dragon named H.R. Pufnstuf (Roberto Gamonet) and his deputies Cling and Clang to save the day. This release features episodes 1 to 7 of Sid and Marty Krofft's much loved and phenomenally successful TV sho
William Walker (Harris) and his mercenary corps enter Nicaragua in the middle of the 19th century in order to install a new government by a coup d'etat...
Shown at the 1984 Cannes Film festival and BAFTA nominated for best original screenplay 'Comfort and Joy' is 'a war about wafers'! Alan 'Dicky' Bird thinks he has a pretty good life. He's Glasgow's top DJ with a nice apartment and girlfriend Maddy. However when Maddy decides to leave him Alan suddenly realises how much she was a part of his life. On a friend's advice he decides to start afresh and try to find another girlfriend. After following a beautiful girl into the suburb
Jack a police officer is taken hostage inside a house that is being used by a gang of bank robbers. When he is left alone with gang member Erin they become attracted to each other... Based on a short story entitled 'The House on Turk Street' by classic pulp novelist Dashiell Hammett.
In 1980 impoverished working-class child actor Fernando Ramos da Silva was chosen from 1300 other boys to play the lead role in Hector Babenco's Pixote a film that showed the plight of Rio De Janerio's street urchins forced into criminal lives. The film earned great acclaim and Ramos da Silva received fame and fortune. Unfortunately fate and the rigidity of Brazil's social system had other more tragic plans...
Carlos Alvarez takes the title role in the first of Verdi's Shakespearean operas with Maria Guleghina as the manipulative wife whose desire to gain the Scottish throne drives her husband to murder and leaves both with blood on their hands. Bruno Campanella conducts the Symphony Orchestra and Chorus of the Gran Teatre del Liceu in the 2004 recording of Phyllida Lloyd's powerful production first staged at London's Royal Opera House.
There's a thin line that devides the perfect criminal and the perfect cop. It's a fine white line and Officer Russell Stevens is about to step over it. Clean cop Stevens goes undercover to bust LA's biggest narcotics network and discovers it's a short step between catching a criminal and becoming one... A raw and sometimes shocking slice of life from the streets where money makes the rules and drugs do the talking.
Unfazed by the attention he receives from women Hugo searches for something meaningful in his life. The young man becomes captivated with Octavio a local boxing champion who must maintain a hard and gruff image for his fans and fellow fighters. But when Octavio acts on the subtle flirtations Hugo throws at him he is abruptly rejected. Hugo tries to curtail his desire but eventually surrenders to their magnetic attraction and they enter into an intense romance that can never be accepted in their small town in southern Chile. The couple moves to the capital Santiago with energized dreams of building their life together and protecting their love from a hostile world. But when Hugo confuses his feelings for a naïve colleague at his new workplace nothing turns out as planned. Having drawn comparisons to Darren Aronofsky’s ‘The Wrestler’ and Ekachai Uekrongtham’s ‘Beautiful Boxer’ Julio Jorquera’s sensitive study of love bravely challenges perceptions of masculinity and sexuality in competitive sport with electrifying results.
The Night Evelyn Came Out Of The Grave
Lamberto Bava directs this this stylish darkly comic film about an incredibly disturbed young woman. Bernice Stegers stars as Jane a young New Orleans mother who regularly spurns her children to spend her afternoons with her lover Fred. However desperate for attention her daughter drowns her brother and calls Jane at her lover's to tell her about it. As Jane and Fred race to the house they end up in a horrible car crash which decapitates Fred. After a year in an asylum Jane returns to New Orleans and makes Fred's old apartment her own. Soon the building's porter hears Jane carrying on a torrid affair even though he never sees anyone enter or leave her apartment. Inspired by actual events this polished debut from Lamberto Bava Macabre is a bizarre and stylish supernatural thriller.
Permanent Vacation (1980): In downtown Manhattan Allie a twenty-something guy (Chris Parker) whose Father is not around and whose Mother is institutionalized is a big Charlie Parker fan. He almost subconsciously searches for more meaning in his life and meets a few strange and surreal characters along the way. Stranger Than Paradise (1984): Winner of the Camera d'Or for Best First Feature at the 1984 Cannes Film Festival Stranger Than Paradise not only launched Jim Jarmusch's career but also earned him recognition from critics as one of today's more inventive and creative filmmakers. Lounge Lizard musician John Lurie stars as Willie a disenchanted New Yorker who along with his best friend Eddie (Richard Edson) and cousin Eva (Eszter Balint) decides it's time to leave behind their boring lives in search of ""paradise."" But as their unforgettable road trip to Florida unfolds they find that amidst the sunshine blue skies and palm trees their pursuit of happiness is constantly road-blocked by the very thing they can't run away from... themselves. Down By Law (1986): In one of the hippest comedies ever made three misfits find themselves thrown together in a New Orleans jail cell. There's Zach the unemployed DJ Jack the small-time pimp and Bob the crazy Italian tourist. Unavailable for many years this cult hit stars Tom Waits John Lurie and the Oscar-winning director and star of Life is Beautiful Roberto Benigni. A film that firmly established Jim Jarmusch as the coolest director on the American independent scene.
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