"Actor: Robin John"

• Insaniac | DVD | (20/01/2003) from £21.02   |  Saving you £-4.03 (-23.70%)   |  RRP £16.99

  A deranged young woman with amnesia is hynoptised so that she may explore her own mind. Whilst trying to recover lost memories she discovers that her mind is a nightmare landscape of violence and horror...

• Gulf War | DVD | (12/04/2010) from £5.38   |  Saving you £-2.39 (-79.90%)   |  RRP £2.99

  The 1991 Persian Gulf War is a military triumph for the United States. But when thousands of returning veterans start to develop medical problems it appears that the military is trying to downplay or ignore the situation. It takes perserverance on the part of the military families and members of congress to bring to light the dilemma and prompt action on the part of the government.

• Evil Bong (Tommy Chong) | DVD | (23/07/2007) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £12.99

  Meet Eebee a vintage bong with the mysterious power to grant truly killer highs! Hypnotized by Eebee a college nerd Alistair McDowell and his stoner roommates take a toke and Eebee sends them on a wild trip to her Bong World.

• The Stranger | DVD | (18/10/1999) from £4.99   |  Saving you £8.00 (160.32%)   |  RRP £12.99

  The legendary story that hovers over Orson Welles' The Stranger is that he wanted Agnes Moorehead to star as the dogged Nazi hunter who trails a war criminal to a sleepy New England town. The part went to Edward G. Robinson, who is marvellous, but it points out how many compromises Welles made on the film in an attempt to show Hollywood he could make a film on time, on budget and on their own terms. He accomplished all three, turning out a stylish if unambitious film noir thriller, his only Hollywood film to turn a profit on its original release. Welles stars as unreformed fascist Franz Kindler, hiding as a schoolteacher in a New England prep school for boys and newly married to the headmaster's lovely if naive daughter (Loretta Young). Welles, the director, is in fine form for the opening sequences, casting a moody tension as agents shadow a twitchy low-level Nazi official skulking through South American ports and building up to dramatic crescendo as Kindler murders this little man, the lovely woods becoming a maelstrom of swirling leaves that expose the body he furiously tries to bury. The rest of the film is a well designed but conventional cat-and-mouse game featuring an eye-rolling performance by Welles and a thrilling conclusion played out in the dark clock tower that looms over the little village. --Sean Axmaker

• Dave Specter - Live In Chicago | DVD | (30/01/2006) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £14.99

• Hellraiser / Children Of The Corn | DVD | (03/05/2004) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £17.99

  Hellraiser A man is brought partially back to life by the blood of his brother. He befriends his sister-in-law who agrees to supply the blood he requires to live but he is still haunted by the evil forces which held him captive in death. Children Of The Corn In Gatlin Nebraska the corn crop has failed. When a sinister boy comes into the small community preaching a solution the adults need to watch their backs.

• The Stranger | DVD | (17/11/2003) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £2.99

  The Stranger, according to Orson Welles, "is the worst of my films. There is nothing of me in that picture. I did it to prove that I could put out a movie as well as anyone else." True, set beside Citizen Kane, Touch of Evil, or even The Trial, The Stranger is as close to production-line stuff as the great Orson ever came. But even on autopilot Welles still leaves most filmmakers standing. The shadow of the Second World War hangs heavy over the plot. A war crimes investigator, played by Edward G Robinson, tracks down a senior Nazi, Franz Kindler, to a sleepy New England town where he's living in concealment as a respected college professor. The script, credited to Anthony Veiller but with uncredited input from Welles and John Huston, is riddled with implausibilities: we're asked to believe, for a start, that there'd be no extant photos of a top Nazi leader. The casting's badly skewed, too. Welles wanted Agnes Moorehead as the investigator and Robinson as Kindler, but his producer, Sam Spiegel, wouldn't wear it. So Welles himself plays the supposedly cautious and self-effacing fugitive--and if there was one thing Welles could never play, it was unobtrusive. What's more, Spiegel chopped out most of the two opening reels set in South America, in Welles' view, "the best stuff in the picture". Still, the film's far from a write-off. Welles' eye for stunning visuals rarely deserted him and, aided by Russell Metty's skewed, shadowy photography, The Stranger builds to a doomy grand guignol climax in a clock tower that Hitchcock must surely have recalled when he made Vertigo. And Robinson, dogged in pursuit, is as quietly excellent as ever. On the DVD: not much in the way of extras, except a waffly full-length commentary from Russell Cawthorne that tells us about the history of clock-making and where Edward G was buried, but precious little about the making of the film. Print and sound are acceptable, but though remastering is claimed, there's little evidence of it. --Philip Kemp

• The Bee Gees - One Night Only / The Official Story Of The Bee Gees | DVD | (26/09/2005) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £24.99

  Taped as a lavish cable television special in 1997, One Night Only trades on the Bee Gees' shape-shifting career as pop survivors. Over the course of 111 minutes, this straightforward concert, produced at the MGM Grand in Las Vegas and groomed for both video and CD posterity, sprints through 31 songs from their past three decades. Even after the inevitable disco jokes are expended, and the jaundiced viewer contemplates the role hats, hairspray, and comb-overs now play in dressing the once stylishly long-haired troika, the Gibb brothers' signature vocal harmonies and hook-laden song craft beg respect.Casual listeners can't be blamed for equating the Bee Gees with the dance floor bonanza they reaped through 1978's Saturday Night Fever, yet that commercial zenith was actually the culmination of a comeback for a group that had seemed washed up by the early 1970s. One Night Only thankfully takes an even-handed view of both their original late 1960s hits ("Massachusetts", "To Love Somebody", "Lonely Days"), building from a cannily Beatle-browed vocal sound, and the 1970s blue-eyed soul ("Jive Talkin'", "Nights on Broadway") that led them naturally into disco. The Fever hits are here, as are Gibb originals that clicked for other acts; the family circle also widens for a posthumous duet with their late brother, Andy Gibb, while Celine Dion gets star billing in the collaborative "Immortality". --Sam Sutherland

• The Stranger | DVD | (02/02/2004) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £N/A

  The Stranger, according to Orson Welles, "is the worst of my films. There is nothing of me in that picture. I did it to prove that I could put out a movie as well as anyone else." True, set beside Citizen Kane, Touch of Evil, or even The Trial, The Stranger is as close to production-line stuff as the great Orson ever came. But even on autopilot Welles still leaves most filmmakers standing. The shadow of the Second World War hangs heavy over the plot. A war crimes investigator, played by Edward G Robinson, tracks down a senior Nazi, Franz Kindler, to a sleepy New England town where he's living in concealment as a respected college professor. The script, credited to Anthony Veiller but with uncredited input from Welles and John Huston, is riddled with implausibilities: we're asked to believe, for a start, that there'd be no extant photos of a top Nazi leader. The casting's badly skewed, too. Welles wanted Agnes Moorehead as the investigator and Robinson as Kindler, but his producer, Sam Spiegel, wouldn't wear it. So Welles himself plays the supposedly cautious and self-effacing fugitive--and if there was one thing Welles could never play, it was unobtrusive. What's more, Spiegel chopped out most of the two opening reels set in South America, in Welles' view, "the best stuff in the picture". Still, the film's far from a write-off. Welles' eye for stunning visuals rarely deserted him and, aided by Russell Metty's skewed, shadowy photography, The Stranger builds to a doomy grand guignol climax in a clock tower that Hitchcock must surely have recalled when he made Vertigo. And Robinson, dogged in pursuit, is as quietly excellent as ever. On the DVD: not much in the way of extras, except a waffly full-length commentary from Russell Cawthorne that tells us about the history of clock-making and where Edward G was buried, but precious little about the making of the film. Print and sound are acceptable, but though remastering is claimed, there's little evidence of it. --Philip Kemp

• The Ten Commandments | DVD | (30/08/2004) from £18.99   |  Saving you £-3.00 (N/A%)   |  RRP £15.99

  Cecil B. DeMille's Biblical epic starring Charlton Heston and Yul Brynner is a vintage product of the old Hollywood studio system complete with sweeping scenery and breathtaking effects including the crossing of the Red Sea by thousands of Hebrew slaves. With a dramatic and gripping plot superbly acted by Heston as the Hebrew saviour Moses The Ten Commandments has lost none of the impact and power it held over audiences on its initial release back in 1956.

• Dragon Wars | DVD | (11/06/2012) from £6.73   |  Saving you £N/A (N/A%)   |  RRP £N/A

  Meet Buraki, the vicious, 200-meter long Imoogi serpent from ancient Korea. His army includes giant lizards with missile launchers, flying dragons, soldiers bred for evil and mega-intelligent dinosaurs. Together, they will destroy Los Angeles and possibly the world unless reincarnated warriors Ethan and Sarah can outrun them and resurrect the Good Imoogi, Buraki's ancient nemesis. Dragon Wars reveals every last detail of Earth's greatest battle... a war you'll only believe when you see it for yourself.

• Double Indemnity | DVD | (11/07/2005) from £9.99   |  Saving you £N/A (N/A%)   |  RRP £9.99

  Director Billy Wilder and writer Raymond Chandler adapted James M. Cain's hard-boiled novel into this wildly thrilling story of insurance man Walter Neff (Fred MacMurray), who schemes the perfect murder with the beautiful dame Phyllis Dietrichson (Barbara Stanwyck): kill Dietrichson's husband and make off with the insurance money. But, of course, in these plots things never quite go as planned, and Barton Keyes (Edward G. Robinson) is the wily insurance investigator who must sort things out. From the opening scene you know Neff is doomed, as the story is told in flashback; yet, to the film's credit, this doesn't diminish any of the tension of the movie. This early film noir flick is wonderfully campy by today's standards, and the dialogue is snappy ("I thought you were smarter than the rest, Walter. But I was wrong. You're not smarter, just a little taller"), filled with lots of "dame"s and "baby"s. Stanwyck is the ultimate femme fatale, and MacMurray, despite a career largely defined by roles as a softy, is convincingly cast against type as the hapless, love-struck sap. --Jenny Brown, Amazon.com