Available for the first time on DVD! Timmy and Sid are entertainment officers at a holiday camp. They must organise a beauty contest successfully or find themselves out of work!
The sunny streets of Brooklyn, just after World War II. A young would-be writer named Stingo (Peter MacNicol) shares a boarding house with beautiful Polish immigrant Sophie (Meryl Streep) and her tempestuous lover, Nathan (Kevin Kline); their friendship changes his life. This adaptation of the bestselling novel by William Styron is faithful to the point of being reverential, which is not always the right way to make a film come to life. But director Alan J. Pakula (All the President's Men) provides a steady, intelligent path into the harrowing story of Sophie, whose flashback memories of the horrors of a Nazi concentration camp form the backbone of the movie. Streep's exceptional performance--flawless Polish accent and all--won her an Oscar, and effectively raised the standard for American actresses of her generation. No less impressive is Kevin Kline, in his movie debut, capturing the mercurial moods of the dangerously attractive Nathan. The two worlds of Sophie's Choice, nostalgic Brooklyn and monstrous Europe, are beautifully captured by the gifted cinematographer Néstor Almendros, whose work was Oscar-nominated but didn't win. It should have. --Robert Horton, Amazon.com
Life Is All About Making A Scene. In the midst of writing a new play Peter McGowen's world is one crazy scene after another. He has a wife who desperately wants to start a family a stalker who's assuming his identity and a crisis which is a scribe's worst nightmare: writer's block. To top it all off he's pushed to the edge by the barking dog next door. Peter only has time for his writing until a special new neighbour teaches the cynical playwright that life is a work in progress.
A group of pretty girls get ready for a fun party. Then an escapee from a local mental institution decides that he'd like to do a little partying himself. He's a killer with a thirst for blood and a style all of his own...
A bumper box set of classic films featuring 'The Queen' Barbara Stanwyck! Double Indemnity (Dir. Billy Wilder 1944): Director Billy Wilder and writer Raymond Chandler ('The Big Sleep') adapted James M. Cain's hard-boiled novel into this wildly thrilling story of insurance man Walter Neff (Fred MacMurray) who schemes the perfect murder with the beautiful dame Phyllis Dietrichson (Barbara Stanwyck): kill Dietrichson's husband and make off with the insurance money. But of cou
Message In A Bottle: Grieving widower Garret Blake builds boats for a living. Rebuilding his life - that's another matter. But that's before Theresa Osborne comes to his North Carolina village. Theresa a lonely divorcee and researcher for the Chicago Tribune knows Garret is the author of the message she found inside a bottle on Cape Cod beach. And she knows the message spoke to her in a way that profoundly touched her heart. Kevin Costner as Garret and Robin Wright Penn as T
The sunny streets of Brooklyn, just after World War II. A young would-be writer named Stingo (Peter MacNicol) shares a boarding house with beautiful Polish immigrant Sophie (Meryl Streep) and her tempestuous lover, Nathan (Kevin Kline); their friendship changes his life. This adaptation of the bestselling novel by William Styron is faithful to the point of being reverential, which is not always the right way to make a film come to life. But director Alan J. Pakula (All the President's Men) provides a steady, intelligent path into the harrowing story of Sophie, whose flashback memories of the horrors of a Nazi concentration camp form the backbone of the movie. Streep's exceptional performance--flawless Polish accent and all--won her an Oscar, and effectively raised the standard for American actresses of her generation. No less impressive is Kevin Kline, in his movie debut, capturing the mercurial moods of the dangerously attractive Nathan. The two worlds of Sophie's Choice, nostalgic Brooklyn and monstrous Europe, are beautifully captured by the gifted cinematographer Néstor Almendros, whose work was Oscar-nominated but didn't win. It should have. --Robert Horton, Amazon.com
I Am The Law
""The Cost of Living"" was shot on location in Cromer on the Norfolk Coast in England: a typical old-fashioned and faded seaside resort. The summer season has petered to an end and an air of desertion hangs over the town. Eddie and David are disillusioned street performers. Eddie is tough confrontational and not afraid to defend his belief in justice and honesty. David is a dancer who has no legs; watching him makes you reconsider accepted notions of perfection. He is quietly determin
The sequel to Happy Feet, the Academy Award-winning animated smash hit, Happy Feet Two returns audiences to the magnificent landscape of Antarctica. Mumble, The Master of Tap, has a problem because his tiny son, Erik, is choreo-phobic. Reluctant to dance, Erik runs away and encounters The Mighty Sven - a penguin who can fly! Mumble has no hope of competing with this charismatic new role model. But things get worse when the world is shaken by powerful forces. Erik learns of his father's 'guts and grit' as Mumble brings together the penguin nations and all manner of fabulous creatures - from tiny Krill to giant Elephant Seals - to put things right. Special Features: How To Draw A Penguin The Mighty Sven: Happy Feet 2 Sing-A-Long Bridge of Life: Happy Feet 2 Sing-A-Long Papa Oom Mow Mow: Happy Feet 2 Sing-A-Long Running With Boadicea Pink's New Song The Amazing Voices of Happy Feet 2 I Tawt I Taw A Puddy Tat Happy Feet 2 Movie App Helping Penguins and Pals
From the books of Peter Tinniswood comes one of television's greatest comedy families The Brandons. There's miserable pessimist Uncle Mort his sharp-tongued sister Annie who is constantly arguing with husband Les their laid-back son Carter and his not so laid-back fianc Pat and finally old Uncle Stavely who carries his friend's ashes around his neck in a box and only enters the constant bickering with a cry of 'I 'eard that! Pardon?' Pat is desperately trying to turn reluctant C
From the books of Peter Tinniswood comes one of television's greatest comedy families The Brandons. There's miserable pessimist Uncle Mort his sharp-tongued sister Annie who is constantly arguing with husband Les their laid-back son Carter and his not so laid-back fianc Pat and finally old Uncle Stavely who carries his friend's ashes around his neck in a box and only enters the constant bickering with a cry of ""I 'eard that! Pardon?"" Episodes comprise: 1. Men At Work 2. A Grave Decision 3. Party Games 4. A Bleak Day 5. Stout Deeds 6. Paradise Lost 7. The Last Tram
A teenager journeys through a series of foster homes after her mother goes to prison for committing a crime of passion.
The most popular movie in the "classic Trek" series of feature films, Star Trek IV was a box-office smash that satisfied mainstream audiences and hard-core fans alike. The Voyage Home returns to one of the favourite themes of the original TV series--time travel--to bring Kirk, Spock, McCoy, Scotty, Sulu, Uhura and Chekov from the 23rd century to present-day (i.e., mid-1980s) San Francisco. In their own time, the Starfleet heroes encounter an alien probe emitting a mysterious message--a message delivered in the song of the now-extinct Earth species of humpback whales. Failure to respond to the probe will result in Earth's destruction, so Kirk and company time-travel to 20th-century Earth--in their captured Klingon starship--to transport a humpback whale to the future in an effort to communicate peacefully with the alien probe. The plot sounds somewhat absurd in description, but as executed by returning director Leonard Nimoy, this turned out to be a crowd-pleasing adventure, filled with a great deal of humour derived from the clash of future heroes and contemporary urban realities, and much lively interaction among the favourite Trek characters. Catherine Hicks plays the 20th-century whale expert who is finally convinced of Kirk's and Spock's benevolent intentions. --Jeff Shannon
Two women are thrown together in this black comedy when one accidentally kills the boyfriend of the other to protect her.
Sean Penn wrote and directed The Crossing Guard, a character-driven drama about a divorced couple (Jack Nicholson and Anjelica Huston) whose relationship never recovered following the death of their daughter at the hands of a drunk driver (David Morse). When the latter's character, a deeply regretful and changed man, gets out of jail, Nicholson, as the vengeful dad, decides to go after him. As a director, Penn is not so good with fluid storytelling and camera clichés, but he is amazing as an actor's director. The onscreen re-teaming of former real-life lovers Nicholson and Huston is more than just a voyeuristic exercise: Penn ingeniously uses the duo's palpable friction to bring a horrifying reality to the pain of a dead relationship. --Tom Keogh, Amazon.com
Director Billy Wilder (Sunset Boulevard) and writer Raymond Chandler (The Big Sleep) adapted James M. Cain's hard-boiled novel into this wildly thrilling story of insurance man Walter Neff (Fred MacMurray), who schemes the perfect murder with the beautiful dame Phyllis Dietrichson (Barbara Stanwyck: kill Dietrichson's husband and make off with the insurance money. But, of course, in these plots things never quite go as planned, and Barton Keyes (Edward G. Robinson) is the wily insurance investigator who must sort things out. From the opening scene you know Neff is doomed, as the story is told in flashback; yet, to the film's credit, this doesn't diminish any of the tension of the movie. This early film noir flick is wonderfully campy by today's standards, and the dialogue is snappy ("I thought you were smarter than the rest, Walter. But I was wrong. You're not smarter, just a little taller"), filled with lots of "dame"s and "baby"s. Stanwyck is the ultimate femme fatale, and MacMurray, despite a career largely defined by roles as a softy (notably in the TV series My Three Sons and the movie The Shaggy Dog), is convincingly cast against type as the hapless, love-struck sap. --Jenny Brown
Originally broadcast in 1971 the intriguing detective drama The Moonstone is a series based on the hugely popular novel by Wilkie Collins. Starring Robin Ellis (The Negotiator) and Colin Baker (Doctor Who) the plot centres around The Moonstone an Indian treasure given to Rachel Verrinder as an 18th birthday present. It has been stolen from a temple in colonial India and a number of misfortunes have followed it into the hands of Rachel. The Moonstone goes missing and the plot
Beautiful Joanna Darby (Lindsay Wagner) is haunted by a brush with drowning and her frightful journey to the gates of the afterlife. Soon after she experiences a horrifying series of narrow escapes from death through encounters with strangers who seem bent on killing her. Struggling with fear and past guilt Joanna is unsure whether she is a victim of coincidence or the target of some malicious spirits. Hoping to restore her peace of mind Joanna and her boyfriend visit Mexico where unknowingly they arrive during the annual Day of the Dead festival. Before long Joanna is nearly pulled into another violent death by a boating accident victim who grabs her on his way down. Joanna enlists her old flame Peter to help her unearth supernatural explanations for her predicament. When they discover the eerie truth Joanna must race against time to survive four more attempts on her life by walkers from the other side who want to reclaim her.
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