Transformers Animated: Vol.6 - Black Friday
Having made his reputation as one of the most prolific and gifted horror writers of his generation (prompting Stephen King to call him "the future of horror"), Clive Barker made a natural transition to movies with this audacious directorial debut from 1987. Not only did Barker serve up a chilling tale of devilish originality, he also introduced new icons of horror that since have become as popular among genre connoisseurs as Frankenstein's monster and the Wolfman. Foremost among these frightful visions is the sadomasochistic demon affectionately named Pinhead (so named because his pale, bald head is a geometric pincushion and a symbol of eternal pain). Pinhead is the leader of the Cenobites, agents of evil who appear only when someone successfully "solves" the exotic puzzle box called the Lamont Configuration--a mysterious device that opens the door to Hell. The puzzle's latest victim is Frank (Sean Chapman), who now lives in a gelatinous skeletal state in an upstairs room of the British home just purchased by his newlywed half-brother (Andrew Robinson, best known as the villain from Dirty Harry), who has married one of Frank's former lovers (Claire Higgins). The latter is recruited to supply the cannibalistic Frank with fresh victims, enabling him to reconstitute his own flesh--but will Frank succeed in restoring himself completely? Will Pinhead continue to demonstrate the flesh-ripping pleasures of absolute agony? Your reaction to this description should tell you if you've got the stomach for Barker's film, which has since spawned a number of interesting but inferior sequels. It's definitely not for everyone, but there's no denying that it's become a semiclassic of modern horror. --Jeff Shannon
Join Lynne Robinson the world's best selling Pilates Instructor for a most effective body contioning workout focusing on centring alignment & breathing. Firmer Flatter Stomach Improved Posture Core Strength Greater Flexibility
CD gatefold sleeve VINYL REPLICA EDITION. DIGIPAK. MADE IN JAPAN. INC: foldout, lyric insert/ GENESES FAMILY TREE.
This rare collection of original videos brings back the fashions and fads of the period as well as its unforgettable soundtrack. Featuring Smokey Robinson Billy Joel Spandau Ballet Lionel Richie Natalie Cole Huey Lewis & The News Culture Club Tina Turner and Marvin Gaye...
The hit STV drama series based on life in a block of high rise flats returns for a much anticipated second series. All the old favourites are back; Jake and Rab Jimmy and Claire Eddie and Alice and of course - Tex the wannabe cowboy who finds himself stalked by new character Gwen.
The Stranger, according to Orson Welles, "is the worst of my films. There is nothing of me in that picture. I did it to prove that I could put out a movie as well as anyone else." True, set beside Citizen Kane, Touch of Evil, or even The Trial, The Stranger is as close to production-line stuff as the great Orson ever came. But even on autopilot Welles still leaves most filmmakers standing. The shadow of the Second World War hangs heavy over the plot. A war crimes investigator, played by Edward G Robinson, tracks down a senior Nazi, Franz Kindler, to a sleepy New England town where he's living in concealment as a respected college professor. The script, credited to Anthony Veiller but with uncredited input from Welles and John Huston, is riddled with implausibilities: we're asked to believe, for a start, that there'd be no extant photos of a top Nazi leader. The casting's badly skewed, too. Welles wanted Agnes Moorehead as the investigator and Robinson as Kindler, but his producer, Sam Spiegel, wouldn't wear it. So Welles himself plays the supposedly cautious and self-effacing fugitive--and if there was one thing Welles could never play, it was unobtrusive. What's more, Spiegel chopped out most of the two opening reels set in South America, in Welles' view, "the best stuff in the picture". Still, the film's far from a write-off. Welles' eye for stunning visuals rarely deserted him and, aided by Russell Metty's skewed, shadowy photography, The Stranger builds to a doomy grand guignol climax in a clock tower that Hitchcock must surely have recalled when he made Vertigo. And Robinson, dogged in pursuit, is as quietly excellent as ever. On the DVD: not much in the way of extras, except a waffly full-length commentary from Russell Cawthorne that tells us about the history of clock-making and where Edward G was buried, but precious little about the making of the film. Print and sound are acceptable, but though remastering is claimed, there's little evidence of it. --Philip Kemp
The definitive DVD collection of Smokey Robinson and the Miracles! Tracklist: 1. You've Really Got A Hold On Me / Bring It On Home To Me Medley - Motortown Revue at The Apollo Theatre 4/63 2. Shop Around - Teen Town 2/65 3. Mickey's Monkey - Hollywood A Go-Go 11/65 4. Ooo Baby Baby - Murry The K It's What's Happening 6/65 5. The Tracks Of My Tears - Swingin' Time 12/65 6. Going to A Go-Go - Swingin Time 12/65 7. My Girl Has Gone - Swingin Time 1965 8. Yesterday - Ed Sullivan Show 3/68 9. I Second That Emotion - Mike Douglas Show - 2/68 10. The Tears of A Clown - Mike Douglas Show 10/70 11. Do It Baby - Dinah! 3/76 12. Cruisin' - Going Platinum 1980 13. Being With You - Don Lane Show 10/81 14. Just To See Her - Power Hits 1987
This boxset contains the following films: Lords Of Dogtown (Dir. Catherine Hardwicke) (2005): Anyone who grew up in Southern California will talk with both nostalgia and frustration about the periodic summers of drought in which the oppressive heat is exacerbated by a shortage of its antidote--fresh water. In 1975 a clan of scruffy rebellious teens found a way to turn this dearth to their advantage using the sloping bowl of empty suburban swimming pools to create a new underground sport - skateboarding. The development explosion and corporate co-opting of this now ubiquitous sport was the subject of Stacy Peralta's acclaimed 2002 documentary Dogtown and Z-Boys. Peralta one of the original skaters who came to be known as the ""Z-Boys "" has penned this dramatized account of his own story a kinetic and gripping tale with dramatic turns reflective of the extreme crests and falls of those concrete waves. Deck Dogz (Dir. Steve Pasvolsky) (2005): Three young urban skaters with ambitions to make it to the World Championships hear that World Champion skater Tony Hawk is scouting for new talent in Sydney. With no idea of how they are going to get there they decide to set off on the adventure of a lifetime...
Culminating with the glory of the 2010 Play Off Final at Wembley and a triumphant return to the Championship that crowns the club's 125th anniversary, this exclusive DVD charts a dramatic rollercoaster ride for the Lions. We kick off with Millwall storming to the top of the First Division under Mick McCarthy and re-live the highs and lows that follow in one of the most colourful periods in the club's history. Highlights include: 1999 Road to Wembley; 2001 Division 2 Champions; 2004 FA Cup Roa...
London one year from today... The dogs of England are dying of 'Mad Dog Disease' and Rabbie Burns young drifter and certified schizophrenic is hearing voices again - on Underground trains over supermarket tannoys and on his own TV. He has 30 hours a last weekend to save the world from itself before the Supreme Being himself loses patience and starts over with a new species...
Baby Take A Bow: Eddie Ellison is an ex-con who spent time in Sing-Sing prison. Kay marries him as soon as he serves his time. Five years later Eddie and his ex-convict buddy Larry have both gone straight and Eddie and Kay have a beautiful little girl named Shirley. However Welch has kept a close eye on them for years. He believes in ""once a criminal always a criminal."" Then when Eddie's employer's wife's pearls go missing it comes out that Eddie and Larry both spent tim
Fight and you may die run and you'll live... at least for a while. And dying in your beds many years from now would you be willin' to trade all the days from this day to that for one chance just one chance to come back here and tell our enemies that they may take our lives but they'll never take... our freedom! Mel Gibson directs and stars in this Academy Award-winning epic based on the life of legendary thirteenth century Scottish hero William Wallace. Returning to his homeland following the death of an heirless king Wallace (Mel Gibson) finds the political landscape precarious. Edward the Longshanks King of England (Patrick McGoohan) has captured Scotland's throne and threatens the freedom of all Scottish people as tyrannical policies instituted by the English plague the Scots. Initially Wallace is content to stand by the wayside yearning for the simple life of building a home and raising a family. However when the woman he loves (Catherine McCormack) suffers a cruel fate at the hands of English soldiers Wallace takes a stand against the new rule. With his fierce patriotism and determination he gathers an amateur but passionately rebellious army
The career of Marvin Gaye blazed a trail for the continued evolution of popular black music. This programme features interviews with family and friends and some of his greatest hits including Sexual Healing Let's Get It On What's Going On I Heard It Through The Grapevine and Ain't No Mountain High Enough.
An anthology of gems from the Classic Rock Legends vaults. Featuring: Asia Wishbone Ash Hawkwind Ian Gilllan Saxon Caravan The Strawbs Lindisfarne Sky Rick Wakeman Ronnie Montrose Steeleye Span Robin Trower Jan Akkermann Gong Dr. Feelgood Tom Robinson.
A group of scientists employed by multi-national drugs company Earthtek are nearing the end of their two and a half year isolation five miles below the surface of the planet. In his quest for the perfection of their DNA experiments a radical young scientist working on a hidden agenda from the rest of the group unleashes a near immortal organism a hostile being capable of instant regeneration. With the lab's life support systems about to shut down the five scientists face their longest day five miles down with five minutes to live.
For amateur wine enthusiasts, Jancis Robinsons 1995 BBC series Wine, covering the length and breadth of the viticulture industry, was a landmark event. Robinsons mission was to strip away the mystique and pretentiousness surrounding wine production and consumption. This created a marvellously accessible piece of reportage which placed all the good things about wine drinking in the context of a radically changing world where small producers are an endangered species. "Wine is the liquid expression of a person and a place", she says, leaving you in no doubt about her own passion for her subject. But Robinson, an excellent television presenter in this age of mediocre all-purpose talking heads, balances her own expert knowledge with dry humour (Sauvignon Blanc is gently derided for its "reek of cats pee on a gooseberry bush"), cynicism and strong opinions. She tells of the political intrigues, superstitions and climactic conditions which shape the nature of the worlds most popular alcoholic beverage in all its forms. Character by character, region by region, grape by grape, she unravels a tale which has more than its share of dark and sinister moments. Endlessly fascinating. On the DVD: this is what genuinely interactive DVD viewing is all about. The picture quality is so-so and the sound quality erratic. But the extras add up to a veritable mini-encyclopaedia, cross-referencing regions, maps, hints and tips on the right wine for the right food, tasting and culture. Some take you to the appropriate section of the documentary, others provide static on-screen reference material. During the course of the programmes themselves, icons allow you to dip in and out of extra information about regions and labels. A comprehensive package, not unlike the redoubtable Jancis Robinson herself.--Piers Ford
In a way, Scarlet Street is a remake. It's taken from a French novel, La Chienne (literally, "The Bitch") that was first filmed by Jean Renoir in 1931. Renoir brought to the sordid tale all the colour and vitality of Montmartre; Fritz Lang's version shows us a far harsher and bleaker world. The film replays the triangle set-up from Lang's previous picture, The Woman in the Window, with the same three actors. Once again, Edward G Robinson plays a respectable middle-aged citizen snared by the charms of Joan Bennett's streetwalker, with Dan Duryea as her low-life pimp. But this time around, all three characters have moved several notches down the ethical scale. Robinson, who in the earlier film played a college professor who kills by accident, here becomes a downtrodden clerk with a nagging, shrewish wife and unfilled ambitions as an artist, a man who murders in a jealous rage. Bennett is a mercenary vamp, none too bright, and Duryea brutal and heartless. The plot closes around the three of them like a steel trap. This is Lang at his most dispassionate. Scarlet Street is a tour de force of noir filmmaking, brilliant but ice-cold. When it was made the film hit censorship problems, since at the time it was unacceptable to show a murder going unpunished. Lang went out of his way to show the killer plunged into the mental hell of his own guilt, but for some authorities this still wasn't enough, and the film was banned in New York State for being "immoral, indecent and corrupt". Not that this did its box-office returns any harm at all. On the DVD: sparse pickings. There's an interactive menu that zips past too fast to be of much use. The full-length commentary by Russell Cawthorne adds the occasional insight, but it's repetitive and not always reliable. (He gets actors' names wrong, for a start.) The box claims the print's been "fully restored and digitally remastered", but you'd never guess. --Philip Kemp
The Super Ninja takes on his deadliest enemy. The spellbinding Alexander Lou is back as the ever-popular masked avenger in this action-packed adventure! When a beautiful young bride is kidnapped by an evil drug cartel kingpin her groom (Lou) who just happens to be a top-notch undercover Ninja vows to take matters into his own hands - and blades!!
In a way, Scarlet Street is a remake. It's taken from a French novel, La Chienne (literally, "The Bitch") that was first filmed by Jean Renoir in 1931. Renoir brought to the sordid tale all the colour and vitality of Montmartre; Fritz Lang's version shows us a far harsher and bleaker world. The film replays the triangle set-up from Lang's previous picture, The Woman in the Window, with the same three actors. Once again, Edward G Robinson plays a respectable middle-aged citizen snared by the charms of Joan Bennett's streetwalker, with Dan Duryea as her low-life pimp. The plot closes around the three of them like a steel trap. This is Lang at his most dispassionate. Scarlet Street is a tour de force of noir filmmaking, brilliant but ice-cold. The Stranger, according to Orson Welles, "is the worst of my films. There is nothing of me in that picture". But even on autopilot Welles still leaves most filmmakers standing. A war crimes investigator, played by Edward G Robinson, tracks down a senior Nazi to a sleepy New England town where he's living in concealment as a respected college professor. Welles wanted Agnes Moorehead as the investigator and Robinson as the Nazi Franz Kindler, but his producer, Sam Spiegel, wouldn't wear it. So Welles himself plays the supposedly cautious and self-effacing fugitive--and if there was one thing Welles could never play, it was unobtrusive. Still, the film's far from a write-off. Welles' eye for stunning visuals rarely deserted him and, aided by Russell Metty's skewed, shadowy photography, The Stranger builds to a doomy grand guignol climax in a clocktower that Hitchcock must surely have recalled when he made Vertigo. And Robinson, dogged in pursuit, is as quietly excellent as ever. On the DVD: sparse pickings. Both films have a full-length commentary by Russell Cawthorne which adds the occasional insight, but is repetitive and not always reliable. The box claims both print have been "fully restored and digitally remastered", but you'd never guess. --Philip Kemp
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