The definitive DVD collection of Smokey Robinson and the Miracles! Tracklist: 1. You've Really Got A Hold On Me / Bring It On Home To Me Medley - Motortown Revue at The Apollo Theatre 4/63 2. Shop Around - Teen Town 2/65 3. Mickey's Monkey - Hollywood A Go-Go 11/65 4. Ooo Baby Baby - Murry The K It's What's Happening 6/65 5. The Tracks Of My Tears - Swingin' Time 12/65 6. Going to A Go-Go - Swingin Time 12/65 7. My Girl Has Gone - Swingin Time 1965 8. Yesterday - Ed Sullivan Show 3/68 9. I Second That Emotion - Mike Douglas Show - 2/68 10. The Tears of A Clown - Mike Douglas Show 10/70 11. Do It Baby - Dinah! 3/76 12. Cruisin' - Going Platinum 1980 13. Being With You - Don Lane Show 10/81 14. Just To See Her - Power Hits 1987
Pineapple Express / Step Brothers / Walk Hard / Forgetting Sarah Marshall
Tom Robinson is one of the first titles released from the ITV Live Archive Concert Series a multi-part music concert series featuring some of the biggest names in the UK music scene from the 70's 80's and 90's. This series features rare and previously unavailable music concerts long laying dormant in ITV's archives and include live performances and studio sessions by international hit-makers such as Status Quo Belinda Carlisle Pulp Motorhead Wishbone Ash Spandau Ballet and many more. The singer-songwriter bassist and radio presenter is best known for the hits Glad to Be Gay 2-4-6-8 Motorway and Don't Take No for an Answer with his Tom Robinson Band. He later peaked at #6 in the UK Singles Chart with his solo single War Baby.
A special box set featuring music from Marvin Gaye Smokey Robinson And The Miracles The Supremes and The Temptations!
Harry Callahan is a tough streetwise San Francisco cop whom they call Dirty Harry. In this action classic you'll see why - and also why Clint Eastwood's reputation as a premier film star and moviemaker are secure. A rooftop sniper (Andy Robinson) calling himself Scorpio has killed twice and holds the city ransom with the threat of killing again. Harry will nail him one way or the other - no matter what the system prescribes. Filming on location director Don Siegel made the City by the Bay a vital part of Dirty Harry a practice continued in its four sequels. The original remains one of the most gripping police thrillers ever made.
Rock had arrived - and in 1964 and 1965 thirteen of the world's top teenage recording acts were assembled for two spectacular shows.The TAMI and TNT shows were the greatest dance concerts ever filmed. Now they are together in one rock 'n' roll extravaganza featuring 37 of the sixties red hot chart toppers. Rock legend Chuck Berry introduces all 13 artists whose exceptional vintage performances make it clear why these groups influenced an entire generation and are still making the top ten today!
The Beatles Phenomenon looks back at the history of one of the most successful and critically acclaimed popular music bands in history The Beatles!
Motown legend Smokey Robinson performs live with a full backing orchestra at Atlantic City's Bally's Grand Opera House in 1990.
Hellraiser A man is brought partially back to life by the blood of his brother. He befriends his sister-in-law who agrees to supply the blood he requires to live but he is still haunted by the evil forces which held him captive in death. Children Of The Corn In Gatlin Nebraska the corn crop has failed. When a sinister boy comes into the small community preaching a solution the adults need to watch their backs.
Les McCann live in New Orleans 1983. Tracklist: 1. I'm All Strung Out On You 2. Bat Yam 3. Just Like Magic 4. Someday We'll Meet Again 5. I Got Me A Lady - She Drives A Little Blue Volkswagen Car 6. Compared To What 7. End Credits
The Stranger, according to Orson Welles, "is the worst of my films. There is nothing of me in that picture. I did it to prove that I could put out a movie as well as anyone else." True, set beside Citizen Kane, Touch of Evil, or even The Trial, The Stranger is as close to production-line stuff as the great Orson ever came. But even on autopilot Welles still leaves most filmmakers standing. The shadow of the Second World War hangs heavy over the plot. A war crimes investigator, played by Edward G Robinson, tracks down a senior Nazi, Franz Kindler, to a sleepy New England town where he's living in concealment as a respected college professor. The script, credited to Anthony Veiller but with uncredited input from Welles and John Huston, is riddled with implausibilities: we're asked to believe, for a start, that there'd be no extant photos of a top Nazi leader. The casting's badly skewed, too. Welles wanted Agnes Moorehead as the investigator and Robinson as Kindler, but his producer, Sam Spiegel, wouldn't wear it. So Welles himself plays the supposedly cautious and self-effacing fugitive--and if there was one thing Welles could never play, it was unobtrusive. What's more, Spiegel chopped out most of the two opening reels set in South America, in Welles' view, "the best stuff in the picture". Still, the film's far from a write-off. Welles' eye for stunning visuals rarely deserted him and, aided by Russell Metty's skewed, shadowy photography, The Stranger builds to a doomy grand guignol climax in a clock tower that Hitchcock must surely have recalled when he made Vertigo. And Robinson, dogged in pursuit, is as quietly excellent as ever. On the DVD: not much in the way of extras, except a waffly full-length commentary from Russell Cawthorne that tells us about the history of clock-making and where Edward G was buried, but precious little about the making of the film. Print and sound are acceptable, but though remastering is claimed, there's little evidence of it. --Philip Kemp
This DVD provides in-depth instruction and demonstrations of some of the most destructive powerful and lethal techniques ever seen. Featuring John Robinson holder of various breaking records who has trained and perfected these amazing skills over many years. Instructed and guided by his father Joe who has used and passed on to John his combat training and wartime jungle fighting knowledge to great effect. The results can be seen in this truly amazing video which shows the art o
Eddie Brennan once a boxer with a killer right is now a has-been who loads trucks for a living. A worn out boxer who dreams of making a comeback seems the perfect candidate for a rigged fight against an up and coming young fighter...
The Stranger
The Stranger, according to Orson Welles, "is the worst of my films. There is nothing of me in that picture. I did it to prove that I could put out a movie as well as anyone else." True, set beside Citizen Kane, Touch of Evil, or even The Trial, The Stranger is as close to production-line stuff as the great Orson ever came. But even on autopilot Welles still leaves most filmmakers standing. The shadow of the Second World War hangs heavy over the plot. A war crimes investigator, played by Edward G Robinson, tracks down a senior Nazi, Franz Kindler, to a sleepy New England town where he's living in concealment as a respected college professor. The script, credited to Anthony Veiller but with uncredited input from Welles and John Huston, is riddled with implausibilities: we're asked to believe, for a start, that there'd be no extant photos of a top Nazi leader. The casting's badly skewed, too. Welles wanted Agnes Moorehead as the investigator and Robinson as Kindler, but his producer, Sam Spiegel, wouldn't wear it. So Welles himself plays the supposedly cautious and self-effacing fugitive--and if there was one thing Welles could never play, it was unobtrusive. What's more, Spiegel chopped out most of the two opening reels set in South America, in Welles' view, "the best stuff in the picture". Still, the film's far from a write-off. Welles' eye for stunning visuals rarely deserted him and, aided by Russell Metty's skewed, shadowy photography, The Stranger builds to a doomy grand guignol climax in a clock tower that Hitchcock must surely have recalled when he made Vertigo. And Robinson, dogged in pursuit, is as quietly excellent as ever. On the DVD: not much in the way of extras, except a waffly full-length commentary from Russell Cawthorne that tells us about the history of clock-making and where Edward G was buried, but precious little about the making of the film. Print and sound are acceptable, but though remastering is claimed, there's little evidence of it. --Philip Kemp
Cecil B. DeMille's Biblical epic starring Charlton Heston and Yul Brynner is a vintage product of the old Hollywood studio system complete with sweeping scenery and breathtaking effects including the crossing of the Red Sea by thousands of Hebrew slaves. With a dramatic and gripping plot superbly acted by Heston as the Hebrew saviour Moses The Ten Commandments has lost none of the impact and power it held over audiences on its initial release back in 1956.
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