Dwayne Johnson and Zac Efron team up and go way beyond the call of duty in this wild and outrageous action packed comedy. When a dangerous crime wave hits the beach, legendary Lt. Mitch Buchannon (Johnson) leads his elite squad of badass lifeguards on a mission to prove you don't have to wear a badge to save the bay. Joined by a trio of hotshot recruits including former Olympian Matt Brody (Efron), th ey'll ditch the surf and go deep undercover to take down a ruthless businesswoman (Priyanka Chopra, TV's Quantico), whose devious plans threaten the future of the bay. So, suit up and dive into the action! Bonus: Continuing the Legacy Deleted & Extended Scenes Also includes the unseen extended edition, available via digital download Click Images to Enlarge
Jerry Mulligan, a struggling American painter in Paris, is "discovered" by an influential heiress with an interest in more than Jerry's art.
The plane crashes (boy, does it crash) in the remote Alaskan nowhere, and the rough-and-tumble oil wildcatters who survive must fight their way to safety. That in itself might be enough from which The Grey could fashion a suspenseful thrill-ride, but the movie has one more ace up its sleeve. Wolves! A pack of them, starving and considerably irritated that these outsiders have blundered into their territory. And while it is true that most real-world wolves are hardly man-eaters, director Joe Carnahan and cowriter Ian Mackenzie Jeffers are really not all that interested in reality. Despite some hair-raising moments and a healthy spattering of gore, The Grey is an existential action picture, and the wolves function only as all-purpose predator (being computer-generated, they never really look real anyway). What's really at stake are the souls of these men--how they get along together, and how they face death. Yes, there is always something faintly absurd hanging around this movie; it's like a Jack London story adapted by Luc Besson. But out of its pulpy mash, Carnahan extracts something gutsy. It certainly helps that he's got the mighty Liam Neeson on board as the most capable of the survivors; Neeson exudes the kind of authority that the average action hero can only play-act. Dallas Roberts and Dermot Mulroney add colour, and Frank Grillo jumps off the screen as the most belligerent of the desperate crew. It's possible for a movie to have an absurd premise yet carve something unexpectedly philosophical out of that: The Incredible Shrinking Man and Rise of the Planet of the Apes come to mind. Add this one to that oddball list. --Robert Horton
The intrepid Kazakhstani reporter heads to the US in his own movie.
Dwayne Johnson and Zac Efron team up and go way beyond the call of duty in this wild and outrageous action packed comedy. When a dangerous crime wave hits the beach, legendary Lt. Mitch Buchannon (Johnson) leads his elite squad of badass lifeguards on a mission to prove you don't have to wear a badge to save the bay. Joined by a trio of hotshot recruits including former Olympian Matt Brody (Efron), th ey'll ditch the surf and go deep undercover to take down a ruthless businesswoman (Priyanka Chopra, TV's Quantico), whose devious plans threaten the future of the bay. So, suit up and dive into the action! Bonus: Meet the Lifeguards Continuing the Legacy Stunts & Training Deleted & Extended Scenes Blu-ray disc includes both original version and extended edition. Click Images to Enlarge
Anna Kendrick and Justin Timberlake return in an all-star sequel to DreamWorks Animation's 2016 musical hit: Trolls World Tour. In an adventure that will take them well beyond what they've known before, Poppy (Kendrick) and Branch (Timberlake) discover that they are but one of six different Troll tribes scattered over six different lands and devoted to six different kinds of music: Funk, Country, Techno, Classical, Pop and Rock. Their world is about to get a lot bigger and a whole lot louder. A member of hard-rock royalty, Queen Barb (Rachel Bloom), aided by her father King Thrash (Ozzy Osbourne), wants to destroy all other kinds of music to let rock reign supreme. With the fate of the world at stake, Poppy and Branch, along with their friends Biggie (James Corden), Chenille (Caroline Hjelt), Satin (Aino Jawo), Cooper (Ron Funches) and Guy Diamond (Kunal Nayyar) set out to visit all the other lands to unify the Trolls in harmony against Barb, who's looking to upstage them all. Dance, Sing, Watch, Repeat with DANCE PARTY MODE and tons of amazing extras for more family fun! Bonus Features Original Tiny Diamond Short Dance Party Mode + 30 minutes of Bonus Content Trolls World Tourist Map Trolls Dance Academy Trolls Perfect Harmony Exclusive to BD & 4K: Trolls World Tour Backstage Deleted Scenes
The first theatrical film from the popular television series became the surprise hit of the 1998 holiday box-office crunch, trouncing the highly competitive kids market. The key ingredient to the Rugrats' success is the writing. Venturing into their first theatrical movie, the pals--including the intrepid nappie-wearing Tommy Pickles, the nervous Chuckie, the twins Lil and Phil, and the wonderfully prissy Angelica--garble English into funny prose ("I want those fugitives back in custard-y!") and use movie references in their fantasy life. The opening here is a dead-on spoof of Raiders of the Lost Ark. The big news for the movie is that Tommy gets a new baby brother, named Dylan (or Dil for short). The rest of the film has no real plot but is a series of adventures, as the clan gets lost in the forest riding an inventive Reptar wagon that is the 1990s equivalent of the car in Chitty Chitty Bang Bang. Parents search for the kids, the kids learn new lessons and everyone goes home happy. The Rugrats Movie is not as wildly appealing as A Bug's Life but is far goofier and wackier with its animation. There's also a tremendous sense of joy that is often missing from cartoons these days and the songs used in the film--from such diverse musicians as Busta Rhymes, Iggy Pop, Lisa Loeb, Lou Rawls, Beck and Devo--add to the fun. It's an acquired taste, but the creators' first efforts to take the 10-minute TV sketches into an 80-minute feature pay off. --Doug Thomas
When two young filmmakers select a crazed conspiracy theorist as the subject of their new work the task seems simple enough: Befriend him gain his trust and let his theories speak for themselves. Despite his street preaching their subject proves to be an articulate and intelligent man. Listen long enough and his arguments even start to make a certain sort of sense. It s enough to make you wonder if maybe somewhere there's some basis to what he's saying. And then he simply disappears. While one of the filmmaking duo is prepared to walk away the other becomes obsessed. This should not be possible. People do not just disappear. Not unless someone wants them to. What if he was correct? What if he was on the verge of exposing some greater scheme? And what if he was taken? And so begins an obsessive effort to reconstruct his work an effort that points the duo to a high powered retreat and networking organization for the political and business elite.
In this classic Agatha Christie detective story, former diplomat Charles Hayward has returned from Cairo to London to become a private detective. When Aristide Leonides, a wealthy and ruthless tycoon, is poisoned in his own bed, Detective Hayward is invited to solve the crime. As the investigation deepens he must confront the shocking realisation that one of the key suspects is Aristede's beautiful granddaughter, his employer and former lover; and must keep a clear head to navigate the sultry Sophia and the rest of her hostile family. Written by one of the world's greatest writers of all time, adapted for screen by writer Julian Fellows (Downtown Abbey, Gosford Park) and featuring a star-studded cast including Glenn Close (Fatal Attraction, Guardians of the Galaxy), Terence Stamp (Big Eyes, Song for Marion), Gillian Anderson (The X-Files, The Fall, Bleak House), Amanda Abbington (Sherlock, Mr Selfridge), and Christina Hendricks (Mad Men, Drive), Crooked House is a whodunit that cannot be missed.
Like the very best of SF TV, Stargate SG-1 began very simply. Of course it had the benefit of a movie preceding it--in which the alternate universe, its rules and its characters were largely established--so this premiere season was therefore able to concentrate on good storytelling. In 1997 not every new show was obsessed with securing a syndication-guaranteed franchise (same goes for Buffy debuting the same year), instead one-off episodes were the way of things, exploring interesting scenarios and conundrums. Naturally there were allusions to the feature film, but most were subtle and inspired. For example, a trip to retrieve the trapped professor who'd worked on the Gate decades ago was an unusual way of tying up loose ends. Some groundwork was laid for continuation should the show be renewed into an ongoing series. Knowing that these elements were pure wishful thinking at the time makes the tapestry of System Lords and the interlinks with our history and mythology all the more enjoyable in revisiting the show from its beginnings. With Richard Dean Anderson, leading the team in a far more charismatic and empathetic way than Kurt Russell in the movie, the series also benefited from some spot-on casting that instantly won audiences over. Special effects and use of studio sets may be less dazzling in these initial shows, but its solid grounding in old-fashioned SF won for the show a loyal audience. --Paul Tonks
Even under the heavy censorship of 1946 Hollywood, Lana Turner and John Garfield's libidinous desires burn up the screen in Tay Garnett's adaptation of James M. Cain's torrid crime melodrama. Platinum blond Turner is Cora, a restless sexpot stuck in a roadside diner married to mundane middle-aged fry cook Nick Smith (Cecil Kellaway) when handsome drifter Frank (Garfield) blows her way. It's lust at first sight, a rapacious desire that neither can break off, and before long they're plotting his demise--but in the wicked world of Cain nothing is that easy. Garnett's visual approach is subdued compared to the more expressionistic film noir of the period, but he's at no loss when he films the luminous Turner in her milky-white wardrobe. She radiates repressed sexuality and uncontrollable passion while Garfield's smart-talking loner Frank mixes street-smart swagger and scrappy toughness with vulnerability and sincere intensity. Co-star Hume Cronyn cuts a cold, calculating figure as their conniving lawyer, a chilly character that only increases our feelings for the murderous couple, victims of an all-consuming amour fou that drives their passions to extremes. --Sean Axmaker, Amazon.com
Richard Conte – best known for his role in The Godfather – stars with Russell Napier (Scotland Yard's Superintendent Duggan) and noted Scottish actress Rona Anderson in this stylish Cold War thriller. Little Red Monkey was a global box-office success for Anglo-Amalgamated made at the company's famous Merton Park Studios and provided an early showcase for future Primetime Emmy-winning director Ken Hughes; it is presented here in a brand-new transfer from the original film elements. A mysterious assassin is targeting eminent British atomic scientists leading to fears for the safety of Leon Dushenko – a Russian defector and guided-missile expert who is passing through London en route to the United States. Can Special Branch and the US State Department stop Dushenko from becoming the assassin's next victim? Bonus Features: Alternative Beginning Rough edit UK and Overseas Trailers Image Gallery Original Script PDF
Little did Tom Cruise know that he would become a box-office superstar after he cranked up some Bob Seeger and played air guitar in his underwear. But there's more to this 1983 hit than the arrival of a hot young star. Making a stylish debut, writer-director Paul Brickman crafted a subtle satire of crass materialism wrapped in an irresistible plot about a crafty high schooler named Joel (Cruise) who goes into risky business with the beguiling prostitute Lana (Rebecca De Mornay) while his parents are out of town. Joel turns his affluent Chicago-suburb home into a lucrative bordello and forms a steamy personal and professional partnership with Lana, but only as long as the two can avoid the vengeful pimp Guido (Joe Pantoliano) and keep their customers happy. A signature film of the 1980s, Risky Business still holds up thanks to Cruise's effortless charm and the movie's timeless appeal as an adolescent male fantasy. --Jeff Shannon
Alistair Sim's Scrooge is an all-time favourite Christmas family film and a genuine classic of British cinema. Scrooge is also the definitive big screen adaptation of Charles Dickens' 'A Christmas Carol' one of the world's best loved Christmas stories
The plane crashes (boy, does it crash) in the remote Alaskan nowhere, and the rough-and-tumble oil wildcatters who survive must fight their way to safety. That in itself might be enough from which The Grey could fashion a suspenseful thrill-ride, but the movie has one more ace up its sleeve. Wolves! A pack of them, starving and considerably irritated that these outsiders have blundered into their territory. And while it is true that most real-world wolves are hardly man-eaters, director Joe Carnahan and cowriter Ian Mackenzie Jeffers are really not all that interested in reality. Despite some hair-raising moments and a healthy spattering of gore, The Grey is an existential action picture, and the wolves function only as all-purpose predator (being computer-generated, they never really look real anyway). What's really at stake are the souls of these men--how they get along together, and how they face death. Yes, there is always something faintly absurd hanging around this movie; it's like a Jack London story adapted by Luc Besson. But out of its pulpy mash, Carnahan extracts something gutsy. It certainly helps that he's got the mighty Liam Neeson on board as the most capable of the survivors; Neeson exudes the kind of authority that the average action hero can only play-act. Dallas Roberts and Dermot Mulroney add colour, and Frank Grillo jumps off the screen as the most belligerent of the desperate crew. It's possible for a movie to have an absurd premise yet carve something unexpectedly philosophical out of that: The Incredible Shrinking Man and Rise of the Planet of the Apes come to mind. Add this one to that oddball list. --Robert Horton
Black Rider: Jimmy Hanley stars in this 1954 production filmed at Nettlefold studios, Walton. Directed by Wolf Rilla (Village of the Damned) and with a strong British cast, local reporter Jerry (Hanley) is out to prove the ghostly monk is infact very real, with bosses daughter (Rona Anderson) the pair career around the countryside on Jerry's motorcycle in pursuit of the monk... Fast paced enjoyable caper picture and sound of good quality.Glad Tidings: This Insignia 1953 production was written and directed by Wolf Rilla from a play by R.F Delderfield. Made at Nettlefold studios,Walton, it was Wolf Rilla's debut film. Col Tom Forester, (Raymond Huntley) is about to retire from the army and marry an american widow (Barbara Kelly who was married in real life to Bernard Bradon) - but his children object and Barbara must use all her skills to survive! Raymond Huntley performed in 136 productions including The Dam Busters and Room At The Top.
A twentieth century Antigone Zina evokes the life of Zina Bronstein daughter of Leon Trotsky. In 1930's Berlin Zina is being treated by Professor Kronfeld and during this psychoanalysis which includes some hypnosis she recalls incidents from both her own life and that of her father as a leader of the revolution as the holder of state power and later in exile. Against the background of the progressive deterioration of the situation in Europe threatened by the rise of fascism
NEDS (Non Educated Delinquents) is the story of a young man's journey from prize-winning schoolboy to knife-carrying teenager. Struggling against the low expectations of those around him John McGill changes from victim to avenger scholar to Ned altar boy to glue sniffer. When he attempts to change back again his new reality and recent past make conformity near impossible and violent self determination near inevitable.
With war approaching a new flight surgeon and a Navy pilot overcome personal differences to work on solving the problem of altitude sickness which causes blackouts at high altitude...
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