Fritz Lang's Expressionistic masterwork continues to exert its influence today, from Chaplin's Modern Times (1936) to Dr Strangelove (1963), and into the late 1990s with Dark City (1998). In the stratified society of the future (Y2K no less), the son of a capitalist discovers the atrocious conditions of the factory slaves, falling in love with the charismatic Maria in the bargain, who preaches nonviolence to the workers. But even the benevolent leadership of Maria is a challenge to the privileged class, so they have the mad-scientist Rotwang concoct a robot double to take her place and incite the workers to riot. The story is melodrama, but it's the powerful imagery that is so memorable. One of the most arresting images has legions of cowed workers filing listlessly into the great maw of the all-consuming machine-god Moloch. Unfortunately, the print used for this DVD is unfocused, scratchy, and five minutes short, altogether unworthy of a visionary masterpiece. It may be too much to hope for the complete film to be restored (only two hours of the original three-hour film are extant), but a clean transfer from a fine-grain negative ought to be possible. And why, when there are other possible future Metropolises to be had, should we downtrodden masses accept this junk? --Jim Gay
Fritz Lang’s penultimate silent film Spione [Spies] is a flawlessly constructed labyrinthine spy thriller. Hugely influential Lang’s famous passion for meticulous detail combines with masterful story-telling and editing skills to form a relentless tale of intrigue espionage and blackmail. An international spy ring headed by Haghi (Rudolf Klein-Rogge) uses technology threats and murder to obtain government secrets. As master spy president of a bank and music hall clown Haghi leads several lives using instruments of modern technology to spearhead a mad rush for secrets — secrets that assert his power over others. Setting in stone for the first time many elements of the modern spy thriller Spione perhaps represents the zenith of Lang's silent artistry. The Masters of Cinema Series is proud to present Spione in a Dual Format (Blu-ray + DVD) edition.
One of the legendary epics of the silent cinema - and the first part of a trilogy that Fritz Lang developed up to the very end of his career - Dr. Mabuse der Spieler. [Dr. Mabuse the Gambler.] is a masterpiece of conspiracy that even as it precedes the mind-blowing Spione from the close of Lang's silent cycle constructs its own dark labyrinth from the base materials of human fear and paranoia. Rudolf Klein-Rogge plays Dr. Mabuse the criminal mastermind whose nefarious machinations provide the cover for - or describe the result of - the economic upheaval and social bacchanalia at the heart of Weimar-era Berlin. Initiated with the arch-villain's diabolical manipulation of the stock-market and passing through a series of dramatic events based around hypnotism charlatanism hallucinations Chinese incantations cold-blooded murder opiate narcosis and cocaine anxiety Lang's film maintains an unrelenting power all the way to the final act... which culminates in the terrifying question: WHERE IS MABUSE?! A bridge between Feuillade's somnambulistic serial-films and modern media-narratives of elusive robber-barons Lang's two-part classic set the template for the director's greatest works: social commentary as superpsychology poised at the brink of combustion. The Masters of Cinema Series is proud to present Lang's early masterpiece in its fully-restored version on Blu-ray in 1080p for the first time ever. Special Features: New officially licensed transfer from restored HD materials New and improved optional English subtitles with original intertitles Exclusive feature-length audio commentary by film-scholar and Lang expert David Kalat Three video pieces: an interview with the composer of the restoration score a discussion of Norbert Jacques creator of Dr. Mabuse and an examination of the film’s motifs in the context of German silent cinema 32-Page Booklet featuring vintage reprints of writing by Lang
With the etching onto glass of a single word - MABUSE - Berlin reawakens into a nightmare. Fritz Lang's electrifying Das Testament des Dr. Mabuse (The Testament of Dr. Mabuse) is the astonishing second instalment in the German master's legendary Mabuse series, a film that puts image and sound into an hypnotic arrangement unlike anything seen or heard in the cinema before - or since.It's been eleven years since the downfall of arch-criminal and master-of-disguise Dr. Mabuse (Rudolf Klein-Rogge), now sequestered in an asylum under the watchful eye of one Professor Baum (Oskar Beregi). Mabuse exists in a state of catatonic graphomania, his only action the irrepressible scribbling of blueprints that would realise a seemingly theoretical Empire of Crime. But when a series of violent events courses through the city, police and populace alike start asking themselves with increasing panic: Who is behind all this?! The answer borders on the realm of the impossible...
THE COMPLETE FRITZ LANG MABUSE BOX SET - From the early stages of his career across five decades to his final film Fritz Lang built a trilogy of paranoiac thrillers focused on an entity who began as a criminal mastermind and progressed into something more amorphous: fear itself embodied only by a name - Dr. Mabuse. For the first time on home video all three of Fritz Lang's Mabuse films have been collected for one package in their complete and restored forms. 1: Dr. Mabuse der Spieler. [Dr. Mabuse the Gambler.] (1922) - Lang's two-part nearly 5-hour silent epic detailing the rise and fall of Dr. Mabuse in Weimar-era Berlin. 2: Das Testament des Dr. Mabuse [The Testament of Dr. Mabuse] (1933) - a tour-de-force thriller rife with supernatural elements all converging around an attempt by the now-institutionalised Mabuse (or someone acting under his name... and possibly his will) to organise an Empire of Crime. 3: Die 1000 Augen des Dr. Mabuse [The 1000 Eyes of Dr. Mabuse] (1960) - Fritz Lang's final film in which hypnosis clairvoyance surveillance and machine-guns come together for a whiplash climax that answers the question: Who's channelling Mabuse's methods in the Cold War era? The Masters of Cinema Series is proud to present Fritz Lang's complete Mabuse trilogy - a cornerstone in the work of one of cinema's all-time greatest directors. The Complete Fritz Lang Mabuse Box Set is released on 19 October 2009
If you think you know Fritz Lang's Metropolis backwards, this special edition will come as a revelation. Shortly after its premiere, the expensive epic--originally well over two hours--was pulled from distribution and re-edited against Lang's wishes, and this truncated, simplified form is what we have known ever since 1926. Though not quite as fully restored as the strapline claims, this 118-minute version is the closest we are likely to get to Lang's original vision, complete with tactful linking titles to fill in the scenes that are irretrievably missing. Not only does this version add many scenes unseen for decades, but it restores their order in the original version. Until now, Metropolis has usually been rated as a spectacular but simplistic science fiction film, but this version reveals that the futuristic setting is not so much prophetic as mythical, with elements of 1920s architecture, industry, design and politics mingled with the mediaeval and the Biblical to produce images of striking strangeness: a futuristic robot burned at the stake, a steel-handed mad scientist who is also a 15th Century alchemist, the trudging workers of a vast factory plodding into the jaws of a machine that is also the ancient God Moloch. Gustav Frohlich's performance as the hero who represents the heart is still wildly overdone, but Rudolf Klein-Rogge's engineer Rotwang, Alfred Abel's Master of Metropolis and, especially, Brigitte Helm in the dual role of saintly saviour and metal femme fatale are astonishing. By restoring a great deal of story delving into the mixed motivations of the characters, the wild plot now makes more sense, and we can see that it is as much a twisted family drama as epic of repression, revolution and reconciliation. A masterpiece, and an essential purchase. On the DVD: Metropolis has been saddled with all manner of scores over the years, ranging from jazz through electronica to prog-rock, but here it is sensibly accompanied by the orchestral music Gottfried Huppertz wrote for it in the first place. An enormous amount of work has been done with damaged or incomplete elements to spruce the image up digitally, and so even the scenes that were in the film all along shine with a wealth of new detail and afford a far greater appreciation for the brilliance of art direction, special effects and Helm's clockwork sexbomb. A commentary written but not delivered by historian Ennio Patalas covers the symbolism of the film and annotates its images, but the production information is left to a measured but unchallenging 45-minute documentary on the second disc (little is made of the astounding parallel between the screen story in which Klein-Rogge's character tries to destroy the city because the Master stole his wife and the fact that Lang married the actor's wife Thea von Harbou, authoress of the Metropolis novel and screenplay!). There are galleries of production photographs and sketches; biographies of all the principals; and an illustrated lecture on the restoration process which uses before and after clips to reveal just how huge a task has been accomplished in this important work. --Kim Newman
With the etching onto glass of a single word - MABUSE - Berlin reawakens into a nightmare. Fritz Lang's electrifying Das Testament des Dr. Mabuse (The Testament of Dr. Mabuse) is the astonishing second instalment in the German master's legendary Mabuse series, a film that puts image and sound into an hypnotic arrangement unlike anything seen or heard in the cinema before - or since.It's been eleven years since the downfall of arch-criminal and master-of-disguise Dr. Mabuse (Rudolf Klein-Rogge), now sequestered in an asylum under the watchful eye of one Professor Baum (Oskar Beregi). Mabuse exists in a state of catatonic graphomania, his only action the irrepressible scribbling of blueprints that would realise a seemingly theoretical Empire of Crime. But when a series of violent events courses through the city, police and populace alike start asking themselves with increasing panic: Who is behind all this?! The answer borders on the realm of the impossible...
In the era when one could still but only dream of a comprehensive restoration of Fritz Lang's silent sci-fi epic Metropolis, esteemed pop artist/producer and pioneering electronic composer Giorgio Moroder followed his work on Brian De Palma's cult-classic Al Pacino vehicle Scarface by assembling his own version of Lang's 1920s classic. The result was a zeitgeist-infused, high-kitsch/high-art amalgam of some of the quintessential cinema images and then-contemporary 1980s pop-chart melodrama. For millions around the world, it is this version of Metropolis – featuring music by Moroder himself and artistes such as Adam Ant, Pat Benatar, Freddie Mercury, Bonnie Tyler, and Jon Anderson – which first comes to mind whenever mention is made of the Lang original or, indeed, the iconic imagery and power of silent cinema.
Dr. Mabuse and his organization of criminals are in the process of completing their latest scheme, a theft of information that will allow Mabuse to make huge profits on the stock exchange. Afterwards, Mabuse disguises himself and attends the Folies Berg�res show, where Cara Carozza, the main attraction of the show, passes him information on Mabuse's next intended victim, the young millionaire Edgar Hull. Mabuse then uses psychic manipulation to lure Hull into a card game where he loses heavil...
If you think you know Fritz Lang's Metropolis backwards, this special edition will come as a revelation. Shortly after its premiere, the expensive epic--originally well over two hours--was pulled from distribution and re-edited against Lang's wishes, and this truncated, simplified form is what we have known ever since 1926. Though not quite as fully restored as the strapline claims, this 118-minute version is the closest we are likely to get to Lang's original vision, complete with tactful linking titles to fill in the scenes that are irretrievably missing. Not only does this version add many scenes unseen for decades, but it restores their order in the original version. Until now, Metropolis has usually been rated as a spectacular but simplistic science fiction film, but this version reveals that the futuristic setting is not so much prophetic as mythical, with elements of 1920s architecture, industry, design and politics mingled with the mediaeval and the Biblical to produce images of striking strangeness: a futuristic robot burned at the stake, a steel-handed mad scientist who is also a 15th Century alchemist, the trudging workers of a vast factory plodding into the jaws of a machine that is also the ancient God Moloch. Gustav Frohlich's performance as the hero who represents the heart is still wildly overdone, but Rudolf Klein-Rogge's engineer Rotwang, Alfred Abel's Master of Metropolis and, especially, Brigitte Helm in the dual role of saintly saviour and metal femme fatale are astonishing. By restoring a great deal of story delving into the mixed motivations of the characters, the wild plot now makes more sense, and we can see that it is as much a twisted family drama as epic of repression, revolution and reconciliation. A masterpiece, and an essential purchase. On the DVD: Metropolis has been saddled with all manner of scores over the years, ranging from jazz through electronica to prog-rock, but here it is sensibly accompanied by the orchestral music Gottfried Huppertz wrote for it in the first place. An enormous amount of work has been done with damaged or incomplete elements to spruce the image up digitally, and so even the scenes that were in the film all along shine with a wealth of new detail and afford a far greater appreciation for the brilliance of art direction, special effects and Helm's clockwork sexbomb. A commentary written but not delivered by historian Ennio Patalas covers the symbolism of the film and annotates its images, but the production information is left to a measured but unchallenging 45-minute documentary on the second disc (little is made of the astounding parallel between the screen story in which Klein-Rogge's character tries to destroy the city because the Master stole his wife and the fact that Lang married the actor's wife Thea von Harbou, authoress of the Metropolis novel and screenplay!). There are galleries of production photographs and sketches; biographies of all the principals; and an illustrated lecture on the restoration process which uses before and after clips to reveal just how huge a task has been accomplished in this important work. --Kim Newman
Hailed as one of the greatest directors of silent films and after the coming of sound Fritz Lang was one of the most influential and innovative artists of the twentieth century and in the history of cinema. Released to mark the 80th Anniversary of the epic Metropolis this Box Set contains five of the filmmaker's most legendary works in their recently restored forms spread across eight discs and supplemented with a host of extras. The two-part film Dr. Mabuse the Gambler is one of the most sensational crime thrillers ever filmed and mirrors German society of the 1920s in all its crime-ridden decadence. Its sinister theme is dominated by terror as the power-crazed Mabuse (Rudolf Klein-Rogge) masterminds the worlds most dangerous gang of counterfeiters thieves and murderers wielding hypnotic powers with an iron fist to obtain total obedience to his will. Inspired by the towering Manhattan skyline Metropolis is a science fiction classic. Sixteen months in the making with a cast of over thirty seven thousand the film cost over two million dollars at 1920s prices. Set in the year 2026 a mammoth city is ruled by the super efficient industrialist Joh Fredersen (Alfred Abel). On the surface the city appears to be a utopian dream with wealthy inhabitants living in palatial apartments set in colossal glass and concrete spires but underground it's a different story. Armies of slaves work gruelling hours to maintain the luxurious lifestyles of their masters. The tense balance of these two societies is soon realized when the workers revolt and destroy everything in sight. Fritz Lang's penultimate silent film Spione is a flawlessly constructed labyrinthine spy thriller. An international spy ring headed by Haghi (Rudolf Klein-Rogge) uses technology threats and murder to obtain government secrets. As master spy president of a bank and music hall clown Haghi leads several lives using instruments of modern technology to spearhead a mad rush for secrets - secrets that assert his power over others. Like a brand the letter 'M' has made its mark on film history as one of the most chilling serial killer films ever produced; its disturbing theme having lost none of its power or impact. Sinister dark and foreboding M tells the story of Hans Beckert (Peter Lorre) as the globe-eyed child murderer hunted by both the law and the underworld of Berlin. Fritz Lang resuscitated the evil genius Dr Mabuse ten years after making Dr Mabuse the Gambler in the sequel The Testament of Dr Mabuse. The sequel picks up the story with Mabuse's capture madness and incarceration. Even though he has been locked away in an asylum for ten years his crime organisation is still perpetrating an insane orgy of wanton destruction threats shoot-outs thefts explosions bombings burnings and floods. Rudolf Klein-Rogge reprises his role as Dr Mabuse. Banned by the Nazis The Testament of Dr Mabuse is one of Fritz Lang's most inventive crime thrillers and one of cinema's most accomplished early talkies.
In the little village of Holstenwall on the Dutch border fairground hypnotist Dr Caligari put on show a somnambulist called Cesare who has been asleep for twenty-three years. At night dressed in a black body-stocking and with a ghostly white face he slithers through the town murdering people on the doctor's orders. Robert Weine's silent black and white classic is now available digitally re-mastered on DVD for the first time!
The Testament of Dr Mabuse is Fritz Lang's sequel to his flamboyant Dr Mabuse two-part epic of the 1920s, this time adding subtle use of sound to the creepy effects developed for the earlier film. Once a Moriarty-like mastermind, the haggard Dr M (Rudolf Klein-Rogge) has become an autistic asylum inmate who scrawls plans for daring crimes in his cell and exerts an unhealthy influence on his psychiatrist. Inspector Lohmann (Otto Wernicke), the jolly policeman from Lang's M, is puzzled by a series of daring crimes that bear the Mabuse signature, and a gang of thugs take instructions from a shadowy figure who claims after the doctor's death to be Mabuse reborn and is staging a reign of crime apparently designed to bring about the ruin of all law-abiding society. Though it works best as a textbook thriller, some commentators, including Lang, suggested that the pulp plot was intended to allegorise the evil influence of the Nazi party, with a crime boss who rants like Hitler. The many impressive set-pieces still work, too: the pursuit of a spy through a grinding print-works, an assassination at a traffic light, hero and heroine trapped in a room with a bomb and cutting a water main to flood their way to freedom, the persecution of the asylum head by a phantom of his patient, and a last-reel night-time chase. On the DVD: The Testament of Dr Mabuse on disc is accompanied by a 15-minute illustrated essay on the film and its history. There are English subtitles. --Kim Newman
Metropolis: Set around the year 2000 a mammoth city is ruled by the super-efficient industrialist Jon Fredersen (Alfred Abel) and on the surface appears to be a utopian dream with wealthy inhabitants living in palatial apartments set in colossal glass and concrete spires. But underground it's a different story - armies of slaves work gruelling shifts to maintain the luxurious lifestyles of their masters. The workers a subhuman species of sluggish creatures are led by the saintly Maria (Brigitte Helm) who urges them not to rebel but to wait patiently for the arrival of the mediator. Fredersen kidnaps Maria and orders mad scientist Rotwang (Rudolf Klien-Rogge) to create a robot replica to take her place. His plan is doomed when the evil mechanical Maria incites the massed workers to revolt and destroy everything in sight... Taking 16 months to film with a cast of 37 383 and costing over million at 1920s prices everything about this epic German science-fiction film which was inspired by the towering Manhattan skyline is gigantic. Although director Fritz Lang hated the ending of his film it was an instant hit with Adolf Hitler and Goebbels who first saw it in a small German town. When they came to power in 1933 they asked Lang to make prestige pictures for the Nazi party. He packed his bags and left for Hollywood the same day. On its first release it was a box-office flop and nearly bankrupted its financiers UFA Germany's largest film production company. Metropolis is now a monument to Fritz Lang's artistic vision and film craftsmanship. M: Like a brand the letter M has made its mark on film history with its disturbing theme having lost none of its impact or relevance. Sinister dark and foreboding M tells the story of Hans Beckert (Peter Lorre) - child molester and murderer. Tension builds - a child late home another child missing. Posters reveal the fate of earlier victims and the police seem to have few clues as to the perpetrator of the crimes. Gangsters beggars and petty criminals incensed by both the crimes and the police crackdown track the killer themselves. Cornered caught and dragged off to face an equally barbaric form of justice Beckert endures his own personal torment. As with his earlier classics Die Nibelungen and Metropolis Lang collaborated on the script with his wife Thea von Harbou in what was to become his most stark and uncompromising film. Allegedly based on the story of Peter K''rten the Monster of Dusseldorf M remains one of the most chilling serial-killer films ever produced.
The Thrills The Chills Of Witchcraft Today College student Nan Barlow is researching the history of witchcraft. Taunted by her brother and fianc who have voiced their concern over her silly notions Nan arms herself with resolve and drives into the small New England village of Whitewood. She is glad that at least she was able to count on the support of her professor. A bit anxious but consumed with curiosity she will soon embark herself on the journey of her life!
One of the greatest artistic and technical achievements of the German silent cinema Fritz Lang's monumental Die Nibelungen is a passionate retelling of Nordic legend invested with all the resources of the colossal Ufa Studios. Scripted by Lang's wife at the time Thea von Harbou (Metropolis) Siegfried establishes larger-than-life heroic characters who are defined by tests of valor a rigid codes of honor. In order to win the hand of Kriemhild (Margarete Schoen) Siefgriend (Paul Richter) must win a bride for her brother King Gunther (Theodor Loos). Kriemhild's Revenge begins after the death of Siefgriend and weaves the treacherous tale of his widow's ungodly vengeance upon his murderers. The noble qualities of the first film become liabilities in the second as the blood oaths and vows of loyalty bring about a maelstrom of violence that results in the slaughter of entire armies
Set around the year 2000 a mammoth city is ruled by the super-efficient industrialist Jon Fredersen (Alfred Abel) and on the surface appears to be a utopian dream with wealthy inhabitants living in palatial apartments set in colossal glass and concrete spires. But underground it's a different story - armies of slaves work gruelling shifts to maintain the luxurious lifestyles of their masters. The workers a subhuman species of sluggish creatures are led by the ""saintly"" Maria (Brig
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