Bernard, Harry and Alfie are three charming but unsuccessful crooks who smash and grab tactics rarely come off. On their way for another stint behind bars they see the traffic part for an on call fire engine and hatch a new plan. Upon their release they set out to acquire a fire engine to use as the perfect getaway vehicle on a jewelry robbery. But when they are mistaken for real firemen their plan slowly begins to unravel. When Harry gets scared by the appearance of the police he accidentally runs into a dress salons changing room. He meets the beautiful Chantal who might just hold the key to finally pulling off a successful heist.
Clerks Kevin Smith (Dogma, Jay and Silent Bob Strike Back) made his directional debut with this highly original cult comedy. Brian O'Halloran and Jeff Anderson star as Dante and Randal, two convenience store clerks from New Jersey who spend their days annoying customers, discussing their favourite movies and playing hockey on the store roof. This movie is a simple yet hilarious account of their day to day lives. Chasing Amy Holden McNeil (Ben Affleck) and Banky Edwards (Jason Lee) are two comic book artists who are rapidly moving their way up in the comic book industry. Everything is going well for them until they meet Alyssa (Joey Lauren). Holden soon falls madly in love with her but to his frustration later finds out she is a lesbian. Soon enough Holden’s predicament starts to affect his work and begins to put pressure on his relationship with Banky. Comedy drama from critically acclaimed director Kevin Smith (Jay and Silent Bob Strike Back). Jay and Silent Bob Strike Back When lay-about stoners Jay (Jason Mewes) and Silent Bob (Kevin Smith) find out a movie is being made on the comic book characters, Bluntman and Chronic, based on themselves and are offered no profit, they set out on a mission to destroy the movie and stop it being made. However, on the way they inadvertently become hooked up in a jewel heist and are insanely landed in the care of a monkey. Now they are on the run from the police and taking care of a monkey! But this won’t stop them from wrecking the movie. So despite all of this, they head for Hollywood and an all out chase begins.Hilarious comedy with a great supporting cast and an array of side-splitting cameos including Carrie Fisher, Ben Affleck and Jason Biggs.
Will Smith stars in Concussion, a dramatic thriller based on the incredible true David vs. Goliath story of American immigrant Dr. Bennet Omalu, the brilliant forensic neuropathologist who made the first discovery of a football-related brain trauma, CTE, in a pro player and fought for the truth to be known. Omalu's emotional quest puts him at dangerous odds with one of the most powerful and beloved institutions in the world. With captivating performances by Alec Baldwin and Academy Award® nominee Albert Brooks (1987 Best Supporting Actor, Broadcast News). Click Images to Enlarge
A young African-American travels across the U.S. in the 1950s in search of his missing father.
Standing out in the crowded field of screen adaptations of the classic Dickens novel A Christmas Carol is hard to do, but this version pulls it off. When a transparent Jacob Marley walks through Ebenezer Scrooge's apartment door, you know you're seeing something both timeless and contemporary. Other strategically placed special effects--a funnel cloud that transports Scrooge and the ghost of Christmas present, the hollow spectre of Christmas future--keep you riveted without slipping into anachronism. But, as good as the technology is, the performances are what really power this 93-minute television interpretation. Patrick Stewart brings a depth to Scrooge that allows the character to go beyond the cartoonish qualities that have made him a Christmas mainstay. That doesn't mean he's any less heartless with his hapless employee Bob Cratchit (Richard E. Grant) or any less dismissive of his well-meaning nephew. A frail-looking Joel Grey makes an excellent ghost of Christmas past, and a superb cast ably fill the remaining roles. Director David Jones, shooting on location in England and at Ealing Studios, has achieved a balance of science and sentiment that will help this version hold up for many years to come. --Kimberly Heinrichs
A group of British retirees travel to India to take up residence in what they believe is a newly restored hotel. Less luxurious than its advertisements, they are forever transformed by their shared experiences, discovering that life and love can begin again when you begin to let go of the past. From the Director of Shakespeare In Love and featuring an all-star British cast, The Best Exotic Marigold Hotel is a charming, life affirming comedy drama about life, love and new beginnings... Special Features: Behind the Story: Lights, Colours and Smiles
The first three entries in the Clive Barker-originated series are presented in Hellraiser: The Collector's Edition, a box set which includes Barker's 1986 original, and the first two sequels, Tony Randel's Hellbound and Anthony Hickox's Hell on Earth. Watching the films run together, you can see the process whereby a twisted original vision from the British writer-director is gradually hammered out into the stuff of an American direct-to-video franchise. Even the first film suffers slightly as a story written to take place in London is rendered puzzling by the decision to dub minor players with American accents, and by the time of the third film there is only the odd flash of s&m imagery to distinguish the series from the Elm Street or any other franchise. Along the way, there are a few great and many good things: the nasty little family drama of the first film, played by Andrew Robinson and Clare Higgins, as a marriage is literally torn apart by the bloody, skinless brother-lover in the attic, and the still-striking look of the series' major demons, the Cenobites. Part II is a mess, but has a certain grand dementia and Part III at least gives the films' poster boy, Doug Bradley's Pinhead, centre screen as he bids to become the Freddy Krueger of the body-piercing set. On the DVD: Hellraiser: The Collector's Edition presents parts I and II in anamorphic widescreen, while III is cramped at 4:3 full-screen: the transfers are okay if not sumptuous, a little soft if aptly gloomy. Region 1 releases have director and crew commentaries and retrospective documentaries that are sadly not included here--though completists note: this edition boasts on-set cast and director interviews (five minutes apiece for I and II) which are not on the American set. I and II also have trailers (and II has a printable stills gallery and a pointless extra which consists of extracts from the film grouped together as "sub-plots"), but III is strictly no-frills. --Kim Newman
From Disney comes the thrilling and vibrant live-action adaptation of the animated classic Aladdin, the exciting tale of the charming street rat Aladdin, the self-determined Princess Jasmine and the Genie who may be the key to their future. Directed by Guy Ritchie, Aladdin features an all-star cast including Will Smith as the larger-than-life Genie, Mena Massoud as the clever scoundrel Aladdin and Naomi Scott as Jasmine, the beautiful, courageous princess of Agrabah.
Even viewers who consider themselves beyond their teen-angst years might find Dawson's Creek compelling. In the first series we are introduced to Dawson (James Van Der Beek) and Joey (Katie Holmes), who for years have watched movies and slept in the same bed; but they find that as they enter high school their relationship will inevitably change. That becomes especially clear when Dawson is immediately attracted to Capeside's sexy new arrival, Jen (Michelle Williams). Meanwhile, their friend Pacey (Joshua Jackson) pursues an unachievable love object. Creator Kevin Williamson based Dawson's Creek on his own youth, and even though the characters may not really look or sound 15 years old, the Dawson-Joey-Jen interplay--especially embodied by the sad-eyed and cynical (but still adorable) Joey and the smart but emotionally inept Dawson--gives the show its heart. And just like Williamson's fresh take on the teen-horror genre, Scream, Dawson's Creek has a winking self-awareness, for example when Dawson says they're having a "90210 moment" or explains that they use big words because they watch too many movies. Highlights of the first series include Dawson's discovery that his perfect home life may not be so perfect, an unwelcome reminder of Jen's past, the Breakfast Club takeoff "Detention", the Scream takeoff "The Scare", a beauty contest in which two unlikely competitors square off, and the heart-rending finale. --David Horiuchi
Amy Mitchell (Mila Kunis) puts her family first, second, and third. But her man-child husband, high-maintenance kids and idiot boss are taking a toll. She gives and gives, and gives and gives, and then gives a little more, but it s never enough. When the alpha moms (Christina Applegate, Annie Mumolo and Jada Pinkett Smith) at her kids school push her too far, Amy finally snaps. Good Amy becomes Bad Amy really fast and she doesn t go alone. Teaming up with two other misfit moms (Kathryn Hahn and Kristen Bell), Amy gets a jolt of freedom that shakes up her life and might even make her a better mom. So call a sitter, put on your comfy pants, and pour yourself a double Chardonnay, because these moms are about to get bad. SPECIAL FEATURES: Deleted Scenes Interviews with the Moms Gag Reel A Bad Moms Christmas: A BAD MOMS CHRISTMAS follows our three under-appreciated and over-burdened moms (Amy, Kiki, and Carla) as they rebel against the challenges and expectations of Christmas in hopes of creating a more perfect holiday for their families. And if that was hard enough, they have to do all of that while hosting and entertaining their ultimate holiday foes: their own mothers. By the end of the journey, our moms have redefined how to make the holidays special for their families and it ends up bringing them closer to their own moms. SPECIAL FEATURES: Deleted Scenes Gag Reel
In the delightful romantic comedy Green Card, Georges (Gérard Depardieu), a composer and one-time petty thief who grew up in poverty, attempts to escape his life in Paris and begin anew in America by illegally marrying Bronte (Andie MacDowell), a prim and repressed young lady from a privileged life in Connecticut. Bronte, who has agreed to the scheme for her own self-serving reasons, is exasperated when the Immigration & Naturalisation Service investigates their case, and she and Georges, whom she detests, must spend time together studying each other's lives to avoid disaster. The fallout is infinitely better handled than any run-of-the-mill Hollywood romantic comedy, and the very ending itself stops deliciously short of where Hollywood would feel compelled to drag the story. Fine performances are given by MacDowell, Depardieu--who is fiercely charming pounding the keyboard of a Steinway at an upper class Manhattan dinner party--and Bebe Neuwirth, who is perfect as an upper-class child turned artist who revels in her irresponsibility. --James McGrath, Amazon.com
Titles Comprise: Bad Boys: When $100 million of seized heroin is stolen from the Miami Police lockup, Detectives Lowrey (Will Smith) and Burnett (Martin Lawrence), Miami's most mismatched cops, are called upon to solve the case before the FBI close their department. Julie (Tea Leoni) is their only lead to the case, but will only speak to Lowrey. As he is not around when she calls, Burnett impersonates his cool, slick partner. A hilarious role reversal begins in order to retain her trust. From then on, it's a race against time as the trio dodge the mob, and retain their charade while putting pressure on every low-life in Miami's underworld to track down their man.Bad Boys 2: Narcotics detectives Mike Lowrey (Smith) and Marcus Burnett (Lawrence) have been assigned to a high-tech task force investigating the flow of designer ecstasy into Miami. Their inquiries inadvertently lead them to a major conspiracy involving a vicious kingpin (Jordi Molla), whose ambitions to take over the city's drug trade have ignited a bloody turf war. But Mike and Marcus' friendship and working relationship is threatened when Mike begins to develop feelings for Marcus' sister Syd!
Later... with Jools Holland--Giants is a collection of classic live performances from a decade of the late-night BBC music show. Everyone will have their favourites and, no doubt, differing opinions on what constitutes a musical "giant". What is indisputable here is the sheer volume and variety of artists and styles on offer. The 32 performers range from Pete Towshend to Blondie; Paul Weller to Willie Nelson; Leonard Cohen to Jeff Beck; Page and Plant to Ronnie Spector and the Divine Comedy. The acts vary in quality--Brian Ferry's posturing, staccato rendition of "Will You Still Love Me Tomorrow?" and Georgie Fame's futile, asthmatic efforts to keep up with the beat on "Yeh! Yeh!" are notable low points--but thankfully the few weaker moments are more than compensated for by tour de force performances from the likes of Al Green, REM, Tony Bennett, Dusty Springfield and George Benson. Your enjoyment will obviously depend on a desire to see these greats play, but where else are you going to get both Robbie Williams belting out an impromptu performance of "Suspicious Minds" and Solomon Burke singing "Cry to Me" from an enormous golden throne? On the DVD: Later... with Jools Holland--Giants comes with a desirable selection of interviews with 10 of the featured performers. Sadly, they are tantalisingly short--never longer than three minutes, some little more than a minute--and never stretch beyond Holland's stock questions or brief, if entertaining, anecdotes. Also included are: a "playlist" feature, which allows you to select six of your favourite tracks and play them in an order of your choice, normal track selection, subtitles and a credit list. --Paul Philpott
The Naked Gun (Dir. David Zucker 1988): Those screw-loose Airplane! creators have done it again! Leslie Nielsen stars as Police Squad's own granite-jawed rock-brained cop Frank Drebin who bumbles across a mind-control scheme to assassinate Queen Elizabeth. Priscilla Presley O.J. Simpson a stuffed beaver two baseball teams and an odd assortment of others join the wacko goings-on and blow the laugh-o-meter to smithereens. The Naked Gun 2 1/2 - The Smell Of Fear (Dir. David Zucker 1991): Lt Frank Drebin (Leslie Nielsen) loves a mystery. Why are we here? Is there life after sex? Yes Drebin tackles the big issues - and the biggest of all is how to stop devious Quentin Hapsburg's (Robert Goulet) plan to destroy the environment! Returning with Nielsen in this hilarious Naked Gun sequel are Priscilla Presley as Jane the woman who can melt a cheese sandwich from 20 paces and George Kennedy as intrepid Captain Ed Hocken. The gang's all here. And so are the laughs. Like Drebin you're gonna love it. The Naked Gun 33 1/3 - The Final Insult (Dir. Peter Segal 1994): Oscar night. Who will win? Who will lose? And will someone please kick that numbskull offstage? Wait! That's no ordinary numbskull. That's Lt Frank Drebin crashing the ceremonies to stop a terrorist plot that could mean curtains for him - or will a simple window shade be enough? Yes back with a hilarious three-peat and a state-of-the art advance in sequel numbering are the filmmakers you love the returning stars you adore plus others getting Naked for the first time: Fred Ward Anna Nicole Smith and more folks you'd happily give your seat to on a crowded bus. The fun begins when...oops; we don't want to give away the gags. No. You'll have to pay for them. You'll be glad you did!
Fallen women? Does it mean they've hurt their knees? After a decade of soul-saving in Africa Charles Fortescue is asked to minister to the ladies of the night in 1906 London. So Fortescue feeds them shelters them and not infrequently provides them a bed: his! A naive man of the cloth becomes a man of the sheets in this playfully naughty yet always tasteful comedy that stars Monty Python's Michael Palin (who also wrote the script) as Fortescue and features a colourful array of cockeyed characters: a blissful airhead (Phoebe Nicholls) a lusty mission sponsor (Maggie Smith) a bewildered butler (Michael Hordern) an earthy bishop (Denholm Elliott) a cantankerous John Bull (Trevor Howard) and more. Jolly good fun!
Paul Verhoeven was almost unknown in Hollywood prior to the release of RoboCop in 1987. But after this ultra-violent yet strangely subversive and satirical sci-fi picture became a huge hit his reputation for extravagant and excessive, yet superbly well-crafted filmmaking was assured. Controversial as ever, Verhoeven saw the blue-collar cop (Peter Weller) who is transformed into an invincible cyborg as "an American Jesus with a gun", and so the film dabbles with death and resurrection imagery as well as mercilessly satirising Reagan-era America. No targets escape Verhoeven's unflinching camera eye, from yuppie excess and corporate backstabbing to rampant consumerism and vacuous media personalities. As with his later sci-fi satire Starship Troopers the extremely bloody violence resolutely remains on the same level as a Tom and Jerry cartoon. The inevitable sequel, competently directed by Irvin Kershner, thankfully continues to mine the dark vein of anti-consumerist satire while being reflexively aware that it is itself a shining example of that which it is lampooning. Sadly the third instalment in the series, now without Peter Weller in the title role, is exactly the kind of dumbed-down production-line flick that the corporate suits of OCP might have dreamed up at a marketing meeting. Its only virtue is a decent music score from regular Verhoeven collaborator Basil Poledouris, whose splendid march theme returned from the original score. On the DVD: Packaged in a fold-out slipcase these three discs make a very collectable set. All are presented in 1.85:1 anamorphic prints, although only the first movie has any extra material worth mentioning. Here the Director's Cut option allows the viewer to see Paul Verhoeven's more explicitly violent versions of Murphy's "assassination", ED-209's bloody malfunction and the shootout finale. These extended sequences are handily signposted in the scene selection menu, and the filming of them can be seen in a sequence of Director's Cut footage. Deleted scenes include "Topless Pizza" ("I'll buy that for a dollar!") and there are two contemporary "making of" featurettes plus a good, new half-hour retrospective. Both the latter and the director's commentary make abundantly clear the Reagan-era satire and are chock full of quotable lines from Verhoeven--"I wanted to show Satan killing Jesus"--and his producer--"Fascism for liberals". Stop-motion animator Phil Tippett gives a commentary on the storyboard-to-film comparisons, and there are the usual trailers and photos. Showing just how much the sequels are rated in comparison, the second and third discs have nothing but theatrical trailers and their sound is just Dolby 2.0 whereas the original movie has been remastered into Dolby 5.1.--Mark Walker
Narcotics cops Mike and Marcus are back - this time investigating the flow of ecstasy into Miami and a dangerous criminal kingpin whose plan to control the city's drug traffic has touched off an underground war.
A visually sumptuous and quintessentially British production, Death on the Nile won an Oscar® for Anthony Powell's costume design and introduced Peter Ustinov in his first portrayal as the Belgian detective Poirot. Abroad a luxury Nile steamer a mystery assassin takes the life of an heiress. EXTRAS Making Of Interview with costume designer Anthony Powell Interview with Dame Angela Lansbury Interview with producer Richard Goodwin Behind the scenes stills gallery Costume designs stills gallery
This offbeat Australian comedy is based on the real life events of 1969, when a huge satellite dish in the middle of a sheep paddock in Australia was used to pick up the TV signals from the first moon landing!
With Operation Bite Mark in shambles and our heroes again on the hunt for Murphy, Season 3 opens on a world where the fate of humanity rests not in the jaws of zombies, but in the rise of a new breed of hybrid blends. Created and controlled by Murphy, the ever-growing army of blends is hell bent on spreading their message of 'No Fear' across the land. It's up to Warren, Doc, Addy, and new team members Hector and Sun Mei to stop Murphy and his cult of blends before it's too late. This season the mission has changed, the team makeup has changed, and even the threats have changed (with all new horrors like Wolf-Z's, Electro-Shock Z's, and the deadly but surprisingly feral humans called 'Enders'.) This season the Apocalypse has gotten worse, the stakes have gotten higher, and our heroes have gotten funnier in the face of zombie danger.
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