An extraordinary portrayal of humanity set during one of history's most inhumane periods 'The Diary Of Anne Frank' features Millie Perkins as the insightful 13-year-old biographer of her family's two year hiding in an Amsterdam attic. At first the strong-willed teenager embraces her fugitive lifestyle as an adventure but in time the ever-increasing fear of discovery and close quarters prove nearly unbearableifor the eight personalities in hiding which include Mr. Dussell (Ed Wynn) the abrasive Mrs. Van Daan (the Oscar-winning Shelley Winters) her husband (Lou Jacobi) and their son Peter (Richard Beymer) for whom Anne develops an impossible love...
Boasting a virtuoso comic performance from Leonard Rossiter The Fall and Rise of Reginald Perrin (1976-79) remains one of the greatest of all television sitcoms. Writer David Nobbs combined the surrealist absurdity of Monty Python with an on-going story line that unfolded through each of the three seasons with a clear beginning, middle and end; a ground-breaking development in 70s TV comedy. The first and best season charts middle-aged, middle-management executive Reginald Perrin as he breaks-down under the stress of middle-class life until he informs the world that half the parking meters in London have Dutch Parking Meter Disease. He fakes suicide and returns to court his wife Elizabeth (Pauline Yates) in disguise, a plot development that formed the entire basis of Mrs Doubtfire (1993). Series Two is broader, the rapid-fire dialogue still razor sharp and loaded with caustic wit and ingenious silliness, as a now sane Reggie takes on the madness of the business world by opening a chain of shops selling rubbish. The third season, set in a health farm, is routine, the edge blunted by routine sitcom conventions. At its best The Fall and Rise of Reginald Perrin is hilarious and moving, its depiction of English middle-class life spot on, its satire prophetic. Reggie's visual fantasies hark back to The Secret Life of Walter Mitty (1947) and Billy Liar (1963), and look forward to Ally McBeal (1997-2002) and are the icing on the cake of a fine, original and highly imaginative show. On the DVD: Reginald Perrin's discs contain one complete seven episode season. There are no extras. The sound is good mono and the 4:3 picture is generally fine, though some of the exterior shot-on-film scenes have deteriorated and there are occasional signs of minor damage to the original video masters. Even so, for a 1970s sitcom shot on video the picture is excellent and far superior to the original broadcasts. --Gary S Dalkin
The Old West... where a lone cowboy leads an uprising against a terror from beyond our world.1873. Arizona Territory. A stranger with no memory of his past stumbles into the hard desert town of Absolution. The only hint to his history is a mysterious shackle that encircles one wrist. What he discovers is that the people of Absolution don't welcome strangers, and nobody makes a move on its streets unless ordered to do so by the iron-fisted Colonel Dolarhyde (Ford).It's a town that lives in fear. But Absolution is about to experience fear it can scarcely comprehend as the desolate city is attacked by marauders from the sky. Screaming down with breathtaking velocity and blinding lights to abduct the helpless one by one, these monsters challenge everything the residents have ever known. Now, the stranger they rejected is their only hope for salvation. As this gunslinger slowly starts to remember who he is and where he's been...
When the first Evangelion feature, Death and Rebirth, proved no more satisfying than the last episodes of the original series, Hideaki Anno brought his watershed epic to its conclusion in this final instalment. End of Evangelion begins where the series ended: with the Angels defeated, the sinister cabal SEELE attacks NERV headquarters to seize the Evas and realise their plan for humanity. Misato and Ritsuko fight from inside while Asuka decimates a new Eva series. But when Rei merges with Lilith, and Shinji seems to fuse with Unit 01, the final traces of a coherent story line dissolve into a protracted collage of fantastic images, played against discussions involving Rei, Shinji, Asuka and Kaoru. Anno's dazzling apocalyptic vision forms a weird but oddly logical finale that ultimately can be interpreted to mean whatever the viewer chooses. --Charles Solomon
This very special collection illuminates one of the most fascinating and unjustly neglected corners of American movie history Martin Scorsese Explore the landmarks of early African-American film with this extensive collection of features and shorts. One of the most fascinating chapters of film history, the so-called race films of 1920s, 30s and 40s America rallied against the prejudiced conventions of the time. Starring, written, produced and directed by African-Americans, these pioneering films refined an innovative style that set them apart from the Hollywood establishment. Showcasing the works of influential filmmakers such as Oscar Micheaux, Spencer Williams, Zora Neale Hurston, and James and Eloyce Gist, the Pioneers of African-American Cinema is a newly restored collection of rare and nearly-forgotten films that celebrates the enduring influence of these overlooked visionaries.
Michael J. Sarna directs this family adventure in which an escaped tiger cub befriends a young boy. Billy Connley (Will Spencer) and his friend Koby Burrows (Zachary Friedman) think they have their hands full with the usual teenage problems: girls, bullying and homework. That is, until Billy is followed home by a tiger cub that has escaped from a local animal park. Though Billy and Koby realise that they should return the cub, they quickly become attached to it. Moreover, the boys believe tha.
The world's best art forger (Oscar Nominee, John Travolta, Pulp Fiction, Face/Off) makes a deal with a crime syndicate to get an early release from prison, but in return he must pull of an impossible heist. He must forge a renowned painting by Claude Monet, steal the original from the museum where it is displayed and replace it with a replica so perfect that no one will notice. To achieve the impossible, he enlists the help of his cantankerous father, Joe (Oscar Winner, Christopher Plummer, Up, The Sound of Music), and son Will (Tye Sheridan, Mud), and together they plan the heist of their lives. With a dynamite supporting cast including Abigail Spencer (Cowboys & Aliens, Oz The Great & Powerful, Mad Men) and Jennifer Ehle (Fifty Shades of Grey, Zero Dark Thirty), The Forger is a compelling and suspenseful tale of a talented man who has spent his life employing his artistic skills in all the wrong ways.
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Fourth season of US hit series The Hills.
Aaron Sorkin's American political drama The West Wing, set in the White House, has won innumerable awards--and rightly so. Its depiction of a well-meaning Democrat administration has warmed the hearts of countless Americans. However, The West Wing is more than mere feel-good viewing for sentimental patriots. It is among the best-written, sharpest, funny and moving American TV series of all time. In its first series, The West Wing established the cast of characters who comprise the White House staff. There's Chief of Staff Leo McGarry (John Spencer), a recovering alcoholic whose efforts to be the cornerstone of the administration contribute to the break-up of his marriage. CJ (Alison Janney) is the formidable Press Spokeswoman embroiled in a tentative on-off relationship with Timothy (Thirtysomething) Busfield's reporter. Brilliant but grumpy communications deputy Toby Ziegler, Rob Lowe's brilliant but faintly nerdy Sam Seaborn and brilliant but smart-alecky Josh Lyman make up the rest of the inner circle. Initially, the series' creators had intended to keep the President off-screen. Wisely, however, they went with Martin Sheen's Jed Bartlet, whose eccentric volatility, caution, humour and strength in a crisis make for such an impressively plausible fictional President that polls once expressed a preference for Bartlet over the genuine incumbent. The issues broached in the first series have striking, often prescient contemporary relevance. We see the President having to be talked down from a "disproportionate response" when terrorists shoot down a plane carrying his personal doctor, or acting as broker in a dangerous stand-off between India and Pakistan. Gun control laws, gays in the military, Fundamentalist pressure groups are all addressed--the latter in a most satisfying manner ("Get your fat asses out of the White House!")--while the episode "Take This Sabbath Day" is a superb dramatic meditation on Capital punishment. Handled incorrectly, The West Wing could have been turgid, didactic propaganda for The American Way. However, the writers are careful to show that, decent as this administration is, its achievements, though hard-won, are minimal. Moreover, the brisk, staccato-like, almost musical exchanges of dialogue, between Josh and his PA Donna, for instance, as they pace purposefully up and down the corridors are the show's abiding joy. This is wonderful and addictive viewing.--David Stubbs
What lies beneath should be left beneath. From the co-creator of Life on Mars and Ashes to Ashes, comes The Living and the Dead, a major new supernatural series set in rural England in the 1890s. When Nathan Appleby, a pioneering psychologist, inherits Shepzoy House in a beautiful but isolated Somerset valley, he decides to make a new life for himself and his adored wife, Charlotte. But soon the idyll is compromised by strange and disturbing occurrences that all seem to inexplicably swirl around the increasingly troubled Nathan. Is he being haunted? Why? And by whom? The answers will shatter every belief this man has ever held and threaten everything and everyone he has ever loved.
Aaron Sorkin's American political drama The West Wing is more than mere feel-good viewing for sentimental US patriots. It is among the best-written, sharpest, funny and moving American TV series of all time. In its first series, The West Wing established the cast of characters who comprise the White House staff. There's Chief of Staff Leo McGarry (John Spencer), a recovering alcoholic whose efforts to be the cornerstone of the administration contribute to the break-up of his marriage. CJ (Alison Janney) is the formidable Press Spokeswoman embroiled in a tentative on-off relationship with Timothy (Thirtysomething) Busfield's reporter. Brilliant but grumpy communications deputy Toby Ziegler, Rob Lowe's brilliant but faintly nerdy Sam Seaborn and brilliant but smart-alecky Josh Lyman makes up the rest of the inner circle. Initially, the series' creators had intended to keep the President off-screen. Wisely, however, they went with Martin Sheen's Jed Bartlet, whose eccentric volatility, caution, humour and strength in a crisis make for such an impressively plausible fictional President that polls once expressed a preference for Bartlet over the genuine incumbent. The second series of The West Wing takes up where the first one left off and, a few moments of slightly toe-curling patriotic sentimentalism apart, maintains the series' astonishingly high standards in depicting the everyday life of the White House staff of a Democratic administration. With Aaron Sorkin's dialogue ranging as ever from dry, staccato mirth to almost biblical gravitas, an ensemble of overworked (and curiously undersexed) characters and an overall depiction of the workings of government that's both gratifyingly idealised yet chasteningly realistic, The West Wing is one of the all-time great American TV dramas. --David Stubbs
From Primetime Emmy® Award-winning executive producer Dick Wolf (Law & Order) comes the red-hot third season of Chicago Fire. Though many of the firefighters still grieve over the loss of one of their own in a brutal explosion they are faced with new challenges: a determined arsonist the complications of staff romance and tension inside the house with shocking results. Watch the passion and conflicts flare amongst the brave men and women of Firehouse 51 in Season Three of Chicago Fire presented back-to-back and uninterrupted for maximum impact!
Building on the terror of The Haunting in Connecticut, this horrifying tale traces a young family's nightmarish descent into a centuries-old Southern hell. When Andy Wyrick (Chad Michael Murray, House of Wax) moves his wife, Lisa (Abigail Spencer, TV's Mad Men), and daughter, Heidi, to a historic home in Georgia, they quickly discover they are not the house's only inhabitants. Joined by Lisa's free spirited sister, Joyce (Katee Sackhoff, TV's Battlestar Galactica), the family soon comes face-to-face with a bone-chilling mystery born of a deranged desire... a haunting secret rising from underground and threatening to bring down anyone in its path. Special Features: Seeing Ghosts Featurette Outtakes Deleted Scenes (With Optional Filmmaker Commentary)
Titles Comprise:The Hangmen Waits: This 1947 semi-documentary style featurette shot around the news of the world press, is a story of grisly murders by a cinema organist. A fascinating film produced by Five Star Films using the mediums of the Press and the cinema. Good historic scenes of the News of the World Printing Plant and Victoria Station.The Gentle Trap: A 1960 Butchers production about safe cracker Johnny Ryan (Spencer Teakle) who after robbing a jewellers, is himself robbed by a rival gang headed by Ricky Barnes(Martin Benson). Barnes has also pinched Ryan's girlfriend and she in turn has set Ryan up. However, Ricky's dumb henchmen miss the diamonds on Ryan. With this 60,000 booty, he acquires some refuge at a nightclub in the company of two sisters; the kindly Jean (Felicity Young) and deceitful Mary (Dorinda Stevens).
This jaunty musical comedy marked another success for former stage star Gene Gerrard playing here opposite Molly Lamont – his frequent screen partner during the early 1930s who enjoyed a flourishing career in Hollywood during the later half of the decade. Co-directed by Gerrard Lucky Girl is featured here in a brand-new transfer from the original film elements in its as-exhibited theatrical aspect ratio. Gerrard plays Stephan Gregorovitch the unwilling king of a bankrupt Ruritanian country who along with his chancellor is accused of stealing jewels at a party held by Duke Hugo. It is the delightful Lady Moira who comes to their aid… Special Features: Image Gallery
Realising that the rising Nazi empire will swallow Holland and create the holocaust of every innocent Jew, Corrie ten Boom faces this deadly threat with a surprising remedy: an army comprised of untrained teenagers. Because Hans Poley chooses not to join the Nazi party, he is forced into hiding in the home of Corrie ten Boom. He witnesses the atrocities toward the suffering Jews and decides he must do something. Hans is drawn by resistance fighter, Piet Hartog, and the love of Piet's life - Aty van Woerden (Corrie ten Boom's niece) into an intricate web of espionage and clandestine activities centered in the famous Hiding Place. Hans, Piet, and their friends navigate a deadly labyrinth of challenges to rescue the Jewish people while embarking on an action-packed hunt with the underground, involving Gestapo hijacks, daring rescues, and stunning miracles. The film climaxes in the true, breath-taking rescue of an entire orphanage of Jewish children marked for mass execution by Hitler's assassins. Extras: Behind the Scenes Deleted Scenes Theatrical Trailer
After a one-woman assault on the Umbrella Corporation's fortress, Alice's (Milla Jovovich) superhuman abilities are neutralised. Now, fleeing the Undead masses created by the T-virus, Alice reunites with Claire Redfield (Ali Larter) and her brother, chris (Wentworth Miller). Together they take refuge with other survivors in an abandoned prison, where a savage zombie mob stands between them and the safety of Arcadia. Escaping these bloodthirsty mutants will take an arsenal. But facing off with albert Wesker and the Umbrella Corporation will take the fight for survival to a new level of danger.
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