Newlyweds Peter (Alec Baldwin) and Rita (Meg Ryan) find their promise to love each other forever is tested in a way they could never have imagined! Just moments after they exchange wedding vows an elderly man appears and asks if he may kiss the bride. Rita says yes and it is not long before Peter notices that his bride is no longer the girl he knew. When he realizes that Rita and the old man have somehow exchanged souls Peter knows he must find him to get back the woman he loves!
Available for the first time on DVD. New York 1935: Billy Bathgate a naive Bronx-born teenager wangles his way into the gang of his hero crime boss Dutch Schultz (Dustin Hoffman). Although the boy doesn't know it Schultz is approaching the end of his storied career and the Feds are closing in hoping to put him behind bars for income-tax evasion. The youth quickly learns about the endless violence treachery and double-crossing that characterize mob life such as Schultz's cold-
The Girls' Night of the title refers to Friday night, the one time of escape from the daily grind for longstanding best friends and factory co-workers, Dawn and Jackie. And Friday night means bingo. One evening their dream comes true when Dawn (the cautious, caring one) scoops £100,000, but the savage twist in the tale is that even before she gets the cheque she discovers she has an inoperable brain tumour. Cue Jackie (the spontaneous, irresponsible one) fulfilling Dawn's lifetime ambition with a holiday in Las Vegas ("Come on, we've got an hour to get the plane"). And from then on it's a buddy movie with inescapable resonances of Thelma and Louise, though the difference here is that the protagonists are two ordinary middle-aged women. Brenda Blethyn and Julie Walters are a magical pairing, with both giving mesmerising moving performances (honorary mention should also be made of Cody, the one sympathetic male character in the film, magnificently played by Kris Kristofferson). Though death is ever-present, this is by no means a depressing movie; rather the opposite, in fact, with a remarkably upbeat ending. If there's a message to be found here, it's that even the most apparently ordinary people can be extraordinary given the right circumstances. On the DVD: As well as the original trailer, there is on-location feature
Stephen (Dirk Bogarde - The Servant) is a middle-aged professor at Oxford University. Stifled by his life of marriage and academia, he yearns for an affair with his beautiful and enigmatic student Anna (Jacqueline Sassard – Les Biches). He is locked into a battle for Anna's affection against her fiance, William (Michael York - Logan's Run), whose youthful vitality he envies, and with his friend and academic rival Charley (Stanley Baker - Zulu), whose media profile and sexual success he covets. Along with The Go-Between and The Servant, Accident is one of the three film collaborations between legendary director Joseph Losey and playwright Harold Pinter. Often acknowledged as the pinnacle of Losey's distinguished career, Accident is a compelling and unforgettable masterpiece. Special Features: Interview with Dirk Bogarde biographer John Coldstream Interview with Harry Pinter expert Harry Burton Interview with feminist author and academic Melanie Williams Interview with film critic Tim Robey Joseph Losey and Harold Pinter discuss Accident (1957) Talking About Accident documentary featuring an interview with Harry Pinter
Hip-hop legend LL Cool J is teamed up with hot stars Omar Epps and Nia Long in a gritty crime drama about a dedicated young cop who goes deep undercover to take down a ruthless gangster. Officer Jeff Cole is given a dangerous mission: infiltrate the syndicate of 'God' the charismatic and deadly crime lord who rules the city's streets. But as Cole sinks deeper and deeper into God's crew he begins to get in over his head... until the line that seperates his true identity from his street persona begins to dissappear.
A Hill In Korea follows the expeditions of a British army patrol which travels by cover of night as they target an enemy village.
An archaic document found in a bombsite reveals that the London district of Pimlico has for centuries technically been part of France. The local residents embrace their new found continental status, seeing it as a way to avoid the drabness, austerity and rationing of post-war England. The authorities do not, however, share their enthusiasm...A whimsical and charming British film, 'Passport To Pimlico' is one of the finest examples of the classic Ealing comedies.
This second collection of Ealing Comedy, while not quite as important a reissue as the first box, is nonetheless essential viewing for all aficionados of classic English film. In Passport to Pimlico a group of Londoners demonstrate, paradoxically, their Englishness by eccentrically choosing the Burgundian citizenship granted them by a rediscovered medieval charter. Similarly, in The Titfield Thunderbolt neighbours outraged by the closing of their local branch line steal an antique locomotive from the museum and run their own railway. A similar sense of taking charge of your own life fills Hue and Cry as a group of boys, infuriated that crooks have been using their favourite comic to send messages, summon scores of others by radio to help them track down and capture the gang. There are shared themes here, a shared sense of the importance of eccentricity and imagination to a healthy society as well as excellent ensemble acting from casts that include Stanley Holloway, Margaret Rutherford and Sid James. The box is filled out with a television documentary about the history of Ealing Studios. It covers its early silent days, the golden age that produced the classic comedies and such important films as The Cruel Sea, its time as a BBC studio and its possible renaissance under new management. On the DVD: Ealing Comedy presents the three films and the documentary in 1.33:1 (i.e., 4:3), and has excellent mono sound that does full justice to both dialogue and scores. The extra features include introductions to the four films in the first box set by such luminaries as Terry Gilliam and Martin Scorsese as well as DVD-ROM files of the original brochures for all seven films. --Roz Kaveney
Hell Drivers sees James Bond (Sean Connery), Doctor Who (William Hartnell), one of the men from UNCLE (David McCallum), the Prisoner (Patrick McGoohan) and a Professional (Gordon Jackson), all supporting Stanley Baker in this hard-as-nails British action picture realistically set in a bleak late-1950s England. Baker plays Tom Yately, an ex-con who takes the only job he can get--truck driving at breakneck speeds for a corrupt manager (Hartnell) and brutal foreman (McGoohan). The constant short runs and competition between the drivers makes for an intense atmosphere which inevitably explodes into violence. Baker's only friend is an Italian ex-POW played sensitively by Herbert Lom, while Peggy Cummings is a remarkably free-spirited heroine for a British film of the time. Baker himself is superb, quietly tough, and broodingly charismatic, McGoohan is compellingly malevolent and Hartnell simply chilling. The film is consistently engrossing and often exciting, even when the plot spirals into melodrama towards the finale. One has to wonder where the police are during all this mayhem, but the fact that the screenplay, by John Kruse and Cy Endfield, received a BAFTA nomination suggests the scenario was at least reasonably realistic. Endfield also directed this, the second of six films he would helm for Baker, the most famous of which would be the all-time classic, Zulu (1964). On the DVD: Hell Drivers is presented in an anamorphically enhanced ratio of 1.77:1. This means a little of the original 1.96:1 VistaVision (70mm) image is cropped at the sides, which is just noticeable in a few shots. The print used is excellent, with only very minor damage, and the mono sound is fine. The disc also includes Look in on Hell Drivers, a 1957 TV programme that offers interviews with Stanley Baker, Cy Endfield and Alfie Bass, as well as comments from genuine truck drivers confirming the realism of the story, and a contemporary 15-minute television interview with Baker, which focuses on Hell Drivers, Sea Fury(1958) (also directed by Cy Endfield) and Violent Playground (1958). The original trailer rounds out an excellent package. --Gary S Dalkin
Ex-con Johnny (Stanley Baker) used his time in prison wisely to plan the biggest robbery of his career. The robbery goes smoothly and Johnny goes to bury the money in a field until the heat is off, as agreed with friend and racketeer Mike Carter (Sam Wanamaker) and the rest of the gang. In a moment of weakness, Johnny pockets five hundred odd pounds from the haul. Coupled with a tip-off from his ex-girlfriend (Jill Bennett) this proves to be his undoing and Johnny is soon back in prison. The rest of the gang try in vain to get the location of the money out of him without success until Mike hits upon the idea of a break-out using Johnny's new love Suzanne (Margit Saad) as bait.
After Victory at The Battle of Hastings in 1066 William the Conqueror sent his army to the North of England to carry out a campaign of furious destruction. It was known as the Harrowing of the North. After years of slavery a Norman Prince returns to the lost lands to seek revenge on his father’s murderer: his uncle the ruthless Earl Durant. He gains the trust of a band of exiled farmers and leads them into battle against the Earl exploiting them in his inexorable quest for revenge. Can there be any redemption for his deep rooted rage and hatred or has he lost his soul to vengeance…
Jeanne Moreau (Jules et Jim) and Stanley Baker (Yesterday's Enemy) star as two lovers caught in a deadly affair, in Joseph Losey's 1962 adaptation of the James Hadley Chase novel. A highly personal film that was blighted by producer interference, and heavily cut for general release, we are delighted to present the longest-known version of the film in a definitive, world premiere Blu-ray edition. Special Features: Brand new 4K scan of EYE Filmmuseum's photochemical restoration of the longest-known version of the film (130 mins) High Definition remaster of the original European theatrical release version of Eva (109 mins) High Definition remaster of the alternative The Devil's Woman version (109 mins) Original mono audio Archival Interview with Joseph Losey (1967): the acclaimed director discusses Eve in this extract from the French television programme Cinéma Archival Interview with Jeanne Moreau (1972): extract from the French television programme Tête d'affiche, featuring the celebrated star in conversation with actor France Roche The BEHP Interview with Reginald Beck (1987): archival audio recording, made as part of the British Entertainment History Project, featuring the editor, and regular Losey collaborator, in conversation with Alan Lawson All About Eve (2020): interview with filmmaker Gavrik Losey, son of Joseph Losey A Creation Myth (2020): appreciation by author and film historian Neil Sinyard Image gallery: publicity and promotional material Original UK and French theatrical trailers New and improved English subtitles for the deaf and hard-of-hearing Limited edition exclusive 36-page booklet with a new essay by Phuong Le, Joseph Losey on Eve, a look at the James Hadley Chase source novel, an overview of contemporary critical responses, Simona Monizza on the EYE Filmmuseum restoration of Eve, and film credits World premiere on Blu-ray Limited edition of 3,000 copies
Evolving over 36 hours in a troubled New York trading firm, J.C. Chandor's Margin Call--the true-ish story of the origins of the 2008 financial crisis--ranks alongside Wall Street, American Psycho and Glengarry Glen Ross in Hollywoods long-standing fascination with the corrupting logic of late capitalism. The films opening round of lay-offs, one of several, includes that of a risk analyst (Stanley Tucci) who has secretly uncovered the runaway corrosive effects of the firm's big success story (and the bête noire of recent economic history): hyper-leveraged securities backed by sub-prime lending. Sensing meltdown, his protégé (Zachary Quinto) sends a warning signal up the corporate ladder--an overnight crisis meeting is convened; a drastic plan is forged--and the firm resolves to dump the bad schemes at the cost of projected global recession. The rest, we know, is history. Like Charles Ferguson's 2010 documentary Inside Job, Margin Call is tuned in to our suspicions of post-Keynesian economics, imagining high finance as an alchemy of unreal quantities from which huge profits can be netted. But if nobody, even academia, comes out of Inside Job intact, Margin Call presents a range of ethical positions: Kevin Spacey is a believably weary sales manager for whom Wall Street status is a gilded cage, while Simon Baker and Demi Moore are superb as unreflecting high-rollers, frosted over with greed and cynicism. Neither extremes are as interesting as Paul Bettany's pragmatic rank-and-file trader with a talent for corporate survival--and Jeremy Irons towering performance as CEO John Tuld (not to be confused with former CEO of Lehman Brothers Richard Fuld, obviously) is the most primal embodiment of capitalism since Daniel Day-Lewis prospected for oil in There Will Be Blood. His verdict sounds depressingly like authentic Wall Street cant: financial crises and the misery they inflict are a necessary part of the economic cycle. --Leo Batchelor
The fourth in the hilarious Bob Hope/Bing Crosby 'Road To...' series is a blizzard of laughs with Bob and Bing playing turn-of-the-century vaudevillians who search for Klondike gold - and find the beautiful Dorothy Lamour instead! After stealing the map to a gold mine from two Alaskan ne'er-do-wells Hope and Crosby assume the identities of the bad guys swagger into Skagway and meet saloon singer Lamour. A series of misadventures ensues as the boys Lamour the criminals and other c
From playful romantic comedies to variety extravaganzas, the pre-war British musical films offered audiences a source of much-needed escapism throughout the decade haunted by the Great Depression and the growing menace of war. Often adapting much-loved hits of the music hall as well as serving as vehicles for the era's composers, performers and band leaders, they showcased home-grown talent alongside some of Hollywood's most bankable stars.This ongoing, multi-volume collection makes available a wealth of rare gems from the very earliest days of the British talkies, many of which have remained unseen since their original release; each film is presented uncut, in a brand-new transfer from the original film elements in its as-exhibited theatrical aspect ratio.HAPPY (1934)A young musician invents an anti-theft device for cars, but works as a jazz conductor while waiting for his invention to be successful.Black and White / 77 mins / 1.37:1 / Mono / EnglishINVITATION TO THE WALTZ (1935)London, 1804: as the threat of Napoleonic invasion looms ever closer, a German duke and potential ally of England falls for a pretty ballerina...Black and White / 75 mins / 1.37:1 / Mono / EnglishGLAMOROUS NIGHT (1937)Based on Ivor Novello's hit stage play: an opera singer and her gypsy friends try to rescue their king from the clutches of a would-be dictator.Black and White / 71 mins / 1.37:1 / Mono / EnglishLET'S MAKE A NIGHT OF IT (1937)Unbeknown to each other, a husband and wife acquire separate nightclubs in the same London street; however, both clubs are on the brink of bankruptcy...Black and White / 88 mins / 1.37:1 / Mono / English
Hell Drivers sees James Bond (Sean Connery), Doctor Who (William Hartnell), one of the men from UNCLE (David McCallum), the Prisoner (Patrick McGoohan) and a Professional (Gordon Jackson), all supporting Stanley Baker in this hard-as-nails British action picture realistically set in a bleak late-1950s England. Baker plays Tom Yately, an ex-con who takes the only job he can get--truck driving at breakneck speeds for a corrupt manager (Hartnell) and brutal foreman (McGoohan). The constant short runs and competition between the drivers makes for an intense atmosphere which inevitably explodes into violence. Baker's only friend is an Italian ex-POW played sensitively by Herbert Lom, while Peggy Cummings is a remarkably free-spirited heroine for a British film of the time. Baker himself is superb, quietly tough, and broodingly charismatic, McGoohan is compellingly malevolent and Hartnell simply chilling. The film is consistently engrossing and often exciting, even when the plot spirals into melodrama towards the finale. One has to wonder where the police are during all this mayhem, but the fact that the screenplay, by John Kruse and Cy Endfield, received a BAFTA nomination suggests the scenario was at least reasonably realistic. Endfield also directed this, the second of six films he would helm for Baker, the most famous of which would be the all-time classic, Zulu (1964). On the DVD: Hell Drivers is presented in an anamorphically enhanced ratio of 1.77:1. This means a little of the original 1.96:1 VistaVision (70mm) image is cropped at the sides, which is just noticeable in a few shots. The print used is excellent, with only very minor damage, and the mono sound is fine. The disc also includes Look in on Hell Drivers, a 1957 TV programme that offers interviews with Stanley Baker, Cy Endfield and Alfie Bass, as well as comments from genuine truck drivers confirming the realism of the story, and a contemporary 15-minute television interview with Baker, which focuses on Hell Drivers, Sea Fury(1958) (also directed by Cy Endfield) and Violent Playground (1958). The original trailer rounds out an excellent package. --Gary S Dalkin
The fabulous land of Oz rocks in the spectacular musical based on the smash hit Broadway show. In this Motown production Dorothy is a shy Harlem kindergarten teacher who while searching for her lost dog Toto in a swirling blizzard is whisked to a wonderland to follow the yellow brick road. Director Sidney Lumet (Serpico Murder on the Orient Express) not content to merely film the stage production transforms the physical attributes of New York City into the fabulous land of Oz.
Percy Jackson, the son of Poseidon, continues the epic journey to fulfill his destiny, as he teams with his demigod friends to retrieve the Golden Fleece, which has the power to save their home and training ground, Camp Half-Blood.
The day before her heart operation, twelve-year-old Lucy Rose reads J.M. Barrie's novel of Peter Pan to a crowd of sick children in the hospital, and she goes to sleep with thoughts of the classic tale in her head. Lucy dreams this version of Peter Pan into existence and the story is retold through the young girl's imagination. The magical story cuts back and forth between Lucy's modern day struggles and the fantasy land of Neverland, with the common theme being positivity and belief.
With her debut novel, Happy Ending , Jane Lockhart (Karen Gillan) pulled off that rare double critical acclaim and mainstream success. But now, with just the last chapter of the follow-up novel to write, she encounters crippling writer s block. She has no idea how her story ends... This is not good news for her publisher, Tom. His company is up against the wall financially and the only thing that will save him is a hit, in the form of Jane's next novel. When he discovers that his most importa...
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