Director Robert Wise chose to film Robert McKenna's award-winning novel The Sand Pebbles as his follow-up to the success of The Sound of Music. Shot in Taiwan and Hong Kong, the film combines historical sweep and intimate human drama in several parallel stories, all revolving around US Navy machinist's mate Jake Holman (Steve McQueen), a skilful but fiercely independent sailor who joins the "sand pebble" crew of the USS San Pablo, a Navy gunboat patrolling the Yangtze River on the eve of the Chinese revolution in 1926. The San Pablo's inexperienced captain (Richard Crenna) obsessively defends the Navy's mission-however unnecessary or unwanted--to protect American missionaries and businessmen, blind to the more dangerous implications of American involvement with China's opposing political factions. Holman is a defiant voice of humanity in this clash between outmoded values and inevitable change; his final line of dialogue ("What the hell happened?") is a tragic summation of misguided policy, expressing the film's criticism of the Vietnam War. Rather than preach, however, Wise lets McKenna's potent drama emerge from finely drawn relationships: between Holman and a young American teacher (19-year-old Candice Bergen, in her second film); between Holman and the Chinese "coolie" (Mako), whose heart-breaking fate transcends all issues of racial or political difference; and between crewmate "Frenchy" Burgoyne (Richard Attenborough) and the Chinese woman he's sworn to love and protect at all costs. Combined with the film's colourful supporting cast, adventurous scope, and climactic battle scenes, these personal dynamics bring substance and spirit to a complex story of good intentions gone awry. --Jeff Shannon, Amazon.com
In the action-comedy "Tropic Thunder", Ben Stiller plays pampered action superstar Tugg Speedman, who is cast in the biggest, most expensive war movie ever produced.
Spectacular street dancing flick about two crews battling it out for money and respect.
Blood the Last Vampire brings a moody atmospheric quality all of its own to the Japanese animated film tradition. In a few short enigmatic scenes, we learn of the young girl Saya who is working for nameless government agencies and is sent, after one of her killings, to pose as a new pupil at an American school on an air force base. The Vietnam War is underway, but this does not concern her--she is involved with a far older war. All we ever find out is that she is not quite human, and that two of her schoolmates (and a whore in the mean streets adjacent to the base) are something yet again. Much of what ensues--gore and metamorphosis and nightmare chases--is all the more confusing for being seen through the eyes of a schoolteacher who never learns very much. This is a dreamlike film which does not have to make entirely literal sense, far more so than the creator's more famous Ghost in the Shell. It is also a memorable stage in the development of digitised animation. --Roz Kaveny
In a near-future world, where technology controls everything, technophobe Grey Trace is the victim of a brutal mugging that leaves his wife dead and him paralyzed. A reclusive billionaire inventor offers him an experimental cure, an A.I. implant called STEM. Grey accepts and is immediately transformed into an unstoppable killing machine with enhanced strength and agility. Now it's payback time. This hugely successful collaboration between genre specialists Blumhouse and the creator of the Saw franchise has become an instant cyberpunk classic. SPECIAL FEATURES: 'Not Action. Not Sci-Fi. More': A new interview with director, Leigh Whannell 'Permission Granted': A new interview with producer, Kylie Du Fresne 'Future Noir': A new interview with cinematographer, Stefan Duscio 'Hacking Upgrade': A new interview with editor, Andy Canny 'The Art of Fighting Without Fighting': A new interview with fight choreographer, Chris Weir Optional English subtitles for the Hard of Hearing LIMITED EDITION CONTENTS: Rigid slipcase featuring new artwork by Adam Stothard Poster featuring the new artwork 40-page soft cover book with new essays by Jon Towlson and Scott Harrison.
In the all-new original Catwoman: Hunted, Catwoman's attempt to steal a priceless jewel puts her squarely in the crosshairs of both a powerful consortium of villains and the ever-resourceful Interpol, not to mention Batwoman. It might just be enough to contain her. Or not.
It's not human, and it's got an axe! One of the most underrated efforts to hail from the slice-and-dice boom, The Prey at last emerges from the VHS wilderness in a brand new 2K restoration from the recently unearthed original camera negative. Three young couples set off into the mountains for a weekend of climbing, drinking and lovemaking. But little do they know that they are stumbling into the terrain of a fearsome predator a wild man, horrifically burned as a child many years ago in a fire which engulfed his gypsy camp and left only him alive. Now he roams the woods in search of his next human prey. Filmed in 1979-1980 but not released in the US until 1984 when it was picked up by New World Pictures, The Prey is a unique woodsy slasher gem ripe for reappraisal in this extras-packed edition! SPECIAL EDITION CONTENTS High Definition Blu-ray⢠(1080p) presentation 2K restoration of the filmmaker-approved US Theatrical Cut from the original camera negative Original uncompressed mono audio Optional English subtitles for the deaf and hard of hearing Audio commentary with Ewan Cant and Amanda Reyes Audio interview with director/co-writer Edwin Scott Brown Audio interview with producer/co-writer Summer Brown Gypsies, Camps and Screams interview with actress Debbie Thureson Babe in the Woods interview with actress Lori Lethin Gayle on Gail interview with actress Gayle Gannes The Wide-Mouthed Frog and Other Stories interview with actor Jackson Bostwick Call of the Wild interview with actor Carel Struycken In Search of The Prey Ewan Cant and actress Debbie Thureson revisit the original shooting locations in Idyllwild, California ¢ Texas Frightmare Weekend Experience relive the premiere of the restored The Prey at Texas Frightmare Weekend 2019, with full audience reaction track and post-screening Q&A with actors Lori Lethin, Carel Struycken and Jackson Bostwick TV Spot and home video trailer Original shooting script from the personal archives of Debbie Thureson (BD-ROM Content) Reversible sleeve featuring original and newly commissioned artwork by Justin Osbourn
Series OneJohn Major had it all: wife, best friend, glittering career in the police force... when his cover was blown and he met an untimely death. One year later, he's back - part AI and better than ever... or so he'd like to believe. Full of glitches, he's got to track down the person who shot him, prove himself as a cop so as not to get shut down, save his marriage and his friendship with his partner to boot.Series TwoDI John Major and DI Roy Carver were the top crime fighting duo in the Unit but when an undercover sting went horribly wrong, Major was gunned down on the job and killed. As an asset' considered too valuable to lose, his body was fast-tracked into an experimental Artificial Intelligence project to bring him back from the dead. The only problem is, Major 2.0 may look like and sound like the original, but something was lost in translation - quite a lot actually.Oh, and if that wasn't enough, thinking her husband is dead, Major's wife has fallen in love with Carver. Somehow, Major's error-strewn hunches and Carver's scrambling to make good allows them to just about scrape by but for how long?
Count Arthur Strong - A man born to entertain an audience whether they like it or not. Variety star bit-part actor life model medium entrepreneur enjoyer of all-day breakfasts and inexplicable Count nothing is outside his area of expertise. Into Arthur's world comes Michael Baker the son of his vastly more successful former double-act partner Max. Michael (Rory Kinnear) is professionally and personally adrift an author whose last shot at the popularity he craves is a book about his Dad the King of Saturday Night... but last time he met Arthur he burst into tears and wet himself. Thirty years on it seems that Arthur is still capable of embarrassing him one way or another. The creator of Count Arthur Steve Delaney joins with Graham Linehan (The IT Crowd Father Ted) to bring this stage legend and BBC Radio 4 favourite to the screen at last.
Justin entertains children with singing, dancing and comedy, assisted by Robert the robot butler, Little Monster and unicycling delivery lady, Dee Livery. Justin's House hosts the first ever 'Justinship Games', and Justin dreams of winning a gold medal. Includes the special episode 'Going for Gold'.
Robbie The Reindeer Trilogy: The Whole Herd
Illumination Mini Movies 2014 - of DM1 and DM2 episodes
More gory tales, gruesome characters and the silliest stories from the past as the team give the history books another good shake... From the Awful Egyptians and Smashing Saxons to Vile Victorians and the Woeful Second World War, Horrible Histories brings you all your old favourites plus hilarious new sketches such as Historical Dentist, Wonders of the Universe and Historical Apprentice. We learn about Henry VIII's Cash in the Abbey, meet Stone Age geeks and go on a spooky Victorian railway. As usual, the HH house is rocking as the RAF Pilots boy band celebrate feats of derring-do, Charles Darwin sings of the ch-ch-changes of human evolution and Mary Seacole dishes out medical advice Beyonce - style! Special Features: Unseen Sketches Savage Songs Quiz Questions
Tim (Paul Rudd), an up-and-coming executive has just received his first invitation to the "dinner for idiots," a monthly event hosted by his boss that promises bragging rights (and more) to the exec that shows up with the biggest buffoon.
The world's greatest villain (Steve Carell) has just met his greatest challenge: three little girls named Margo, Edith and Agnes.
Stationed in England during World War II Buzz Rickson (McQueen) is the bravest Air Force pilot in his squadron and the most reckless. His maniacal quest for thrills takes him to the brink of destruction during the B-17 bombing raids on Germany. But while Buzz's daredevil heroics win the grudging respect of his crew his rebellious attitude alienates everyone except his co-pilot Ed Bolland (Robert Wagner)...
Director Tobe Hooper's Lifeforce, the follow-up to his most popular hit Poltergeist, is a film that must be seen to be believed. That's not really a compliment, though, since Lifeforce isn't much of a movie when all the sound and fury is over. But you've got to admit there's something crazily admirable about a picture that starts out as a science fiction mission to Halley's comet, turns into an alien-invasion thriller featuring a beautiful naked woman (Mathilda May) who's a vampire from space and escalates into an end-of-the-world disaster flick. Armed with a big budget and a special effects crew led by Star Wars pioneer John Dykstra, Hooper and Alien cowriter Dan O'Bannon have whipped up a concoction that's got everything anyone could ask of a horror movie--from zombies running amok in London to rotting corpses and energy bolts that signal the apocalypse to come. Keeping it all together is Steve Railsback as the Halley-mission survivor who holds the key to mankind's salvation--but what fun is saving the world when you could be seduced by a sexy naked space vampire? Check out Lifeforce to see how it all turns out. --Jeff Shannon
Set in a future where killers are arrested before they commit murder, Tom Cruise stars as a detective accused of a murder that hasn't happened yet who must move quickly to solve the murder and prove his innocence.
Perry's first film is a classic tale of a woman scorned with a notable twist. Helen McCarter (Kimberly Elise) is the wronged wife summarily dumped by her attorney husband Charles (Steve Harris) after 18 years of marriage. Literally booted out of her Atlanta mansion Helen goes to live with her grandmother Madea (Tyler Perry) and begins the difficult process of rebuilding her life. Just as Helen has achieved a new sense of self-confidence through steady employment and new romance Charles suddenly reappears in her life in dire need of her help. For Helen it is a chance for revenge -- but also a chance for redemption through forgiveness.
When Alan's radio station, North Norfolk Digital, is taken over by a new media conglomerate, it sets in motion a chain of events which see Alan having to work with the police to defuse a potentially violent siege.
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