Sci-fi body horror written and directed by David Cronenberg. Significant advances in biotechnology combined with biological changes in many humans such as the disappearance of physical pain mean that surgery can be performed on conscious people, but other humans experience more extreme physiological changes. A mother kills her eight-year-old son, convinced that he isn't human because he eats plastic as food. Performance artists Saul Tenser (Viggo Mortensen) and Caprice (Lea Seydoux) surgically remove his newly evolved organs in front of a live audience. A group of radical evolutionists led by Lang Dotrice (Scott Speedman) have modified their digestive systems so that they can eat toxic waste, while government bureaucrat Timlin (Kristen Stewart) has her own agenda.
From the leader in anime Katsuhiro Otomo (Osamu Tezuka's Metropolis, Memories), comes his first feature- length directorial project since his breakthrough film (Akira). Ten years in the making, with a total budget of $22 million, Steamboy is the most expensive Japanese anime production ever. A retro science-fiction epic set in Victorian England, Steamboy features an inventor prodigy named Ray Steam, who receives a mysterious metal ball containing a new form of energy capable of powering an entire nation, the Steam Ball. Young Ray Steam must use the Steam Ball to fight evil, redeem his family, and save London from destruction. With more than 180,000 drawings and 400 CG cuts, Steamboy is one of the most elaborate animated features ever created. Steamboy will be brought to life with an outstanding ensemble voiceover cast including Anna Paquin (X-Men), Patrick Stewart (X-Men), and Alfred Molina (Spider-man 2).
Using exclusive access and the latest technology this extraordinary documentary DVD seeks to understand more about the lives the history and the uncertain future of our endangered relative the gorilla. Only discovered a century ago mountain gorillas inhabit a fragile world. A small number of families cling to existence on the forested peaks of isolated volcanoes in three war-torn countries surrounded on all sides by a growing human population. Mountain gorillas live in highly social families held together by long-term bonds often resembling the way that we ourselves live. Mountain Gorillas closely follows one of the families and the team's exclusive access means that for the first time they can use night vision technology to film the gorillas' secret night-time routines. There are a great number of threats to the safety of this family. Poachers are rife and snares have been left throughout the forest - one gorilla in the family has a painfully swollen hand caused by a snare that remains tightly embedded around his wrist. However even the best intentions can cause the gorillas harm as well meaning tourists can transmit diseases that can prove fatal. This series meets the dedicated team of eight vets belonging to the Mountain Gorilla Veterinary Project who are working hard to protect the future of the mountain gorilla. For years they have provided emergency medical care that has saved many of the gorillas' lives. However they are not alone in helping the species - vets rangers researchers and conservationists all work together to raise awareness of the benefits of this unique species - but their dedicated work will only succeed with the support of all those who share the land with them. This is the most intimate portrait of gorilla life to date and reveals how if the mountain gorillas are to survive a close connection between them and the local people must remain.
Bell, Book and Candle (1958) is a sparkling, exotic and intelligent comedy based on John Van Druten's original play about the unlikely subject of witchcraft in Manhattan. In his last romantic lead role, James Stewart is publisher Shep Henderson, sucked into the underworld of Greenwich Village by the extraordinarily beautiful Gillian Holroyd (Kim Novak). Their liaison kicks off when Gillian employs her skills to indulge in a bit of fun. By the time Shep gets wise and rejects the artificial premise for a relationship, she has sacrificed her powers to emotional awakening and all is set for a happy ending. Largely thanks to an eccentric supporting cast, which includes Jack Lemmon as Gillian's warlock brother, Hermione Gingold as a fruity nightclub owner and Elsa Lanchester as Gillian's dotty aunt, the film has a delightfully off-centre quality. It's also a bittersweet allegory about being different. "We forfeit everything and then we end up in a little world of separateness from everyone", sighs Gillian. Novak is at the height of her beauty and here, as in her other 1958 triumph Vertigo (also with Stewart), her other-worldly quality fits the character so perfectly that her thespian limitations are well disguised. It's entrancing in every sense. On the DVD: Bell, Book and Candle's vibrant Technicolor explodes from the screen in this DVD release, which is enhanced for 16:9 widescreen televisions. Everything looks fresh and new--particularly the exotic nightclub scenes--and the mono soundtrack has lasted well. Extras include selected filmographies and original trailers, and detailed background in the booklet notes. --Piers Ford
Mr. Pickles is an original animated series set in the small, old-fashioned world of Old Town that is slowly being taken over by the modern world. The series centers on the lives of the Goodman family and their innocent six-year-old son Tommy, whose best friend is the family's lovable Border Collie, Mr. Pickles. The two roam around Old Town together getting into classic adventures. Unbeknownst to Tommy and everyone else, except Tommy's Grandpa, Mr. Pickles has an evil streak and frequently wanders off to kill, mutilate and hump his deserving victims. But the one thing everybody knows about the sweet and adorable dog is that he loves pickles and he gets one every time he's a good boy. Epiosdes from Season 1 Tommy's Big Job, Father's Day Pie, Foul Ball, The Cheeseman, Dead Man's Curve, Loose Tooth, Grandpa's Night Out, Coma, Where Is Mr Pickles, The Liar
Season two of Star Trek: Picard takes the legendary Jean-Luc Picard and his crew on a bold and exciting new journey: into the past. Picard must enlist friends both old and new to confront the perils of 21st century Earth in a desperate race against time to save the galaxy's future - and face the ultimate trial from one of his greatest foes. Product Features Deleted and Extended Scenes The USS Stargazer The Chateau The Trial is Over Rebuilding the Borg Queen Picard Props Picard Passages Gag Reel
They are mutants, genetically gifted human beings - the worlds newest and most persecuted minority group.
Rod Stewart: One Night Only: Live at The Royal Albert Hall
Curtis LaForche lives a happy family life in a small Ohio town with his wife Samantha and six-year-old daughter Hannah. When he begins to have nightmares of an impending apocalyptic storm he questions his sanity but prepares for the worst by building a storm shelter. As he becomes increasingly plagued by visions his behaviour grows ever more erratic, alienating friends and putting his livelihood and marriage in jeopardy. Is Curtis losing his mind or are the visions that plague him a forewarning? A haunting and powerful film by Jeff Nichols that features an intense and mesmerising performance by Michael Shannon. Features: An exclusive new interview with Jeff Nichols Jeff Nichols and Michael Shannon on-stage Q&A at Ebertfest 2012 DP/30 round table interview with Jeff Nichols, Michael Shannon and Jessica Chastain Archive interviews with Jeff Nichols, Michael Shannon and Jessica Chastain Jeff Nichols Semaine de la Critique' interview 2011 Behind-the-scenes Deleted scenes English subtitles for the hearing impaired
Vivien Leigh is the young Cleopatra and Claude Rains is Julius Caesar in the spectacular 1945 version of George Bernard Shaw's Caesar and Cleopatra. As Rome invades Egypt Julius Caesar (Rains) stumbles across the young and unrefined princess Cleopatra (Leigh) sheltering in the Sphinx. Impressed by her spirit and intelligence seduced by her charm he determines to make her Queen. Cleopatra learns about power and politics at the feet of a master but her downfall begins when she is se
Rebus: John Hannah (Four Weddings and a Funeral Sliding Doors The Mummy McCallum) stars as Detective Inspector Rebus in these four primetime two hour film dramas for SMG Television from Clerkenwell Films. Adapted from the novels by acclaimed writer Ian Rankin the Rebus stories have been applauded for their intricate plots keen characterisation and flawless sense of place. Rebus himself is an enigma fighting his own weaknesses while dealing with the sad consequences of human frailty. He has seen it all before but his cynicism is redeemed by an unexpected humanity that reveals he is more disillusioned with himself than others. Dead Souls: Rebus is working with a colleague when they catch site of a known convicted paedophile taking photographs at the zoo. It transpires that he has been released early from prison is under police protection and is to be the key witness in the trial of two suspected abusers. The next day Rebus' colleague is found dead in the centre of Edinburgh. Rebus is devastated
Rebus: John Hannah (Four Weddings and a Funeral Sliding Doors The Mummy McCallum) stars as Detective Inspector Rebus in these four primetime two hour film dramas for SMG Television from Clerkenwell Films. Adapted from the novels by acclaimed writer Ian Rankin the Rebus stories have been applauded for their intricate plots keen characterisation and flawless sense of place. Rebus himself is an enigma fighting his own weaknesses while dealing with the sad consequences of human frailty. He has seen it all before but his cynicism is redeemed by an unexpected humanity that reveals he is more disillusioned with himself than others. The Hanging Garden: Rebus pieces together the trail of a war criminal who may have gone to ground in a very respectable part of town. But then he becomes drawn into a vicious running battle between two rival gangs after rescuing a young Chechen girl from a local gangster. Rebus takes his work personally. But when his daughter is deliberately run down in the street it's plain that he will stop at nothing to find the man responsible even if it kills him.
The Man Who Shot Liberty Valance is a late film from the long career of director John Ford that tells of the civilising of an Old West town, Shinbone, through the sad memories of settlers looking back. Ford's nostalgia for the past is tempered by his stark approach, unusual for the visual poet of Stagecoach and The Searchers. The two heavyweights, John Wayne and James Stewart, are good together, with Wayne the embodiment of rugged individualism and Stewart the idealistic prophet of the civilisation that will eventually tame the Wild West. This may be the saddest Western ever made, closer to an elegy than an action movie, and as cleanly beautiful as its central symbol, the cactus rose. --Robert Horton
Now perhaps the most beloved American film, It's a Wonderful Life was largely forgotten for years, due to a copyright quirk. Only in the late 1970s did it find its audience through repeated TV showings. Frank Capra's masterwork deserves its status as a feel-good communal event, but it is also one of the most fascinating films in the American cinema, a multilayered work of Dickensian density. George Bailey (played superbly by James Stewart) grows up in the small town of Bedford Falls, dreaming dreams of adventure and travel, but circumstances conspire to keep him enslaved to his home turf. Frustrated by his life, and haunted by an impending scandal, George prepares to commit suicide on Christmas Eve. A heavenly messenger (Henry Travers) arrives to show him a vision: what the world would have been like if George had never been born. The sequence is a vivid depiction of the American Dream gone bad, and probably the wildest thing Capra ever shot (the director's optimistic vision may have darkened during his experiences making military films in World War II). Capra's triumph is to acknowledge the difficulties and disappointments of life, while affirming--in the teary-eyed final reel--his cherished values of friendship and individual achievement. It's a Wonderful Life was not a big hit on its initial release, and it won no Oscars (Capra and Stewart were nominated); but it continues to weave a special magic. --Robert Horton
The latest big screen adventure of the Japanese cartoon characters finds them helping a friend to save the world!
Before his handlers persuaded him to settle for the safety of a screen franchise, the young Elvis Presley had weightier ambitions as an actor. The 1958 King Creole, his fourth feature outing, hints at the underlying seriousness of his goals. Presley plays Danny Fisher, a New Orleans teenager struggling to graduate from high school while working in a sleazy French Quarter club to support his family. He's also characterised as a troubled youth with a dangerous temper and feelings of shame and resentment toward his meek, unemployed father (Dean Jagger). When Danny's gift for singing provides him with a potential career break (and the requisite excuse for Elvis's production numbers), his involvement with a ruthless gangster (Walter Matthau) and his sultry, alcoholic moll (Carolyn Jones) threatens both his future and his family. King Creole boasts an impressive production pedigree (including producer Hal Wallis and director Michael Curtiz, the team behind Casablanca) and the supporting cast helps elicit one of Presley's most emotional performances. Jones in particular overrides the inherent clichés of her role: her self-loathing and sexuality are both palpable. Presley--still a few years away from the more sanitised image that would be integral to those franchise features--is young enough to be a credible teen, but more crucially he makes his rage and yearning largely convincing. --Sam Sutherland
In the near future, a couple of performance artists push the boundaries of taste and decency with daring shows of mutilation and organ mutation. All the while a shadowy government agency is closing in on a terrorist group that are pushing for the next evolution in the human experience. Product Features Dual format edition including both UHD and Blu-ray with main feature and bonus features on both discs UHD presented in Dolby Vision HDR New audio commentary by Caelum Vatnsdal Undeniably a Love Story: an interview with Director David Cronenberg Things Change: an interview with Actor Viggo Mortensen The Chaos Inside: an interview with Actor Léa Seydoux The Heat and the Grime: an interview with Actor Kristen Stewart The Bureau Man: a new interview with Actor Don McKellar Painkiller: a new interview with Producer Robert Lantos The Most Wonderful Dream: a new interview with Cinematographer Douglas Koch The Code of David: a new interview with Editor Christopher Donaldson New Flesh, Future Crimes: The Body and David Cronenberg - a video essay by Leigh Singer The Making of Crimes of the Future Production Design Materials Short film: The Death of David Cronenberg Limited Edition Contents Rigid slipcase with new artwork by Marko Manev 120 page book with new essays by Reyna Cervantes, Tim Coleman, Joel Hartley, Rich Johnson, Mikel Koven, Phil Nobile Jr, Ian Schultz and Hannah Strong 6 collectors' art cards
From its charming and angst-ridden first season to the darker, apocalyptic final one, Buffy the Vampire Slayer succeeds on many levels, and in a fresher and more authentic way than the shows that came before or after it. How lucky, then, that with the release of its boxed set of seasons 1-7, you can have the estimable pleasure of watching a near-decade of Buffy in any order you choose. (And we have some ideas about how that should be done.) First: rest assured that there's no shame in coming to Buffy late, even if you initially turned your nose up at the winsome Sarah Michelle Gellar kicking the hell out of vampires (in Buffy-lingo, vamps), demons, and other evil-doers. Perhaps you did so because, well, it looked sort of science-fiction-like with all that monster latex. Start with season 3 and see that Buffy offers something for everyone, and the sooner you succumb to it, the quicker you'll appreciate how textured and riveting a drama it is. Why season 3? Because it offers you a winning cast of characters who have fallen from innocence: their hearts have been broken, their egos trampled in typically vicious high-school style, and as a result, they've begun to realise how fallible they are. As much as they try, there are always more monsters, or a bigger evil. Despite this, or perhaps because of it, the core crew remains something of a unit--there's the smart girl, Willow (Alyson Hannigan) who dreams of saving the day by downloading the plans to City Hall's sewer tunnels and mapping a route to safety. There are the ne'r do wells--the vampire Spike (James Marsters), who both clashes with and aspires to love Buffy; the tortured and torturing Angel (David Boreanz); the pretty, popular girl with an empty heart (Charisma Carpenter); and the teenage everyman, Xander (Nicholas Brendon). Then there's Buffy herself, who in the course of seven seasons morphs from a sarcastic teenager in a minidress to a heroine whose tragic flaw is an abiding desire to be a "normal" girl. On a lesser note, with the boxed set you can watch the fashion transformation of Buffy from mall rat to Prada-wearing, kickboxing diva with enviable highlights. (There was the unfortunate bob of season 2, but it's a forgivable lapse.) At least the storyline merits the transformations: every time Buffy has to end a relationship she cuts her hair, shedding both the pain and her vulnerability. In addition to the well-wrought teenage emotional landscape, Buffy deftly takes on more universal themes--power, politics, death, morality--as the series matures in seasons 4-6. And apart from a few missteps that haven't aged particularly well ("I Robot" in season 1 comes to mind), most episodes feel as harrowing and as richly drawn as they did at first viewing. That's about as much as you can ask for any form of entertainment: that it offer an escape from the viewer's workaday world and entry into one in which the heroine (ideally one with leather pants) overcomes demons far more troubling than one's own. --Megan Halverson
Network is proud to present the ultimate cult slacker film, WEEKEND AT BERNIE'S (15) on Blu-ray. This beloved madcap comedy from the 80s is available to buy on 5th July 2010.
Ed Harris stars as the legendary composer in this lavish biopic from director Agnieszka Holland.
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