It was the last thing on earth they ever expected. Life can be tough when you're a Valley girl. First there's making sure you're on time for pep squad practice. Then there's having to live under the same roof as your bitchy stepmother who you suspect is making it with Chuck from across the road. And then of course there's having to keep on the lookout for the occasional marauding zombie hungering after your flesh! Eighteen year-old Reggie (Catherine Mary Stewart - Weekend at Bernie's The Last Starfighter) misses out on the event-of-a-lifetime when she ditches watching the comet in favour of copping off with the projectionist at the cinema where she works. But this turns out to be a wise move when the next day she discovers that the entire population has been reduced to piles of red dust - leaving only Reggie her sister Sam (Kelli Maroney - Fast Times at Ridgemont High Chopping Mall) and a handful of other survivors to fend off the roving gangs of glassy-eyed zombies. Taking its cue from classic 'doomsday' movies such as The Day of the Triffids and The Omega Man (and with a healthy dose of Dawn of the Dead thrown in for good measure) Night of the Comet is an irresistible slice of Reagan-era B-movie fare which features Cindi Lauper dance-alongs as well as some truly gravity-defying bouffant hairstyles... Well it was acceptable in the 80s! Special Features: High definition digital transfer Audio Commentary with Writer/Director Thom Eberhardt Audio Commentary with Stars Kelli Maroney and Catherine Mary Stewart Audio Commentary with Production Designer John Muto Valley Girls At The End Of The World - Interviews with Stars Kelli Maroney and Catherine Mary Stewart The Last Man On Earth? - An Interview with Actor Robert Beltran Curse of the Comet - An Interview with Special Make-Up Effects Creator David B. Miller Theatrical Trailer Reversible sleeve featuring original and newly commissioned artwork to be revealed! Collector's booklet featuring new writing on the film
Computer operator Terry Dolittle (Goldberg) becomes involved in international espionage when a desperate message from a British Intelligence officer appears on her computer terminal...
Season two of Star Trek: Picard takes the legendary Jean-Luc Picard and his crew on a bold and exciting new journey: into the past. Picard must enlist friends both old and new to confront the perils of 21st century Earth in a desperate race against time to save the galaxy's future - and face the ultimate trial from one of his greatest foes. Product Features Deleted and Extended Scenes The USS Stargazer The Chateau The Trial is Over Rebuilding the Borg Queen Picard Props Picard Passages Gag Reel
Who wants a superhero with an ASBO? A gang of five teenage outsiders - party-girl Alisha hard-as-nails Kelly one-time sporting hero Curtis painfully shy nerd Simon and smart-aleck Nathan - get caught in a flash storm while on Community Service and suddenly find themselves saddled with strange superpowers. Unlike their more conventional counterparts they don't swap their mobile phones and ankle tags for capes and tights. Instead they discover just how tough life can be when you're all that stands between good and evil. Well that and your curfew order...
The Twilight Saga: The Complete Collection follows the epic story of Bella (Kristin Stewart), Edward (Robert Pattinson) and Jacob (Taylor Lautner). Experience the passion, romance, and breath-taking action that have made The Twilight Saga a global phenomenon. Twilight: The classic story of star-crossed lovers. Bella Swan (Kristen Stewart) meets the mysterious Edward Cullen (Robert Pattinson) - a boy with a dark secret: he's a vampire. The Twilight Saga: New Moon:...
"When the legend becomes fact, print the legend." That's more than the code of a newspaperman in The Man Who Shot Liberty Valance; it's practically the operating credo of director John Ford, the most honoured of American filmmakers. In this late film from a long career, Ford looks at the civilising of an Old West town, Shinbone, through the sad memories of settlers looking back. In the town's wide-open youth, two-fisted Westerner John Wayne and tenderfoot newcomer James Stewart clash over a woman (Vera Miles) but ultimately unite against the notorious outlaw Liberty Valance (Lee Marvin). Ford's nostalgia for the past is tempered by his stark approach, unusual for the visual poet of Stagecoach and The Searchers. The two heavyweights, Wayne and Stewart, are good together, with Wayne the embodiment of rugged individualism and Stewart the idealistic prophet of the civilisation that will eventually tame the Wild West. The Man Who Shot Liberty Valance may be the saddest Western ever made, closer to an elegy than an action movie, and as cleanly beautiful as its central symbol, the cactus rose. --Robert Horton
In the Quad, a planetary system on the brink of a bloody interplanetary class war, a fun loving trio of bounty hunters attempt to remain impartial as they chase deadly warrants.
It always comes up when people are comparing their most traumatic movie experiences: "the death of Bambi's mother," a recollection that can bring a shudder to even the most jaded filmgoer. That primal separation (which is no less stunning for happening off-screen) is the centerpiece of Bambi, Walt Disney's 1942 animated classic, but it is by no means the only bold stroke in the film. In its swift but somehow leisurely 69 minutes, Bambi covers a year in the life of a young deer. But in a bigger way, it measures the life cycle itself, from birth to adulthood, from childhood's freedom to grown-up responsibility. All of this is rendered in cheeky, fleet-footed style--the movie doesn't lecture, or make you feel you're being fed something that's good for you. The animation is miraculous, a lush forest in which nature is a constantly unfolding miracle (even in a spectacular fire, or those dark moments when "man was in the forest"). There are probably easier animals to draw than a young deer, and the Disney animators set themselves a challenge with Bambi's wobbly glide across an ice-covered lake, his spindly legs akimbo; but the sequence is effortless and charming. If Bambi himself is just a bit dull--such is the fate of an Everydeer--his rabbit sidekick Thumper and a skunk named Flower more than make up for it. Many of the early Disney features have their share of lyrical moments and universal truths, but Bambi is so simple, so pure, it's almost transparent. You might borrow a phrase from Thumper and say it's downright twitterpated. --Robert Horton
It always comes up when people are comparing their most traumatic movie experiences: "the death of Bambi's mother," a recollection that can bring a shudder to even the most jaded filmgoer. That primal separation (which is no less stunning for happening off-screen) is the centerpiece of Bambi, Walt Disney's 1942 animated classic, but it is by no means the only bold stroke in the film. In its swift but somehow leisurely 69 minutes, Bambi covers a year in the life of a young deer. But in a bigger way, it measures the life cycle itself, from birth to adulthood, from childhood's freedom to grown-up responsibility. All of this is rendered in cheeky, fleet-footed style--the movie doesn't lecture, or make you feel you're being fed something that's good for you. The animation is miraculous, a lush forest in which nature is a constantly unfolding miracle (even in a spectacular fire, or those dark moments when "man was in the forest"). There are probably easier animals to draw than a young deer, and the Disney animators set themselves a challenge with Bambi's wobbly glide across an ice-covered lake, his spindly legs akimbo; but the sequence is effortless and charming. If Bambi himself is just a bit dull--such is the fate of an Everydeer--his rabbit sidekick Thumper and a skunk named Flower more than make up for it. Many of the early Disney features have their share of lyrical moments and universal truths, but Bambi is so simple, so pure, it's almost transparent. You might borrow a phrase from Thumper and say it's downright twitterpated. --Robert Horton
Experience the Star Trek Universe like never before! The first original 10 films remastered plus over 8 hours of special features. For the first time in Star Trek history nearly every frame of the final frontier is brought together in one brilliantly re-mastered motion picture DVD box set. Discover the Star Trek Universe and experience every unforgettable moment from Kirk's triumphant return to the bridge of the U.S.S. Enterprise in Star Trek: The Motion Picture to Picard Data and the crew of the U.S.S. Enterprise-E's final battle for control of the universe in Star Trek Nemesis. The spirit of the Enterprise lives in the heart-stopping action and unforgettable characters of this one-of-a-kind collection. Special Features: The Original Series Star Trek: The Motion Picture Commentary by Michael and Denise Okuda Judith and Garfield Reeves-Stevens and Daren Dochterman Library Computer Production The Star Trek Universe Deleted Scenes Trailers TV Spots BD -Live - Star Trek I.Q Star Trek II: The Wrath of Khan Commentary by director Nicholas Meyer Commentary by director Nicholas Meyer and Manny Coto Library Computer Production The Star Trek Universe Theatrical Trailer BD-Live - Star Trek I.Q. Star Trek III: The Search for Spock Commentary by director Lenoard Nimoy writer and producer Harve Bennett director of photography Charles Correll and Robin Curtis Commentary by Ronald D. Moore and Michael Taylor Library Computer Production The Star Trek Universe Theatrical Trailer Easter Egg: That Darn Klingon Dog BD-Live - Star Trek I.Q. Star Trek IV: The Voyage Home Commentary by William Shatner and Leonard Nimoy Commentary by Roberto Orci and Alex Kurtzman Library Computer Production The Star Trek Universe Visual Effects Original Interviews Tributes Theatrical Trailer BD-Live - Star Trek I.Q. Star Trek V: The Final Frontier Commentary by William Shatner and Liz Shatner Commentary by Michael and Denise Okuda and Judith and Garfield Reeves-Stevens and Daren Dochterman Library Computer Production The Star Trek Universe Deleted Scenes Theatrical Trailers TV Spots Easter Egg the Gag reel BD-Live - Star Trek I.Q. Star Trek VI: The Undiscovered Country Commentary by director Nicholas Meyer and screenwriter Denny Martin Flinn Commentary by Larry Nemecek and Ira Steven Behr Library Computer The Perils of Peacemaking Stories from Star Trek VI The Star Trek Universe Original Interviews Farewell Promotional Material BD-Live - Star Trek I.Q. The Next Generation Star Trek: Generations Commentary by director David Carson and Manny Coto Commentary by Brannon Braga and Ronald D. Moore Library Computer Production Visual Effects Scene Deconstruction The Star Trek Universe Deleted Scenes Archives: Storyboards Production Gallery Teaser Trailer Theatrical Trailer Star Trek I.Q. (BD-Live) Star Trek: First Contact Commentary by director and actor Jonathan Frakes Commentary by screenplay writers Brannon Braga and Ronald D. Moore Commentary by Damon Lindelof and Anthony Pascale Library Computer Production Scene Deconstruction The Star Trek Universe The Borg Collective Archives: Storyboards Photo Gallery Teaser Trailer Theatrical Trailer Star Trek I.Q. (BD-Live) Easter Eggs Star Trek: Insurrection Commentary Jonathan Frakes and Marina Sirtis Library Computer Production The Star Trek Universe Creating The Illusion Deleted Scenes Archives: Storyboards Production Gallery Advertising Star Trek I.Q. (BD-Live) Easter Eggs Star Trek: Nemesis Commentary by director Stuart Baird Commentary by producer Rick Berman Commentary by Michael and Denise Okuda Library Computer Production The Star Trek Universe The Romulan Empire Deleted Scenes Archives: Storyboards Production Galleries Teaser Trailer Theatrical Trailer Star Trek I.Q. (BD-Live) Easter Eggs Bonus Discs: Star Trek Summit Part 1 Part 2 Part 3 The Evolution of the Enterprise Villians of Star Trek I Love the Star Trek Movies Farewell to Star Trek: The Experience Klingon Encounter Borg Invasion 4D Charting the Final Frontier
They say there's nothing new under the sun. But under the ground... Kevin Bacon and Fred Ward star as two country handymen who lead a cast of zany characters to safety in this exciting sci-fi creature comedy. Just as Val McKee (Bacon) and Earl Basset (Ward) decide to leave Perfection Nevada strange rumblings prevent their departure. With the help of a shapely seismology student (Finn Carter) they discover their desolate town is infested with gigantic man-eating creatures that live below the ground.
From Warner Bros. Pictures and Metro-Goldwyn-Mayer Pictures comes the romantic drama Everything, Everything, directed by Stella Meghie and based on the bestselling book of the same name by Nicola Yoon. What if you couldn't touch anything in the outside world? Never breathe in the fresh air, feel the sun warm your face or kiss the boy next door? Everything, Everything tells the unlikely love story of Maddy, a smart, curious and imaginative 18-year-old who due to an illness cannot leave the protection of the hermetically sealed environment within her house, and Olly, the boy next door who won't let that stop them. Maddy is desperate to experience the much more stimulating outside world, and the promise of her first romance. Gazing through windows and talking only through texts, she and Olly form a deep bond that leads them to risk everything to be together even if it means losing everything. Everything, Everything stars Amandla Stenberg (The Hunger Games) as Maddy and Nick Robinson (Jurassic World) as Olly. The film also stars Ana de la Reguera (Sun Belt Express) and Anika Noni Rose (Dreamgirls). Click Images to Enlarge
We might think humans are the most powerful living thing on Earth, but it's plants that time and again have set the agenda for life. All animals rely on plants for their survival. This is not an accident - they are the most powerful evolutionary force on Earth. Plants enabled amphibians to leave the water, they had a hand in the rise and fall of the dinosaurs, and they ensured the ultimate triumph of insects, mammals, birds and even us - all for their own benefit. Because plants have only ever had one goal - the total domination of the planet. It is a story of ruthless ingenuity, seduction and deception; of unimaginable power and ambition. An epic tale, How to Grow a Planet offers a stunning new perspective on Earth history.
After Star Wars and the successful big-screen Star Trek adventures, it's perhaps not so surprising that Gene Roddenberry managed to convince purse string-wielding studio heads in the 1980s that a Next Generation would be both possible and profitable. But the political climate had changed considerably since the 1960s, the Cold War had wound down, and we were now living in the Age of Greed. To be successful a second time, Star Trek had to change too. A writer's guide was composed with which to sell and define where the Trek universe was in the 24th Century. The United Federation of Planets was a more appealing ideology to an America keen to see where the Reagan/Gorbachev faceoff was taking them. Starfleet's meritocratic philosophy had always embraced all races and species. Now Earth's utopian history, featuring the abolishment of poverty, was brandished prominently and proudly. The new Enterprise, NCC 1701-D, was no longer a ship of war but an exploration vessel carrying families. The ethical and ethnical flagship also carried a former enemy (the Klingon Worf, played by Michael Dorn), and its Chief Engineer (Geordi LaForge) was blind and black. From every politically correct viewpoint, Paramount executives thought the future looked just swell! Roddenberry's feminism now contrasted a pilot episode featuring ship's Counsellor Troi (Marina Sirtis) in a mini-skirt with her ongoing inner strengths and also those of Dr. Crusher (Gates McFadden) and the short-lived Tasha Yar (Denise Crosby). The arrival of Whoopi Goldberg in season 2 as mystic barkeep Guinan is a great example of the good the original Trek did for racial groups--Goldberg has stated that she was inspired to become an actress in large part through seeing Nichelle Nichols' Uhura. Her credibility as an actress helped enormously alongside the strong central performances of Patrick Stewart (Captain Picard), Jonathan Frakes (First Officer Will Riker), and Brent Spiner (Data) in defining another wholly believable environment once again populated with well-defined characters. Star Trek, it turned out, did not depend for its success on any single group of actors. Like its predecessor in the 1960s, TNG pioneered visual effects on TV, making it an increasingly jaw-dropping show to look at. And thanks also to the enduring success of the original show, phasers, tricorders, communicators and even phase inverters were already familiar to most viewers. But while technology was a useful tool in most crises, it now frequently seemed to be the cause of them too, as the show's writers continually warned about the dangers of over-reliance on technology (the Borg were the ultimate expression of this maxim). The word "technobabble" came to describe a weakness in many TNG scripts, which sacrificed the social and political allegories of the original and relied instead upon invented technological faults and their equally fictitious resolutions to provide drama within the Enterprise's self-contained society. (The holodeck's safety protocol override seemed to be next to the light switch given the number of times crew members were trapped within.) This emphasis on scientific jargon appealed strongly to an audience who were growing up for the first time in the late 1980s with the home computer--and gave rise to the clichéd image of the nerdy Trek fan. Like in the original Trek, it was in the stories themselves that much of the show's success is to be found. That pesky Prime Directive kept moral dilemmas afloat ("Justice"/"Who Watches the Watchers?"/"First Contact"). More "what if" scenarios came out of time-travel episodes ("Cause and Effect"/"Time's Arrow"/"Yesterday's Enterprise"). And there were some episodes that touched on the political world, such as "The Arsenal of Freedom" questioning the supply of arms, "Chain of Command" decrying the torture of political prisoners and "The Defector", which was called "The Cuban Missile Crisis of The Neutral Zone" by its writer. The show ran for more than twice as many episodes as its progenitor and therefore had more time to explore wider ranging issues. But the choice of issues illustrates the change in the social climate that had occurred with the passing of a couple of decades. "Angel One" covered sexism; "The Outcast" was about homosexuality; "Symbiosis"--drug addiction; "The High Ground"--terrorism; "Ethics"--euthanasia; "Darmok"--language barriers; and "Journey's End"--displacement of Indians from their homeland. It would have been unthinkable for the original series to have tackled most of these. TNG could so easily have been a failure, but it wasn't. It survived a writer's strike in its second year, the tragic death of Roddenberry just after Trek's 25th anniversary in 1991, and plenty of competition from would-be rival franchises. Yes, its maintenance of an optimistic future was appealing, but the strong stories and readily identifiable characters ensured the viewers' continuing loyalty. --Paul Tonks
Stewart Granger (Footsteps in the Fog), Donna Reed (Scandal Sheet), George Sanders (Endless Night), and Italian sex symbol Gianna Maria Canale (I vampiri) star in The Whole Truth, a wry suspense thriller set on the French Riviera. When film producer Max (Granger) begins an affair with Gina (Canale), the star of his latest production, it isn't long before she threatens to tell his wife, Carol (Reed), what is going on. However, the price of Gina's silence changes for Max when she is found murdered, and he must convince Inspector Carliss of the Yard (Sanders) of his innocence... Directed by John Guillermin (Town on Trial), photographed by Wilkie Cooper (The 7th Voyage of Sinbad), and co-written by Philip Mackie (The Naked Civil Servant), The Whole Truth is a stylishly shot and tautly plotted murder mystery. INDICATOR LIMITED EDITION BLU-RAY SPECIAL FEATURES High Definition remasterOriginal mono audio Audio commentary with film historians Kevin Lyons and Jonathan Rigby (2024) Robert Shail on 'The Whole Truth' (2024): the film historian discusses the film and British production company Romulus FilmsThe BEHP Interview with Ronald Spencer (1991): archival audio recording, made as part of the British Entertainment History Project, featuring the assistant director in conversation with Joyce RobinsonOriginal theatrical trailer Image gallery: promotional and publicity materials New and improved English subtitles for the deaf and hard of hearingLimited edition exclusive booklet with a new essay by Barry Forshaw, archival interviews with George Sanders and Gianna Maria Canale, archival article on Canale and Donna Reed, extracts from the films campaign book, an overview of contemporary critical responses, and film creditsWorld premiere on Blu-rayLimited edition of 3,000 copies for the UK All extras subject to change
Back to Pontyberry in the South Wales Valleys for more laughs with hard-working, 40-something, single mum Stella and her unusual collection of family and friends. Stella is pregnant and worried: does she really love Sean - and is it even his baby? And son Luke is thousands of miles away in Canada - but for how long? Still, there's plenty happening in town to take her mind off things: Emma's trying her best to do the marriage thing but husband Sunil's being distracted by some extra-curricular activities. Nadine and Karl have set up a tanning salon, lollipop man Alan is being replaced by a pelican crossing, Dai and Paula have lost their mojo and teenager Ben has fallen in love! Then there's the arrival of eager-to-offend Aunty Brenda who tells it as it isn't, a Dutch new age therapist, Peschman Hodd and Alan's ex-wife Melissa who puts everyone on edge. But it's the return of Rob Morgan, Stella's ex and Luke's father, which really sets a cat amongst the Pontyberry pigeons, putting Stella in a right kerfuffle. Special Features: Deleted Scenes Behind the Scenes Outtakes
Unleash your inner mutant with the Ultimate X-Men Movie Collection - including all 5 thrilling films together for the first time! Featuring eye-popping visual effects, thunderous sound and extraordinary star power, including Hugh Jackman, Patrick Stewart, Halle Berry, Ian McKellen and Rebecca Romijn, this is nonstop action and excitement from start to finish!Titles Comprise:X-Men: Born into a world filled with prejudice are children who possess extraordinary and dangerous powers-the result of unique genetic mutations. Cyclops unleashes bolts of energy from his eyes. Storm can manipulate the weather at will. Rouge absorbs the life force of anyone she touches. But under the tutelage of Professor Xavier (Patrick Stewart), these and other outcasts learn to harness their powers for the good of mankind. Now they must protect those who fear them as the nefarious Magneto (Ian Mckellen), who believes humans and mutants can never co-exist, unveils his sinister plan for the future!X2:The time has come for those who are different to stand united...The X-Men have to band together to find a mutant assassin who has made an attempt on the President's life, while the Mutant Academy at Westchester is attacked by military forces prompting some uncomfortable home truths for Wolverine...X-Men 3:Take a stand... When a pharmaceutical company publicises a 'cure' to suppress mutations, lines are drawn amongst the X-Men, led by Professor Charles Xavier (Stewart), and the Brotherhood, a band of powerful mutants organized under Xavier's former ally, Magneto (McKellen)...X-Men: Origins - Wolverine: Leading up to the events in the X-Men film, X-Men Origins: Wolverine tells the story of Wolverine's (Hugh Jackman) epically violent past, his complex relationship with Victor Creed, and the ominous Weapon X program. Along the way, Wolverine encounters many mutants, both familiar and new, including surprise appearances by several legends of the X-Men universe.X-Men: First Class: X-Men: First Class brings together the epic scale and action of a classic blockbuster with a character driven story that unveils the beginning of the X-Men saga - and a secret history of the Cold War and our world at the brink of nuclear Armageddon. As the first class discovers, harnesses and comes to terms with their formidable powers, alliances are formed that will shape the eternal war between the heroes and villains of the X-Men universe. The British dream team behind Kick Ass - director Matthew Vaughn and writer Jane Goldman - are joined by a stellar cast including James McAvoy (Wanted), Michael Fassbender (Inglourious Basterds), Nicholas Hoult (A Single Man) and Jason Flemying (Lock Stock and Two Smoking Barrels) in one of the biggest blockbusters of the year.
Misfits follows five outsiders on community service who get struck by a flash storm and lumbered with special powers.
Kristen Stewart and Dakota Fanning star as Joan Jett and Cherie Currie in The Runaways, the edgy, coming-of-age biopic about the groundbreaking, all-girl teenage rock band of the 1970s.
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