Sylvia Kristel is beautiful as the lonely young wife of a wealthy aristocrat in this scintillating tale of love lust and forbidden fantasies. Adapted from D.H. Lawrence's famously erotic novel this ""truly sumptuous production"" captures the ""splendor of the English countryside"" (The Hollywood Reporter) and the torturous conflict between duty... and desire. Paralyzed from the waist down due to a war injury Sir Clifford Chatterley (Shane Briant) urges his wife Constance (Kristel) t
Perhaps the most infamous title which was not only censored by the BBFC it had its title censored too removing the word “CHAINSAW” from its original video rental sleeve! Now available in the UK in a complete uncensored version very few films have achieved the cult status of Fred Olen Ray’s HOLLYWOOD CHAINSAW HOOKERS. It played in festivals around the world it inspired numerous imitators and it made a bona-fide B-Movie Megastar of actress Michelle Bauer. Now 27 years later Nucleus Films presents a Special Anniversary Edition in celebration of the continuing mystique that is HOLLYWOOD CHAINSAW HOOKERS. Join detective Jack Chandler as he tracks the runaway teen (played by Horror Queen Linnea Quigley) into the dark recesses of Los Angeles’s most stringent religious cult. Beware the chainsaw-worshipping madman played by THE TEXAS CHAIN SAW MASSACRE’S original Leatherface Gunnar Hansen! And above all else watch out for the saw-wielding vixen performing “The Virgin Danced of the Double Chainsaws”! Bonus Features: Theatrical Trailer Audio Commentary with Director Fred Olen Ray & TL Lankford Making Of Documentary Hollywood Chainsaw Hookers & the BBFC Double-Sided Sleeve
A rich lady who becomes bored by her sexless marriage and seeks satisfaction with her husband's gamekeeper oblivious of the social scandal she is creating... D.H. Lawrence's controversial novel transformed into a sensual masterpiece from the makers of 'Emmanuelle'.
Airport (Dir. George Seaton 1970): Take a non-stop flight with an all-star cast to a world of tension-filled human drama in this trend-setting box office blockbuster. Based on Arthur Hailey's runaway best seller the emotion-charged adventure stars Burt Lancaster as the manager of a glamorous international airport who must juggle personal crisis with professional responsibilities as he attempts to keep his blizzard torn facility open to rescue a bomb-damaged jetliner. The la
When Emmanuelle was released in 1974 it caused uproar in France. President Pompidou tried to ban it, effectively catapulting it into the year's "must see" category of films and into history as the point at which soft-core pornography dallied with the mainstream and conceived a new kind of arty erotic cinema with equal appeal to both sexes. As a result it acquired the patina of a classic of its kind and spawned a whole series of sequels. Based on Emmanuelle Arsan's erotic novel and dubbed "the longest caress in French cinema", it tells the slight tale of a young expatriate woman in Thailand, encouraged by her husband--and practically everyone she meets--to explore her sexuality through free love and the pursuit of fantasy. It also launched the career of Dutch actress Sylvia Kristel in the iconic title role. Never mind that the original character was Eurasian. Kristel's European good looks and lissom figure earned her a unique kind of big screen immortality. It's dreamily filmed by director Just Jaeckin and director of photography Richard Suzuki, with lots of simulated, soft-focus sex, much of it between Emmanuelle and her female conquests. Only an unpleasant rape scene in which she is the prize in a Thai boxing match, acknowledges that sexual fantasy has its dark side. The picture survives as a period piece from a more innocent time: the men, with their dated moustaches and tight pants, lack only medallions, and there's some deathless dialogue: "You like it [masturbation], don't you?" "Well yes, but I haven't had breakfast..." Even so, parts of Emmanuelle, made in the pre-AIDS era, have an almost quaint charm. True, the languorous escapades of the jetsetters are juxtaposed with rough images of the Thai sex trade, revealing among other things exciting new ways to smoke a cigarette. But Kristel's insouciance is often hypnotic. On the DVD: Presented in 16:9 widescreen format, this release effectively replicates the original cinema viewing experience, down to the dreadful dubbed dialogue. Whichever language you watch it in, the actors' lips move in a world of their own and the Dolby Digital soundtrack only emphasises the muffled quality. Only Pierre Bachelet's "plinky-plonky" theme comes across with any clarity. Extras are limited to the original theatrical trailer.--Piers Ford
When Emmanuelle was released in 1974 it caused uproar in France. President Pompidou tried to ban it, effectively catapulting it into the year's "must see" category of films and into history as the point at which soft-core pornography dallied with the mainstream and conceived a new kind of arty erotic cinema with equal appeal to both sexes. As a result it acquired the patina of a classic of its kind and spawned a whole series of sequels. Based on Emmanuelle Arsan's erotic novel and dubbed "the longest caress in French cinema", it tells the slight tale of a young expatriate woman in Thailand, encouraged by her husband--and practically everyone she meets--to explore her sexuality through free love and the pursuit of fantasy. It also launched the career of Dutch actress Sylvia Kristel in the iconic title role. Never mind that the original character was Eurasian. Kristel's European good looks and lissom figure earned her a unique kind of big screen immortality. It's dreamily filmed by director Just Jaeckin and director of photography Richard Suzuki, with lots of simulated, soft-focus sex, much of it between Emmanuelle and her female conquests. Only an unpleasant rape scene in which she is the prize in a Thai boxing match, acknowledges that sexual fantasy has its dark side. The picture survives as a period piece from a more innocent time: the men, with their dated moustaches and tight pants, lack only medallions, and there's some deathless dialogue: "You like it [masturbation], don't you?" "Well yes, but I haven't had breakfast..." Even so, parts of Emmanuelle, made in the pre-AIDS era, have an almost quaint charm. True, the languorous escapades of the jetsetters are juxtaposed with rough images of the Thai sex trade, revealing among other things exciting new ways to smoke a cigarette. But Kristel's insouciance is often hypnotic. On the DVD: Presented in 16:9 widescreen format, this release effectively replicates the original cinema viewing experience, down to the dreadful dubbed dialogue. Whichever language you watch it in, the actors' lips move in a world of their own and the Dolby Digital soundtrack only emphasises the muffled quality. Only Pierre Bachelet's "plinky-plonky" theme comes across with any clarity. Extras are limited to the original theatrical trailer.--Piers Ford
Phillip Filmore is a naive 15-year-old predictably preoccupied with sex who develops a crush on Nicole Mallow (Kristel) the new thirtysomething French housekeeper employed to look after him while Phillip's father is away for the summer. Later faking her own death as part of Phillip's chauffeur's nefarious blackmail plot all is going to plan until the two start to fall in love...
The proprietor of a Hollywood waxworks only receives five chests of Romanian antiquities instead of the six ordered. However he is unwaware that Vanessa widow of Dracula himself resides in the sixth. The cravings for blood begin as she stalks the streets for victims. True to form an ancestor of Dr. Van Helsing is called into action...
The story of a beautiful woman who explores her sexuality and helps a young man achieve sexual maturity under her expert tutelage....
A teenage boy that had early sexual encounters is having trouble finding them now and spends a lot of time fantasizing about the women he knows. When a beautiful new girl comes to town he makes a bet with the other guys that he can get her into bed within 10 days. His chief rival stacks the deck though by threatening to expose the new girl's sordid past (she was wrongly accused of being involved in an orgy at her previous school) if she sleeps with our hero. Confused about his situation the boy seeks counsel from the sexy older woman across the street and she helps him come to terms with his predicament.
FORGIVE ME: By openly exceeding the borders of the acceptable the idealistic filmmaker Cyrus Frisch hopes the stream of violence and misery on television will finally come to an end. The praise he gained after the first screening of brutal scenes with social outcasts he filmed made him outrageous. The director sells himself to the devil and goes even further in the abuse of his protagonists. How long can the viewer stay a passive accomplice?
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