From the creator of 'Weeds' comes a heart-breaking and hilarious new series set in a women's prison. Based on Piper Kerman's acclaimed memoir 'Orange Is the New Black' follows engaged Brooklynite Piper Chapman whose wild past comes back to haunt her and results in her arrest and detention in a federal penitentiary. To pay her debt to society Piper trades her comfortable New York life for an orange prison jumpsuit and finds unexpected conflict and camaraderie amidst an eccentric group of inmates. Special Features: Gag Reel New Kid on the Cell Block It's Tribal Mother Hen: Red Runs the Coop Prison Rules I Wasn't Ready- Audio Commentary with Producers Jenji Kohan Tara Gerrmann and Mark Burley Can't Fix Crazy- Audio Commentary with Producers Jenji Kohan Tara Gerrmann and Mark Burley
Set against the Iranian hostage crisis of 1979 and 1980, Ben Afflecks Argo is a nerve-jangling footnote to the birth of Ayatollah Khomeinis Islamic Republic. The movie opens at the crest of the 1979 revolution--the storming of the US embassy in Tehran, and the escape of six diplomats to the precarious safety of the Canadian ambassadors residence. To the rescue is Tony Mendez--a composed CIA agent whose heroism remained classified until 1997--and his state-approved plan to get the stranded embassy staff out of Iran under a brazen cover story: theyre an innocent film crew on a location hunt for the fake sci-fi blockbuster Argo. Hollywood is usually pressed into the service of the state in the name of comedy (either burying dictators in Team America: World Police or just bad news in Barry Levinsons Wag the Dog), but Argo is a true story, and the tone of Affleck's Oscar-winning script is carefully split, switching between mounting tension in consular Tehran and a satire of the Hollywood machine as fronted by Alan Arkin and John Goodman--two raffish producers hired by Mendez to reverse-engineer some convincing buzz for the Argo movie. Affleck himself takes the role of Mendez, the steady-eyed agent betting everything on Hollywoods age-old efficiency at creating a media circus for a project long before it exists. History starts out as farce and ends up a tragedy, remarks Goodman, but Argo ends on a patriotic upbeat, and doesnt reflect much on history. It politely nods at the context of Irans attitude to the West, and were told about but not shown--bar the blank rage of the revolutionary mob--Irans anger at the Westerly flow of resources under Shah Pahlavi. Instead, Argo concentrates on the eggshell complexities of deception in plain sight, including a climactic set-piece in which Mendez team must fend their way through layers of suspicious Iranian airport security--with imminent capture, execution and political calamity only on the other side of their paper-thin pretext. It may have the ring of historical escapism, but Argo holds its nerve as a great Hollywood escape. --Leo Batchelor
Season 2 of the multi-award winning TV show continues to tell the story of Piper Chapman (Taylor Schilling) a woman in her thirties who is sentenced to fifteen months in prison after being convicted of a decade-old crime of transporting money for her drug-dealing girlfriend.
Alex Emily and their son RJ are new to Los Angeles. A chance meeting at the park introduces them to the mysterious Kurt Charlotte and Max. A family "playdate" becomes increasingly interesting as the night goes on. As the clock strikes 12 it soon becomes clear that Kurt and Charlotte want a playdate of their own too.
Orange Is the New Black is a thought-provoking, funny, and evocative series that follows Piper Chapman (Taylor Schilling) when a crime she committed in her past sends her to an all-women's prison with an unforgettable and irreverent group of fellow inmates. Orange Is the New Black delves into the racial and economic tensions that run rampant in the halls of Litchheld in the series critics are calling heartbreaking and hilarious(IGN).
As a tourism advertisement for Louisiana, where filming took place, The Lucky One makes the most of a scenic state. As an opportunity for Zac Efron (High School Musical) to prove his acting mettle, it's less successful. On his third tour of duty in Iraq, Efron's Sgt. Logan Thibault finds a photograph of a pretty blonde that reads "keep safe" on the back. After a series of close scrapes, he credits his survival to the memento. Upon his release, Logan retrieves his German shepherd and sets out for North Carolina (it's never clear how he figures that out as a destination). When he finds Beth (Taylor Schilling), who runs a kennel with her grandmother (Blythe Danner), he doesn't know how to tell her about the picture, so he takes a job working with the dogs, and befriends her son (Riley Thomas Stewart), a chess prodigy, while inspiring jealousy in her hotheaded ex-husband, Keith (Jay R. Ferguson, who looks more like a marine than Efron). The climactic storm at the end provides the opportunity for Logan to come clean and for Keith to prove he isn't a complete loser, allowing romance to bloom between the central couple. In drawing from the novel by Nicholas Sparks, Shine's Scott Hicks offers a picture-postcard romance that feels too much like a Lifetime movie. Though Efron, who made a stronger impression in Me and Orson Welles, never overacts, his recessive performance renders Logan more opaque than necessary. --Kathleen C. Fennessy
Please wait. Loading...
This site uses cookies.
More details in our privacy policy