The Relic is the story of a monster that runs amok in a Chicago museum on the very day the institution is holding a glitzy reception. Naturally, the museum bosses want to go ahead with their public relations even as the creature is decapitating victims. Penelope Ann Miller plays a scientist on the run from the critter (which is at times computer generated and reminiscent of the raptors in Jurassic Park), and Tom Sizemore is a cop looking for his cold-blooded (in every sense) killer. Peter Hyams (Timecop) directs, and as always he excels at managing the plastic action at the cost of real feeling and logic. (Much of the story is pretty laughable.) --Tom Keogh
Carl Franklin confirmed his name as one of the key voices of the nineties neo-noir revival when he followed up the 1991 modern classic One False Move with this 1995 adaptation of Walter Mosley's Easy Rawlins novel. Denzel Washington plays Rawlins, a private investigator in post-war Los Angeles who uncovers a web of corruption while on the search for the mistress of a wealthy businessman. Product Features 2K restoration Original 5.1 surround sound and stereo audio tracks Audio commentary with writer and director Carl Franklin (1999) Dancing with the Devil (2018, 23 mins): archival interview with Franklin, conducted by the Film Noir Foundation's Eddie Muller at a screening of Devil in a Blue Dress Don Cheadle Screen Test (1994, 15 mins): videotape footage of the actor auditioning for the role of Mouse, with introduction by Franklin Original theatrical trailer Image gallery: promotional and publicity materials New and improved English subtitles for the deaf and hard of hearing
Seen through the eyes of a squad of American soldiers the story begins with World War II's historic D-Day invasion then moves beyond the beach as the men embark on a dangerous special mission. Captain John Miller (Tom Hanks) must take his men behind enemy lines to find Private James Ryan whose three brothers have been killed in combat. Faced with impossible odds the men question their orders. Why are eight men risking their lives to save just one? Surrounded by the brutal realities of war each man searches for his own answer - and the strength to triumph over an uncertain future with honour decency and courage.
A comedy about two hearts four souls...and second chances. Robert Downey Jr. stars in this romantic comedy as Thomas Reilly who has the spirits of four departed souls running around his consciousness. Each of the four needs Thomas to complete some unfinished business for them on earth.
James Cameron wrote the script for Strange Days, a not-so-futuristic science fiction tale about a former vice cop (Ralph Fiennes) who now sells addictive, virtual reality clips that allow a user to experience the recorded sensations of others. He becomes embroiled in a murder conspiracy, tries to save a former girlfriend (Juliette Lewis), and has a romance with his chauffeur and bodyguard (Angela Bassett). Cameron's ex-wife, director Kathryn Bigelow (Point Break), brought the whole, busy, violent enterprise to the screen, and while the film's socially relevant heart is in the right place, its excesses wear one out. Some of the casting doesn't quite click either: Fiennes isn't really right for his nervous role, and Lewis is annoying (and unbelievable as the hero's much-yearned-for former squeeze). Expect some ugly if daring moments with the virtual reality stuff. --Tom Keogh, Amazon.com
America has become a society steeped in violence and most decent ordinary people are sick of it. Or are they? From two of the world's most controversial filmmakers Quentin Tarantino and Oliver Stone comes one of the most controversial films ever made. Meet Mickey (Woody Harrelson) and Mallory (Juliette Lewis) - the most terrifying and relentless cold-blooded killers imaginable. Rejected by society these two lost souls embark on a murderous rampage. But as the body count soars so too does their notoriety and before long the greedy tabloid press has made them into cult heroes. In the media circus of life Mickey and Mallory have just become the main attraction... .
Danny Glover plays Commander Frank Camparelli the battle-hardened sqaudron leader of an aircraft carrier during the Vietnam War. Brad Johnson is pilot Jake Grafton a disillusioned young renegade looking for payback. Willem Dafoe is Cole the cynical hell-bent bombadier Grafton recruits to fly an unauthorised mission behind enemy lines. The target: a missile depot in Hanoi. The plane: the A-6 Intruder a low-altitude bomber with no defensive weapons. The risk: court-martial at the h
The Relic is the story of a monster that runs amok in a Chicago museum on the very day the institution is holding a glitzy reception. Naturally, the museum bosses want to go ahead with their public relations even as the creature is decapitating victims. Penelope Ann Miller plays a scientist on the run from the critter (which is at times computer generated and reminiscent of the raptors in Jurassic Park), and Tom Sizemore is a cop looking for his cold-blooded (in every sense) killer. Peter Hyams (Timecop) directs, and as always he excels at managing the plastic action at the cost of real feeling and logic. (Much of the story is pretty laughable.) --Tom Keogh
Having developed his skill as a master of contemporary crime drama, writer-director Michael Mann displayed every aspect of that mastery in Heat, an intelligent, character-driven thriller from 1995, which also marked the first onscreen pairing of Robert De Niro and Al Pacino. The two great actors had played father and son in the separate time periods of The Godfather, Part II, but this was the first film in which the pair appeared together, and although their only scene together is brief, it's the riveting fulcrum of this high-tech cops-and-robbers scenario. De Niro plays a master thief with highly skilled partners (Val Kilmer and Tom Sizemore) whose latest heist draws the attention of Pacino, playing a seasoned Los Angeles detective whose investigation reveals that cop and criminal lead similar lives. Both are so devoted to their professions that their personal lives are a disaster. Pacino's with a wife (Diane Venora) who cheats to avoid the reality of their desolate marriage; De Niro pays the price for a life with no outside connections; and Kilmer's wife (Ashley Judd) has all but given up hope that her husband will quit his criminal career. These are men obsessed, and as De Niro and Pacino know, they'll both do whatever's necessary to bring the other down. Mann's brilliant screenplay explores these personal obsessions and sacrifices with absorbing insight, and the tension mounts with some of the most riveting action sequences ever filmed--most notably a daylight siege that turns downtown Los Angeles into a virtual war zone of automatic gunfire. At nearly three hours, Heat qualifies as a kind of intimate epic, certain to leave some viewers impatiently waiting for more action, but it's all part of Mann's compelling strategy. Heat is a true rarity: a crime thriller with equal measures of intense excitement and dramatic depth, giving De Niro and Pacino a prime showcase for their finely matched talents. --Jeff Shannon
Having developed his skill as a master of contemporary crime drama, writer-director Michael Mann displayed every aspect of that mastery in this intelligent, character-driven thriller from 1995, which also marked the first onscreen pairing of Robert De Niro and Al Pacino. The two great actors had played father and son in the separate time periods of The Godfather, Part II, but this was the first film in which the pair appeared together, and although their only scene together is brief, it's the riveting fulcrum of this high-tech cops-and-robbers scenario. De Niro plays a master thief with highly skilled partners (Val Kilmer and Tom Sizemore) whose latest heist draws the attention of Pacino, playing a seasoned Los Angeles detective whose investigation reveals that cop and criminal lead similar lives. Both are so devoted to their professions that their personal lives are a disaster. Pacino's with a wife (Diane Venora) who cheats to avoid the reality of their desolate marriage; De Niro pays the price for a life with no outside connections; and Kilmer's wife (Ashley Judd) has all but given up hope that her husband will quit his criminal career. These are men obsessed, and as De Niro and Pacino know, they'll both do whatever's necessary to bring the other down. Mann's brilliant screenplay explores these personal obsessions and sacrifices with absorbing insight, and the tension mounts with some of the most riveting action sequences ever filmed--most notably a daylight siege that turns downtown Los Angeles into a virtual war zone of automatic gunfire. At nearly three hours, heat qualifies as a kind of intimate epic, certain to leave some viewers impatiently waiting for more action, but it's all part of Mann's compelling strategy. Heat is a true rarity: a crime thriller with equal measures of intense excitement and dramatic depth, giving De Niro and Pacino a prime showcase for their finely matched talents. --Jeff Shannon
Whilst Frank Leone (Sylvester Stallone) is serving time for beating up some thugs, the prison's governor Drumgoole (Donald Sutherland) puts him through a hellish regime. Leone manages to escape and goes to the media to tell his tale of injustice and abuse. He is rewarded by being sent to an 'open' prison to finish his sentence but, six months before his release, he is grabbed in the night, taken to a maximum security prison and reunited with his old enemy... Special Features: Making Of Sylvester Stallone Profile Trailer Behind the Scenes Interviews Sylvester Stallone Donald Sutherland Sonny Landham John Amos
It's Die Hard on a plane in this action thriller, starring Wesley Snipes as an anti-terrorist specialist whose early retirement is interrupted when his flight is overtaken by a bloodthirsty villain (Bruce Payne). Watching this at home is pretty much an excuse to order pizza and kick back, as the familiar rhythms of maverick-cop-versus-international-criminal take over and nothing new or fresh in the formula emerges. The supporting cast includes Elizabeth Hurley (Austin Powers: International Man of Mystery) as a gun-wielding, junior terrorist, which is fun simply for being unexpected. The release includes optional full-screen and widescreen presentations, Dolby sound, production notes and optional English, French and Spanish subtitles. --Tom Keogh
The 1980s was the make-and-break decade for Sylvester Stallone's career, and Lock Up typifies the direction he took in his post-Rocky and Rambo days. It's a concept movie in the same mould as Rambo III just before it, and Tango & Cash just after. The hero (Frank Leone) is put in jeopardy (Gateway Prison), establishes a nemesis to defeat (in the shape of Donald Sutherland as Warden Drumgoole), makes a few friendships that can be sacrificed along the way (Tom Sizemore as Dallas) and does what he does in the name of love (Darlanne Flugel as Melissa). The revenge-twisted warden puts him through hell over a shared back-story. The torture ranges from being made to hold his breath in a delousing chamber to sanity-stretching periods in "The Hole". It's all about how far a man can be pushed. But being a Stallone vehicle, it's not all depressing. Composer Bill Conti reunites with the star to put the same sort of heroic fuel behind a prison-yard football game as he did for Rocky. A couple of feel-good songs pep up the love story and a montage of camaraderie in rebuilding a broken-down car. There's a healthy sense of realism achieved by having Sly doing all his own stunts and the use of a real-life prison. If the elements lead to a by-the-numbers conclusion (it's no Shawshank Redemption), remember this was some years before the actor wanted to get serious. On the DVD: A surprising amount of footage has been assembled in the two behind-the-scenes featurettes: we see Stallone directing his own fight scenes, and how use of New Jersey's Rahway Prison came with 2,500 real inmates to keep under control. Sound bite interviews reveal Stallone's worldly philosophies, then a trailer and gallery of 17 photos round out a decent overall package. --Paul Tonks
Steven Spielberg's World War 2 epic comes to blu-ray for the first time with crystal clear picture and spectacular surround sound. Join Tom Hanks Matt Damon and Vin Diesel as they battle their way through war-torn France... this is Saving Private Ryan as you have never seen it before! Seen through the eyes of a squad of American soldiers the story begins with World War II's historic D-Day invasion then moves beyond the beach as the men embark on a dangerous special mission. Captain John Miller (Tom Hanks) must take his men behind enemy lines to find Private James Ryan whose three brothers have been killed in combat. Faced with impossible odds the men question their orders. Why are eight men risking their lives to save just one? Surrounded by the brutal realities of war each man searches for his own answer - and the strength to triumph over an uncertain future with honour decency and courage.
Academy Award® winner Nicolas Cage* (Leaving Las Vegas, Stolen) stars in this wartime action drama directed by Mario Van Peebles. After delivering one of the atomic bombs that would eventually end World War II, the naval cruiser USS Indianapolis is torpedoed by a Japanese submarine. Left with no option but to abandon ship, Captain Charles McVay (Cage) and hundreds of his crew are left stranded in shark-infested waters Also starring Golden Globe® nominees Tom Sizemore** (Saving Private Ryan) and Thomas Jane***(Deep Blue Sea).
Those already into Blu-ray will have a specific title and a particular scene up their sleeves to show off the benefits of Hi-Def home entertainment to the uninitiated. Here's a true great to add to the armoury (so to speak)--the first 20 minutes of action in Saving Private Ryan [Blu-ray] are as good a demonstration as you'll ever need to make someone say "wow". The true terror of the D-Day landings in World War II is brought to startling life in this high definition release--with the explosions jumping out of the screen and bullets zipping around your ears, you're brought as close to the front line as you can get without leaving the safety of your sofa--you will need reminding to breathe once that brutal, gut-wrenching opener is over. And it doesn't stop there. The rest of the film benefits from the Blu-ray clean up, it's looking brighter and sounding more crisp than ever before (as you would expect). One of the greatest war films ever made has been expertly enhanced and it's now an even more wonderful movie experience--the transfer to 1080p is exemplary.The extras are bountiful too, with over three hours of special features. The only criticism of the entire package is that only a couple of the extras are in Hi-Def, the rest are in standard definition. However, fans of the film won't be disappointed as extras from previous DVD releases are collated, including a great insight into Steven Spielberg's mind as he talks about his interest in World War II and how it led to him making this film. The notable addition to this version's extras being an extensive and fascinating documentary Shooting War, hosted by Tom Hanks, which follows the brave soldiers tasked with chronicling the war and all the horrors that came with it. It's a great account it's own right, so owners of this copy are given plenty to pore over. Make no mistake, the scene-stealer is the opener--it grabs you by the throat and doesn't let go for 20 agonising minutes--and if you're looking to enhance your collection, then look no further than this landmark release.--Tom Lawrance Special Features 2-disc Blu-ray edition. Disc 1: Feature Film.Disc 2: Special Features: An Introduction - 2:33 Looking into the Past - 4:38 Miller and his Platoon - 8:22 Boot Camp - 7:35 Making Saving Private Ryan - 22:01 Re-Creating Omaha Beach - 17:55 Music and Sound - 15:56 Parting Thoughts - 3:41 Into the Breach: Saving Private Ryan - 25:03 Theatrical Trailer HD - 2:18 Re-Release Trailer HD - 2:08 Shooting War - 88:04
James Cameron wrote the script for this not-so-futuristic science fiction tale about a former vice cop (Ralph Fiennes) who now sells addicting, virtual reality clips that allow a user to experience the recorded sensations of others. He becomes embroiled in a murder conspiracy, tries to save a former girlfriend (Juliette Lewis), and has a romance with his chauffeur and bodyguard (Angela Bassett). Cameron's ex-wife, director Kathryn Bigelow (Point Break), brought the whole, busy, violent enterprise to the screen, and while the film's socially relevant heart is in the right place, its excesses wear one out. Some of the casting doesn't quite click either: Fiennes isn't really right for his nervous role, and Lewis is annoying (and unbelievable as the hero's much-yearned-for former squeeze). Expect some ugly if daring moments with the virtual reality stuff. --Tom Keogh, Amazon.com
Jarhead: Jarhead (the self-imposed moniker of the Marines) follows Swoff (Gyllenhaal) from a sobering stint in boot camp to active duty where he sports a sniper rifle through Middle East deserts that provide no cover from the heat or Iraqi soldiers. Swoff and his fellow Marines sustain themselves with sardonic humanity and wicked comedy on blazing desert fields in a country they don't understand against an enemy they can't see for a cause they don't fully grasp. Black Hawk Down: Ridley Scott directs this fast moving action adventure about the disastrous mission in Somalia on October 3 1993 where nearly 100 U.S. Army Rangers commanded by Capt. Mike Steele were dropped by helicopter deep into the capital city of Mogadishu to capture two top lieutenants of a Somali warlord which leads to a large and chaotic firefight between the Rangers and hundreds of Somali gunmen which destroys two U.S. Black Hawk helicopters in Mogadishu. Tears Of The Sun: Loyal veteran Navy S.E.A.L. Lt. A.K. Waters is sent into the heart of war-torn Africa on a hazardous mission to rescue Dr. Lena Hendricks a U.S. citizen who runs a mission. When the beautiful doctor refuses to abandon the refugees in her care Lt. Waters finds himself having to choose between following orders and the dictates of his own conscience. Together they begin a dangerous trek through the deadly jungle all the while being pursued by a rebel militia group with only one goal in mind: to assassinate Lt. Waters' unit and the refugees in his care...
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