Goldie Hawn and Susan Sarandon star as two former rock groupies from the 60s reunited in the present day. One is a waitress, nostalgic for the old days, and the other is a prominent socialite eager to forget her past.
Scott (Pete Davidson) has been a case of arrested development ever since his firefighter father died when he was seven. He's now reached his mid-20s having achieved little, chasing a dream of becoming a tattoo artist that seems far out of reach. As his ambitious younger sister (Maude Apatow) heads off to college, Scott is still living with his exhausted ER nurse mother (Marisa Tomei) and spends his days smoking weed, hanging with the guysOscar (Ricky Velez), Igor (Moises Arias) and Richie (Lou Wilson)and secretly hooking up with his childhood friend Kelsey (Bel Powley). But when his mother starts dating a loudmouth firefighter named Ray (Bill Burr), it sets off a chain of events that will force Scott to grapple with his grief and take his first tentative steps toward moving forward in life. Bonus Features Feature Commentary with Director/ Co-Writer Judd Apatow and Actor/Co-Writer Pete Davidson Alternate Endings (Which Didn't Work!) Deleted Scenes Gag Reel
Dave Buznik (Adam Sandler) is usually a mild-mannered, non-confrontational guy. But after an altercation aboard an airplane, he is remanded to the care of an unconventional anger management therapist, Dr. Buddy Rydell (Jack Nicholson).
Don't Tell Mom the Babysitter's Dead aspires to be a cross between Home Alone and Risky Business, with Christina Applegate as an inadvertent scam artist who gets in over her head and somehow pulls it off. When her mother goes to Australia for two months, Sue Ellen (Applegate) thinks she's going to be in charge--until an elderly tyrant of a babysitter arrives. But on the very first night the old lady has a heart attack and keels over. Sue Ellen and her siblings leave the body at a mortuary, only to discover afterward that all the money their mother had left for the summer was in the babysitter's clothes. So Sue Ellen has to get a job. Thanks to a trumped-up resume, she ends up as an executive assistant at a clothing manufacturer. For a while she keeps her head above water by skilfully exploiting a friendly coworker, but her brothers and sisters are running amok at home and a venomous receptionist has it in for her at work. The role-reversal humour of Sue Ellen having to mother her siblings is unsurprising, but Applegate is unexpectedly appealing; her scenes with Josh Charles have a sweet chemistry. Joanna Cassidy plays Sue Ellen's boss and a young David Duchovny is a weaselly clerk. --Bret Fetzer, Amazon.com
James Spader is an FBI agent taunted by serial killer Keanu Reeves, a man who sends his adversary a photo of each victim before he kills them, daring his adversary to catch him.
Mick Haller (MATTHEW MCCONAUGHEY) is the titular Los Angeles criminal defence attorney who operates solely out of the back of his Lincoln Towncar.
A reinvention of Michael Caine's 1960s classic starring Jude Law as a lothario forced to rethink his carefree lifestyle.
Spider-Man: Homecoming A young Peter Parker/Spider-Man (Tom Holland), who made his sensational debut in Captain America: Civil War, begins to navigate his newfound identity as the web-slinging superhero. Thrilled by his experience with the Avengers, Peter returns home, where he lives with his Aunt May (Marisa Tomei), under the watchful eye of his new mentor Tony Stark (Robert Downey Jr.). Peter tries to fall back into his normal daily routine distracted by thoughts of proving himself to be more than just your friendly neighbourhood Spider-Man but when the Vulture (Michael Keaton) emerges as a new villain, everything that Peter holds most important will be threatened. Spider-Man: Into The Spider-Verse Phil Lord and Christopher Miller, the creative minds behind The Lego Movie and 21 Jump Street, bring their unique talents to a fresh vision of a different Spider-Man Universe, with a ground-breaking visual style that's the first of its kind. The Academy Award(r) Winner for Best Animated Feature Film, SPIDER-MAN: INTO THE SPIDER-VERSE introduces Brooklyn teen Miles Morales, and the limitless possibilities of the Spider-Verse, where more than one can wear the mask. Spider-Man: Far From Home Following the events of Avengers: Endgame, Peter Parker (Tom Holland) returns in Spider-Man: Far From Home. Our friendly neighbourhood Superhero decides to join his best friends Ned, MJ, and the rest of the gang on a European vacation. However, Peter's plan to leave super heroics behind for a few weeks is quickly scrapped when he begrudgingly agrees to help Nick Fury (Samuel L. Jackson) uncover the mystery of several elemental creature attacks. Spider-Man and Mysterio (Jake Gyllenhaal) join forces to fight the havoc unleashed across the continent but all is not as it seems.
The SitterThe Sitter may be the last movie featuring the "heavy" version of Jonah Hill. With the many pounds he's since lost, many movie-industry minds are wondering if the Jonah Hill-ness of his screen persona, flaunted so prodigiously in the likes of Knocked Up, Get Him to the Greek, and Superbad, has disappeared from the scales too. But until Jonah 2.0 gets his chance, The Sitter couldn't capture his trash-talking, man-child, king-of-comeback essence more boldly, more lovingly, or with such blatant vulgarity. Hill plays Noah, a jobless twentysomething layabout still living with his divorced mum along with the delusion that he has a hot girlfriend (she only keeps him around for oral talents that are unrelated to speech). As a favour that might help Mum with her own sad love life, he agrees to a one-night babysitting stand for the neighbours and their three wildly dissimilar but equally messed-up children. The night progresses through slapstick, farce, adventure, romance, danger, pathos, and eventual catharsis for everyone. (Unfortunately there's a touch of maudlin, sentimental corn in the mix too.) The children are as important to the escapades as Noah and are the primary source of his stupid/smooth shtick that mixes clever put-downs, terrified jabbering, and hilariously relentless patter of urban slang vernacular. Noah's spoiled charges are two boys--an anxiety-wracked 13-year-old and a 10-year-old Nicaraguan adoptee with severe anger and pyromania issues--and a precocious 8-year-old-girl who's heavily into make-up, hip-hop, and a score of other age-inappropriate behaviours. As the four of them hurtle deeper into the night, the situations become more antically treacherous with drug dealers, gangster thugs, police officers, and upper-crust snobs as part of the mix, along with their knives, cocaine, diamonds, alcohol, and guns. Director David Gordon Green, whose unusual career has gone from art house (George Washington, All the Real Girls) to raunchy bromance (Pineapple Express, Your Highness), supplants formal technique with the off-kilter and oft-unseemly style of Jonah Hill vs. the world. Green sometimes evokes the flow of surreality that Martin Scorsese took to unnatural ends in After Hours, only with more dirty bits and a lot more full-on crude laughs. Nearly everyone in the large supporting cast makes an excellent foil for the star's constant streetwise riffing, especially Sam Rockwell, who digs in to his role as a psychotic but emotionally conflicted drug dealer always on the lookout for new best friends. But it is Jonah Hill who sits firmly, even heavily in the driver's seat. It's a great place to flash his better-honed actorly chops along with his beloved version 1.0 comedic gift. --Ted Fry CyrusMumblecore auteurs the Duplass brothers (Baghead, The Puffy Chair) dip their toes in the precarious waters of Hollywood by casting well-known actors in Cyrus. But their devotion to clumsy, uncomfortable people remains: John (John C. Reilly, Step Brothers) has barely left his apartment in the seven years since Jamie (Catherine Keener, Lovely & Amazing) divorced him, so Jamie demands he come to a party--where, miraculously, he meets Molly (Marisa Tomei, The Wrestler), who seems like the woman of his dreams. Unfortunately, Molly comes with some baggage: her 22-year-old son, Cyrus (Jonah Hill, Superbad). To say Molly and Cyrus are close is an understatement, and John finds himself in a battle of wills with Molly as the prize. The Duplass brothers seek a kind of cinematic simplicity--to call it purity would be too highbrow for these aggressively pedestrian filmmakers--and when it works, it brings the viewer in intimate contact with life in its ordinary, essential glory. When it doesn't work, it's just dull. Despite its flatfooted plot, Cyrus works pretty well. The higher calibre of the cast helps--Reilly, Tomei, Hill, and Keener are all excellent, and much of the movie is genuinely funny. Don't expect elegance, but sometimes, something plain can please. --Bret Fetzer
Limited Comic Book, Only Whilst Stocks Last. A young Peter Parker/Spider-Man (Tom Holland), who made his sensational debut in Captain American: Civil War, begins to naviagate his newfound identity as the web-slinging super hero in Spider-Man: Homecoming. Thrilled by his experience with the Avengers, Peter returns home, where he lives with his Aunt May (Marisa Tomei), under the watchful eye of his new mentor Tony Stark (Robert Downey, Jr.). Peter tries to fall back into his normal daily routine - distracted by thoughts of proving himself to be more than just your friendly neighborhood Spider-Man - but when the Vulture (Michael Keaton) emerges as a new villain, everything that Peter holds most important will be threatened. Click Images to Enlarge
Stephen Dillane is British journalist Michael Henderson who decides to risk everything to help the innocent people of a besieged city. With support from the flamboyant 'star' American journalist Flynn (Woody Harrelson) and an aid worker Nina (Tomei) Henderson embarks on a perilous and terrifying journey to evacuate the city's orphan children to safety. The film is inspired by the true story of ITN news journalist Michael Nicholson who after months of reporting on the siege of Sarajevo smuggled a child out of the war torn city and later adopted her. The film is much more than the story of one man's personal act of compassion it is a harrowing and moving tribute to a city that refused to give in.
With John's social life at a standstill and his ex-wife about to get remarried, a down on his luck divorcee finally meets the woman of his dreams, only to discover she has another man in her life - her son.
When two brothers organize the robbery of their parents' jewellery store the job goes horribly wrong, triggering a series of events that threatens to tear the family apart once and for all.
Three side-splittingly funny comedies including Anger Management Groundhog Day and So I Married An Axe Murderer. Anger Management: Dave Buznik (Adam Sandler) is usually a mild-mannered non-confrontational guy. But after an altercation aboard an airplane he is remanded to the care of anger management therapist Dr. Buddy Rydell (Jack Nicholson) who could probably use some anger management himself. Now Dave is really mad! Groundhog Day: Bill Murray is at his wisecracking best in this riotous romantic comedy about a weatherman caught in a personal time warp on the worst day of his life! Teamed with a relentlessly cheery producer (Andie MacDowell) and a smart aleck cameraman TV weatherman Phil Connors (Bill Murray) is sent to Punxsutawney Pennsylvania to cover the annual Groundhog Day festivities. On his way out of town Phil is caught in a giant blizzard - which he himself actually failed to predict - and finds himself stuck in a small town hell. Just when things couldn't get worse they do! Phil wakes the next morning to find that it's Groundhog Day all over again. And again. And again. During the recurring 24 hour nightmare Phil starts to realise that he can also use it to his advantage; to re-write the events of his day and to generally have a whale of a time. But manipulating his day to capture the one woman he really wants is not quite so easy... So I Married An Axe Murderer: Charlie Mackenzie (Mike Myers) is a love-shy poet living in San Francisco who frequents neighborhood coffee houses reciting his tortured odes to unrequited love. Burned by a string of failed relationships Mackenzie's fear of commitment has intensified into outrageous extremes of paranoia. When he finds himself falling for the sweet-faced butcher (Nancy Travis) at his local meat shop he sees it as a final chance for love to overcome his painful cynicism. Feeling he has squelched his nagging fears Mackenzie marries the woman. But his anxiety quickly manifests itself in the conviction that his wife is actually an infamous axe murderer whose antics are described in juicy detail in each week's issue of the Weekly World News...
War Inc stars John Cusack Joan Cusack Ben Kingsley Marisa Tomei and Hilary Duff! War Inc is a political satire set in Turaqistan a country occupied by an American private corporation run by a former US Vice-President (Dan Aykroyd). In an effort to monopolize the opportunities the war-torn nation offers the corporation's CEO hires Brand Hauser (John Cusack) - a hit man - to kill a Middle East oil minister. Now struggling with his own growing demons Brand must pose as the corporation's Trade Show Producer in order to pull off this latest hit while maintaining his cover by organizing the high-profile wedding of Yonica Babyyeah (Hilary Duff) an outrageous Middle Eastern pop star and keeping a sexy left wing reporter (Marisa Tomei) in check.
Based on the semi-autobiographical novel by Charles Bukowski. The story of a man living on the edge of a writer who is willing to risk everything to make sure that his life is his poetry. 'Some people never go crazy. What truly horrible lives they must live'. Henry Chinaski (read Charles Bukowski) works in factories and warehouses to support what he really wants to do: drink bet on the horses take up with women as rootless as he is and above all write stories that no one wants t
Based on the semi-autobiographical novel by Charles Bukowski. The story of a man living on the edge of a writer who is willing to risk everything to make sure that his life is his poetry. 'Some people never go crazy. What truly horrible lives they must live'. Henry Chinaski (read Charles Bukowski) works in factories and warehouses to support what he really wants to do: drink bet on the horses take up with women as rootless as he is and above all write stories that no one wants to publish.
At fortysomething, straight-laced Cal Weaver is living the dream, good job, nice house, great kids and marriage to his high school sweetheart. But when Cal learns that his wife has cheated on him and wants a divorce, his 'perfect' life quickly unravels.
Dave Buznik (Adam Sandler) is usually a mild-mannered, non-confrontational guy. But after an altercation aboard an airplane, he is remanded to the care of an unconventional anger management therapist, Dr. Buddy Rydell (Jack Nicholson).
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