The explosively stylish, gripping saga of two rival moles that jolted the Hong Kong crime drama to new life is now available in one box set.The Hong Kong crime drama was jolted to new life with the release of the Infernal Affairs trilogy, a bracing, explosively stylish critical and commercial triumph that introduced a dazzling level of narrative and thematic complexity to the genre with its gripping saga of two rival moles-played by superstars TONY LEUNG CHIU-WAI (In the Mood for Love) and ANDY LAU TAK-WAH (As Tears Go By)- who navigate slippery moral choices as they move between the intersecting territories of Hong Kong's police force and its criminal underworld.Set during the uncertainty of the city-state's handover from Britain to China and steeped in Buddhist philosophy, these ingeniously crafted tales of self-deception and betrayal mirror Hong Kong's own fractured identity and the psychic schisms of life in a postcolonial purgatory.Infernal AffairsTwo of Hong Kong cinema's most iconic leading men, TONY LEUNG CHIU-WAI and ANDY LAU TAK-WAH, face off in the breath-taking thriller that revitalized the citystate's twenty-first-century film industry, launched a blockbuster franchise, and inspired Martin Scorsese's The Departed.The setup is diabolical in its simplicity: two undercover moles-a police officer (Leung) assigned to infiltrate a ruthless triad by posing as a gangster, and a gangster (Lau) who becomes a police officer in order to serve as a spy for the underworld-find themselves locked in a deadly game of cat and mouse, each racing against time to unmask the other. As the shifting loyalties, murky moral compromises, and deadly betrayals mount, Infernal Affairs raises haunting questions about what it means to live a double life, lost in a labyrinth of conflicting identities and allegiances.Infernal Affairs IIThe first of two sequels to follow in the wake of the massively successful Infernal Affairs softens the original's furious pulp punch in favour of something more sweeping, elegiac, and overtly political. Flashing back in time, Infernal Affairs II traces the tangled parallel histories that bind the trilogy's two pairs of adversaries: the young, duelling moles (here played by EDISON CHEN KOON-HEI and SHAWN YUE MAN-LOK), and the ascendant crime boss (ERIC TSANG CHI-WAI) and police inspector (ANTHONY WONG CHAU-SANG) whose respective rises reveal a shocking hidden connection.Unfolding against the political and psychological upheaval of Hong Kong's handover from Britain to China, this elegant, character-driven crime drama powerfully connects its themes of split loyalties to the city-state's own postcolonial identity crisis.Infernal Affairs IIITONY LEUNG CHIU-WAI and ANDY LAU TAK-WAH return for the cathartic conclusion of the Infernal Affairs trilogy, which layers on even more deep-cover intrigue while steering the series into increasingly complex psychological territory. Dancing back and forth in time to before and after the events of the original film, Infernal Affairs III follows triad gangster turned corrupt cop Lau Kin-ming (Lau) as he goes to dangerous lengths to avoid detection, matches wits with a devious rival in the force (LEON LAI), and finds himself haunted by the fate of his former undercover nemesis (Leung). A swirl of flashbacks, memories, and hallucinations culminates in a dreamlike merging of identities that drives home the trilogy's vision of a world in which traditional distinctions between good and evil have all but collapsed.Product FeaturesNew 4K digital restorations, with 5.1 surround DTS-HD Master Audio soundtracksAudio commentaries for Infernal Affairs and Infernal Affairs II featuring codirectors Andrew Lau Wai-keung and Alan Mak and screenwriter Felix Chong Man-keungAlternate ending for Infernal AffairsNew interview with Lau and MakArchival interviews with Lau, Mak, Chong, and actors Andy Lau Tak-wah, Tony Leung Chiu-wai, Anthony Wong Chau-sang, Kelly Chen Wai-lam, Edison Chen Koon-hei, Eric Tsang Chi-wai, and Chapman To Man-chakMaking-of programmesBehind-the-scenes footage, deleted scenes, and outtakesTrailersNew English subtitle translationsPLUS: An essay by film critic Justin Chang
Exclusive To This 30th Anniversary Edition Patrick Swayze Uncut: Never before seen interview with Patrick Swayze 4 Kellerman's postcards Foldout Dirty Dancing Poster Kellerman's resort brochure and map Patrick Swayze In His Own Words featurette Happy 30th Dirty Dancing featurette Eleanor Bergstein Thoughts On A Lifetime Of Dirty Dancing Also Includes: Commentary with Writer/ Co- Producer Eleanor Bergstein Commentary with Kenny Ortega, Miranda Garrison, Jeff Jur, Hilary Rosenfeld and David Chapman Music Videos for Hungry Eyes, She's Like The Wind and (I've Had) The Time Of My Life Original Screen Tests Outtakes Music Videos Cast & Crew Interviews Deleted Scenes Alternate Scenes This timeless, Oscar winning classic is a phenomenally popular coming-of-age tale, beloved by generations. Teenager Baby (Jennifer Grey), goes with her family on vacation to Kellerman's holiday resort in the Catskill Mountains. Things are pretty tame until she meets Johnny (Patrick Swayze), a dance teacher at the resort who mesmerises Baby with his dance moves, his passion and his misunderstood ˜bad boy' image. During the summer of 1963, Johnny teaches Baby how to dance. And, more importantly, how to love.
Picking up right where the splatter-tastic original ended Marybeth escapes the clutches of the deformed swamp-dwelling iconic killer Victor Crowley. After learning the truth about her family's connection to the hatchet-wielding madman Marybeth returns to the Louisiana swamps along with an army of hunters to recover the bodies of her family and exact the bloodiest revenge against the bayou butcher. Boasting a body count that is over double that of the first movie and once more providing ground-breaking work in Old School practical cinema special effects to deliver unapologetically unrestrained gushers of gore Hatchet II is more more more of everything you loved about the original only darker funnier and on shocker steroids.
Private detective Adrian Monk has brains instincts a photographic memory and more than a few Obsessive Compulsive Disorders. These traits his-ever present handy wipes and his devoted assistant Natalie Teeger (Traylor Howard) help him as he solves cases involving amnesia betrayal first-loves true loves and of course murder.
Private detective Adrian Monk has brains instincts a photographic memory and more than a few Obsessive Compulsive Disorders. These traits his-ever present handy wipes and his devoted assistant Natalie Teeger (Traylor Howard) help him as he solves cases involving amnesia betrayal first-loves true loves and of course murder.
Obsessive. Compulsive. Detective. Tony Shalhoub plays Adrian Monk a police detective who suffers from obsessive compulsive disorder which hilariously gets in the way while trying to solve crimes.
Bringing the Pythonesque humour of cult Radio 4 series The Burkiss Way to television this surreal satirical soap opera/sketch show was the first TV series from multi-award-winning screenwriters Andrew Marshall and David Renwick.
Infernal Affairs (2002): A mole in the police force. An undercover cop inside the criminal organisation. The objective is the same: each must discover the other before their own position is exposed. Who will succeed and who will pay the ultimate price for their failure? A gripping police Hong Kong police thriller starring Andy Lau and Tony Leung the super-stylish Infernal Affairs was the biggest grossing Hong Kong film of 2002 and has even seen the Hollywood re
After chasing a fugitive with an advanced alien weapon, New York cop James Edwards (Will Smith) finds himself recruited to the MiB, a top secret agency in charge of alien immigration on Earth. He is partnered with K (Tommy Lee Jones), and sent to investigate an alien prediction of the end of the world. They have to track down a hostile alien life form currently wearing the human skin of a country hick named Edgar.
Meg Ryan stars in this fact-inspired drama as a woman who defied all the odds when she entered the male dominated world of boxing management and took it by storm.
A high-profile action/exploitation thriller set in the late 20th century, The Siege is really a fantasy that extrapolates from major terrorist bombings, such as the one at the World Trade Centre. Denzel Washington is FBI special agent Hubbard, "Hub" to his friends, whose anti-terrorist task force must track down the terrorist cells responsible for a spate of bombings in New York. His partner is an FBI agent of Arabian extraction (played convincingly by Tony Shalhoub), proving not all Arabs are bad guys--a point the film should be lauded for making again and again. Thrown into the mix is a CIA spy (played almost kittenish at times by Annette Bening), whose ties to the terrorists appear to be at the centre of the conflicts. When the bombings escalate out of control, the President institutes martial law, sending in General Devereaux (played with impenetrable countenance by Bruce Willis) with tanks and troops to ferret out the terrorists. Echoes of Japanese-Americans in internment camps ring out as Arabs, including the son of the Arab-American FBI agent, are herded into a stadium. Periodic audio-montages of "man in the street" sentiments anchor the material in the present and show how serious and relevant the material is. But finally what we have is a taut and entertaining popcorn movie, giving itself the humanistic nod when it can. --Jim Gay, Amazon.com
Beginning with an explosive, six-minute montage of sex, drugs and violence, and ending with a phallus-headed battle robot taking flight, Takashi Miike's unforgettable Dead or Alive Trilogy features many of the director's most outrageous moments set alongside some of his most dramatically moving scenes. Made between 1999 and 2002, the Dead or Alive films cemented Miike's reputation overseas as one of the most provocative enfants terrible of Japanese cinema, yet also one of its most talented and innovative filmmakers. In Dead or Alive, tough gangster Ryuichi (Riki Takeuchi) and his ethnically Chinese gang make a play to take over the drug trade in Tokyo's Shinjuku district by massacring the competition. But he meets his match in detective Jojima (Show Aikawa), who will do everything to stop them. Dead or Alive 2: Birds casts Aikawa and Takeuchi together again, but as new characters, a pair of rival yakuza assassins who turn out to be childhood friends; after a botched hit, they flee together to the island where they grew up, and decide to devote their deadly skills to a more humanitarian cause. And in Dead or Alive: Final, Takeuchi and Aikawa are catapulted into a future Yokohama ruled by multilingual gangs and cyborg soldiers, where they once again butt heads in the action-packed and cyberpunk-tinged finale to the trilogy. Each of them unique in theme and tone, the Dead or Alive films showcase Miike at the peak of his strengths, creating three very distinct movies connected only by their two popular main actors, each film a separate yet superb example of crime drama, character study, and action filmmaking. SPECIAL EDITION CONTENTS: High Definition digital transfers of all three films Original stereo audio Optional English subtitles for all three films New interview with actor Riki Takeuchi New interview with actor Sho Aikawa New interview with producer and screenwriter Toshiki Kimura New audio commentary for Dead or Alive by Miike biographer Tom Mes Archive interviews with cast and crew Archive making-of featurettes for DOA2: Birds and DOA: Final Original theatrical trailers for all three films Reversible sleeve featuring original and newly commissioned artwork by Orlando Arocena FIRST PRESSING ONLY: Illustrated collector's booklet featuring new writing on the films by Kat Ellinger
From before the nativity to the Crucifixion and Resurrection Jesus Of Nazareth brings to life all the majesty and sweeping drama of the Gospels. This extended version features an additional 2 hours of footage not seen before! Robert Powell plays Jesus and a star-studded international cast adds depth and humanity to the roles of the saints sinners and ordinary people who walked in the footsteps of the Lord. The film shows the setting and background for the birth childhood and many miracles of the Messiah culminating in the Divine Resurrection. Directed by Oscar nominee Franco Zeffirelli and acclaimed by critics and religious leaders worldwide Jesus Of Nazareth tells the greatest of all stories with tremendous emotion and splendour.
All 24 episodes from the second series of the popular sci-fi show. In 'The Metamorph' a team of Eagle pilots are captured on the planet Psychon by the ruthless Mentor (Brian Blessed). 'The Exiles' has the Alphans revive two aliens who turn out to be rebel leaders. 'One Moment of Humanity' sees Helena (Barbara Bain) and Tony (Tony Anholt) abducted by an alien (Billie Whitelaw) who plans to use them as blueprints for killer androids. In 'All That Glisters' Koenig (Martin Landau) leads a mission to a nearby planet in search of a mineral vital to the life support system on Moonbase Alpha. 'Journey to Where' has Koenig, Helena and Carter (Nick Tate) attempt to teletransport themselves to 22nd century Texas and end up in 14th century Scotland instead. 'The Taybor' sees Alpha visited by a travelling trader who wants to add Maya (Catherine Schell) to his collection of beautiful artefacts. 'The Rules of Luton' finds Koenig and Maya in trouble with the locals during a visit to Luton. 'The Mark of Archanon' has the Alphans discover two aliens frozen beneath the surface of the moon. 'Brian the Brain' sees the moonbase visited by an old Earth spaceship piloted by a lone computer called Brian (voiced by Bernard Cribbins). 'New Adam New Eve' finds Koenig, Helena, Maya and Tony caught up in the plans of one Simon Magus (Guy Rolfe), a cosmic magician who is attempting to discover the secret of life. In 'Catacombs of the Moon' engineer Patrick Osgood (James Laurenson) searches for a rare metal essential for the construction of the replacement heart needed to save the life of his wife Michelle (Pamela Stephenson). 'The AB Chrysalis' has Alpha surrounded by a mysterious ring of moons. 'Seeds of Destruction' sees Alpha endangered by Koenig's evil double. 'The Beta Cloud' finds a huge and terrible creature (Dave Prowse) on the rampage at the moonbase. 'Space Warp' has Maya afflicted with a terrible sickness which causes her to transform into various space monsters. 'A Matter of Balance'
He's ingenious he's phobic he's obsessive-compulsive. The criminally underrated Tony Shalhoub stars as former police detective Adrian Monk a man who's hilarious off-beat antics have made him unfit for duty. Back as a police consultant Monk helps the police on their most baffling cases. The brilliant but neurotic Monk is now fighting crime as well as his abnormal fears of germs cars crowds and virtually everything else known to man. Featuring all 16 episodes of the
"12 and Holding" explores the complexities of children losing their innocence and adults struggling to guide them.
Chungking Express tells two stories loosely connected by a Hong Kong snack bar. In one, a cop who's been recently dumped by his girlfriend becomes obsessed with the expiry dates on cans of pineapple; he's constantly distracted as he tries to track down a drug dealer in a blonde wig (played by Brigitte Lin, best known from Swordsman II and The Bride with White Hair). Meanwhile, another cop who's recently been dumped by his girlfriend (Tony Leung Chiu-Wai, from John Woo's Hard-Boiled and A Bullet in the Head) mopes around his apartment, talking to his sponge and other domestic objects. He catches the eye of a shop girl (Hong Kong pop star Faye Wang) who secretly breaks in and cleans his apartment. If you're beginning to suspect that neither of these stories has a conventional plot, you're correct. What Chungking Express does have is loads of energy and a gorgeous visual style that never gets in the way of engaging with the charming characters. The film was shot on the fly by hip director Wong Kar-Wai (Happy Together, Ashes of Time), using only available lighting and found locations. The movie's loose, improvisational feel is closer to Jean-Luc Godard's Breathless than any recent film--and that's high praise. Quirky, funny, and extremely engaging, Chungking Express manages to be experimental and completely accessible at the same time. --Bret Fetzer, Amazon.com
Like all the best celebrity tributes, Dame Elizabeth Taylor: A Musical Celebration (2001) combines the essence of its subject--in this case, charity work for HIV and AIDS research and a legendary career in movies, both meriting every ounce of recognition--with the fascination of a spectacular car smash. The highlights are the screenings of trailers for some of her best films, including Giant and Butterfield 8 (she won an Oscar but derided the picture) and an archive interview in which she memorably describes a tiresome gossip columnist as "a frustrated old biddy". The live entertainment is far shakier than the event's inspiration, though. Presented by David Frost and Stephen Fry--an uneasy, fawning partnership-- there is some real quality: Andrea Bocelli (sending the guest of honour into transports of delight), John Barry conducting a couple of his most symphonic Bond themes and Reba McEntire, the powerhouse country and western diva-turned-Broadway actress. On the down side, Marti Pellow's self-congratulatory posing would make Robbie Williams seem a model of modesty, Jay Kay's attempts to jazz up a standard are woeful and Ute Lemper is at her most pretentious for a cacophonic "Mack the Knife". Michael Jackson's mute presence at Taylor's side emphasises the hypnotic strangeness of the whole affair, though the Dame herself takes the entire marvellously lurid spectacle in her stride. On the DVD: Dame Elizabeth Taylor: A Musical Celebration comes to DVD with no extra features. A Taylor filmography would have been useful. Otherwise, the 4:3 video aspect ratio reproduces the television gala feel and for sound quality, you can choose between LPCM stereo, Dolby Digital 5.2 and DTS surround sound (best for that authentic, muddy Royal Albert Hall acoustic).--Piers Ford
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