Continue your doctor who archive with the ultimate collectors' set A classic season from the Fourth Doctor - all 26 episodes newly remastered and packed with bonus material. The Masque Of Mandragora The Hand Of Fear The Deadly Assassin The Face Of Evil The Robots Of Death The Talons Of Weng-chiang All 26 episodes newly restored for Blu-ray and packed with extra material including: Brand new special effects for the talons of weng-chiang In conversation Matthew Sweet chats to Philip Hinchcliffe Our Sarah Jane new documentary celebrating the life of Elisabeth Sladen Behind the sofa new episodes with Tom Baker, Louise Jameson, Philip Hinchcliffe, Peter Purves & Sophie Aldred Brand new audio commentaries with tom baker on episodes of the face of evil And the talons of Weng-Chiang Whose doctor who the 1977 documentary restored from original film elements Whose doctor who revisited a look back at this landmark documentary Blu-ray trailer Audio archive including a rare tom baker interview from 1976, plus radio drama exploration earth and the vintage LP release the Pescatons Immersive 5.1 surround sound for the deadly assassin PDF written archive scripts & rare archival material Each disc also features extensive Special Features previously released on DVD including: Making of documentaries, featurettes, audio commentaries, info text and much more. Starring Tom Baker Elisabeth Sladen and Louise Jamesom
Carol Reed's celebrated British noir THE THIRD MAN is widely regarded as 'The greatest British film of all time'. Brilliantly scripted by Graham Greene and set to Anton Karas' evocative zither score, this justly celebrated classic is further enhanced by Robert Krasker's Academy Award® winning cinematography and Orson Welles in one of his most iconic screen roles.Holly Martins (Joseph Cotten, Citizen Kane), a naive writer of pulp westerns, arrives in Vienna to meet his old friend Harry Lime (the incomparable Orson Welles) but finds that Lime has apparently been killed in a suspicious accident. Martins, too curious for his own good, hears contradictory stories about the circumstances of Lime's death and as witnesses disappear he finds himself chased by unknown assailants. Complicating matters are the sardonic Major Calloway (Trevor Howard, Brief Encounter), head of the British forces, and Lime's stage actress mistress, Anna Schmidt (Alida Valli). Will Martins' curiosity lead him to discover things about his old friend that he'd rather not know?NEW Noreen Ackland on Saving The Third Man (Excerpt from BEHP audio interview)The Third Man - A Filmmaker's InfluenceRestoring The Third ManAudio Commentary With Guy Hamilton, Simon Callow & Angela AllenJoseph Cotten's Alternate Opening Voiceover NarrationThe Third Man Interactive Vienna TourThe Third Man On The RadioInterview & Zither Performance By Cornelia MayerShadowing The Third ManGuardian NFT Interview - Joseph Cotten (Audio Only)Guardian NFT Interview - Graham Greene (Audio Only)Behind The Scenes Stills GalleryTrailer
Jonny is stuck in a dead-end job as a courier. He dreams of being a gangster, just like his best friend from schooldays, Jude.
Franc Roddam's terrifically energetic movie, set to music from the Who's Quadrophenia, is--at the very least, the best film ever based on a rock album (and, yes, that includes Tommy, Pink Floyd: The Wall, and Jesus Christ Superstar). Actually, this tale of the battle between two early 1960s youth subcultures--Mods and Rockers--in the seaside teenage wasteland of Brighton, isn't so much a cinematic "version" of the Who's 1979 double-record rock opera as it is a story based on the sequence of songs on the album. Quadrophenia is about that crucial time in teenhood when the lion's share of your sense of identity is tied up in the music you listen to, the clothes you wear, and the groups you hang out with. Jimmy (Phil Daniels) identifies himself with the sharp-dressing, scooter-riding Mods, who listen to American soul and British pop-rock. The Rockers, on the other hand, are leather-jacketed, black-booted, motorcycle-riding tough guys who listen primarily to classic American rock & roll. The film captures this minor pop-culture revolution perfectly. Look for Sting as a club-hopping slickster, who's shameful secret is that he's a hotel bellboy by day. --Jim Emerson
All the episodes from the first four series of the ITV detective drama starring Nicola Walker and Sanjeev Bhaskar. In the first series, when a skeleton belonging to a young man is discovered below a demolished building, DCI Cassie Stuart and DI Sunil Khan (Walker and Bhaskar) are brought in to lead the investigation. After identifying the body as a homeless male named Jimmy Sullivan (Harley Sylvester), the detectives unearth the names and addresses of four possible suspects, Beth, Father Rob, Frankie C and Mr. Slater, as named in Jimmy's diary. Will any of them hold the key to solving Jimmy's death? In the second series, the duo's next big case begins when a suitcase is washed up from the River Lea in London, containing the remains of a dead body. After discovering the person was buried more than 25 years ago and learning his identity, the pair quickly identifies a list of four potential suspects who all have interlinked connections to the deceased. As they try to discover what life was like for the victim, David Walker, all those years ago, Cassie and Sunil find themselves investigating historical allegations of abuse, rape and cover-ups in their search for his killer. In the third series, the detectives investigate the death of missing schoolgirl Hayley Reid, who disappeared on New Year's Day, 2000, after construction workers unearth human remains while carrying out repairs on the M1 motorway. Returning to the initial investigation of her disappearance, the detectives identify four possible suspects, but which one of them is responsible for Hayley's death? Finally, in the fourth series the discovery of a body in a metal scrapyard leads to Stuart and Khan investigating a drink driving incident from 30 years ago that may prove pivotal in solving this latest mystery.
Gandhi is a great subject, but is Gandhi a great film? Undoubtedly it is, not least because it is one of the last old-school epics ever made, a glorious visual treat featuring tens of thousands of extras (real people, not digital effects) and sumptuous Panavision cinematography. But a true epic is about more than just widescreen photography, it concerns itself with noble subjects too, and the life story of Mahatma Gandhi is one of the noblest of all. Both the man and the film have profound things to say about the meaning of freedom and racial harmony, as well as how to achieve them. Ben Kingsley, in his first major screen role, bears the heavy responsibility of the central performance and carries it off magnificently; without his magnetic and utterly convincing portrayal the film would founder in the very first scene. Sir Richard Attenborough surrounds his main character with a cast of distinguished thespians (Trevor Howard, John Mills, John Gielgud and Martin Sheen, to name but four), none of whom do anything but provide the most sympathetic support. John Briley's literate screenplay achieves the almost impossible task of distilling the bewildering complexities of Anglo-Indian politics. Attenborough's treatment is openly reverential, but, given the saint-like character of his subject, it's hard to see how it could have been anything else. He doesn't flinch from the implication that the Mahatma was naïve to expect a unified India, for example, but instead lets Gandhi's actions speak for themselves. The outstanding achievement of this labour of love is that it tells the story of an avowed pacifist who never raised a hand in anger, of a man who never held high office, of a man who shied away from publicity, and turns it into three hours of utterly mesmerising cinema.On the DVD: The anamorphic (16:9) picture of the original 2.35:1 image has a certain softness to it that may reflect the age of the print, but somehow seems entirely in keeping with the subject . Sound is Dolby 5.1. The extras are fairly brief, but worthwhile: original newsreel footage of Gandhi includes an astonishingly patronising British news account of his visit to England; in a recent interview, Ben Kinglsey chats enthusiastically about the film and the difficulties he experienced bringing the character to life. The dull "making-of" feature is simply a montage of stills. --Mark Walker
Modern blockbuster cinema came of age with the release of three huge science fiction/fantasy extravaganzas in the late 1970s. In 1978 Superman was the last of these, a gigantic hit unfairly overshadowed by Star Wars (1977) and Close Encounters of the Third Kind (1977). Christopher Reeve is completely convincing as both Superman and mild-mannered alter ego Clarke Kent, sparking real chemistry with Margot Kidder's fellow reporter Lois Lane. Very much a film of two halves, the opening tells the origin of Superman from the apocalyptic fate of Krypton to his nostalgically rendered boyhood in the mid-West. After a wonderful sequence introducing the Fortress of Solitude the film changes gear as the adult Clarke Kent arrives in Metropolis and Superman battles arch-nemesis Lex Luthor (Gene Hackman). Though the tone becomes lighter and introduces comedy, Superman succeeds because Donner plays the titular character straight. From Marlon Brando's heavyweight cameo to the surprisingly wrenching finale, Superman unfolds as an epic modern myth, a spiritual fable for a secular age and a fantastic entertainment for the young at heart. With breathtaking production design, still special effects, gorgeous cinematography, thrilling set-pieces, wit, romance and John Williams' extraordinarily rich music score, Superman has the power to make you believe a man can fly.On the DVD: Superman is presented in an extended director's cut which adds eight minutes to the theatrical original. The restored material is so artfully integrated many viewers may not even notice, but it would have been nice to at least have the opportunity to watch the original via seamless branching. The sound has been remixed into extraordinarily powerful Dolby Digital 5.1--the superb main title sequence is worth the price alone--and the anamorphically enhanced 2.35:1 image is, except for some unavoidably grainy effects shots, pristine. The commentary by Richard Donner and writer Tom Mankiewicz reveals more about the background than all but the most dedicated fan will ever need to know, while film music aficionados will revel in the opportunity to listen to John Williams' score isolated in Dolby Digital 5.1. On the second side of the disc are a eight alternate John Williams music cues, a selection of deleted scenes and the screen tests of a variety of would-be Lois Lanes, introduced and with optional commentary by casting director Lynn Stalmaster. These are fascinating, and show how right for the part Margot Kidder really was. A DVD-ROM only feature presents the storyboards plus various Web features, while the real highlight is a 90-minute documentary divided into three sections covering pre-production, filming and special effects. The picture quality on all the extras is very good indeed. An enthralling package, DVD doesn't get much better than this. --Gary S Dalkin
Noel Coward's timeless movie of a couple who meet in a railway station and must make a decision that will change their lives forever.
Directed by Ken Loach, The Old Oak is a moving drama that depicts both the conflict and the hope which arises from integrating communities. The future for the last remaining pub, The Old Oak in a village of the Northeast England, where people are leaving the land as the mines are closed. The Old Oak is the only remaining public space where people can meet in a once thriving mining community. TJ Ballantyne the landlord hangs on to The Old Oak by his fingertips, and his hold is endangered even more when The Old Oak becomes contested territory after the arrival of Syrian refugees.
Despite its manipulative grandiosity, this film is completely irresistible, for several reasons: it recounts the greatest air battle in history, creating the greatest aerial battle scenes in film history; it has a terrific cast (Harry Andrews, Michael Caine, Trevor Howard, Curt Jurgens, Laurence Olivier, Nigel Patrick, Christopher Plummer, Michael Redgrave, Ralph Richardson, Robert Shaw, Patrick Wymark and Edward Fox); and it's technically very well made, thanks to the Bond team of producer Harry Saltzman and director Guy Hamilton and the great cinematographer Freddie Young. --Bill Desowitz
Includes Series 1-3 of the BAFTA-winning comedy, plus This Country The Aftermath special Praised as one of the best British comedies in years, this mockumentary hit has catapulted its young writer-performers - Charlie and Daisy May Cooper - to instant star status. Feckless cousins Kerry and Lee Kurtan' Mucklowe live in the picturesque, but depressingly dull, village of in the Cotswolds. As they fritter away their days in the most pointless ways possible, they push their friendship to breaking point by constantly winding each other up. But, whether suffering the indignity of Kerry's house being pelted with plums, or celebrating the death of their old woodwork teacher with a bottle of cheap fizzy booze, these two miscreants always manage to stay loyal to each other. Special Features: Deleted Scenes
THE THIRD MAN has been beautifully restored in 4K for the first time showcasing the genius of this celebrated British noir voted the ‘The greatest British film of all time’ by a British Film Institute poll. Holly Martins (Joseph Cotton Citizen Kane ) a naïve writer of pulp westerns arrives in Vienna to meet his old friend Harry Lime (the incomparable Orson Welles) nut finds that Lime has apparently been killed in a suspicious accident. Martins too curious for his own good hears contradictory stories about the circumstances of Limes death and as witnesses disappear he finds himself chased by unknown assailants. Complicating matters are the sardonic Major Calloway (Trevor Howard Brief Encounter) head of the British forces and Lime’s stage actress mistress Anna Schmidt (Alida Valli). Will Martin’s curiosity lead him to discover things about his old friend that he’d rather not know? Brilliantly scripted by Graham Greene and set to Anton Karas’ evocative zither score this justly celebrated classic is further enhanced by Robert Karasker’s Academy Award winning cinematography and Orson Welles in one of his most iconic screen roles. Extras: Feature Audio Commentary Famous Fan Featurette Restoring the Third Man Interview & Zither Performance by Cornelia Mayer Guardian Interview Cotton (audio) Guardian Interview Greene (audio) Joseph Cotton’s Alternative Opening (Audio) Shadowing The Third Man Dangerous Edge Third Man on Radio (Audio) Trailer
Soar into the skies on a thrilling airborne adventure in this meticulously restored John Wayne film classic. In one of his most memorable roles Wayne plays Dan Roman a veteran pilot haunted by a tragic past. Now relegated to second-in-command cockpit assignments he finds himself scheduled on a routine Honolulu-to-San Francisco flight - one that takes a terrifying suspense-building turn when disaster strikes high above the Pacific Ocean at the point of no return. A ""Who's Who"" of Hollywood greats - Claire Trevor Laraine Day Robert Stack Jan Sterling Phil Harris and Robert Newton among others - are aboard for this celebrated drama bursting with conflict and excitement. Nominated for six Academy Awards including Best Director (William A. Wellman) and two Best Supporting Actress nods (Trevor and Sterling) the film nabbed the Oscar for Dimitri Tiomkin's unforgettable musical score.
I see dead people," whispers little Cole Sear (Haley Joel Osment), scared to affirm what is to him now a daily occurrence. This peaked nine-year old, already hypersensitive to begin with, is now being haunted by seemingly malevolent spirits. Child psychologist Malcolm Crowe (Bruce Willis) is trying to find out what's triggering Cole's visions, but what appears to be a psychological manifestation turns out to be frighteningly real. It might be enough to scare off a lesser man, but for Malcolm it's personal--several months before, he was accosted and shot by an unhinged patient, who then turned the gun on himself. Since then, Malcolm has been in turmoil--he and his wife (Olivia Williams) are barely speaking, and his life has taken an aimless turn. Having failed his loved ones and himself, he's not about to give up on Cole. The Sixth Sense, M Night Shyamalan's third feature, sets itself up as a thriller, poised on the brink of delivering monstrous scares, but gradually evolves into more of a psychological drama with supernatural undertones. Many critics faulted the film for being mawkish and New Age-y, but no matter how you slice it, this is one mightily effective piece of filmmaking. The bare bones of the story are basic enough, but the moody atmosphere created by Shyamalan and cinematographer Tak Fujimoto made this one of the creepiest pictures of 1999, forsaking excessive gore for a sinisterly simple feeling of chilly otherworldliness. Willis is in his strong, silent type mode here, and gives the film wholly over to Osment, whose crumpled face and big eyes convey a child too wise for his years; his scenes with his mother (Toni Collette) are small, heartbreaking marvels. And even if you figure out the film's surprise ending, it packs an amazingly emotional wallop when it comes, and will have you racing to watch the movie again with a new perspective. You may be able to shake off the sentimentality of The Sixth Sense, but its craftsmanship and atmosphere will stay with you for days. --Mark Englehart
Series 1: When the body of a young man is discovered in a derelict building, DCI Cassie Stuart (Nicola Walker) one of the Met's smartest detectives is called in to investigate with her partner, DI Sunil Khan (Sanjeev Bhaskar). Jimmy Sullivan was a homeless boy, murdered in 1976 when the building was a hostel. His diary implicates four suspects; a clergyman, an eminent entrepreneur, a community worker and a wheelchair-bound husband caring for his wife. Each has a secret to hide. As their lies unravel, the people they love most begin to wonder what else they might be capable of. Nothing in this case is black and white. Can you ever really know the people closest to you? What secrets have they buried? EXTRAS: The Bare Bones of Unforgotten Unforgotten Takes Us Back to the 70's What is Unforgotten? Whatever Happened to Jimmy Sullivan? Series 2: Critically acclaimed ITV drama series Unforgotten starring Nicola Walker and Sanjeev Bhaskar returns for a second series. The story begins with the discovery of a body; this time the perfectly preserved remains of a middle-aged man found in a sealed suitcase in the silt of the River Lea in North East London. As Cassie and Sunny begin the complicated task of trying to identify the victim, we will meet four unconnected people who we suspect are linked in some way to the victim... EXTRAS: Building the Series Sins of the Past Domestic Turmoil Designing Unforgotten Body in a Bag Flashes of the Past Sunny's Rucksack Series 3: When human remains are found on the central reservation of a motorway near London, Cassie and Sunny are called to the scene. Dogged work leads the team to Hayley Reid, a 16-year-old girl who went missing on the eve of the millennium. The police's failure to find out what happened to Hayley wrecked her family's life. Cassie's compassion makes her determined to correct the mistakes made by the original investigating team whatever the cost to herself. A close-knit group of old school friends hold the key to what happened. Doctor Tim Finch, television presenter James Hollis, failing salesman Pete Carr, and artist Chris Lowe. As the four suspects find themselves under the spotlight, their tight bond is put to the test. They all have secrets in their past events that have pulled their lives apart. None of them are quite who they first seem to be, but is one of them capable of murder? EXTRAS: What is Unforgotten? Opening Scene Locations The Role Of Social Media The Suspects
Odette is the story of a brave woman who volunteered to join SOE (Special Operations Executive) during WWII.
This classic noir mystery from the team of Carol Reed and Graham Greene is regarded to be the best filmwork of both of these extreme talents. The Third Man features Joseph Cotten as Holly Martins a pulp novelist who has come to post-WWII Vienna with the promise of work from his friend Harry Lime (Orson Welles). When he finds that Lime has just been killed in a questionable car accident he decides to remain in the city to investigate his friend's mysterious death. The Third Man is a masterpiece of melancholia featuring extraordinary writing acting and directing as well as a classic zither score by Anton Karas.
THE THIRD MAN has been beautifully restored in 4K for the first time showcasing the genius of this celebrated British noir voted the ‘The greatest British film of all time’ by a British Film Institute poll. Holly Martins (Joseph Cotton Citizen Kane ) a naïve writer of pulp westerns arrives in Vienna to meet his old friend Harry Lime (the incomparable Orson Welles) nut finds that Lime has apparently been killed in a suspicious accident. Martins too curious for his own good hears contradictory stories about the circumstances of Limes death and as witnesses disappear he finds himself chased by unknown assailants. Complicating matters are the sardonic Major Calloway (Trevor Howard Brief Encounter) head of the British forces and Lime’s stage actress mistress Anna Schmidt (Alida Valli). Will Martin’s curiosity lead him to discover things about his old friend that he’d rather not know? Brilliantly scripted by Graham Greene and set to Anton Karas’ evocative zither score this justly celebrated classic is further enhanced by Robert Karasker’s Academy Award winning cinematography and Orson Welles in one of his most iconic screen roles. Extras: Feature Audio Commentary Famous Fan Featurette Restoring the Third Man Interview & Zither Performance by Cornelia Mayer Guardian Interview Cotton (audio) Guardian Interview Greene (audio) Joseph Cotton’s Alternative Opening (Audio) Shadowing The Third Man Dangerous Edge Third Man on Radio (Audio) Trailer
From Walt Disney Ice Princess is an hilarious heart warming coming of age comedy everyone will love! Though she longs to become a graceful champion figure skater gawky Casey Carlyle is only a brainy misfit with a strong willed mother pushing her towards a top university. But when Casey uses her head and follows her heart she'll find herself transformed beyond her wildest dreams. Ice Princess is an uplifting and laugh packed story your family will piroue
Please wait. Loading...
This site uses cookies.
More details in our privacy policy