Cold austere Presbyterian Churh is just another small mining town in the turn-of-the-century Pacific Northwest - and a perfect place for John Q McCabe and Constance Miller to bring a touch of 'civilazation'. He's a small time gambler who dreams of running a big time bordello; she's a madam from Seattle who arrives to make that dream come true...
Most Wonderful Time Of The Year
A modish creation teased into life by Warren Beatty, Shampoo was an offbeat Hollywood hit back in 1975. Made after Watergate, it reflects on the hedonism of late-60s Los Angeles with a sad, somewhat cynical eye. Basically a bedroom farce, fuelled by some famously raunchy dialogue, its comedy is nevertheless underlain with melancholy. Screenwriter Robert Towne was inspired by Wycherly's Restoration comedy The Country Wife, wherein a wily fellow convinces friends of his impotence even while he is merrily seducing their wives. Hence, Towne invented handsome Beverly Hills hairdresser George Roundy (Beatty), who ought to be gay, but emphatically isn't. Shampoo begins on US Election Day, 1968, as Nixon is trouncing McGovern at the polls, and George Roundy is trying to sort his life out. An earnest advocate of sensual pleasure, he beds most of his female clients, from the fretful Jill (Goldie Hawn) to the wealthy Felicia (Lee Grant). Yet George is himself unfulfilled, and imagines that owning his own salon will satisfy him. He asks Felicia's husband Lester (Jack Warden) to back him, but first Lester coerces George into squiring his mistress Jackie (Julie Christie) to a Nixon victory party. Inevitably, Jackie is another of George's girls and, having seduced Felicia's vivacious daughter (Carrie Fisher) earlier that day, George has much to conceal from Lester and Felicia as the evening's festivities unravel. Shampoo shows the 60s turning sour. The characters are rich hippies, superficially liberated but deeply unhappy, and blandly indifferent to the dawning of the Nixon era. The excellent Lee Grant won an Oscar, but Shampoo is Beatty's film. He produced it, had a substantive hand in Towne's script, and deputised the nominal director, Hal Ashby. The film mildly exploits legends of Beatty's real-life sexual prowess, but mainly it embodies his commitment to making thoughtful movies for grown-ups. Richard Kelly
MOTIVE returns for an exciting second season with 13 gripping new cases featuring more complicated killers and intricate crime scenes. Homicide detective Angie Flynn is as determined as ever and her pursuit for justice never falters. Her partner Detective Oscar Vega continues to be her rock with his no-nonsense attitude and methodical approach. Detective Brian Lucas is no longer the rookie at the station a role he’s happy to hand over to the very keen and ambitious Officer Wendy Sung. A new Team Commander shakes up the station when the confident and charismatic Sergeant Mark Cross joins the team. He and Angie share a mysterious and strained connection one she would prefer to leave in the past.
There's a reason why we've never returned to the moon - as this sci-fi horror demonstrates!
A crack team of super-humans operate within the Defence Criminal Investigation Service of the U.S Department of Defence to investigate a new breed of crime; those committed by and involving other 'Alphas'.
Discredited by the government after revealing the existence of Alphas in Season One Dr. Lee Rosen (Academy Award nominee David Strathairn Good Night and Good Luck) must re-assemble his now defunct team to face the growing threat of Alpha extremist Stanton Parish (John Pyper-Ferguson Fringe). With the help of tech-genius Skylar (guest star Summer Glau Firefly) and memory recorder Mitchell (guest star Sean Astin The Lord of the Rings trilogy) Rosen and his team must work together to uncover Parish's chilling plan. But with a mole in their midst can they overcome the dangers that surround them and stop Parish before it's too late? Special Features: Deleted Scenes Gag Reel
Utilising his military experience in undercover espionage, reconnaissance and anti-terrorism, Seattle cop Elijah Kane (Steven Seagal) is head of the city's toughest crime fighters; The Special Investigations Unit. Serial killers, diamond smugglers, warring gangs and a group of deadly assassins out for revenge are all in a day's work for Kane and his crew. When chaos hits the streets its Kane's job to investigate and terminate.
Warren Beatty and Hal Ashby team up for a bedhopping farce that doubles as a sly political satire Shampoo gives us a day in the life of George, a Beverly Hills hairdresser and lothario who runs around town on the eve of the 1968 presidential election trying to make heads or tails of his financial and romantic entanglements. His attempts to scrape together the money to open his own salon are continually sidetracked by the distractions presented by his lovers played brilliantly by GOLDIE HAWN (The Sugarland Express), JULIE CHRISTIE (Don't Look Now), and LEE GRANT (in an Oscarwinning performance). Star WARREN BEATTY (Bonnie and Clyde) dreamed up the project, cowrote the script with ROBERT TOWNE (Chinatown), and enlisted HAL ASHBY (Harold and Maude) as director, and the resulting carousel of doomed relationships is an essential seventies farce, a sharp look back at the sexual politics and selfabsorption of the preceding decade. Features: 4K digital restoration, with uncompressed monaural soundtrack Alternate 5.1. surround soundtrack, presented in DTSHD Master Audio New conversation between critics Mark Harris and Frank Rich Excerpt from a 1998 appearance by producer, cowriter, and actor Warren Beatty on The South Bank Show PLUS: An essay by Rich
The whimsical comedy-romance Heaven Can Wait is a delightful example of the small sub-genre of afterlife comedies. The film, which teams then lovers Warren Beatty and Julie Christie for a third time following McCabe and Mrs Miller (1971) and Shampoo (1975), is not a remake of the 1943 supernatural film of the same name, but of the Robert Montgomery classic Here Comes Mr Jordan (1941). Here Beatty is American football player Joe Pendleton, who accidentally dies, decades too early, and is incarnated in a new body which, until recently, was occupied by a ruthless multi-millionaire. James Mason is superb as a most authoritative angel (Mr Jordan), heading a fine cast including Charles Grodin, Buck Henry and Jack Warden. In a sub-plot paralleling The Shop Around the Corner (1940) and revisited in You've Got Mail (1998), Julie Christie plays an English woman outraged that one of the former millionaire's companies is destroying her village, while simultaneously falling in love with the man now occupying the hated millionaire's mortal coil. Much comic and romantic misunderstanding follows, as well as some appealing slapstick, courtesy of Dyan Cannon. Aided by a lovely musical score by Dave Grusin, this is a beautifully played and thoroughly charming bittersweet fantasy about the transcendent power of love. It is a joy for romantics everywhere. On the DVD: Heaven Can Wait comes to DVD in a good 1.77:1 ratio transfer which exhibits just a little grain in some darker scenes. The print shows some very minor, occasional damage, but nothing to complain about in a film of this vintage. The sound is the original mono mix, which is perfectly serviceable. The only extra is the theatrical trailer. --Gary S Dalkin
There's a reason why we've never returned to the moon - as this sci-fi horror demonstrates!
Follow the story of Deanie and Bud a young couple whose small Kansas town disapproves of their relationship. After Bud finds another girl Deanie is driven to madness. Set against 1920's America and the crash of 1929 this touching story teaches the harsh lessons of love.
Mega Shark Of The Malibu
True Justice
Steven Seagal returns as Elijah Kaine head of an elite group of special operatives tasked with cleaning up the dangerous streets of Seattle. Using lethal skills learned from a mysterious black ops past Kaine regularly hands out his own form of justice on any criminal in his sight.
Steven Seagal is lethal undercover cop Elijah Kane who along with his team are up against a new wave of criminals, a militant gang trying to ignite civil unrest in Seattle; a group who call themselves, the New Hope. Meanwhile Kane's mysterious Black Ops past catches up with him in the form of his ex-comrade Bird who is identified as a deadly sniper terrorising the innocent people of the city. With these two threats besieging the streets, Kane and his undercover team must do all in their power to defend the city against these deadly enemies before it is too late.
Utilising his military experience in undercover espionage, reconnaissance and anti-terrorism, Seattle cop Elijah Kane (Steven Seagal) is head of the city’s toughest crime fighters; The Special Investigations Unit. Serial killers, diamond smugglers, warring gangs and a group of deadly assassins out for revenge are all in a day’s work for Kane and his crew. When chaos hits the streets its Kane’s job to investigate and terminate.
Shampoo was billed as a sex comedy when it was first released in 1975, cashing in on the priapic reputation of its leading man and producer Warren Beatty. More than a quarter of a century on, that tag looks somewhat inadequate. Against a background of aimless bed-hopping and power-broking, Shampoo satirises the cultural and political wasteland of late-1960s Beverley Hills society. Ladies who lunch are married to ambitious, unfaithful husbands with mistresses; their daughters are dysfunctional; and the mistresses spend more time with their dogs than their lovers. George, the philandering hairdresser, is the common denominator who services them all. But he has private ambitions and is hustling for investment in his own salon. Beatty's restless performance as the man who can't say "no" is intriguing, waking up suddenly and too late to the chaos and vapidity of his life. The humour is bleak, sharpened by the background of Nixon's ascent to the White House: Shampoo is a cynical by-product of the Watergate scandal. There are good performances from Julie Christie and Goldie Hawn as two of George's leading conquests, and from a pre-Star Wars Carrie Fisher as the teenager who tries to seduce him. But Lee Grant garnered the awards as the embittered wife who finally calls "time". On the DVD: Shampoo is presented in 1:85.1 anamorphic widescreen, replicating the glossy production values of the original theatrical experience. The mono Dolby Digital 5.1 soundtrack is well balanced. There are no extras apart from standard subtitles. --Piers Ford
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