During the Nazi occupation of Paris in the 1940's a group of men are dragged off the street by soldiers. The twenty nine Frenchman are all quite innocent but the Germans have ordered that one out of every ten men must be executed. One such man a French lawyer named Chavel trades his material possessions for his life with a dying man when condemned to the firing squad. At the end of the war Chavel posing as one of the other prisoners returns to his home which is now occupied by t
Be My Valentine Charlie Brown: This classic and much-loved Peanuts story centers on the romantic yearnings of that eternally hapless hero Charlie Brown. As Valentine's Day approaches Lucy tries to get Schroeder to give her a card Sally chases after Linus and poor Charlie Brown dreams of getting just one valentine. Even Snoopy's mailbox is stuffed with those red heart-shaped cards - doesn't anyone love Charlie Brown? Snoopy's Getting Married: Sometimes when Cupid t
Witness the greatest comeback in Ryder Cup history! After an opening two days of great matches, with both teams playing some amazing golf, it came down to the final day's singles to determine who would win the Samuel Ryder Trophy. Europe went in 10–6 down, needing 8 points to retain the cup, and in one of the most amazing days of golf ever seen the record-breaking European team duly delivered, winning 8 and a half points to take the trophy 14.5 to 13.5! Relive all the action, excitement, twists and turns with highlights from some the best golf ever played in what was the most exciting Ryder Cup ever!
The exciting story of the hijack of an oil rig supply vessel and the subsequent holding to ransom of a drilling rig a production platform and the 700 men aboard.
Stephen Fry's directorial debut about the young, wild, party-loving creatures of the 1930s. Sex, scandal, celebrity... Some things never change...
All hope was lost in a land where sunlight disappeared and the world became dreary grey. Until Despereaux Tilling was born that is!
Jonathan Watson and his team take a comic swipe at the last ten years from a distinctly Scottish point of view. This collection of ten of the Hogmanay specials features a cracking selection of sketches, quickies, spoofs, take-offs, homages and one liners. Featuring many well-loved characters and brand new comic creations, this comedy series sets its sights on the biggest stories in Scottish football, popular culture, news and showbiz. Features 10 episodes in a 2-disc set. Includes subtitles for the hard of hearing.
If Sylvester Stallone plays the world's number one assassin in this thriller, that must make Antonio Banderas, well, number two. The two are competing to hit the same target for a $20-million payoff and their challenge takes them from explosion to explosion on a cat-and-mouse chase from Seattle to Mexico. Julianne Moore plays the cagey cat fancier and computer hacker who possesses a stolen computer disc that makes her a prime target for bad guys, and Robert Rath (Stallone)is only too happy to come to her defense. Director Richard Donner handles action sequences with adequate flair and has a good time blowing things up. Banderas has fun with the nonsensical plot, and Moore is enjoyable in one of her big-budget mainstream roles. --Jeff Shannon
Harry, Ron and Hermione set out on their perilous mission to track down and destroy the secret to Voldemort's immortality and destruction – the Horcruxes. On their own and on the run, the three friends must now rely on one another more than ever... but Dark Forces in their midst threaten to tear them apart. Meanwhile, the wizarding world has become a dangerous place. The long-feared war has begun and the Dark Lord has seized control of the Ministry of Magic and even Hogwarts, terrorising and arresting all who might oppose him. The Chosen One has become the hunted one as the Death Eaters search for Harry with orders to bring him to Voldemort... alive.
Harry Potter and the Deathly Hallows, Part I is a brooding, slower-paced film than its predecessors, the result of being just one half of the final story (the last book in the series was split into two movies, released in theaters eight months apart). Because the penultimate film is all buildup before the final showdown between the teen wizard and the evil Voldemort (which does not occur until The Deathly Hallows, Part II), Part I is a road-trip movie, a heist film, a lot of exposition, and more weight on its three young leads, who up until now were sufficiently supported by a revolving door of British thesps throughout the series. Now that all the action takes place outside Hogwarts--no more Potions classes, Gryffindor scarves, or Quidditch matches--Daniel Radcliffe (Harry), Emma Watson (Hermione), and Rupert Grint (Ron) shoulder the film almost entirely on their own. After a near-fatal ambush by Voldemort's Death Eaters, the three embark on a quest to find and destroy the remaining five horcruxes (objects that store pieces of Voldemort's soul). Fortunately, as the story gets more grave--and parents should be warned, there are some scenes too frightening or adult for young children--so does the intensity. David Yates, who directed the Harry Potter films Order of the Phoenix and The Half-Blood Prince, drags the second half a little, but right along with some of the slower moments are some touching surprises (Harry leading Hermione in a dance, the return of Dobby in a totally non-annoying way). Deathly Hallows, Part I will be the most confusing for those not familiar with the Potter lore, particularly in the shorthand way characters and terminology weave in and out. For the rest of us, though, watching these characters over the last decade and saying farewell to a few faces makes it all bittersweet that the end is near (indeed, an early scene in which Hermione casts a spell that makes her Muggle parents forget her existence, in case she doesn't return, is particularly emotional). Despite its challenges, Deathly Hallows, Part I succeeds in what it's most meant to do: whet your appetite for the grand conclusion to the Harry Potter series. --Ellen A. Kim
The Emperor Waltz (Dir. Billy Wilder 1948): A rare musical comedy for Wilder it stars Bing Crosby as Virgil H. Smith a phonograph salesman plying his wares in turn-of-the-20th-century Vienna. Believing that if he's able to sell a phonograph to Emperor Franz Joseph I the rest of Austria will soon follow his example Virgil attempts to gain access to the man. After he's refused admission to the palace by guards who believe the phonograph to be a bomb he meets Countess Johan
Wallow in nostalgia of the 1950's as Britain's best loved family are back in this celebration of love family life and romance in the idyllic British countryside. Loveable rogue Pop Larkin ample-bosomed Ma and their six children radiate happiness and hardly have a care in the world. Whilst Pop's unconventional moneymaking schemes bubble along Ma nurtures the family from the fragrant warmth of her busy kitchen and the children blossom; Home Farm is a paradise of animals sunshine and happiness. Episodes comprise: The Darling Buds Of May When The Green Woods Laugh A Breath Of French Air Oh! To Be In England A Stranger At The Gates A Season Of Heavenly Gifts The Happiest Days Of Your Life Cast Not Your Pearls Before Swine Climb The Greasy Pole Christmas Is Coming Le Grand Weekend.
In a cheap Parisian hotel room Oscar Wilde lies on his death bed and the past floods back, transporting him to other times and places. Was he once the most famous man in London? The artist crucified by a society that once worshipped him? The lover imprisoned and freed, yet still running towards ruin in the final chapter of his life? Under the microscope of death he reviews the failed attempt to reconcile with his long suffering wife Constance, the ensuing reprisal of his fatal love affair with Lord Alfred Douglas and the warmth and devotion of Robbie Ross who tried and failed to save him from himself. From Dieppe to Naples to Paris freedom is elusive and Oscar is a penniless vagabond, always moving on, shunned by his old acquaintance, but revered by a strange group of outlaws and urchins to whom he tells the old stories - his incomparable wit still sharp. THE HAPPY PRINCE is a portrait of the dark side of a genius who lived and died for love in the last days of the nineteenth century.
There are over 13 000 taxi drivers in London. And in order to become taxi drivers every single one of them (like every one of their predecessors for over 140 years) has to pass an exam called 'The Knowledge Of London'. Writer Jack Rosenthal's The Knowledge is the story of four men and their attempts to become cab drivers. In the process they acquire a different kind of knowledge: knowledge of themselves and of those closest to them of their strengths and weaknesses of what they wa
Dr.Decker comes back from Africa after a year, presumed dead. During that year, he came across a way of growing plants and animals to an enormous size. He brings back a baby chimpanzee to test out his theory. As he has many enemies at home, he decides to use his chimp, 'Konga' to 'get rid of them'. Then Konga grows to gigantic proportions and reaks havoc all over the city of London.
Something to Talk About is a well-intentioned but strangely cold tale that concerns an emotionally repressed Southern belle (Julia Roberts) who separates from her husband (Dennis Quaid) after discovering he is an unabashed philanderer. Pressed by her dominating father (Robert Duvall) into reconciling with her spouse, Roberts's character chafes against so much male control over her destiny. Defended by a fiercely independent sister (a catchy performance by Kyra Sedgwick), the heroine develops the nerve to plot her own course in life while her mother (Gena Rowlands) finds the gumption to throw her own mate out of the house. The script by Callie Khouri (Thelma & Louise) is intelligent but hardly clear, and direction by Lasse Hallström (Once Around) can't keep Khouri's unfocused scenes and uncertain purpose from dissolving like sand castles in the rain. --Tom Keogh, Amazon.com
Filmmaker Sofia Coppola has taken a few hits over the years for fixating on materially comfortable, yet emotionally vacuous protagonists. The Bling Ring, an adaption of a Vanity Fair exposé, doesn't flip the script, but there's a new-found buoyancy to her tale of lost kids in Los Angeles. When Marc (Israel Broussard, sweet and sympathetic), a middle-class student with "too many absences," enters a high school for wayward youth, everyone rebuffs him until he meets Rebecca (charismatic newcomer Katie Chang), who invites him to hang out, possibly because she pegs him as a willing accomplice. They proceed to bond over a fascination with fashion, tabloid stars, and entering unlocked cars to pilfer cash and cocaine. In short order, they're driving around Hollywood and singing along to songs by style-obsessed musicians, like M.I.A. When that thrill subsides, Becky suggests bigger game: the homes of careless celebrities, like Paris Hilton (who appears as herself). Their "shopping" excursions are so successful that they invite Chloe (Claire Julien), Sam (Taissa Farmiga), and Nicki (Emma Watson, miles away from Hermione Granger) to join them. In Coppola's conception, the teens have no goals other than to live like their materialistic idols, and by posting pictures to the Internet, they secured the fame they sought--but not without consequences. As a framing device, Coppola uses a journalist's interviews with the perpetrators, an unnecessary move, though it does allow Leslie Mann, who plays a clueless guardian, to do some of the most richly comedic work of her career. --Kathleen C. Fennessy
Bess a young girl falls in love with an oil-rig worker called Jan. In a short space of time they marry and have a brief physical relationship before Jan returns to his rig. When an accident paralyses Jan he encourages Bess to take a lover...
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