Harry begins his sixth year at Hogwarts School of Witchcraft and Wizardry but after stumbling upon a mysterious journal he soon uncovers the dark secrets of Voldemort that are best left undiscovered!
Stand-up veteran, Edinburgh Festival legend and prolific novelist Mark Watson presents his debut DVD, featuring his career-best show filmed in summer 2011. Mark's performance at the Bristol Hippodrome features some of the best material from throughout his long and distinguished (not to mention hilarious) career.
Emily Watson and Tom Wilkinson's marriage takes a turn when she meets enigmatic stranger Rupert Everett.
In the fame-obsessed world of Los Angeles, a group of teenagers take us on a thrilling and disturbing crime-spree. Based on true events, the group tracked their celebrity targets online, and stole more than 3 million in luxury goods from their homes.
In order to escape an attack in space, the TARDIS makes an unscheduled landing and ends up deep inside the London Underground. Here the travellers soon find themselves engulfed in a thrilling battle with the Great Intelligence and the Yeti, a deadly enemy set to invade the Earth. But as events take a turn for the worse, it becomes clear that the golden prize is not just the Earth, but the Doctor's mind too... This release includes all 5 surviving episodes, plus a brand new fully animated reconstruction of the missing 6th episode created from the surviving audio-only recordings.
All the episodes from the British television drama adapted from Louise Doughty's novel. Emily Watson stars as Yvonne Carmichael, a married woman living a quiet life with her husband and two children. Her world is turned upside down however, when a chance meeting with alluring stranger Mark Costley (Ben Chaplin) leads to a passionate affair. Despite her best attempts to keep her home life and career separate from her affair, Yvonne begins to lose control as a series of bad decisions soon leave her facing a court trial. The cast also includes Kezia Burrows, Mark Bonnar and Rhashan Stone.
Conveying the scope of his prodigious and varied creative output and the breadth of his extraordinary personal and political life, director/producer Alex Winter and producer Glen Zipper were granted exclusive access by Gail Zappa to a vast collection of his unreleased music, movies, incomplete projects, unseen interviews and unheard concert recordings, much of which was deteriorating and in danger of being lost forever.
Harry Potter and the Deathly Hallows, Part I is a brooding, slower-paced film than its predecessors, the result of being just one half of the final story (the last book in the series was split into two movies, released in theaters eight months apart). Because the penultimate film is all buildup before the final showdown between the teen wizard and the evil Voldemort (which does not occur until The Deathly Hallows, Part II), Part I is a road-trip movie, a heist film, a lot of exposition, and more weight on its three young leads, who up until now were sufficiently supported by a revolving door of British thesps throughout the series. Now that all the action takes place outside Hogwarts--no more Potions classes, Gryffindor scarves, or Quidditch matches--Daniel Radcliffe (Harry), Emma Watson (Hermione), and Rupert Grint (Ron) shoulder the film almost entirely on their own. After a near-fatal ambush by Voldemort's Death Eaters, the three embark on a quest to find and destroy the remaining five horcruxes (objects that store pieces of Voldemort's soul). Fortunately, as the story gets more grave--and parents should be warned, there are some scenes too frightening or adult for young children--so does the intensity. David Yates, who directed the Harry Potter films Order of the Phoenix and The Half-Blood Prince, drags the second half a little, but right along with some of the slower moments are some touching surprises (Harry leading Hermione in a dance, the return of Dobby in a totally non-annoying way). Deathly Hallows, Part I will be the most confusing for those not familiar with the Potter lore, particularly in the shorthand way characters and terminology weave in and out. For the rest of us, though, watching these characters over the last decade and saying farewell to a few faces makes it all bittersweet that the end is near (indeed, an early scene in which Hermione casts a spell that makes her Muggle parents forget her existence, in case she doesn't return, is particularly emotional). Despite its challenges, Deathly Hallows, Part I succeeds in what it's most meant to do: whet your appetite for the grand conclusion to the Harry Potter series. --Ellen A. Kim
Harry must compete in the prestigious Triwizard Tournament in this fantasy smash.
Harry Potter and the Deathly Hallows, Part I is a brooding, slower-paced film than its predecessors, the result of being just one half of the final story (the last book in the series was split into two movies, released in theaters eight months apart). Because the penultimate film is all buildup before the final showdown between the teen wizard and the evil Voldemort (which does not occur until The Deathly Hallows, Part II), Part I is a road-trip movie, a heist film, a lot of exposition, and more weight on its three young leads, who up until now were sufficiently supported by a revolving door of British thesps throughout the series. Now that all the action takes place outside Hogwarts--no more Potions classes, Gryffindor scarves, or Quidditch matches--Daniel Radcliffe (Harry), Emma Watson (Hermione), and Rupert Grint (Ron) shoulder the film almost entirely on their own. After a near-fatal ambush by Voldemort's Death Eaters, the three embark on a quest to find and destroy the remaining five horcruxes (objects that store pieces of Voldemort's soul). Fortunately, as the story gets more grave--and parents should be warned, there are some scenes too frightening or adult for young children--so does the intensity. David Yates, who directed the Harry Potter films Order of the Phoenix and The Half-Blood Prince, drags the second half a little, but right along with some of the slower moments are some touching surprises (Harry leading Hermione in a dance, the return of Dobby in a totally non-annoying way). Deathly Hallows, Part I will be the most confusing for those not familiar with the Potter lore, particularly in the shorthand way characters and terminology weave in and out. For the rest of us, though, watching these characters over the last decade and saying farewell to a few faces makes it all bittersweet that the end is near (indeed, an early scene in which Hermione casts a spell that makes her Muggle parents forget her existence, in case she doesn't return, is particularly emotional). Despite its challenges, Deathly Hallows, Part I succeeds in what it's most meant to do: whet your appetite for the grand conclusion to the Harry Potter series. --Ellen A. Kim
Two Doors Down features a cast of truly distinctive characters Beth (Arabella Weir) and Eric (Alex Norton), Cathy (Doon Mackichan) and Colin (Jonathan Watson), Christine (Elaine C Smith) and daughter Sophie (Sharon Rooney), Ian (Jamie Quinn) and Jaz (Harki Bhambra) all ready to support each other through life's highs and lows. That sounds like a blessing but it's often more of a curse. From day-to-day, apparently trivial, events to life-defining decisions and ordeals, what starts out as friendly interest usually snowballs into trodden toes, crossed boundaries and seriously frayed tempers.
The rebellion begins! Lord Voldemort has returned, but the Ministry of Magic is doing everything it can to keep the wizarding world from knowing the truth including appointing Ministry official Dolores Umbridge as the new Defense Against the Dark Arts professor at Hogwarts. When Umbridge refuses to teach practical defensive magic, Ron and Hermione convince Harry to secretly train a select group of students for the wizarding war that lies ahead. A terrifying showdown between good and evil awaits in this enthralling film version of the fifth novel in J.K. Rowling's Harry Potter series. Prepare for battle!
Prepare for the Final Battle!Harry Potter And The Deathly Hallows: Part 2, is the final adventure in the Harry Potter film series. The much-anticipated motion picture event is the second of two full-length parts.In the epic finale, the battle between the good and evil forces of the wizarding world escalates into an all-out war. The stakes have never been higher and no one is safe. But it is Harry Potter who may be called upon to make the ultimate sacrifice as he draws closer to the climactic showdown with Lord Voldemort.It all ends here.
From executive producers and Academy Award® Winners Brian Grazer and Ron Howard*, National Geographic's ï¬rst-ever scripted series, GENIUS, offers an extraordinary look into the life of Nobel Prize-winning physicist Albert Einstein. Academy Award® Winner Geoffrey Rush stars as the rebellious daydreamer who went on to become the greatest scientiï¬c mind of the 20th century. Beyond his ground breaking theories of relativity, you'll witness Einstein's struggles to be a good husband and father and a man of principle during a time of global unrest. With Johnny Flynn as young Albert and Emily Watson as his second wife, Elsa, GENIUS takes you on an unprecedented, 10-episode journey of discovery guided by Einstein's wit, wisdom and insatiable thirst for knowledge.
Tom Hanks portrays Mister Rogers in A Beautiful Day in the Neighbourhood, a timely story of kindness triumphing over cynicism, based on the true story of a real-life friendship between Fred Rogers and journalist Tom Junod. After a jaded magazine writer (Emmy winner Matthew Rhys) is assigned a profile of Fred Rogers, he overcomes his scepticism, learning about kindness, love and forgiveness from America's most beloved neighbour.
Year Three at Hogwarts means new fun and challenges as Harry learns the delicate art of approaching a Hippogriff, transforming shape-shifting Boggarts into hilarity and even turning back time. But the term also brings danger. Soul-sucking Dementors hover over the school. An ally of the accursed He-Who-Cannot-Be-Named lurks within the castle walls. Fearsome wizard Sirius Black escapes Azkaban. And Harry will be forced to confront them all. Directed by Alfonso Cuarón and based on J.K. Rowling's third book, this wondrous spellbinder soars with laughs, shivers and the kind of breathless surprise only found in a Harry Potter adventure. Mischief managed!
Add a splash of colour to your outfit with these gorgeous high heeled court shoes from Principles by Ben de Lisi. Simple yet stylish, they come in red patent with a round toe.
The acclaimed light-hearted murder-mystery series returns, along with its eponymous Vespa-driving, crime-solving Catholic nun. It's the 1960s and Sister Boniface, with her aptitude for detective work, is an invaluable asset to the Great Slaughter Police Department. Her faith in forensics is only rivalled by her passion for investigation. If there's evidence to be found, Boniface will find it. In this series, the sister forces a murderer into checkmate at a chess tournament, takes a spin at a pirate radio station, confronts a coven of witches and defends her own reputation as the conviction of her greatest adversary, The Good Samaritan, comes into question.
Director Jim Sheridan links up once more with Daniel Day-Lewis for 1997's The Boxer, a study of a violent Belfast's uneasy crossover into the peace process (they had previously worked on My Left Foot among other films). Day-Lewis stars as Danny Flynn, imprisoned in his late teens for terrorism, now out after 14 years. A once promising boxer, he's initially looking to resume what's left of his career. However, his rekindled love for Maggie (Emily Watson), daughter of local IRA boss (Brian Cox), is coupled with a need to be a part of the healing process in Northern Ireland. With the help of his former trainer (Ken Stott), he reopens a non-sectarian gym. However, the non-pacific wing of the IRA, personified by Gerard McSorley, resents Flynn, not least for consorting with Maggie, who is another IRA prisoner's wife. Day-Lewis plays Flynn as an almost spiritual figure, still caught in the introspection that enshrouded him during his years in jail. Ironically, the well-executed boxing scenes provide a respite from the air of serious violence that pervades the rest of the film, symbolised by the ominous rotorblades of the ever-present helicopters, from which much of the action of this sad, yet gripping and ultimately uplifting movie, is shot.On the DVD: Generous extras include commentaries from producer Arthur Lappin, who offers a tourist's guide to various locations, as well as one from director Jim Sheridan, who offers technical info and remarks drily of a brief, tart exchange between Maggie and Flynn, "This is an Irish love scene". There's also an alternative (though not that alternative) ending, extra scenes which probably deserved to stay on the cutting room floor and, most illuminatingly, a featurette on the movie. This reveals that the career of Barry McGuigan (boxing advisor here) provided Sheridan with the impetus to make The Boxer, inspired by the courage and grace he showed in the ring to rise above partisanship. --David Stubbs
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