Gear up for explosive action and mind-blowing adventure when Hydra's ancient origins and ultimate agenda are revealed in the epic, game-changing third season of Marvel's Agents of S.H.I.E.L.D. The survival of mankind hangs in the balance as Director Phil Coulson and his Agents battle an otherworldly evil. Devastated by the apparent loss of Jemma Simmons, Leo Fitz risks everything to rescue her. Agent May rejoins the teamonly to discover a terrible truth about her ex-husband, Dr. Andrew Garner. Meanwhile, after the release of Terrigen, the U.S. government creates the ATCU (Advanced Threat Containment Unit) to monitor emerging Inhumans. But the program is actually a smoke screen for the sinister machinations of Hydra's leader Gideon Malick, who joins forces with treacherous ex-S.H.I.E.L.D. agent Grant Ward. The resulting carnage spurs Coulson to exact a revenge that will ultimately backfire, unleashing apocalyptic consequences in the form of a terrifying alien entity known as Hive. To help combat this threat, Agent Daisy Johnson organizes a small band of Inhuman Secret Warriors, not knowing that she will soon meet her match and once again be forced to make a heartbreaking sacrifice. Experience all 22 thrilling episodes plus captivating bonus features with this must-own boxed set: Marvel's Agents of S.H.I.E.L.D. The Complete Third Season.
Doctor Who is the longest running science fiction series in television history and this fantastic box set premier's the very first three stories ever transmitted. William Hartnell stars as the first Doctor venturing through time and space thwarting evil where ever it rears its head. This release features the first 13 episodes plus the untransmitted pilot episode. Episodes comprise: 1. An Unearthly Child 2. The Cave of Skulls 3. The Forest of Fear 4. The Firemaker 5. The Dea
Professor Albus Dumbledore (Law) knows the powerful Dark wizard Gellert Grindelwald (Mikkelsen) is moving to seize control of the wizarding world. Unable to stop him alone, he entrusts Magizoologist Newt Scamander (Redmayne) to lead an intrepid team of wizards, witches and one brave Muggle baker on a dangerous mission, where they encounter old and new beasts and clash with Grindelwald's growing legion of followers. But with the stakes so high, how long can Dumbledore remain on the sidelines?
Horror classic in which a young doctor commits suicide after a medical committee terminates his research into human embryos considering it too inhumane. His wife then seeks revenge on those who drove her husband to his death by luring each member of the committee into compromising situations and then killing them one by one... Also known as ""Mrs. Hyde"".
The film that launched Arnold Schwarzenegger's international career, Conan the Barbarian is still regarded by many as his finest hour. Limited to a mere handful of lines and expertly directed to play up the Nietzschean strength of the character by John Milius, the Austrian Oak has never looked more suited to a role, his muscle flexing and sword twirling apparently effortless. The extraordinarily finely detailed production design ensures that the barren Spanish countryside perfectly suits the Hyborean-era backdrop envisioned by author Robert E Howard. Whether dressed in rags or riches, Schwarzenegger and companions Subotai (Gerry Lopez) and Valeria (Sandahl Bergman) look believably born to their surroundings. Backing their own very fine performances are brilliant supporting roles from James Earl Jones as serpentine baddie Thulsa Doom and Max Von Sydow as doomed King Osric. Plot-wise the film is simply the transformation of a wild barbarian into a worldly-wise king who, via a quest for revenge, finally learns the riddle of steel. The script is highly regarded for its dazzling set-pieces (the opening village raid, the orgy of body parts) and quotable dialogue ("They shall all drown in lakes of blood"), and it comes complete with an anti-peace movement reactionary subtext for anyone who cares to look close enough. One other element deserving mention is the extraordinary score by Basil Poledouris, which inspires the film with a sense of operatic grandeur. On the DVD: Conan the Barbarian appears as a suitably mythic special edition DVD. Sadly the magnificent score can only be heard in a mono mix, but the very fine picture is presented in 2.35:1. The extras package is phenomenal, too. Several deleted scenes have been re-edited into the film, but are available to view independently as well. There's a quick split-screen special effects feature showing how the ghostly spirits were added to Conan's resurrection. "The Conan Archives" is an 11-minute slide show of drawings, costumes and advertising. Best of all is the fantastic 53-minute "Conan Unchained" documentary interviewing every conceivable contributor who all reminisce with great fondness. It's slightly better seeing Schwarzenegger and Milius than hearing them talk in their commentary, which inevitably re-tells many of the same anecdotes in between puffs of Arnie's stogies. --Paul Tonks
What if baby Kal-El's rocket landed, not in Kansas, but in the Soviet Union? That is the premise of this Elseworld's tale from DC Comics.
Set in an emergency medical camp, the sitcom M*A*S*H was based on Robert Altman's 1970 movie of the same name, which notionally took place during the Korean War but was implicitly a bleak commentary on the US involvement in Vietnam. First aired in 1972, the series is broader and less edgy than the film, taking the original characters and reducing them for stock comic value. Nonetheless, the sense of hip insolence is preserved in Alan Alda's carousing, wisecracking but essentially decent Hawkeye--Groucho Marx in a surgeon's mask. The first series shows Hawkeye and buddy Trapper John (Wayne Rogers) dealing with the bloody and messy end of the war. Though not often explicitly critical of the conflict, their attitude towards the uptight, irascible Major Frank Burns (Larry Linville) and Loretta Swit's prim, buttoned-up nurse "Hotlips" Houlihan suggests a healthy contempt for military mores. Fortunately, their commander Henry Blake (McClean Stevenson) is an easy-going soul who indulges them and allows a genial atmosphere to flourish at the 4077th. The pilot--in which Hawkeye arranges a raffle where the prize is a night with a gorgeous nurse to raise money for a Korean kid to get to college--sums up the spirit of these early episodes: soft-centred liberalism mixed with somewhat dated sexism, albeit more slickly delivered than contemporary British sitcoms such as On the Buses. The skirt-chasing and buffoonery in this first series would give way to a more earnest tone as the show continued. On the DVD: M*A*S*H is disappointingly short on special features. However, there is the option of removing the jarringly inappropriate intrusive laugh track that was used on US broadcasts of the show but not the UK version. These episodes have been comprehensively cleaned up for DVD consumption. --David Stubbs
The Jolson Story: Larry Parks gives the performance of his life in the story of Al Jolson from his meteoric rise to fame to the doubts and depression that emerged later in his career. One of the greatest musicals ever made The Jolson Story is an electrifying cavalcade of lavish production numbers with an all-star cast. Winning Academy Awards for Musical Scoring and Sound Recording the film also received four Academy Award nominations in 1946 including Best Actor for Larry
Paris When It Sizzles is an unusual screwball comedy to say the least. Whether it works is another matter, but the premise and humour are interesting enough to make it enjoyable. The basic problem with the film is its two stars: William Holden and Audrey Hepburn hardly sizzle with onscreen chemistry, and Hepburn's character, Miss Simpson, falls far too easily into the hands of Holden's drunken screen writer. However, the story is an interesting play on the typical Hollywood romance, with two plot lines running in parallel to each other. Holden's Richard Benson has only two days to finish a script for an enigmatic producer (Noel Coward). Hepburn's Miss Simpson is drafted in as the typist and as the script is dictated it manifests itself on the screen, allowing the two lead characters to play out any number of romantic stories. It's the cameo appearances in the imaginary world that really steal the show, with the blink-and-you'll-miss-it last screen appearance by Marlene Dietrich, as well as Tony Curtis having fun with his own screen persona. It's not one of Hepburn or Holden's best, but is worth a look purely for the interesting slant on the mechanical nature of Hollywood's romances. On the DVD Paris When It Sizzles offers little of any note in regards to special features, with only an extended trailer (which seems to try and sell the film on the merits of the stars alone). The mono soundtrack is nothing special, though the print has cleaned up nicely, offering a 1.78:1 widescreen picture that brings the Technicolor to life. --Nikki Disney
In this new beginning, scientist Bruce Banner (Edward Norton) desperately hunts for a cure to the gamma radiation that poisoned his cells and unleashes the unbridled force of rage within him: The Hulk.
George Clooney & Mark Wahlberg star in this spectacular tale of a fishing boat caught at sea during the worse storm ever recorded.
When people think of James Dean, they probably think first of the troubled teen from Rebel Without a Cause: nervous, volatile, soulful, a kid lost in a world that does not understand him. Made between his only other starring roles, in East of Eden and Giant, Rebel sums up the jangly, alienated image of Dean, but also happens to be one of the key films of the 1950s. Director Nicholas Ray takes a strikingly sympathetic look at the teenagers standing outside the white-picket-fence 50s dream of America: juvenile delinquent (that's what they called them then) Jim Stark (Dean), fast-girl Judy (Natalie Wood), lost-boy Plato (Sal Mineo), slick hot-rodder Buzz (Corey Allen). At the time, it was unusual for a movie to endorse the point of view of teenagers, but Ray and screenwriter Stewart Stern captured the youthful angst that was erupting at the same time in rock 'n' roll. Dean is heartbreaking, following the method-acting style of Marlon Brando but staking out a nakedly emotional honesty of his own. Going too fast, in every way, he was killed in a car crash on September 30, 1955, a month before Rebel opened. He was no longer an actor, but an icon, and Rebel is a lasting monument. --Robert Horton, Amazon.com
50th ANNIVERSARY EDITION BRAND NEW RESTORATION A complete sensation on its original release in 1967, THE GRADUATE was a one-of-a-kind cinematic portrait of America which captured the mood of disaffected youth seething beneath the laid-back exterior of 1960s California. It earned Mike Nichols a Best Director Oscar, introduced the music of Simon & Garfunkel to a wider audience and featured one of the most famous seductions in movie history and a truly iconic final scene. THE GRADUATE also introduced the world to a young actor named Dustin Hoffman, perfectly cast as the jaw-droppingly naïve Benjamin. Benjamin Braddock (Dustin Hoffman) has just finished college and is already lost in a sea of confusion as he wonders what to do with his life. He returns to his parents' luxurious Beverly Hills home, where he idles away the summer floating in the pool and brooding in silence. He is rescued from the boredom when he is seduced into a clandestine affair with a middle-aged married friend of his parents, Mrs Robinson (Anne Bancroft). That liaison is soon complicated by Benjamin's infatuation with her college-age daughter Elaine (Katharine Ross). Visually imaginative and impeccably acted, with a witty, endlessly quotable script by Calder Willingham and Buck Henry (based on the novel by Charles Webb), with a supporting cast that includes William Daniels, Murray Hamilton, Walter Brooke and Elizabeth Wilson, THE GRADUATE had the kind of cultural impact that comes along only once in a generation.
It's generally acknowledged that the Master of Suspense disliked costume dramas and Jamaica Inn--a rip-roaring melodrama drawn from a Daphne du Maurier pot-boiler, set in 1820s Cornwall--is about as costumed as they come. So what was he doing directing it? Killing time, essentially. In 1939 Hitchcock was due to leave Britain for Hollywood, but delays Stateside left him with time on his hands. Never one to sit idle, he agreed to make one picture for Mayflower Productions, a new outfit formed by actor Charles Laughton and émigré German producer Erich Pommer. An innocent young orphan (the 19-year-old Maureen O'Hara in her first starring role) arrives at her uncle's remote Cornish inn to find it a den of reprobates given to smuggling, wrecking and gross overacting. They're all out-hammed, though, by Laughton at his most corseted and outrageously self-indulgent as the local squire to whom Maureen runs for help. Since his star was also the co-producer, Hitch couldn't do much with the temperamental actor. He contented himself with adding a few characteristic touches--including a spot of bondage (always a Hitchcock favourite), and the chief villain's final spectacular plunge from a high place--and slyly sending up the melodramatic absurdities of the plot. Jamaica Inn hardly stands high in the Master's canon, but it trundles along divertingly enough. Hitchcock fanatics will have fun comparing it with his two subsequent--and far more accomplished--Du Maurier adaptations, Rebecca and The Birds. --Philip Kemp
Stanley Donen's sophisticated comedy drama charts the lives of a stylish British couple (Albert Finney Audrey Hepburn) as they travel on various holidays over the course of their 12-year marriage with separate vignettes combining to form a collage of highs and lows as the young couple struggles to maintain their fading marital bliss...
A couple off for a romantic weekend in the mountains are accosted by a biker gang. Alone in the mountains, Brea and John must defend themselves against the gang, who will stop at nothing to protect their secrets.
The Lion The Witch and the WardrobePrepare to enter another world when Walt Disney Pictures and Walden Media present C.S. Lewis' timeless and beloved epic adventure. With the stunningly realistic special effects you'll experience the exploits of Lucy Edmund Susan and Peter four siblings who find the world of Narnia through a magical wardrobe while playing a game of hide-and-seek at the country estate of a mysterious professor. Once there the children discover a charming once peaceful land inhabited by talking beasts dwarfs fauns centaurs and giants that has been turned into a world of eternal winter by the evil White Witch Jadis. Aided by the wise and magnificent lion Aslan the children lead Narnia into a spectacular climactic battle to be free of the Witch's glacial powers forever! Prince CaspianThe magical world of C. S. Lewis' beloved fantasy comes to life once again in Prince Caspian the second installment of The Chronicles of Narnia series. Join Peter Susan Edmund Lucy the mighty and majestic Aslan friendly new Narnian creatures and Prince Caspian as they lead the Narnians on a remarkable journey to restore peace and glory to their enchanted land. Continuing the adventure of The Lion The Witch and the Wardrobe with more magic and a brand-new hero Prince Caspian is a triumph of imagination courage love joy and humour your whole family will want to watch again and again. The Voyage of the Dawn TreaderLucy Edmund and cousin Eustace join King Caspian and a noble mouse named Reepicheep aboard a magnificent ship bound for mysterious islands. Soon they confront mystical creatures and reunite with the mighty Aslan on a mission that will determine the fate of Narnia!
! Picking up 30+ years after the Karate Kid films, a down-and-out Johnny Lawrence seeks redemption by re-opening the infamous Cobra Kai dojo, reigniting his rivalry with a now successful Daniel LaRusso
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