Originally transmitted in 1965 it stars William Hartnell as The Doctor Episodes Comprise: The Space Museum: The TARDIS jumps a time track and the travellers arrive on the planet Xeros. There they discover their own future selves displayed as exhibits in a museum established as a monument to the Galactic conquests of the warlike Morok invaders who now rule the planet. When time shifts back to normal they realise that they must do everything they can to try to avert this potential future. The Chase: The travellers are forced to flee in the TARDIS when they learn from the Time/Space Visualiser taken from the Moroks' museum that a group of Daleks equipped with their own time machine are on their trail with orders to exterminate them.
The Rescue: Arriving on the planet Dido in the late 25th Century the time travellers come upon a crashed spaceship from Earth. Its two occupants - a paralysed man named Bennett and a young girl Vicki - are living in fear of a creature called Koquillion a native whose people have apparently killed the other members of the human expedition. However the Doctor quickly deduces that Koquillion is in fact Bennett in disguise; it was he who killed the others in order to conceal an earlier murder he had committed on the ship. The Romans: The four time travellers are enjoying a rare holiday staying at a villa not far from Rome in the year 64 AD. The Doctor soon becomes restless and sets off to visit the city taking Vicki with him. In their absence Ian and Barbara are kidnapped by slave traders. Having been mistaken for the famous lyre player Maximus Pettulian and asked to perform at the Emperor Nero's Court the Doctor has to devise ever more elaborate schemes to avoid revealing that he cannot actually play the instrument. Ian meanwhile becomes a galley slave while Barbara is sold to Nero's slave buyer Tavius at an auction in Rome. Ian and a fellow slave named Delos escape from the galley when it is wrecked in a storm and make their way to Rome to try to find and rescue Barbara.
Blood Simple made it clear that the cinematically precocious Coen brothers (writer-director Joel and writer-producer Ethan) were gifted filmmakers to watch out for. But it was the outrageously farcical Raising Arizona that announced the Coens' darkly comedic audacity to the world. It wasn't widely seen when released in 1987, but its modest audience was vocally supportive, and this hyperactive comedy has since developed a large and loyal following. It's the story of "Ed" (for Edwina, played by Holly Hunter), a policewoman who falls in love with "Hi" (for H.I. McDonnough, played by Nicolas Cage) while she's taking his mug shots. She's infertile and he's a habitual robber of convenience stores, and their folksy marital bliss depends on settling down with a rug rat. Unable to conceive, they kidnap one of the newsworthy quintuplets born to an unpainted-furniture huckster named Nathan Arizona (Trey Wilson), who quickly hires a Harley-riding mercenary (Randall "Tex" Cobb) to track the baby's whereabouts. What follows is a full-throttle comedy that defies description, fuelled by the Coens' lyrical, redneck dialogue, the manic camerawork of future director Barry Sonnenfeld and some of the most inventively comedic chase scenes ever filmed. Some will dismiss the comedy for being recklessly over-the-top; others will love it for its clever mix of slapstick action, surreal fantasy and homespun family values. One thing's for sure--this is a Coen movie from start to finish, and that makes it undeniably unique. --Jeff Shannon
In 1976 The Omen scored a hit with critics and audiences hungry for more after The Exorcist with its mixture of Gothic horror and mystery and its plot about a young boy suspected of being the personification of the anti-Christ. Directed by Richard Donner (best known for his Superman and Lethal Weapon films), The Omen gained a lot of credibility from the casting of Gregory Peck and Lee Remick as a distinguished American couple living in England, whose young son Damien bears "the mark of the beast". At a time when graphic gore had yet to dominate the horror genre, this film used its violence discreetly and to great effect and the mood of dread and potential death is masterfully maintained. It's all a bit contrived, with a lot of biblical portent and sensational fury but few would deny it's highly entertaining. Jerry Goldsmith's Oscar-winning score works wonders to enhance the movie's creepy atmosphere. --Jeff Shannon, Amazon.com Damien: Omen II takes place several years after the mysterious events that claimed the life of the US Ambassador and his wife as the now teenaged and militarily enrolled Damien Thorne is slowly being made aware of his unholy heritage and horrific destiny. Woe is he (including anyone in Damien's adoptive family and his classmates) who suspects the truth or gets in his way. While not as unrelentingly frightening as its blockbuster predecessor, this more-than-competent sequel raises some interesting questions about the nature of free will (can the anti-Christ deny his birthright?) before falling into a gory series of increasingly outlandish deaths, the best of which is a terrifyingly protracted scene beneath the ice of a frozen lake. Jerry Goldsmith (who won an Oscar for his work on the first film in the series) contributes another marvellously foreboding score. --Andrew Wright, Amazon.com The series concludes with The Omen III: The Final Conflict, starring Sam Neill as the adult Damien--aka the son of Satan--in a battle with the heavens for control of mankind. The film ends up depending more heavily on effects and spectacle than on the kind of basic horrors that made the first movie in the series so unsettling but at least this one gives some closure to the seemingly endless saga. --Tom Keogh, Amazon.com On the DVDs: On the original movie disc there is an all-new 45-minute documentary, "666: The Omen Revealed", with contributions from all the major behind-the-scenes players, including director, editor, screenwriter (who confesses the movie was only set in England because he wanted a free trip to London!), producer and composer. The latter, Jerry Goldsmith, has his Oscar-winning contribution to the movie recognised with a separate feature in which he talks through four key musical scenes in the score. There's also a thought-provoking short called "Curse or Coincidence?" in which the many bizarre accidents that happened during shooting are related, including the terrible story of what happened to the girlfriend of the man responsible for designing the decapitation scene. Director Richard Donner and editor Stuart Baird provide a chatty audio commentary to the movie. The second and third films lack as many extra features, being content with audio commentaries and theatrical trailers: the commentary for Omen II is by producer Harvey Bernhard, that for Omen III by director Graham Baker. --Mark Walker
A new threat has enshrouded the neon streets of Sin City, and it's going to take some familiar faces to stare it down. William Petersen and Jorja Fox return to the roles they made famous and to the crime drama that made CBS history in CSI: Vegas. Can they prevent the perpetrator from bringing down the whole CSI crime lab? Old friends meet new enemies and the latest forensic techniques in CSI: Vegas. Product Features Everything old is new again A brand new look Seeing is believing Deleted scenes
When her son disappears and is believed dead, a single mother blames an African-American man from the projects for the kidnapping.
Here's how director Sam Peckinpah described his motivation behind The Wild Bunch at the time of the film's 1969 release: "I was trying to tell a simple story about bad men in changing times. The Wild Bunch is simply what happens when killers go to Mexico. The strange thing is you feel a great sense of loss when these killers reach the end of the line." All of these statements are true, but they don't begin to cover the impact that Peckinpah's film had on the evolution of American movies. Now the film is most widely recognized as a milestone event in the escalation of screen violence, but that's a label of limited perspective. Of course, Peckinpah's bloody climactic gunfight became a masterfully directed, photographed, and edited ballet of graphic violence that transcended the conventional Western and moved into a slow-motion realm of pure cinematic intensity. But the film--surely one of the greatest Westerns ever made--is also a richly thematic tale of, as Peckinpah said, "bad men in changing times." The year is 1913 and the fading band of thieves known as the Wild Bunch (led by William Holden as Pike) decide to pull one last job before retirement. But an ambush foils their plans, and Peckinpah's film becomes an epic yet intimate tale of betrayed loyalties, tenacious rivalry, and the bunch's dogged determination to maintain their fading code of honor among thieves. The 144-minute director's cut enhances the theme of male bonding that recurs in many of Peckinpah's films, restoring deleted scenes to deepen the viewer's understanding of the friendship turned rivalry between Pike and his former friend Deke Thornton (Robert Ryan), who now leads a posse in pursuit of the bunch, a dimension that adds resonance to an already classic American film. The Wild Bunch is a masterpiece that should not be defined strictly in terms of its violence, but as a story of mythic proportion, brimming with rich characters and dialogue and the bittersweet irony of outlaw traditions on the wane. --Jeff Shannon
Few films have defined a generation as much as The Graduate did. The alienation, the nonconformity, the intergenerational romance, the blissful Simon and Garfunkel soundtrack--they all served to lob a cultural grenade smack into the middle of 1967 America, ultimately making the film the third most profitable up to that time. Seen from a later perspective, its radical chic has dimmed a bit, yet it's still a joy to see Dustin Hoffman's bemused Benjamin and Anne Bancroft's deliciously decadent, sardonic Mrs Robinson. The script by Buck Henry and Calder Willingham is still offbeat and dryly funny and Mike Nichols, who won an Oscar for his direction, has just the right, light touch. --Anne Hurley, Amazon.com
Eureka Entertainment to release PICNIC, one of the defining landmark films of 1950s Hollywood starring William Holden and Kim Novak, presented for the first time ever on Blu-ray in the UK as part of the Eureka Classics range from 18 February 2019. Picnic is a portrait of the desires and frustrations simmering under the surface on an ordinary Labor Day in a small Kansas town. Starring William Holden in one of his most iconic roles, and Kim Novak in the performance that made her a star, the film is one of the most fondly remembered American classics of that decade, adapted by director Joshua Logan from his own Broadway production (which won a Pulitzer for playwright William Inge) Drifter Hal (Holden) returns to his hometown, unemployed and with his college football glory days long behind him. Reunited with his old friend Alan (Cliff Robertson), Hal soon becomes acquainted with the Owens sisters, beautiful Madge (Novak) and budding poetess Millie (Susan Strasberg), along with the Owens family's boarder, schoolteacher Rosemary (Rosalind Russell). While Millie longs for Hal, his affections turn to Madge, and at the holiday picnic, passions ignite, jealousies erupt, accusations and rage explode, and Hal and Madge must decide if they can escape their small, stifling hometown. While its examination of middle American mores may seem quaint today, Picnic's torrid romances, erotically charged dancing, and Holden's torn shirt were considered bold and risqué in the conservative 50s, although now it can be viewed as an honest and moving study of a long-gone era. Featuring stunning Cinemascope photography by the legendary James Wong Howe, this much-beloved Oscar-winner is a grand, unforgettable 1950s American milestone, and is presented here on Blu-ray for the first time ever in the UK. Features: 1080p presentation on Blu-ray DTS-HD MA 5.1 or LPCM 2.0 audio options Optional English SDH subtitles Kim Novak's Hollywood Picnic [18 mins] an archival interview with the actress conducted by screenwriter and journalist, Stephen Rebello Original Theatrical Trailer PLUS: A Collector's booklet featuring a new essay on the film by Travis Crawford
The first BBC television adaptation of the Charles Dickens classic, Dombey and Son (1969) is now available for the first time to own on DVD. Starring John Carson, Kara Wilson, William Moore and Clive Swift. Hugh Leonard s third Dickens adaptation for the BBC, first broadcast in 1969, is an absorbing portrayal of proud logic undone by staunch affection. The timeless story of a father s blinkered pride, public downfall and emotional rescue. Paul Dombey (John Carson) is the wealthy owner of a shipping company whose sole desire is to have a son to inherit the family firm. But when a son arrives, his wife dies soon after, and the sickly boy s own days are numbered. Dombey finds no solace in the affections of his elder child Florence (Kara Wilson). He sees little use in daughters in the business world. Encouraged by the sinister Major Bagstock (Clive Swift), Dombey enters into a second, loveless marriage with Edith Grainger (Sally Home), who eventually flees to France with Dombey s double-dealing business manager James Carker (Gary Raymond). Dombey s livelihood is further undermined by a burgeoning railway network. All seems lost unless his pride will allow him to salvage a relationship with Florence. The colourful characters also include put-upon clerk Walter Gay (Derek Seaton), retired sea-captain Cuttle (William Moore), scatterbrained Mr Toots (Christopher Sandford), Florence s faithful maid Susan Nipper (Helen Fraser), Dombey s fusspot sister Louisa Chick (Hilda Braid) and the spurned but loyal Lucretia Tox (Pat Coombs).
FOUR ICONIC ADVENTURES FOR THE FIRST TIME IN 4K Fan favourite STAR TREK characters Picard, Riker, Data, LaForge, Worf, Troi, and Dr. Crusher embark on four iconic, actionpacked big screen adventures, collected here for the first time on 4K UHD⢠with HDR-10 and Dolby Vision, and remastered bonus Blu-raysâ¢. The journey begins with original cast members Kirk, Scott, and Chekov in a story that spans space and time in STAR TREK: GENERATIONS, continuing with a terrifying face-off against the Borg in STAR TREK: FIRST CONTACT, a dangerous plot against a peaceful planet in STAR TREK: INSURRECTION, and a familiar old foe returning in STAR TREK: NEMESIS. Engaging trek fans of all ages, this is an essential must-have 8-disc set with extensive legacy special features. STAR TREK VII: GENERATIONS: The seventh big screen adventure in the STAR TREK movie franchise comes to 4K Ultra-HD with HDR-10 and Dolby Vision, boldly remastered from the original film elements. Retired Starfleet officers James T. Kirk (William Shatner), Montgomery Scott (James Doohan) and Pavel Chekov (Walter Koenig) are guests of honour aboard the newly christened Enterprise-B, but a test run takes an unexpected turn and Kirk is swept out into a mysterious energy ribbon known as the Nexus. Seven decades later, Captain Jean-Luc Picard (Patrick Stewart) and the crew of Enterprise-D face a deadly villain named Soran (Malcolm McDowell). Picard's only hope for a future rests within the Nexus...and a legendary captain from the past. STAR TREK VIII: FIRST CONTACT: Resistance is futile! This eighth big screen adventure in the STAR TREK movie franchise comes to 4K Ultra-HD with HDR-10 and Dolby Vision, boldly remastered for the 21st century from the original film elements. Captain Picard and the crew of the Enterprise face off against the Borg-cybernetically enhanced life forms-and a terrifying threat that could change history forever. STAR TREK IX: INSURRECTION: The ninth big screen adventure in the STAR TREK movie franchise comes to 4K Ultra-HD with HDR-10 and Dolby Vision, boldly remastered from the original film elements. When the crew of the Enterprise learn of a Federation plot against the inhabitants of a unique planet, Captain Picard begins an open rebellion. STAR TREK X: NEMESIS: The tenth big screen adventure in the STAR TREK movie franchise comes to 4K Ultra-HD with HDR-10 and Dolby Vision, boldly remastered from the original film elements. After the Enterprise is diverted to the planet Romulus, in hope of a successfully negotiated truce, the Federation soon discovers the Romulans are planning an attack on Earth.
Originally broadcast in April 1966, The Celestial Toymaker sees the Doctor and companions separated when they come up against The Toymaker. While the Doctor plays the Trilogic Game, Steven and Dodo are forced to play seemingly childish but ultimately dangerous games with the aim of being reunited and getting back to the Tardis. This brand new animated version has been created using the original audio recordings. Product Features Includes: All 4 episodes animated in both Colour and Black And White Audio Commentaries Newly restored original episode 4 Making the Animation Photo Gallery
All the episodes from Season 1-5 of the US drama series following a passionate team of forensic investigators who work the graveyard shift at the Las Vegas Criminalistics Bureau. Their job is to find the missing pieces at the scene that will help to solve the crime and vindicate those who often cannot speak for themselves: the victims.
Originally broadcast in April 1966, The Celestial Toymaker sees the Doctor and companions separated when they come up against The Toymaker. While the Doctor plays the Trilogic Game, Steven and Dodo are forced to play seemingly childish but ultimately dangerous games with the aim of being reunited and getting back to the Tardis. This brand new animated version has been created using the original audio recordings. Product Features Includes: All 4 episodes animated in both Colour and Black And White Audio Commentaries Newly restored original episode 4 Making the Animation Photo Gallery
Director Rob Zombie's horrific creations return for more blood-soaked mayhem.
SHE'S TOO MUCH FOR ANY MAN!It's impossible not to have fun with this all-time kitsch classic which, as fans know, is about a very big woman with a very bad attitude.The woman is wealthy Nancy Archer (Allison Hayes), fresh from the mental institution and ticked off. Her rat of a husband (William Hudson) has been at play while the cat's been away, putting the moves on Honey Parker (Yvette Vickers, Playboy's Miss July 1959) and scheming about the day when Nancy's fortune will be theirs. That day will never come - not after Nancy has an alien encounter that zaps her body into overdrive. Soon, Nancy's size matches her rage. She'll prove big girls don't cry...they get even.Product FeaturesOn-Disc Special FeaturesCommentary by Yvette Vickers and Film Historian Tom WeaverTheatrical Trailer
1880's London. The popular comic operas of Gilbert (words) and Sullivan (music) have never failed, but their latest, 'Princess Ida' receives a lukewarm press.
A powerful study of courage in the face of irrational odds, The Bridges at Toko-Ri (based on James Michener's novel) is no less patriotic than many other war films, but it dispenses with the gung-ho bluster to focus on the very real and tragic consequences of war. This is also one of the first films to openly criticise the morality of the Korean War while praising the honour and integrity of the men who fought it. Lt Harry Brubaker (William Holden) is one of those men: a lawyer with a loving wife (Grace Kelly) and two young daughters, who is recalled to duty from the Navy Reserve, his mission; to fly with a bomber jet squadron over one of the Communists' most heavily protected targets, the strategically vital bridges in the Korean canyon of Toko-Ri. Brubaker has his own noble protection from his fellow pilots (including Charles McGraw in a fine supporting role), admiring admiral (Frederic March), and from the helicopter scouts (Mickey Rooney, Earl Holliman) who saved his life on a previous missions. But his ambivalence--and his fear that the Toko-Ri mission will be his last--is what gives the film its potent emotional impact. Holden is perfect in his role, and director Mark Robson steadfastly avoids any false sentiment or macho theatrics that would diminish the film's devastating climax. The Bridges at Toko-Ri is also a superlative showcase for the naval operations; the aerial sequences earned an Oscar for special effects and the Navy's cooperation assures total authenticity in the "flat-top" aircraft carrier scenes. --Jeff Shannon, Amazon.com
! The U.S.S. Enterprise boldly debuted on the big screen with the cast of the original STAR TREK series, including William Shatner, Leonard Nimoy, DeForest Kelley, George Takei, Nichelle Nichols, Walter Koenig, and James Doohan. When an unidentified alien intruder destroys three powerful Klingon cruisers, Captain James T. Kirk returns to the helm of a newly transformed U.S.S. Enterprise to take command. This 2-disc set includes the Director's Cut Blu-ray and a bonus Blu-ray⢠disc filled with new and legacy special features. Blu-ray⢠Disc⢠bonus features: The Human AdventureAn all-new 8-part documentary detailing how the Director's Edition came to lifeNEW! Preparing the Future How the remastering began A Wise Choice The storied history of Robert Wise Refitting the Enterprise How the Enterprise design shaped future federation starships Sounding Off Exploring new dimensions of sound in Dolby Atmos V'ger - The conception and restoration of an iconic alien antagonist Return to Tomorrow Reaching an already high bar with new CGI effects A Grand Theme Behind the iconic, influential music score that shaped the franchise's future The Grand Vision The legacy and evolving reputation of this classic movie Deleted ScenesNEW! Effects TestsNEW! Costume TestsNEW! Computer Display GraphicsNEW! Additional legacy bonus content
In October of 1994, three student filmmakers disappeared in the woods near Burkittsville, Maryland while shooting a documentary. A year later the footage was found.
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