Making a spectacular change from teen pop sensation to actress Logie-Award-winning Australian singer Patsy Ann Noble is the scene-stealing bikini-clad femme fatale in this stylish cleverly plotted murder mystery. Giving Noble one of her earliest film roles and also starring Mark Burns Wanda Ventham and Shaun Curry Death Is a Woman is presented here in a brand-new digital transfer in its original theatrical aspect ratio. An undercover agent is sent to investigate narcotics smuggling on a sun-drenched Mediterranean island. However when both of his principal subjects die in mysterious circumstances he soon finds that he is also involved in a murder investigation... Special Features: Original Theatrical Trailer Alternate Scene [Mute] Image Gallery Original Pressbook PDF
In January 2013 filmmaker Laura Poitras was several years into the making of a film about abuses of national security in post--9/11 America when she started receiving encrypted emails from someone identifying himself as "citizen four" who was ready to blow the whistle on the massive covert surveillance programs run by the NSA and other intelligence agencies. In June 2013 Poitras and reporter Glenn Greenwald flew to Hong Kong for the first of many meetings with the man who turned out to be Edward Snowden. She brought her camera with her. The film that resulted from this series of tense encounters is absolutely unique in the history of cinema: a 100% real-life thriller unfolding minute by minute before our eyes.
High above the city of LA a team of terrorists has seized a building taken hostages and declared war. But one man has managed to escape detection.. An off-duty cop. He's alone..tired..and the only chance anyone has. Bruce Willis stars as New York City Detective John McClane newly arrived in Los Angeles to spend the Christmas holiday with his estranged wife (Bonnie Bedelia). But as McClane waits for his wife's office party to break-up terrorists seize control of the building. While the terrorist leader Hans Gruber (Alan Rickman) and his savage henchman (Alexander Godunov) round up hostages McClane slips away unnoticed. Armed with only a service revolver and his wits. McClane launches his own one-man war. A crackling thriller from beginning to end Die Hard explodes with heartstopping suspense.
The first police series to show a woman at Detective Inspector level, The Gentle Touch stars Jill Gascoine as Maggie Forbes a tough but compassionate cop who is also a single mother to a teenage son following the murder of her police constable husband. Reflecting a time when there were very few ranking female officers, the series not only showed police procedure within a Metropolitan Police CID unit but also offered an insight into how a woman might cope with such a role in what was still very much a man's world. Instantly successful with the public, The Gentle Touch ran for five series and featured guest appearances by Catherine Schell, Brian Croucher, Joanne Whalley, Liz Smith, Art Malik, Lynda Bellingham and Louise Jameson, among many others.
From the creators of Superbad and Pineapple Express comes an ice cool comedy that proves that it's not the winning, it's the taking apart of the other team that counts.
TV detective fans rejoice: Peter Falk's rumpled and infallible Lt. Columbo joins the DVD precinct with a five-disc set that features the detective's first nine appearances for NBC. Though Falk as Columbo (no first name) made his TV debut in 1967, the detective had actually first appeared on an episode of the 1960-61 Chevy Mystery Show (Bert Freed played the role) written by veteran TV scribes Richard Levinson and William Link (The Fugitive, Alfred Hitchcock Presents). The pair turned the episode into a stage play titled Prescription: Murder, which was adapted into a TV movie in 1967 with Falk in the lead. NBC greenlit a two-hour Columbo pilot (Ransom for a Dead Man) in 1971, and the series was launched that fall as part of the NBC Sunday Mystery Movie, a rotating 90-minute program that alternated Columbo with episodes of MacMillan and Wife and McCloud (another Levinson/Link creation). Viewers were quickly won over by Falk's shrewd performance as he matched wits with a host of exceptional guest stars (including Gene Barry, Patrick McGoohan, and others), all of whom assumed that the disheveled detective would never figure out their "perfect crimes"; the popularity and quality of the original series allows Falk to continue to don the trenchcoat some 30 years later for occasional Columbo TV movies. All seven 90-minute episodes of the 1971-72 debut season are included here, along with Prescription: Murder and Ransom for a Dead Man; unfortunately, as the lieutenant himself would say, "Oh, just one more thing"--no extras are included in the set, but having these fine TV mysteries in one set should be reward enough for armchair sleuths. --Paul Gaita
Six men. With nothing to lose. Who dare to go....the full monty! Dole queue Job Club domestic discord - the world is falling apart for six unemployed Sheffield steelworkers. But one of them has had enough. Determined to beat the system Gaz (Carlyle) hatches a plan that will make him and his friends serious rich - and quickly! He convinces them that a strip routine will bring in the punters especially when that act reveals the ultimate - the Full Monty! As our local heroes
Packed with more than 750 dazzling visual effects, this US$70 million adventure does more (and less) than give the 1965-68 TV series a state-of-the-art face-lift. Aimed at an audience that wasn't born when the series originally aired, the sci-fi extravaganza doesn't even require familiarity, despite cameo appearances by several of the TV show's original cast members. Instead it's a high-tech hybrid of the original premise with enough sensory overload to qualify as a spectacular big-screen video game, supported by a time-travel premise that's adequately clever but hardly original. Lost in Space is certainly never boring, and visually it's an occasionally awesome demonstration of special effects technology. But in its attempt to be all things to all demographics, the movie's more of a marketing ploy than a satisfying adventure, thankfully dispensing with the TV show's cheesy camp but otherwise squandering a promising cast in favour of eye-candy and ephemeral storytelling. --Jeff Shannon
Visually spectacular, intensely action-packed and powerfully prophetic since its debut, Blade Runner dazzles in Ridley Scott's definitive Final Cut, including extended scenes and special effects. In a signature role as 21st-century detective Rick Deckard, Harrison Ford bring his masculine-yet-vulnerable presence to this stylish noir thriller. In a future of high-tech possibility soured by urban and social decay, Deckard hunts for fugitive, murderous replicants and is drawn to a mystery woman whose secrets may undermine his soul. Extras: Introduction by Ridley Scott Three Filmaker Commentaries, Including One by Ridley Scott
2011 Christmas Edition Includes a sneak peek of Ice Age 4 - Continental Drift
Richard Benjamin's off-beat 1990 comedy Mermaids found Cher at the peak of her big-screen form. She plays Mrs Flax to the manner born. The eccentric mother feeds her two daughters on hors d'oeuvres and sticks a pin in the map to decide the family's next destination when her love affairs have run their course. When they reach New England, however, events--and an unlikely but amiable suitor (Bob Hoskins)--interrupt her self-centred progress and bring the facts of life home to roost with a vengeance. It's a well-made comedy with good performances from Cher and Hoskins, although neither of them is particularly stretched. There is also enough tension in the relationship between Mrs Flax and her eldest child to make it poignant as well as funny. As the Flax daughters, Winona Ryder (neurotic, unworldly Charlotte) and Christina Ricci (swimming-mad "fishhead") show plenty of the promise which has since made them two of America's most appealing film actresses. Stuffed with authentic 1960s detail, Mermaids is actually a modern "woman's picture" which affirms the often precarious bonds of family relationships. On the DVD: Presented in widescreen format, optimised for high-resolution television sets, Mermaids is a vibrant visual treat for anybody with an affection for 1960s kitsch and fashion. The picture quality is superb and the Dolby Digital 5.1 soundtrack sharp; some cracking dialogue has to share the sound waves with thumping hits of the day and, over the final credits, Cher's global smash hit rendering of "It's in His Kiss". But apart from a multilingual choice of soundtracks and subtitles and the original theatrical trailer, there are no extras. --Piers Ford
He's a composite of some 200 personalities each and every one a notorious killer. He's Sid 6.7 a virtual reality creation designed to put L.A. police officers to the test. But Sid isn't playing games anymore. He's escaped the bounds of cyberspace. And if you think he's unconquerable in the world of bits and bytes wait till you see what Sid has in store for a world of flesh and blood. Denzel Washington and Russell Crowe square off on opposite sides of the law and on both sides of
Sometimes a day is all it takes. Today Henry Hackett (Michael Keaton) metro editor of a New York tabloid has some very big decisions to make. His heavily pregnant wife (Marisa Tomei) is facing urgent deadlines of her own. Henry' boss the managing editor (Glenn Close) is also reaching a crisis in her life and her senior (Robert Duvall) has just discovered he is an extremely sick man. To top it all the paper is in pursuit of a hot story that could expose a major scandal and fre
Eighteen-year-old Ronna, accompanied by reluctant partner-in-crime and fellow supermarket checkout clerk Claire, is desperately looking to score some rent money before she's evicted.
A fatherless teenager faces his moment of truth in The Karate Kid. Daniel (Ralph Macchio) arrives in Los Angeles from the East Coast and faces the difficult task of making new friends. However he becomes the object of bullying by the Cobras a menacing gang of karate students when he strikes up a relationship with Ali (Elisabeth Shue) the Cobra leader's ex-girlfriend. Eager to fight back and impress his new girlfriend but afraid to confront the dangerous gang Daniel asks his
""Space... The final frontier... These are the voyages of the Starship Enterprise. Its continuing mission: To explore strange new worlds... To seek out new life; new civilisations... To boldly go where no one has gone before!"" - Jean-Luc Picard (Patrick Stewart) The complete second season of Star Trek: The Next Generation one of the finest sci-fi shows of all-time. Episodes Comprise: 1. The Child 2. Where Silence Has Lease 3. Elementary Dear Data 4. The Outr
Based on the French film, The Return of Martin Guerre (which itself was based on a famous court case), this 1993 film by director Jon Amiel recasts the same essential story in post-Civil War Tennessee, in a dirt-poor town suffering the effects of the South's loss. Jodie Foster plays Laurel Sommersby, a widow whose husband died in the Civil War--or so everyone thinks. Then one day, Jack Sommersby (Richard Gere) strolls back into town and back into Laurel's bed--seemingly a very changed man. Gone is the selfish, nasty guy no one much liked. In his place is a friendly, sensitive and resourceful new Jack who not only rekindles the long-dead fire of his marriage, but revives the entire town. Except for one small catch: he may not actually be Jack Sommersby at all. Beautifully shot by Amiel (with a great assist from cameraman Philippe Rousselot) from a script by Nicholas Meyer and Sarah Kernochan, the film features a sturdy, even flinty performance by Foster and a beguiling one by Gere. Though the ending will squeeze the tear ducts, the film earns those tears. --Marshall Fine, Amazon.com
This masterpiece by Preston Sturges is perhaps the finest movie-about-a-movie ever made. Hollywood director Joel McCrea tired of churning out lightweight comedies decides to make O Brother Where Art Thou-a serious socially responsible film about human suffering. After his producers point out that he knows nothing of hardship he hits the road as a hobo. He finds the lovely Veronica Lake; and more trouble than he ever dreamed of!
The Mouse That Roared, originally released in 1959, is mostly remembered as a tour-de-force from peerless comic actor Peter Sellers, playing all three of the principal roles. It's worth seeing for that alone, but the film is also one of the most memorable satires of nuclear geopolitics produced during the Cold War and, along with another Sellers vehicle, Dr Strangelove, provides an unbeatable illustration of the paranoia and helplessness engendered by that period. The Mouse That Roared tells the story of the fictional European principality of Grand Fenwick. Finding itself on the wrong end of a trade dispute with the United States, and noting America's generosity in rebuilding the countries it had fought in World War II, Grand Fenwick's rulers hit upon the idea of declaring war on the US, losing, and then reaping a Marshall Plan-style hand-out. The plan, proposed by Grand Fenwick's prime minister (played by Peter Sellers), is approved by the monarch (also played by Peter Sellers), who dispatches an invasion force of chain mail-clad archers under the command of Grand Fenwick's hapless Field Marshal (also played by Peter Sellers). Due to a series of happenstances and misunderstandings, Grand Fenwick's plan goes terribly wrong, and they inflict a surprising defeat on America, with curious consequences. On the DVD: The Mouse That Roared is presented in 1.85:1 widescreen; sound is mono. Soundtracks are available in English, French, German, Italian and Spanish, and subtitles in all those as well as most other major European languages, Hebrew and Arabic. Special features include a scene selector, and three theatrical trailers: one for this film (English audiences will get a kick out of the 1950s American announcer raving about "an hilarious new personality, Peter Sellers"), one for Sellers' much bleaker (and much funnier) Cold War satire Dr Strangelove, and one for his slight horror spoof Murder By Death. --Andrew Mueller
Urban action and fatal attraction give rise to a groove from beyond the grave in this funkadelic fangadelic Soul Cinema sensation. The eternally cool William Marshall puts a fresh spin on the age-old legend of the vampire condemned to wander the earth with an insatiable lust for blood. In 1780 African Prince Mamuwalde (Marshall) pays a visit to Count Dracula in Transylvania seeking his support in ending the slave trade. Instead the evil count curses his noble guest and transforms him into a vampire! Released from his coffin nearly two centuries later by a pair of luckless decorators Mamuwalde emerges as “Blacula ” one cool dressed to kill dude strollin’ the streets of L.A. on a nightly quest for human blood and fine women! In Scream Blacula Scream Blacula lives and only the legendary Pam Grier (Jackie Brown) has the power to deep-six his reign of terror. William Marshall returns as the noble African prince turned bloodthirsty fiend in this hair-raising sequel to the terrifying hit Blacula! This time it’s voodoo power versus vampire fury when Willis (Richard Lawson) the son of the late high priestess seeks revenge on the cultists who have chosen his foster sister Lisa (Grier) as their new leader. Hoping to curse Lisa Willis unwittingly resurrects Blacula’s earthly remains and lets loose the Prince of Darkness and his freaked-out army of the undead! Bonus Features: New high-definition presentation with progressive encodes on the DVDs New and exclusive introduction to the films by critic and author Kim Newman Trailers for both films A 32-page booklet with new writing by Josiah Howard reprints of original Blacula ephemera and rare archival imagery
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